Letitia Elizabeth Landon (L E L)
Poems published in periodicals, primarily in The Literary Gazette - 5
PAST HOURS
Ah, surely there are moments when thy heart
Must think of her it has so coldly banished ; —
Does not my image to thy memory start,
Though all that made its earlier charm be vanished ?
Do you not think of me sometimes at night,
When the dark hours are passing still and lonely,
The pale stars watching with their dreamy light,
And thou art with thy own hushed thoughts left only ?
Do they not bring me back ? Dost thou not say,
Perhaps this very moment she is weeping
Those bitter tears that pride subdues by day,
To wet the pillow that I keep from sleeping !
Does the still midnight waken no remorse,
No pity for the misery of thy making ?
False as thou art — I could not wish thee worse
Than one sad midnight of my own awaking.
I hear thy voice, I look within thine eyes, —
Then start to think it is but an illusion ; —
False as thy promise, fleeting as the ties
That bound me to thee with such vain delusion.
Then I recall thy words and looks, and think,
How could they wear such true, such tender seeming ? —
I think till I can bear no more, and shrink,
And mock myself for all this idle dreaming.
How many words of thine I now recall,
Scarce noticed at the time when they were spoken ;
Alas ! how true love fondly treasures all
The slightest things, like some heart precious token.
I wish I could forget them — for they keep
Calm from my waking hours — rest from my pillow,
Like those uncertain restless winds that sweep,
Rising with their perpetual strife, the billow.
If weary of the weight upon my heart,
I struggle to be glad with vain endeavour;
How soon I sicken of such seeming part !
The spirits I would force are gone for ever.
If I am sad and weary, and fling by
The tasks in which I take my old delight no longer :
All other sorrows bring one sadness nigh, —
Life's cares are strong — but those of love are stronger.
Love has its part in every other thing,
All grief increasing and all joy impairing;
Death is the only hope, for death will bring
Rest to the heart, fevered with long despairing.
Ah, then, farewell, there is no more for me ;
Those sunny looks that turn them on to-morrow;
I hope not, fear not, and but wish to be
Where the last shadow falls on life's last sorrow.
The New Monthly Magazine
Versions from the German (Second Series)
PAULINE'S PRICE — GOETHE
Sweet Pauline, could I buy thee
With gold or its worth,
I would not deny thee
The wealth of the earth.
They talk of the pleasure
That riches bestow —
Without thee, my treasure,
What joy could I know ?
Did I rule Europe over,
Thy price it should be ;
Let them leave, for thy lover,
A cottage with thee,
Where a pear-tree is stooping
With fruit at the door,
And the green vine is drooping
Each dark lattice o'er.
If my life-breath could be, love,
A ransom for thine,
I'd yield it for thee, love,
With all that is mine,
Ah ! had I the power,
I'd count as time flown
A year for each hour
That thou wert mine own.
The Literary Gazette, 10th January, 1835
Fragments in Rhyme. No.8:
THE PERI
It was a bower of roses, linked by wreaths
Of the golden jasmine, loved by the bee
Whose summer home it is, the flower that breathes
Upon the Indian girl's dark hair, when she
Braids her long tresses for festivity.
Beside these sweet and sunny chains, unclose
Soft leaves, some white as foam-flakes of the sea,
Some veined with pink ; but more than all there glows
The hue-like maiden's cheek, when love calls forth the rose —
Above the blossoms hung an airy form,
Upborne by pinions of an azure dye,
Playing around like light ; her cheek is warm
With rich carnation, and that starry eye
Has the bright colour of the noon-tide sky.
Her look is passionless : no deeper hue
Varies that blush, and as she floats, a sigh
Of odours, and a fresher fall of dew,
Welcome the waving music from those wings of blue.
The Literary Gazette, 14th December 1822
Subjects for Pictures (Series I - No.1)
PETRARCH'S DREAM
Rosy as a waking bride
By her royal lover's side,
Flows the Sorgia's haunted tide
Through the laurel grove, —
Through the grove which Petrarch gave,
All that can escape the grave —
Fame, and song, and love.
He had left a feverish bed
For the wild flowers at his head,
And the dews the green leaves shed
O'er his charmed sleep :
From his hand had dropp'd the scroll
To which Virgil left his soul
Through long years to keep.
Passion on that cheek had wrought,
Its own paleness had it brought ;
Passion marks the lines of thought :
We must feel to think.
Care and toil had flung their shade
Over that bright head, now laid
By the river's brink.
Youth that, like a fever, burns ;
Struggle, scorning what it earns ;
Knowledge, loathing as it learns ;
Worn and wasted heart !
And a song whose secrets are
In its innermost despair; —
Such the poet's part!
But what rises to efface
Time's dark shadows from that face?
Doth the heart its image trace
In the morning dream ?
Yes ; it is its light that shines
Far amid the dusky pines,
By the Sorgia's stream.
Flowers up-springing, bright and sweet,
At the pressure of their feet,
As the summer came to greet
Each white waving hand.
Round them kindles the dark air ;
Golden with their golden hair,
Glide a lovely band.
Spirits, starry Spirits, they,
That attend the radiant day,
When the freed soul burst the clay
Of its prison wall :
Distant visions they appear ;
For we only dream of, here,
Things etherial.
But one glideth gently nigh,
Human love within her eye, —
Love that is too true to die, —
That is heaven's own.
Let the angel's first look dwell
Where the mortal loved so well,
Ere yet life was flown.
To that angel-look was given
All that ever yet from heaven
Purified the earthly leaven
Of a beating heart.
She hath breathed of hope and love,
As they warm the world above ; —
She must now depart.
Aye, I say that love hath power
On the spirit's dying hour,
Sharing its immortal dower,
Mastering its doom :
For that fair and mystic dream
By the Sorgia's hallowed stream,
Kindled from the tomb.
The New Monthly Magazine, 1836
THE PHANTOM BRIDE
And over hill and over plain
He urged his steed with spur and rein,
Till the heat drops hung on his courser's hide,
And the foam of his speed with blood was dyed.
He saw a bird cut through the sky,
He longed for its wings as it fleeted by ;
He looked on the mountain-river gushing,
He heard the wind of the forest rushing,
He saw a star from the heavens fall,
He thought on their swiftness, and envied them all.
Well the young warrior may fiercely ride,
For to-night he must woo, and must win his bride —
The maiden, whose colours his helmet has borne,
Whose picture has still next his heart been worn.
And then he thought on the myrtle grove,
Where the villa stood he had built for his Love :
With its pillars and marble colonnade,
Its bright fountain beneath the palm-tree's shade ;
Fair statues and pictured porticos,
Where the air came sweet from the gardens of rose;
Silver lamps ; and vases filled
With perfumed waters, from odours distilled ;
And the tapestry hung round each gorgeous room
Was the richest of Tyre's purple loom;
And all that his love, and all that his care,
Had had such pride in making fair :
And then he thought how life would glide,
In such a home, and with such a bride.
Like a glad tale told to the lute's soft tone, —
Never hath happiness dwelt alone.
And swifter he urged his courser's flight,
When he thought on who was waiting that night.
But once beneath a spreading shade,
He stopped his panting steed for breath ;
And as a flickering moon-beam played,
He saw it was a place of death.
The lonely cypress-tree was keeping
The watch of its eternal weeping ;
And at the head was a grey cross ;
And scattered o'er the covering moss
Lay withered flower and faded wreath,
That told some maiden slept beneath.
The youth took one or two dried leaves—
Perhaps, thought he, some lover grieves
O'er her who rests, and now can know
No more of human joy or wo.
And answered to his thought a sound,
A murmur from the plaining ground—
He started ! oh, it could but be
The wind that swept the cypress tree.
And almost midnight's hour was come,
Ere he had reached his maiden's home.
All, saving one old slave, were sleeping —
Who, like some stealthy phantom creeping,
Silently and slowly led
The wondering stranger to his bed :
Just pointed to his supper fare,
And the piled wood, and left him there.
It was a large and darksome room,
With all the loneliness and gloom
That hang round the neglected walls
O'er which the spider's net-work falls ;
And the murk air felt chill and damp,
And dimly burnt the one pale lamp;
And faint gleams from the embers broke
Thro' their dun covering of smoke,
And all felt desolate and drear —
And is this, he sighed, my welcome here?
“No— mine be thy welcome, from my lone home
To greet thee, and claim thee mine own, am I come.”
He heard no step, but still by his side
He saw her stand— his betrothed bride !
Her face was fair, but from it was fled
Every trace of its beautiful red ;
And stains upon her bright hair lay
Like the dampness and earth-soil of clay ;
Her sunken eyes gleamed with that pale blue light,
Seen when meteors are flitting at night;
And the flow of her shadowy garments' fall,
Was like the black sweep of a funeral pall.
She sat her down by his side at the board,
And many a cup of the red wine poured ;
And as the wine were inward light,
Her check grew red and her eye grew bright : —
" In my father's house no more I dwell,
But bid not, with them, to thee farewell.
They forced me to waste youth's hour of bloom
In a grated cell and a convent's gloom,
But there came a Spirit and set me free,
And had given me rest but for love of thee —
There was fire in my heart, and fire in my brain,
And mine eyes could not sleep till they saw thee again.
Ah home is dark, my home is low,
And cold the love I can offer now ;
But give me one curl of thy raven hair,
And, by all thy hopes in heaven, swear
That, chance what may thou wilt claim thy bride,
And thou to-morrow shall lie by my side."
He gave the curl, and wildly press'd
Her cold brow to his throbbing breast;
And kiss'd the lips, as his would share
With hers their warmth and vital air, —
As kiss and passionate caress
Could warm, her wan chill loveliness.
And calm upon his bosom she lay,
Till the lark sang his morning hymn to the day ;
And a sun-beam thro' the curtain shone, —
As passes a shadow— the maiden was gone!
That day the youth was told the tale,
How she had pined beneath the veil
And died, and then they show'd her grave—
He knew that cypress's green wave. —
That night, alone, he watched his bride —
The next they laid him by her side.
The Literary Gazette, 18th September 1824
THE PLEDGE
Come, let your cup flash sunshine-like
To friends now far away :
" Here's to the absent and the loved !"
The absent, did you say ?
And wherefore should we drink to them ?
It is a weary toast :
What boots it to recall the friends
Whom we have loved and lost ?
Fast cuts our good ship through the sea—
What does it leave behind ?
There is no path upon the wave,
No track upon the wind.
Like that swift ship we have past on,
And left no deeper trace ;
The circle parted from at home
Has now no vacant place.
Fewer and happier years than mine
On thy young brow are set ;
Soon thou wilt learn Time's easiest task
Is teaching to forget.
I'll fill as high, I'll drink as deep —
Or, must a toast be said ?
Well, here are all I ever pledge —
" The present and the dead !"
The Literary Gazette, 28th June 1828
POETIC FRAGMENTS
FIFTH SERIES
— — — — I have a gush
Of wild and passionate thoughts upon my heart,
For which words have no sound; and can it be
That these fine impulses, these lovely dreams,
Burning with their own beauty, are but given
To make me the low slave of vanity !
Heartless and humbled, oh ! my own sweet power,
Surely thy songs were made for more than this !
What a worst waste of feeling and of life
Have been the imprints on my roll of time —
Too long, too much ! To what use have I turned
The golden gifts, in which I pride myself?
They are profaned ;— with their pure ore I've made
An idol, whose sway is but in the breath
Of passing worshippers. Alas! that ever
Praise should have been what it has been to me !
The opiate of my heart, which has annulled
The happiness that sought but for itself.
It is in vain ; the wretchedness that clings
Upon me like a curse, is in myself.
Spirit of Fame, what hast thou been to me,
But the destroyer of life's calm content?
I feel so more than ever, now thy power
Is weakened over me: once I could find
A deep and dangerous delight in thee :
But that is over. I am too much awake ;
Light— but not morning's light, has burst upon me ;
Such light as will burst in upon the tomb
When all but judgment's over. Oh ! my heart,
My once sweet Paradise of hope and thought,
How changed thou art ! What is the gift of mind
But as a barrier to so much that makes
Our life endurable, companionship,
Meeker affections, calm and gentle thoughts,
Till the vexed spirit seals with discontent,
A league of sorrow and of vanity,
Built on that future which will never be.
I would resign the words of praise which now
Make my cheek crimson and my pulses beat,
Could I but deem that when my heart is cold
And my lip passionless, my songs would be
Numbered 'mid the young minstrels' first delights,
And murmured by the lover when his suit
Calls upon poetry to breathe of love.
First
’Twas Spring, the tree stood by the stream,
With flowers unnumbered hung
Upon the boughs ; you scarcely marked
The shade they downward flung.
The leaves have dropt off one by one,
As the wind o'er them strayed ;
Of all it flung upon the stream
Only remains the shade.
Oh ! heart of mine read here thy fate,
And here thy likeness find ;
Thus has life's freshness past away,
Its darkness staid behind.
And worse thy state : — another spring,
Again that tree will be
Green in its youth — but where's the year
That has a spring for thee?
Second
There was a paleness on his brow that spoke
Of thought, and passionate thought ; upon his lip
There was a smile, a cold and scornful smile,
Not gaiety, not sweetness, but the sign
Of a heart ill at ease— one that had loved,
And been betrayed, and blighted ; and had learnt
The weary lessons time and sorrow teach ;
Had deeply felt itself the vanity
Of hope and love, and now could only feel
Distrust in them, and mockery for those
Who could believe them.
Third
Last night the midnight wind,
Along my casement past,
And a distant funeral bell
Came tolling on the blast.
Envy mingled with my awe,
As I hearkened to the tone ;
I thought of the quiet grave,
And wished it were mine own.
Life is a torrid day,
Parched with the dust and sun ;
And death's the calm cool night,
When the weary day is done.
The Literary Gazette, 17th December 1825
POETIC SKETCHES
[Sketch the First “A woman’s whole life is a history of the affections. The heart is her world. She sends forth her sympathies in adventure; she embarks her whole soul in the traffic of love, and, if shipwrecked, her case is hopeless; it is bankruptcy of the heart.”]
“Who shall bring healing to thy heart’s despair,
Thy whole rich sum of happiness lies there.”
There are dark yew-trees gathered round, beneath
Are the white tombstones, and the green grass sods ;
No other sounds are heard, save the low voice
Of a brook wandering by, or the wild song
Of the sweet red-breast plaining o'er the graves.
There is one tomb, distinguished from the rest
By wild flowers braided round in curious wreathes
Of April beauty; the blue violet
Bending with dewdrops, like to maiden tears,
Falling for love betrayed; the primrose wan,
As sick with hope deceived ; the wild briar-rose
And honeysuckles fancifully linked,
While watching them with fond and patient care,
A pale and wasted Girl leans by that grave.
She once was beautiful, but the hot sun
Has left too rude a kiss upon her cheek,
And she has lain on the damp grass, the sky
Her only canopy ; while the dew hung
Amid her hair, and the hoarse night wind sung
Her lullaby ; and the unwholesome moss
Has been her pillow; this has paled her brow,
And that worst sickness, sorrow — She has lain
Beside that grave, while some unholy star
Shed over her evil influence.
I marked her place the flowers round, then smile ;
Oh, such a sweet sad smile!— she sang at times;
Her song had notes most musical, but strange,
That thrilled the heart and wet the eye with tears.
These are thy bridal flowers
I am now wreathing ;
This is thy marriage hymn
I am now breathing.
Some one has been changing
The fresh buds I gathered ;
This is not my wreath,
Look how 'tis withered !
And then she threw the flowers aside, and turned
An earnest gaze on heaven ; then sang again.
I love thee, oh ! thou bright star,
Now looking in light from afar.
Am I not thy own love ? I see
Thy answer shine down upon me.
I love thee, thou glorious king,
Look on the fair offering I bring.
There the summer rose blooms in its pride ;
Is it not a fit crown for thy bride ?
Oh ! when will that time of joy be
When my spirit shall mingle with Thee !
Some day I shall seek thy bright shrine,
And be to eternity thine. —
They told me of her history ; her love
Was a neglected flame which had consumed
The vase wherein it kindled; Oh, how fraught
With bitterness is unrequited love !
To know that we have cast life's hope away
On a vain shadow. Her's was gentle passion,
Quiet and deep, as woman's love should be,
All tenderness and silence, only known
By the soft meaning of a downcast eye,
Which almost fears to look its timid thoughts :
A sigh scarce heard, a blush scarce visible,
Alone may give it utterance. Love is
A beautiful feeling in a woman's heart,
When felt as only woman love can feel ;
Pure as the snowfall, when its latest shower
Sinks on spring flowers ; deep as a cave-locked fountain,
And changeless as the cypress's green leaves,
For, like them sad, she nourished
Fond hopes and sweet anxieties, and fed
A passion unconfessed, till He she loved
Was wedded with another ; then she grew
Moody and melancholy. One alone
Had power to soothe her in her wanderings,
Her gentle sister, but that sister died,
And the unhappy girl was left alone —
A Maniac. She would wander far, and shunn'd
Her own accustomed dwelling; and her haunt
Was that dead sister's grave, and that to her
Was as a home.
The Literary Gazette, 12th January 1822
<< Quote from Washington Irving
<< Quote from Croly
POETIC SKETCHES
Sketch Second
"Oh, Power of love ! so fearful, yet so fair!
Life of our life on earth, yet kin to care !"
It lay mid trees, a little quiet nest
Like to the stock dove's, and the honeysuckle
Spread o'er the cottage roof, while the red rose
Grew round the casement, where the thick-leaved vine
Wove a luxuriant curtain, with a wreath,
A bridal wreath of silver jessamine ; —
A soft turf lay before the door, o'erhung
With a huge walnut-tree's green canopy,
Encircled round with flowers ; and, like a queen
Of the young roses, stood a bright cheeked Girl,
With smile of Summer and with lips of Spring,
A shape of air, and footsteps of the wind.
She looked all hope and gladness ; but her eyes,
Her deep blue eyes, which seemed as they did owe
Their tints to the first vi’let April brings,
Had yet sad meanings in them ; 'twas not grief,
But as a presage of some ill to come. —
She stood upon the turf, while round her flew
Her bright-hued pigeons, feeding from her hand ;
And still she threw fresh flowers upon the cage,
Where two white doves were cooing ; and then ran
Light as the rose leaves falling, to her Sire,
To greet him, and to give a kind Good morrow. —
A blossom full of promise is Life's Joy,
That never comes to fruit ; hope for a time
Suns the young floweret in its gladsome light,
And it looks flourishing — a little while,
'Tis past, we knew not whither, but 'tis gone —
Some canker has consumed it, or some blight
Has nipt it unawares, some worm has preyed
Upon its life, or else some unkind blast
Has torn it from the stem ; and those who loved,
Who fondly cultured it, are left to weep
Over the ruins of their cherished flower. —
I passed by that sweet cottage ; it was changed ;
The rose trees were all dead, the unpruned vine
Was trailing on the ground, the thick-grown weeds
Gave signs of desolation ; one poor dove
Sat by a broken casement, while her wail
Was echo'd mournfully from the lone roof —
Love, Oh fond Love ! betraying, beautiful,
How can we trust the hope of life to thee ?
Is it not building on the sands ? Fair girl, —
It was the darkness of thy destiny !
She loved one all unworthy of her love.
Alas, that still devoted confidence
Should lead but unto ruin ! He beguil'd
Her steps from home and happiness ; and when
She trusted but to him, his heart no more
Answered the beat of her's — then he could leave
The fond deceiv'd one lone and desolate !
She turned her to her Father, whom she left,
And knelt, and pray'd forgiveness : he might not
Look on her pale cheek, thin and wasted form,
And not weep o'er her kind and pardoning tears.
Her heart was broken — and familiar scenes
Of happier days and childhood brought no charm
To one whose hope was past away —
She died.
The Literary Gazette, 19th January 1822
<< Quote from Barry Cornwall
POETIC SKETCHES
Sketch Third
"You must make
Your heart a grave, and in it bury deep
Its young and beautiful feelings."
’Tis hidden from the sun by the tall elms,
The noon has here no power, and the soft grass
Springs fresh and green, even in the summer's heat.
There is deep stillness round, save when the gale
Talks to the willows that hang gracefully
Over the brook, whose broken murmurs are
An answer to the wind which brings then breaks
The bubbles on its surface ; here the dove
Coos in the noon day, and at evening tide
The woodlark sings his vesper symphony. —
This lime grove was the cherished haunt of one
Who loved it for its solitude ; to him
Silence was holiest language, and the leaves,
The birds, the clouds, were his familiar friends.
His soul was given to poesy, and crowds
And peopled cities were as chains to him,
Where all was cold and strange, where none could feel
As he did ; and he loved to shrink away,
The deep woods his companions, and to live
Mid visions and wild songs. Oh, blessedness !
To see the fair creations of the thought
Assume a visible form ; sweet Poesy !
How witching is thy power upon the heart ;
Enchantment that does bind our senses up
In one unutterable influence ;
A charmed spell set over every thought,
Till life's whole hope is cast upon the lyre.
Loved with a love intense and passionate,
A strange, a jealous, but devoted love.
It is not happiness, tho' in the wreath
That binds the poet's brow, there's many a hue
Of pleasure and of beauty ; yet those flowers,
Like other blooms, are guarded round with thorns,
And subject to the blight and canker-worm.
Planet of bright but wayward destinies,
Thy votaries are thy victims ; he who seeks
The laurel must essay a weary path ;
Neglect will chill his best affections, or
Cold mockery will greet them. There are given
Rich gifts unto the bard ; but, not content
With silent rapture, he must sun his wealth,
Show his hid treasures to the world, and then
The canker will consume them, and the fame
He fondly sought be bitterness of heart.
'Twas thus with the young Minstrel of this grove :
He sought to grasp an iris, beautiful
And of bright colours, but all formed of tears.
His memory lingers in this glen, for here
He caught the inspiration of the gale,
Singing its evening hymn, and worshipped
Like an idolater the morning star
He pass'd in early youth ; his heart was as
A delicate flower, too soft to blossom long.
He sleeps where yon pale willow leans, and weeps
The morning dew above his quiet grave.
The Literary Gazette, 26th January 1822
<< Quote from Barry Cornwall
POETIC SKETCHES
Sketch Fourth
I do love
These old remembrances — they are to me
The heart’s best intercourse; I love to feel
The griefs, the happiness, the wayward fates
Of those that have been, for these memories
Hallow the spot whereon they linger, and
Waken our kindliest sympathies.
The shore was reefed with rocks,. whose rugged sides
Were venturous footing for the fowler's step :
They were shaped out in wild and curious forms,
Above all jagged and broken, but below
The waves had worn the shaggy points away ;
For there they rave incessantly. When last
I past along the beach, it was at eve,
A summer's eve, stormy, but beautiful ;
I could but look upon the western sky,
The rest was hidden from my view ; but there
The day had spent its glory. One rich light
Broke thro' the shadow of the tempest's wing,
While the black clouds, with gold and purple edged,
Caught every moment warmer hues, until
'Twas all one sparkling arch, and, like a king
In triumph o'er his foes, the Sun-god sought
The blue depths of the sea ; — the waters yet
Were ruffled with the storm, and the white foam
Yet floated on the billows, while the wind
Murmured at times like to an angry child,
Who sobs even in his slumber. Mid the rocks
That rose stern barriers to the rebel waves,
There was one spot less rugged than the rest :
Some firs had taken root there, and waved o'er
The entrance of a cave, where Grecian bards
Had said some Sea-maid dwelt, and decked the place
With ocean treasures, for the walls were bright
With crystal spar : In sooth, it seemed just formed
For some fair daughter of the main ; at noon
Here she might bind her hair with shells, and wake
Her golden harp. But now a legend's told
Of human love and sorrow — it is called
The Cavern of the Pirate's Love : — her fate
Is soon and sadly told : she followed one,
A lawless wanderer of the deep, for whom
She left her father's halls. A little while
She might know happiness — it is the heart
That gives the colour to our destiny.
But lovely things are fleeting— blushes, sighs,
The hours of youth, smiles, hopes, and minstrel dreams,
Spring days and blossoms, music's tones, are all
Most fugitive ; and swifter still than these
Will love dissolve into forgetfulness.
She was deserted. For awhile this cave
Was her sad refuge ; for awhile the rocks
Echoed her wild complainings. I can deem
How she would gaze upon the sea, and think
Each passing cloud her lover's bark, 'till, hope
Sickened of its own vanity, and life
Sickened with hope, she passed and left a tale,
A melancholy tale, just fit to tell
On such an eve as this, when sky and sea
Are sleeping in the mute and mournful calm
Of passion sunk to rest.
The Literary Gazette, 2nd February 1822
POETIC SKETCHES
Sketch Fifth
"Glad greetings, tender partings, which upstay
The drooping mind of absence."
“May never was the month of love,
For May is full of flowers ;
‘Tis rather April, wet by kind,
For love is full of showers."
The palms flung down their shadow, and the air
Was rich with breathings of the citron bloom ;
All the so radiant children of the south,
The gold and silver jessamines, the rose
In crimson glory, there were gathered— sounds
Of music too from waterfalls, the hymn
By bees sung to the sweet flowers as they fed ;
The earth seemed in its infancy, the sky,
The fair blue sky, was glowing as the hopes
Of childish happiness ; it was a land
Of blossoming and sunshine.— One is here,
To whom the earth is colourless, the heaven
Clouded and cold : his heart is far away :
The palms have not to him the majesty
Of his own land's green oaks, the roses here
Are not so sweet as those wild ones that grow
In his own valley ; he would rather have
One pale blue violet than all the buds
That Indian suns have kist : his heart is full
Of gentle recollections, and those thoughts
Which can but hold communion with themselves,
The heart's best dreaming. When the wanderer
Calls up those tender memories which are
So precious to absence, those dear links
That distance cannot sunder — come there not
Such visionings, young EVELIN, o'er thy soul?
The dwelling of thy childhood, the dark hill
Above thy native valley, down whose side,
Like a swift arrow, shot the foaming stream,
The music of the lark, which every morn
Waked thy light slumber, and a fairy shape,
Whose starry eyes are far too bright for tears,
Tho' tears are in them, and whose coral lip
Wears still its spring-day smile ? Altho' ' Farewell,'
That saddest of sad sounds, is lingering there,
Are not these present to thee ? . . . Evelin was
A soldier, and he left his home with all
The high romance of youth. Beloved, and well
His heart repaid that love ; but there were clouds,
Low worldly clouds, upon affection's star :
He sought to clear them — what was toil, that led
To fame, to fortune, and ELIZABETH ! - - -
There's music in that bower, where the wild rose
Has clung about the ash,— such plaining tones
As the winds waken : there a harp is breathing,
And o'er it leans its mistress, as she lived
Upon those melancholy sounds : her head
Is bent, as if in pain, upon those strings,
And the gold shadows of her long hair veil
The white hand which almost unconsciously
In melody is wandering : that fair hand
Is not more snowy than the cheek it presses ;
That cheek does tell the history of the heart--
Tells, that across the bright May hours of youth
Bleak clouds have past, and left behind a trace
Bordering on sadness, but withal so sweet
You scarce might call it sorrow ; and that smile
But speaks of patient mild endurance, soft
And kind and gentle thoughts, which well become
A breaking heart, whose throbs will soon be still
In the so lonely but so quiet grave.
Yes, she was dying ! tho' so young, so fair,
Her days were number'd : and if e'er her cheek
Wore the rich colour it once had, 't was but
The sad and lovely herald of decay,
The death rose, that but blossoms on the tomb.
Her's was a heart which, when it once had loved,
Could but ill brook the many trembling fears
That absent love must know —her fate was like
A star, o'er which the clouds steal one by one,
Scarce seen, scarce noticed, till the sweet light's gone. - - - - -
- - - She is within his arms, and they have met,
Evelin and his Elizabeth ! a flush
Of beautiful delight is on her face ;
He clasped her silently, and his dark eye
Is filled with tears. Ah, tears like these are worth
A life of smiles, — at length he gently said,
" Elizabeth, my own love." — it was heaven
To think that she again could hear him breathe
That dear dear name ; she answered not, but lay
Upon his bosom motionless. He looked
On her sweet face — 'twas fixed and pale in death !
The Literary Gazette, 9th February 1822
<< Quoted from Robert Southwell
<< Quoted from Wordsworth
POETIC SKETCHES
Sketch Sixth
"She had no thought from him apart,
The idol of her seared heart,
The hope of life's lone pilgrimage,
The light, the blessing of her age !
But hope is like the rainbow's form,
Dying in tears and born in storm ;
And all must feel what passing flowers
Are Joys we deemed most truly ours."
"Alas, life is a weary voyage, made
Mid storms and rocks, with just a sun ray sent
To lure us on and leave us."
Down swept the gathered waters over rocks
Which broke at times the column's foaming line ;
Darkening amid the snow-white froth, it swept
Like an all conquering army, and an arch
Of sparkling hues that in the sunbeams played
Seemed to unite it with the sky which hung
Above all calmness and repose : The blue
Ethereal, soft and stainless, well beseemed
A heaven we deem the dwelling-place of peace :
Downwards it rushed ; the tall green pines, that hung
Upon the cliffs beside, were covered o'er
With silver spray : there stood those stately trees,
Braving the furious storm, as the proud sons
Of Greece, when Greece was glorious, stood and braved
The tyrant's menace and defied the yoke.
It reached the plain below; a crystal lake
Became its dwelling, where the dimpling wave
Had lost all memory of its former strife :
The willows grew around, and that pale flower
The water-lily floated on its face,
The halcyon plumed his azure wings, nor feared
A coming storm, and in the midst an isle
Rose like a blest shrine to the guardian power
Of that sweet scene. It was a little spot
Shaded by gloomy firs and lighter birch :
Here the wild strawberry shed its first white blossoms,
And the dove built her nest, while the soft gale,
Sighing amid the graceful larches, gave
The only answer to her murmurings. —
Two once dwelt here, a Mother and her Child :
She was a widow, and had deeply drank
The cup of bitterness. But woman bears
The storm man shrinks from unrepiningly.
At length the one to whom her love had been
A light mid darkness died, and she was left
In coldness and unkindness : but one link
Still bound her to this earth ; there was a smile
Bore gladness to her wounded heart, a voice
Of joy and consolation, one who made
Life very precious to her — the young bird,
Her own sweet nestling, yet too young to know
What clouds hung o'er him.— Quiet came at last;
The mourner found a little lone retreat
Where she might rest her weary feet— this isle
Became her home. Her child grew up
A hope and blessing to her :— she was proud
To hear that when he joined his young compeers,
No foot was fleet as his, no hand could send
The arrow so unerringly, and none
So lightly and so fearlessly could scale
The height whereon the eagle dwelt ; and, more
Than all, to feel how she was loved ! He seemed
To live but for her. When with boyish pride
He dared the venturous path the others feared,
If chance he saw his mother's cheek grow pale,
The meed was left unwon. One morn he went
In his light skiff, and promised to return
As evening fell ; but when the sun sank down
The air was thick with clouds, and the fierce wind
Poured in its anger o'er the waters ; loud
The thunder rolled, and the red lightnings hurled
Their fiery warnings. High upon a rock
She raised a fire :— the lightning struck the pile,
She marked it not— the rain beat on her head,
It was unfelt — but with the agony
Of hope expiring, still she fed the flame.
Day rolled the clouds away, and, sick at heart,
She looked towards the shore— he floated there,
Her own beloved Child !—With one wild shriek
She threw herself towards him, and the waves
Close on them undivided ! - - -
The Literary Gazette, 22nd February 1822
<< Neither quote identified
THE POET'S RETREAT
Oh ! not in stately halls, or gilded rooms,
Or crowded city, would I dwell with thee !
But in a lowly cottage, not so high
But that the jessamine could reach the roof,
And in a lonely valley, paint thee, love !
A small white dwelling, in a paradise
Of many-coloured flowers : at the door
Should be a little porch of honeysuckle ;
The lattices should have no other blinds
Than branches of red roses. In the room
A lute be placed, whose music should be heard
Together with the woodlark's evening song ;
Fresh flowers in green rush baskets ; and some books,
O'er which the Spirit of sweet Poesy
Had shed his soul of beauty and of passion ;
And landscapes on the walls — landscapes that gave
The skies of other nations — rock, and storm,
And mountain-torrent — and black woods, where dwell
The dark banditti; so that we might prize
Still more the quiet of our own calm home.
Our garden should be beautiful — but ours
The only hands that made it beautiful.
We would be proud of it. Our crocuses
(Those golden promisers of April's wealth)
Should be the first in Spring, and ours the rose
That bloomed the last in autumn. In the shade
Of an old ash, whose boughs hung o'er a bed
Of purple violets, we'd place our hive
Of bees, and plant a sweetbriar by the stand.
Around, the country should be pleasant fields.
Corn and green meadows, and their hedges rich
With the luxuriant May and wilding rose ;
And in the summer time wood strawberries,
Mixed with the azure bird's-eye at their roots.
Away, yet still the village should be seen
Visible, peeping from the tall elm trees,
With its white church and sunset-gilded spire.
And there should be a little brook, o'erhung
With graceful willows, and the water lily
Upon its calm cold surface; and at noon
Its ripple would come musical and low.
Mixed with the wood-dove's plaining to her mate.
I could be happy any where with thee !
But this, dear love ! — this would be Paradise !
The Literary Gazette, 8th May 1824
METRICAL TALES
Tale II.—
THE POISONED ARROW
Love lives on Hope and Memory.
'Tis an old tale of love and truth
We used to read, I scarce know when.
And still it brings back to my heart
All that my heart was full of then.
We read it one blue summer night,
Half by lamp, half by moonlight, —
An English summer night, thrice fair,
For that its loveliness is so rare ;
Just three or four nights at the full of the moon,
When the flower-filled air is breathing of June ;
Three or four nights that rejoice the year
With a dream of light from another sphere.
I remember a pink woodbine
That hung round the lattice its coral twine;
I remember the vine, whose green
Shone in the ray like silver sheen ;
And how through the leaves a sweet air came,
For beside grew a rose with a crimson flame
Lighting its life, as love lived on its spring;
But all are departed or withering.
I remember a fond arm placed,
Zone of my heart, around my waist ;
I remember a dark eye that shone,
And turned to me, as the tale went on,
To look its so gentle sympathies,
And ask, Are we not as fond as these ?
I remember an honey tone, —
But that clasp and that look and that voice are gone!
Why think I now of them ? Oh, woman's heart
Treasures the memories that depart
From sterner man, — when will love be
Enshrined as in her memory ! —
Thou wert not false, — I cannot now
Reproach thee with one broken vow ;
I may not say thou art estranged,
I rather feel than know thee changed ;
Thy heart is now in other things
Than love's once dear imaginings;
The world has claimed thee, — crowds and care
Are things in which love has no share ;
You would but smile now to recall
Many sweet vows and gentle fears,
Or marvel they were ever felt, —
Such change is in a lapse of years.
But I have treasured looks and words,
Till memory's links are as soft chords.
O'er which, if but one breath shall fall,
They wake in tones thrice musical.
But thou! thou hast forgotten all.
Oh this is vain, I cannot bring
Again the freshness of our spring. —
On to my tale — it will recall
All that is from my bosom reft,
Bereaved of love's original,
’Tis much to have its picture left.
Amid the groves of Lebanon,
The scented cedar groves, is one,
The very loveliest of all,
So clear, so cool, the fountain fall,
So gracefully the roses grow,
Mirrored in the clear water's flow ;
So beautiful athwart the boughs
Comes morning's rise or evening's close;
And when the moon shines forth at night,
Or, in her absence, gleaming light
Darts from the stars upon the vale,
Sings to them the lone nightingale,
As an enchanted harp were breaking
The calm with its delicious waking.
’Tis strange to find in such a place
Aught that resembles human trace ;
Yet, underneath a cedar's shade,
Whose boughs, defying sun or rain,
Keep the white marble free from stain,
A tomb is placed ; a statue there —
A woman, by the flowing hair,
The small feet and the delicate hand ;
Yet by it lies the warrior's brand,
And on it is a warrior's dress,
Ill suited to its gracefulness :
’Tis exquisitely carved : the brow
Seems as if life were in its glow,
As the small fingers still could guide
The broken lute-chords by their side. —
There was a hermit once, whose cell
Of loneliness was in this dell :
He lived in silence and in gloom,
His sole employ to raise this tomb;
None heard his voice, none saw his face,
Few ventured near his dwelling place,
For the fair tomb was said to be
The work of potent witcherie ;
’Twas potent, for grief was the spell,
And love that wrought the miracle. - - -
Oh Glory, sunlight of the grave,
What is thy spell to charm the brave ?
What thy spell, that it could divide
Earl Richard from his young fair Bride ?
The first spring blossoms saw her his,—
The fruit shone on their parting kiss.
The Earl to Palestine is gone,
The Bride sits in her bower alone.
Alone ! so thought her lord, when, turning,
His full heart with the fancy burning,
To the white shores, he breathed her name —
An echo to his murmur came,
’Twas answered by his name, — his breast
Again is to his Edith's prest !
Garbed as a page, her home she left ;
Bereaved of him, of all bereft.
Lost, in that thought all else above,
A woman's fear in woman's love.
Woman, what fearless faith is thine !
She went with him to Palestine;
She went with him,— through toil, through fear,
Her gentle smile was ever near.
And sometimes, from the rush of war,
Beneath the lovely evening star
They stole a quiet hour, to share
The perfumed coolness of the air ;
And she would take her lute, and sing
Sweet songs of old remembering,
Breathing of home — talk of the fame
Gathering round her Warrior's name,
And mix with future hope a sigh
Given to pleasant lays gone by. —
The day of battle ! Hark, the sound
Of the deep trumpet swells around ;
The Earl goes forth : 'tis Edith's hand
Has girded her own Warrior's brand,
Has smoothed the war-plumes on his crest,
Has buckled on the mailed vest.
Felt she not proud at heart to see
He was the flower of chivalry,
As, curbing in his steed of gray.
He rode the first to lead the way ?
That morn he went forth like a king,
Glorious in his first triumphing ;
But the sweet evening's scented breath
Flowed cool upon his wound of death !
Curses upon the coward craft,
His foeman's was a poisoned shaft.
There came no tear to Edith's eye,
But she knelt by him tenderly,
And parted his thick raven hair,
That he might feel the soothing air;
And placed his head upon her breast,
And lulled him with soft words to rest.
'Twas as she hoped, — he sleeps ; and now
Her lips are on his throbbing brow,
Sucking the poison forth : 't was bliss
To know she gave her life for his.
He woke, but not to feel again
The hot fire rushing through each vein,
But as aroused from slumbers deep,
And sweet as those which infants sleep.
But Edith ! ah. her pulse beats low,
Her cheek has lost its sunset glow,
The violet of her eye is dim, —
He knows it all, — she dies for him.
The Literary Gazette, 6th March 1824
SONGS
5.
THE PORTRAIT
Ah ! let me look upon thy face,
Fling back thy clustering hair ;
It is a happiness to gaze
On any thing so fair.
'Tis such spring-morning loveliness —
The blushing and the bright —
Beneath whose sway, unconsciously,
The heaviest heart grows light.
The crimson flushing up the rose
When some fresh wind has past,
Parting the boughs — just such a hue
Upon thy cheek is cast.
Thy golden curls, where sunshine dwells
As in a summer home ;
The brow whose snow is pure and white
As that of ocean foam.
For grief has thrown no shadow there,
And worldliness no stain ;
It is as only flowers could grow
In such a charmed domain.
I would thy fate were in my hands :
I'd bid it but allow
Thy future to be like thy past,
And keep thee just as now.
The Literary Gazette, 8th May 1830
POETICAL CATALOGUE OF PICTURES
PORTRAIT OF A GIRL, in the British Gallery,
by T. Stewardson
I do but give faint utterance to the thoughts
That curled her coral lip, and filled her eyes
With laughing malice.
In truth, dear Love, 'twas a fitting gift
The gift which you gave to me :
A spring-flower wreath, whose short sweet life
Is like love's life with thee.
You are a gay and a gallant love,
The wooer that woman likes best,
With a heart that roves like that eastern bird
Whose pinions are never at rest.
Never was lover more suited to me ;
My heart is yet lighter than thine ;
Did it change like the vane with each wind that blows,
It could not change oftener than mine.
Some Cupids have wings of the butterfly's plume,
While some have the wings of the dove ;
The first is the Cupid most fitting for me —
I could not wear the willow for love,
I care not for falsehood, I can be false too ;
Lose one love, there are others in plenty ;
And if that my lover should dare break one vow,
To punish him I can break twenty.
The Literary Gazette, 15th March 1823

PORTRAITS
1.
SHE leant her head bowed down upon her hand,
A delicate small hand, with a slight flush
Of red inside, as it had prest her cheek
And stolen its blush ; that cheek was very pale :
'Twas not all sickness, sadness, or deep thought,
But as it mingled each and all of them.
Health were too rude a gift for her slight form ;
And for her sadness, — 'twas not that which springs
From evil fortune, sorrow, or disgust.
But that which ever waits upon deep thought.
Her dark hair was just parted on her brow,
Careless, yet graceful, for it suited well
A face which seemed not made for vanity ;
And eloquent words were passing ; and at times
Her eyes were raised and lighted up ; they struck
Upon her spirit's own fine chords ; at last
She spoke — her voice was low and tremulous —
With that beseechingness of tone and air
Which is a woman's own peculiar charm.
Oh ! never should a woman's words be more
Than sighs which have found utterance.
2.
His brow was like the marble, which the sun
Hath in meridian splendour shone upon.
Whitening away its every earthly stain ;
With not a colour save one azure vein ;
Too clear for health, to show that life was there,
Else it had been too statue-like, too fair :
And there were sunny curls ; they were too bright,
Too like, alas ! that mockery of light
In summer noontide hours — such as is thrown
O'er the pale whiteness of the funeral stone.
His mouth was feminine in loveliness,
But that its scornful smile could well express
Proud and high feelings ; and his voice was low,
Those tones that to the heart directly go,
And cannot be forgotten : he seemed one
Who knew how dearly happiness is won ;
Happiness ! pleasure I should rather say,
Happiness never made on earth a stay —
But he is in the grave — the early grave,
Which ruined hopes, and withered feelings gave.
The Literary Gazette, 5th June 1825
RAPHAEL SHOWING HIS MISTRESS HER PORTRAIT
By Mr. Brockedon. (British Gallery.)
Sorely he imaged this from his own heart ?
He had been wandering with some one he loved —
Some dark-eyed beauty — when the sunset threw
In vain its crimson o'er a cheek, which blush
(That gentle answer to a lover's look)
Had died already. Parted from her side,
He thought upon her face, and painted this,
Bidding another's love breathe of his own.
I've thought upon thy brow when Night
Threw o'er my pallet her summer moonlight,
And I have looked on the midnight sky
To catch the depth and light of thy eye ;
I painted from these and from memory,
For I could not paint when I looked on thee.
I saw thee one day — the bath had shed
Over thy cheek that loveliest red
I never saw matched by rosebud or rose,
By morning's rise, or by evening's close :
Around thy brow was a turban rolled,
The hair was veiled by its graceful fold,
Save one or two rich curls that fell,
The beauty of the rest to tell ;
Thy neck and rounded arms were bare,
Marble statue was never so fair ;
Thy zone was unbound, but one small white hand
Held thy robe while thy dark eye scanned
How it floated round in the glass beside,
With youth and woman and beauty's pride.
Now this be thy mirror — Is thine eye bright ?
Curls that lip, blooms that cheek aright ?
Now this be thy mirror, and it shall be
A glass, my beauty! worthy of thee —
A glass, the emblem of my heart,
From which thy image will not depart.
Perish the other works, for whose fame
I have wasted the light and oil of life's flame —
Let not one single fragment be
Of what they say is immortality.
If Time will but spare this loveliest trace
Of thy fairy form and thy radiant face,
Just leave this record of my heart
To tell how lovely and loved thou art !
The Literary Gazette, 24th April 1824
REALITIES
I made myself a little boat
And launched it on the sea ;
And into the wide world went forth
To see what there might be.
I had a power given me
To gaze on every heart,
And from its secret joy or grief
To bid the veil depart.
I entered first a stately hall ;
It shone with light and bloom,
And the air was heavy with the breath
Of music and perfume.
There saw I one, who on his head
Wore a bright crown of gold,
And his purple mantle swept the ground
In many a broidered fold ;
But he had a troubled glance,
And his look was dark with care.
And his thoughts wandered to and fro,
And rest they found no where.
I stood next by a gay lady ;
Rich gems were in her hair ;
There was not one so proud as she,
There was not one so fair :
But I perceived her spirit turned
From the enchanted scene,
With sad and mournful memory,
To days which once had been ;
When her hair was bound with flowers,
And her spirits fresh like them,
Ere she had bartered happiness
For the heartless diadem.
I entered next a mossy bower ;
And there two lovers leant,
As if their destiny were clear
As the moonlit element.
A moment passed, and all was dark,
For the lover's blood was shed ;
And his wan mistress lay beside —
Her life with his had fled.
I saw a minstrel's lofty brow,
Green with his laurel crown ;
But I saw, too, that high pale brow
Was bowed in sorrow down :
For blighted hope was at his heart,
And he had found that fame
(The fame he had thought more than life)
Was nothing but a name.
I saw the sun like glory rise
On the warrior's snow-white plume ,
And stern and stately was his step,
But his lip and eye were gloom :
I saw him look towards the field
He had covered with the slain, —
I knew his soul was on the friends
He should not see again.
I then the crowded city sought —
There was hurrying to and fro ;
I asked if in it might be rest ?
And tumult answered, no.
I called the traveller wind, oh ! where
Peace may the weary crave ?
And the deep voice of death replied —
But only in the grave.
The Literary Gazette, 30th April 1825
REMEMBRANCE
That Portrait ! aye, it was a lovely face.
Those eyes, like violets on which the sun
Has looked as favourites ; the long dark lash,
Sweet twilight to their playfulness ; that brow,
Open as morning, white as Indian pearl,
Shadowed by those light clouds of pale brown hair,
Braided by lilies pure as she herself: —
It looks just what she was, all youth, all life,
All girlish innocence and happiness.
We were companions in our youth : we loved
With that first love life never quite forgets.
We parted, — parted too without a hope !
Hope waits on Fortune. After many years
I saw my early idol once again :
How changed, yet still how very beautiful !
Pride sat upon her brow, a reckless scorn
Mingled with bitterness in each light word,
And sorrow, ill concealed, seemed at her heart :
Yet had she wedded, and won rank and wealth,
But once we met; how deep the tenderness
That softened her so lovely countenance,
When, with a voice half music and half sorrow,
She gently said, " The seared heart doth not break."
The Literary Gazette, 31st January 1824
REQUIEM
Oh! cold are thy slumbers, and low is thy grave,
Above it one cypress shall mournfully wave ;
No flowers shall flourish around thy death shrine, —
Their bloom would but mock such a dark sleep as thine.
The pale stone overhead, the sod of dank green,
Will be sad as the path of thy life-time has been.
Thy wild harp shall hang on a willow beside,
O'er its chords like a spirit the night wind shall glide
And pour forth thy dirge ; that harp wont to be
The charm of the wilderness thrilling for thee :
It will soothe thee mid sadness and coldness no more,
Its strings will grow damp, and its music be o'er.
As a vase of sweet flowers with summer dews bright,
Thy heart was all tenderness, beauty, and light,
But the sweet vase was broken, the flowers decay'd,
And, like them, thy feelings were crush'd and betray'd;
And the glimpses of song, that had flashed o'er thy lyre,
But prey'd on the heart that had cherish'd their fire.
Thy day-star was even in dawning o'ercast,
Thy song in the moment of breathing was past,
There is but one heart to lament o'er thy doom,
There is but one check will for thee lose its bloom :
That cheek will grow pale as thy funeral stone,
That heart will soon break, it was truly thine own.
The Literary Gazette, 24th November 1821
THE REVERSE
Farewell, farewell, thou heartless one !
I marvel now how it could be,
That my heart's deepest tenderness
Was vowed so utterly to Thee.
Marvel, ah, no ! I must not look
Upon that darkly arching brow, —
I must not meet that liquid eye,
Nor gaze upon that neck of snow.
Or I shall marvel at my hope,
My wish, my will, to break thy chain—
Watch thy surpassing loveliness,
And be thy spell-bound slave again.
I could have pardoned Thee, if love —
Some other love— had thwarted mine ;
I know too well his wildest power,
Not to have felt for it, if thine.
But thou art all of vanity,
And I may not forgive — forget
That my heart's deepest pulse has been
Trifled with by a light coquette.
The Literary Gazette, 10th April 1824
RIENZI SHOWING NINA THE TOMB OF HIS BROTHER
It was hidden in a wild wood
Of the larch and pine ;
It had been unto his childhood
Solitude and shrine, —
There he dream'd the hours away.
On the boughs the wood-dove hover'd
With her mournful song ;
And the ground with moss was cover'd,
Where a small brook danced along
Like a fairy child at play.
Thither did Rienzi bring
The loved and lovely one ;
There was the stately Nina woo'd,
There was she won.
Reeds and water-flags were growing
By the green morass;
While the fresh wild flowers were blowing
In the pleasant grass,
Cool and sweet, and very fair.
Though the wild wind planted them
With a careless wing,
Yet kind Nature granted them
All the gifts of Spring.
Nought they needed human care.
They grew lovelier in the looks
Of that lovely one ;
While the Roman maid was woo'd,
While she was won.
In the pines, a soft bewailing
Stirr'd the fringed leaves,
Like a lute whose song is failing,
Loving, while it grieves
So to die upon the wind.
Ivy garlanded the laurel,
Drooping mournfully ;
Poet — warrior — read the moral
Of the victor's tree,
Lonely still amid its kind !
Yet what dreams of both are blent
In the soft tale now begun,
Which the radiant Nina woo'd,
And which Nina won.
There a cypress raised to heaven
Its sepulchral head,
Like a stately column given
By the summer to the dead ; —
There the young Rienzi slept.
In that grave his brother laid him,
'Neath the evening star ;
While revenge and sorrow made him
What earth's great ones are; —
Long, drear vigils there he kept.
Now a sweeter one was lit
By the setting sun ;
While that lady bright was woo'd,
While she was won.
By the grey cross o'er his brother,
By his heart's first care,
Did Rienzi ask another
In that heart to share.
To that maiden's feet he brought
All his early youth's affection,
All his early years ;
All whose tender recollection
Only speaks in tears.
Thus to share his soul he sought :
All life's loveliest feelings grew
Round that lovely one ; —
Thus was the bright Nina woo'd,
Thus was she won.
Ah ! the glorious mind's aspiring
Needeth some repose —
Some sweet object for desiring,
Where its wings may close.
Wrapp'd in purple shadows, Rome
Rose afar off like a vision —
Stately, dark, and high ;
But a softer one had risen
'Neath that twilight sky.
While the full heart found a home,
There were mighty words and hopes
Shared with his beloved one ;—
Thus was the bright Nina woo'd,
Thus was she won.
The New Monthly Magazine, 1836
Subjects for Pictures, Series 1, Number III
ROMANCE
Maiden, listen ! thy hunter's horn —
Thrice has the wind its echo borne ;
Should not this our moment of meeting be ?
Hast thou no answer, maiden, for me?
Ah, yes, I can hear thy silvery feet,
Like the lute's music, light and sweet;
Soft on the air comes the breath of thy sigh,
As the odours that tell when the Spring hours are nigh.
Invisible, still I should feel thou wert near,
Be conscious that something was by me most dear.
Oh, haste thee, beloved, I've built thee a bower,
Not like the halls of thy father's tower—
Where the banners are sweeping o'er helm and o'er plume,
And crimson and gold clothe each stately room —
Where censers are burning with incense and light—
Where winecups of silver are foaming and bright—
Where an hundred minstrels sing thee to sleep—
While an hundred knights watch o'er those slumbers keep —
But my bower is built by an old oak tree,
With an ivy and woodbine canopy ;
And the turf beneath is thickly set
With primrose, lily, and violet.
The nightingale, love, shall thy minstrel be;
And my two dark hounds shall be guards for thee ;
And for crystal vases of eastern perfume,
The wild rose in the freshness of morning shall bloom ;
And more than all, thou shalt have for thy slave
A heart that will beat for thee till in the grave.
The Literary Gazette, 7th February 1824
[ROMANCE]
Oh ! come to my slumber
Sweet dreams of my love,
I have hung the charmed wreath
My soft pillow above.
The roses are linked
In a chain pure and white ;
And the rose-leaves are wet
With the dew drops of night.
The moon was on high
As I gather'd each flower;
The dew that then falls
Has a magical power.
The Spirit of slumber
Those roses has blest ;
And sweet are the visions
They'll bring to my rest.
Be their spell on my soul,
So they let me but see
His dark eyes flash in love
And his smile glance on me.
Let sleep bring the image
Of him faraway ;
'Tis worth all the tears
I shed for him by day.
I have hung the charmed wreath
My soft pillow above ;
Then come to my slumber,
Sweet dreams of my love !
The Literary Gazette, 10th November 1821
Title applied in The Lyre, 1841
ROME
Oh ! how thou art changed, thou proud daughter of fame,
Since that hour of ripe glory, when empire was thine,
When earth's purple rulers, kings, quailed at thy name,
And thy capitol worshipped as Liberty's shrine.
In the day of thy pride, when thy crest was untamed,
And the red star of conquest was bright on thy path.
When the meteor of death thy stern falchion's edge flamed,
And earth trembled when burst the dark storm of thy wrath.
But Rome thou art fallen ! the memory of yore,
Only serves to reproach thee with what thou art now:
The joy of thy triumph for ever is o'er,
And sorrow and shame set their seal on thy brow.
Like the wind shaken reed, thy degenerate race,
The children of those once the brave and the free--
Ah, who can the page of thy history trace,
Nor blush, thou lost city, blush deeply for thee!
Could the graves yield their dead, and thy warriors arise,
And see thy blades rusted, thy war banners furl’d,
Would they know the proud eagle that soared thro' the skies,
Whose glance lightened over a terror struck world ?
Yet e'en in disgrace, in thy sadness and,gloom,
An halo of splendour is over thee cast :
It is but the death-light that reddens the tomb,
And calls to remembrance the glories long past.
The Literary Gazette, 11th March 1820
ROSALIE
The green grass, with a cypress tree above,
Is now her dwelling, and the worm hath fed
Upon the lip I loved so - - -
We met in secret : mystery is to love
Like perfume to the flower ; the maiden's blush
Looks loveliest when her cheek is pale with fear.
By moonlight still I sought my lady's bower,
And there, 'mid blossoms fragrant as her sigh,
I met the beauty that my soul adored,
And listened for the light feet, which like wind
Pass'd o'er the dewy turf. Oh never can
That dear step be forgotten— it is still
Familiar as a sound of yesterday. —
Our shrine of meeting was a cypress, which
Hung o'er the rose, like Sorrow shading Love :
This was the temple where we called the Night
To witness gentle vows, and when each lip
Paused in the fulness of impassioned thoughts ; —
Hearkened those moonlight melodies, which came
So soothingly upon that silent time ;
The light cascade, descending, shedding round
Its silver drops upon the orange blooms,
That leant to kiss their own fair images,
Each sparkling wave a mirror, and sighed forth
Their soul of odour as they caught the dew ;
The melancholy music of that bird
Who sings but to the stars, and tells her tale
Of love when, bosomed by the snowy clouds,
The Queen of Beauty lights her radiant lamp,
Her own soft planet. — And at times there came
Like a low echo, a faint murmur, when
A gale just laden with the rose's sigh
Swept the Eolian lyre, and wakened sounds
Of such wild sweetness that it almost seemed
The breath of flowers made audible. — They told,
In long departed days, when every grove
Was filled with beautiful imaginings
And visioned creations, that a Nymph
Once pined with unrequited love, and sighed
Away her sad existence. I could think
She left her last tone softly giving soul
To the sad of that lonely lyre ;
Or else, perchance, the spirit of some Bard,
Whose life in life was music, wander'd o'er
The chords which once with him held sympathy,
Like him neglected, but sweet breathing still ! - - - -
- - Why dwell I on these memories ? Alas,
The heart loves lingering o'er the shadows left
By joys departed. — 'Twas one summer night,
And our brief hour had pass'd ; I know not why,
But my soul felt disquieted within me,
And the next evening, when I sought the grove,
I had a strange foreboding sadness — none
Were there to welcome me, no silvery trace
Of fairy footsteps was upon the grass :
I waited long and anxiously — none came —
I wandered on ; it was not in the hope
To meet my ROSALIE ; but it was sweet
To look upon the stars, and think that they
Had witnessed our love. At once a sound
Of music slowly rose, a sad low chant
Of maiden voices, and a faint light streamed
From out the windows of a chapel near ;
I knew it well — 'twas the shrine sacred to
Her patron saint, and ROSALIE had said,
If ever I might claim her as my bride
Before the face of heaven, that altar should
Be where our vows were given. I entered in,
And heard a sound of weeping, and saw shapes
Bent down in anguish : in the midst a bier
Was covered o'er with flowers — sad offerings made
The dead, in vain — and one lay sleeping there,
Whose face was veiled ; — I could not speak nor ask,
My heart was wild with fear, — I lifted up
The long white veil,— I looked on the pale check
Of my so worshipped ROSALIE !
The Literary Gazette, 18th May 1822
FRAGMENTS IN RHYME - XII
STA. VALERIE
Raised on the rocky barriers of the sea,
Stands thy dark convent, fair St. Valerie !
Lone like an eagle's nest; the pine-trees tall
Throw their long shadows on the heavy wall,
Where never sound is heard, save the wild sweep
Of mountain-waters rushing to the deep,
The tempest's midnight-song, the battle-cry
Of warring winds, like armies met on high,
And in a silent hour the convent chime,
And sometimes, at the quiet evening time
A vesper song — those tones, so pure, so sweet,
When airs of earth and words of heaven do meet !
Sad is the legend of that young Saint's doom !
When the Spring Rose was in its May of bloom,
The storm was darkening ; at that sweet hour
When hands beloved had reared her nuptial bower,
The pestilence came o'er the land, and he ,
With whom her heart was, died that very morn —
Her bridal morn ! Alas, that there should be
Such evils ever for affection born !
She shrank away from earth, and solitude
Is the sole refuse for the heart's worst pain ;
Life had no ties, — she turned her unto heaven,
And on the steep rock reared her holy fane.
It has an air of sadness, as just meet
For the so broken heart's last lone retreat! —
A portrait here has still preserved each charm :
I saw it one bright evening, when the warm
Last glow of sunset shed its crimson ray
Over the lovely image. She was fair
As those most radiant spirits of the air
Whose life is amid flowers ; like the day,
The golden summer day, her glossy hair
Fell o'er a brow of Indian ivory ;
Her check was pale, and in her large dark eye
There was a thought of sorrow, and her brow
Upon one small snow hand leant pensively,
As if to hide her tears — the other prest
A silver crucifix upon her breast.
I ne'er saw sadness touching as in thee
And thy lorn look, oh fair ST. VALERIE !
The Literary Gazette, 4th January 1823
VERSIONS FROM THE GERMAN
(Third Series)
THE SEA OF LOVE — HERDER
Whither would ye draw me, fair and faithless eyes, —
Soft as is the azure within the summer skies :
The storms of jealous anger upon my head will beat —
The fickle waves forsaking, will yield beneath my feet.
And yet they lead me onwards, while in their swimming light
I think not of my dangers when day declines in night.
Oh, false and lovely beacons ! too soon they'll set, and shew
What dark and dreary caverns their sunshine hides below.
The Literary Gazette, 17th January 1835
THE SHADOW
I HUNG o'er the side of the vessel while cleaving
Mid the blue rolling waters her pathway of light ;
Behind was the white silver track she was leaving,
And before her the billows lay buoyant and bright.
Her white sail was spread to the beauty of Morning,
Which waked like a rose crimson from her night's rest —
Now wooing the wind, and now, woman-like, scorning
The lover whose home was yet deep in her breast.
On sprang the ship, like the stag from its pillow,
In beauty, in music, in gladness, she past ;
But follow'd her still one dark shade on the billow;
That fair ship ! from her could such darkness be cast ?
The sunbeam hath its shadow, and youth hath its sorrow,
The fair bark its dark side, and such is mine own ;
Brightness and gladness my pathway may borrow,
But still my heart's darkness upon it is thrown.
The Literary Gazette, 16th September 1826
THE SICILIAN GIRL TO THE MADONNA
Madonna, I have gathered flowers,
And wreathed them round thy shrine ;
And every rose I offer thee
Is wet with tears of mine.
Madonna, I am kneeling here ;
Yet will they not depart,
The earthly hopes and earthly fears
That war within my heart.
I strive to only pray for peace,
To only think of thee ;
Alas ! my wild and wandering thoughts
Ill with my words agree.
Madonna, 'tis in vain to strive ;
My lips may move in prayer,
But thou canst read my inmost soul,
And other thoughts are there.
Thou knowest all my wretchedness,
Thou knowest all my love ;
Oh ! mother dear, look down on me,
I dare not look above,
Mother, though not on that pure brow
One earthly shade appears,
That radiant head has been bowed down,
Those eyes been filled with tears.
Thou knowest the bitterness of grief,
The mortal pang and strife
Of hopes that look beyond the grave,
Of ties that bind to life.
I feel the damp upon my brow,
The flush upon my cheek ;
My languid pulse, my failing breath,
More weary and more weak.
Ah ! little should she think of love
Whose steps are on the grave ;
Of love, the almighty to destroy,
The powerless to save.
It is in vain ; I cannot pray,
And yet not think his name ;
It may be silent on my lips,
'Tis in my heart the same.
The love of happy childhood's years,
The love of youth's first vow ;
The same through sickness, grief, and wrong,
May not be banished now.
I know no more my evening song
Will rise at twilight dim ;
I know this is my latest prayer, —
Well, let it breathe for him.
His sails are spread ; Madonna, keep
The tempest from the sky;
Bless thou the bridal which he seeks
And let me go and die !
The Literary Gazette, 28th August 1830
SIR ADALBERT : BALLAD
Sir Adalbert, Sir Adalbert, why dost thou pass the wine ?
The foam-beads are like diamonds upon a ruby shrine ;
Why dost thou bend thy gloomy brow so oft upon thy sword ?
Why dost thou guard such sullen mood beside the festal board ?
" Mine eye is best upon my sword, because the Cross is there ;
And I’ve a brow of care, for well it suits the heart of care.
Now fling down each on tasted nip, and listen to my tale,
Then marvel that my lip is mute, or that my laughter fail.
You know the colours that I wore whene'er I rode the ring ;
You know the soft eyes that were wont their sidelong glance to fling ;
You Know the Lady Adela, my own sweet sovereign dame,
When every knight rode tip and kissed his goblet to her name.
Last night there came the little page so blest her lute to hear,
And gave my hand a scented scroll, bound with her sunny hair—
It greeted me she was alone, Within her favourite bower,
And bade me welcome if I there could loiter twilight's hour !
The first star rose above the west, and I was on my way
To where, amid the orange-grove, her jasmine alcove lay ;
I marvelled somewhat as I came, such disarray I found —
The flowers had fallen from her hair, her lute was on the ground ;
Herself flung on the violets, sweet watchers, fit to keep
A perfumed atmosphere of sighs around her summer sleep ;
One ivory foot was bare, so small, the violets o'er it spread,
And one white arm made dove-like nest to shield that lovely head.
A vellum tablet filled her hand— oh well I knew the line !
For there were written words of love — the tender words were mine.
Now sweet, but not too long, love mine, thy gentle sleeping be ;
My heart beat when I saw those lines — perhaps she dreams of me.
I envied e'en her dreams ; dear one, I must awake thee now,
And softly did I bend to kiss the slumber from her brow :
I started at its marble touch, it was so ghastly chill ;
I prest my hand upon her heart, but there the pulse was still ;
I kist her mouth, it had no breath, her lip and cheek no red :
I called her, but she answered not I knew that she was dead.
To-night they lay her in the tomb, which I will watch beside,
And look my last, and weep my last, o'er my betrothed bride.
And all my gallant comrades here, pray for her soul and mine ;
A long, a last farewell to all— I'm bound for Palestine."
He raised the red wine from the board, he drank them one by one ;
" I never pledge man's name again :" — Sir Adalbert past on.
Next day a bark for Acre sailed : of those who crossed the main,
Were some who sought in after-years their native shore again ;
But never came Sir Adalbert home to our English strand ;
His death-wound won, his grave was made, within the Holy Land.
The Literary Gazette, 5th July 1828
SIR GUILBERT *
Why is thy bark upon the sea —
Thy sail spread for the wind ?
That vessel may go on her way,
But thou must stay behind.
I've seen thee stand knee-deep in blood,
In battle by my side;
And both thy faith and loyalty
Are like thy good sword tried.
Look round ! is not this a fair land ?
Are not its daughters fair ?
Are not its castles stately ones ?
Choose thou and have thy share. —
" No! Conqueror, no!" Sir Guilbert said,
" My portion is not here ;
The air bears on 't the widow's curse,
The ground the orphan's tear.
I join'd thy banner as a knight,
And not as a brigand :
My soldier's duty done, I will
Away to mine own land.
I will not have your English ground,
Nor yet your English dame ;
I came with but my sword and steed,
I will go as I came.
A little tower in Normandie
Was where I had my birth ;
I will return to it, — no blood
Cries from my father's hearth.
Sir King, thou art as brave a knight
As e'er stemm'd battle wave ;
But thy heart's temper'd as thy brand.
Thou art as stern as brave.
For me, I am of softer mould,
I cannot bear the moan
That haunts me here ; — whate'er my home.
At least it is mine own.
The breeze is rising on the sea,
I see the white sails swell ;
My bark is waiting but for me, —
Sir King, farewell ! farewell !"
The New Monthly Magazine, 1826
*Founded on the answer given by a Norman knight to William the Conqueror —Thierry's History of the Conquest, vol. i. p. 322.
A SKETCH
" THEY'RE passing now adown our vale;
Come, leave the old beech-tree,
And let that humming wheel be staid ;
Come here and gaze with me.
Hark, hark, the gallant trumpet's note,
The war-drum rolls around ;
The crimson banners seem to float
More proudly at the sound.
Those noble steeds, how each proud neck
Bends to its rider's hand,
Although the steel-wrought rein is held
As 't were a silken band !
How bold they ride ! — as Victory sat
Beside each snow-white crest ;
Battle is in each eager eye,
And I can dream the rest.
Each lance is gleaming in the sun,
War meteors, how they shine !
How glorious is the soldier's lot !
I would such lot were mine !"
She raised a sudden tearful glance
Upon his glowing brow :
Why should her cheek be so snow-pale,
For his is crimson now ?
And her sweet face is wont to be
The shadow of his own,
Where every passing change of his
Is in a mirror shewn.
" Such, O my Ulric, would'st thou be
One of yon warrior band ?
Why there is death in every heart,
And blood on every hand.
Bethink thee of how many tears
Must wash the stains away,
That dim bright armour and proud brow,
Before the close of day.
I think upon the lonely hearth,
The desolated home,
The fond hearts listening for the step
That never more will come.
I think on the linked love of years,
One moment hath undone ;
I gaze on yonder happy, child,
And weep the orphan one.”
He met her sad eyes' sweet reproach,
He caught each gentle word ;
The trumpet woke the winds again,
But it passed by unheard.
The Literary Gazette, 28th March 1829
SONG
Are other eyes beguiling, Love ?
Are other rose-lips smiling, Love ?
Ah, heed them not ; you will not find
Lips more true, or eyes more kind,
Than mine, Love.
Are other white arms wreathing, Love ?
Are other fond sighs breathing, Love ?
Ah, heed them not ; but call to mind
The arms, the sighs, you leave behind —
All thine, Love.
Then gaze not on other eyes, Love ;
Breathe not other sighs, Love ;
You may find many a brighter one
Than your own rose, but there are none
So true to thee, Love.
All thine own, ' mid gladness, Love ;
Fonder still, ' mid sadness, Love ;
Though changed from all that now thou art,
In shame, in sorrow, still thy heart
Would be the world to me, Love.
The Literary Gazette, 5th January 1822
IMITATIONS OF SEVIAN POETRY
SONG
The desert hath a dreary waste
Of burning sand and sky ;
But even there the fount and palm
Beside the pathway lie :
There may the tired pilgrim rest
Upon his wearied race. —
I would the wilderness of Love
Could boast such resting place :
But sultry sky and endless sands,
These, O Love ! are for thee —
Thy constant destiny : alas,
That such should be for me !
The Literary Gazette, 12th may 1827
SONG
False as thou art, yet still farewell !
With every wish that love can frame,
With fond hopes for thy happiness,
With blessings breathed upon thy name.
I loved, I may not say how well,
While that I thought my heart might be
A thing of bliss;— now I can charm
No more, but I can die for thee !
Farewell, farewell ! and I will shroud
My wrongs in silence, for thy sake ;
Tho' still adored, henceforth my heart's
Sole proof of love shall be — to break.
The Literary Gazette, 27th March 1824
SONG
Farewell to all! I shall not gaze
Again on the blue sea :
As flits the shadow o'er the wave,
So flits my life from me.
Farewell, then, to the glorious main,
The beauty of yon sky ;
The memory of the orange groves,
Where dream like time pass'd by,
I bid farewell to each, to all —
But bid it not to thee—
Oh ! surely even in the tomb
Some sign of love may be.
When thou art mourning o'er my grave,
My spirit may be near;
Come on the breeze to catch thy sigh,
To kiss away the tear.
And should another ever claim
The heart once only mine ;
What comfort! that the heart is still
Which could but beat to thine.
The Literary Gazette, 23rd October 1824
SONG
Float, float, down the stream,
Wreath that bound my raven hair;
Ye shall be to me a dream
Of the things that were.
Float, float : — what, so soon
Has that red rose found a grave —
So soon that vale-lily's light
Lost beneath the wave ?
Gone, gone — not a leaf
Lingers on the faithless tide ;
Smooth and sunny, who would think
What those waters hide ?
Gone, gone, as those flowers,
Pleasures, feelings, hopes depart —
Launch 'd upon Life's treacherous stream
By the trusting heart.
The Literary Gazette, 29th April 1826
SONG
Full well I know my heart
Worthless all may be,
Yet not for that the less,
Is it vowed to thee.
As in some eastern land,
They place upon the tomb,
Offerings of sunny fruit,
Of flowers and sweet perfume.
Although they know in vain,
Their gifts are offered there,
That the fruit and flowers will be
Wasted on desert air.
My feelings are those gifts
Offer' d, alas ! in vain ;
Yet there they must be offer'd,
And there they must remain.
I know that all my hopes
Are on a funeral shrine ;
But it is enough for me,
To know that they are thine.
The Fly, 1839
SONG
I cannot bear to look on thee,
And think on all that thou hast given
Of happiness and misery, —
Alternately a hell ! a heaven !
How can the merchant bear to gaze
Upon the deep blue ocean wave ?
The sea, in which his wealth was lost,
At first its source and then its grave!
My every hope is wrecked for thee,
My life is clouded for thy sake ;
You taught my heart love's richest store,
Must its next lesson be to break ?
The Literary Gazette, 24th April 1824
SONG
I have a summer gift,
A sunny gift for thee :
See this white vase, where blooms
A beautiful rose tree.
And on its crimson leaves
Your heart must moralize,
For love a lesson takes
Of every leaf that dies.
First you will prize the gift
In all its scented pride ;
Its newness then will pass,
And 'twill be flung aside.
Then autumn rains will stain
Its bloom with a dark token ;
The plant will perish then,
And the white vase be broken.
Will not Love's tale be told
In the fate of the rose tree !
Such was at first your love,
Then your neglect of me.
The Literary Gazette, 14th May, 1825
SONG
I vow'd a vow of faith to thee,
By the red rose of June;
I vow'd it by the rainbow,
And by the silver moon.
The red rose is departed,
Fresh ones are blooming there ;
The rainbow has not left a shade
Upon the azure air.
And the crescent moon has swell'd
Into a golden round,
And a sign of chance and change
On each and all are found.
Then say not I have broken
The faith I vow'd to thee;
Change was made for all on earth, —
Was it not made for me?
The New Monthly Magazine, 1825
SONG
Listen to the tale
That on the night gale
Blends with the rose's sigh ;
The moon shines o'er thy bower,
Yon star has marked the hour
When no step and no sound are nigh.
Like the nightbird's lay
Which dares not by day
Tell of its hope and fear,
But awakens the flower
On the still moonlight hour,
When not another song is near.
Then ope those blue eyes,
The smile which there lies
Glancing of love, fond love ;
So like yon star's sweet ray,
Whose brightness clears away
Each shadow that darkens above.
The pearls of the sea
Were worthless to me,
Earth's gems in vain were mine ;
They would not give the bliss
Of a moment like this
When I breathe that sweet sigh of thine.
The Literary Gazette, 9th March 1822
SONG
My own love, my dear love,
The tears were in my eyes,
When last I kiss'd thy forehead pale,
And drank thy lingering sighs.
The moon shone on the blue sky,
And her light fell on thee ;
I bade thee swear by that light
An oath of faith to me.
I stood beside a fountain.
And in its silver wave
I saw my cheek was crimson,
By the shadow that it gave ;
I'm again beside that fountain,
And the moon shines on my face.
And imaged in that mirror,
Is every feature's trace.
But the summer rose is faded
By the many tears I've wept,
And, oh ! it is the token
How thy vow of faith was kept.
The Literary Gazette, 5th June 1825
SONG
Oh! breathe not of love,
Or breathe not to me,
If constant for aye
Must your love-motto be.
Where are the things
The fairest on earth ;
Is it not in their change
That their beauty has birth ?
The neck of the peacock,
The iris's dyes,
The light in the opal,
The April-day skies : —
Would they be lovely,
As all of them are,
But for the chance
And the change that are there ?
Breathe no vow to me,
I will give none of mine ;
Love must light in an instant,
As quickly decline.
His blushes, his sighs,
Are bewildering things ;
Then away with his fetters,
And give me his wings.
The New Monthly Magazine, 1825
EXTRACTS FROM MY POCKET BOOK
SONG
Oh do not talk to me of love,
'Tis deepest cruelty to me ;
Why throw a net around the bird
That might be happy, light and free.
It may be sport to win a heart,
Then leave that heart to pine and die ;
The vows which now my bosom rend
May not cost you one single sigh.
The love which is as life to me,
Is but a simple toy to you ;
The falsehood at which you but smile
Is death to one so fond, so true.
Then do not talk to me of love,
My heart is far too warm for thine ;
Go, and 'mid pleasure's lights and smiles,
Heed not what clouds and tears are mine.
The Literary Gazette, 27th September 1823
SONG
Oh, it is not for the laurel's sake
That I so love the lute ;
Were those green leaves its only meed,
For me its chords were mute.
But I love to wake the song.
For it so well reveals
With ever low and gentle tones,
All that my spirit feels.
Oh, tell me not that general praise
Sheds sunlight on my name :
What has a woman's fearful heart
To do with aught like fame !
But the one charm that makes my lute
So very dear to me,
Is, that it can breathe of love !
And it can breathe to thee !
The Literary Gazette, 27th August 1825
FRAGMENTS
II. — SONG
Oh leal I'll be to thee, my love,
If thou'lt be leal to me ;
There's nothing but thy falseness, love,
Can sunder thee and me.
It is not that in doubt I speak, —
Youth and love cannot doubt ;
But in the fulness of the heart
Which pours its feelings out.
In trusting and in fondness breathed,
Like prayers we send above,
My faith in heaven is not more sure,
Than my faith in thy love.
You pluck'd one day a flower for me,
Amid the corn it grew ;
You said its sigh was like my sigh,
Its blue like my eyes blue.
I’ve kept the flower : it was the first
Gift of your love to me ;
I kept it in fond trifling, too,—
I thought such I might be.
When parted from its love, the sun,
The flower sank to decay ;
And thus if parted, life, from thee,
I too should pine away.
But these are words of fear, not hope : —
When evening brings not dew,
When June comes without buds or bees,
Then we may prove untrue.
But be thou leal to me, my love,
And I'll be leal to thee ;
Oh, there is nothing but falsehood, love,
Can sunder thee and me.
The Literary Gazette, 23rd August 1823
FRAGMENTS - First Series
SONG
Oh meet me once, but once again,
Beside that old oak tree ;
It is not much, of all thy vows,
To ask but this of thee.
Oh meet me when the evening star
Shines on the twilight grey,
Just while the lark sings his last song, —
I have not much to say.
I know that when to-morrow's sun
Lights up the vale again,
You'll lead your fair Bride to the church,
And cannot meet me then.
But this last evening is your own, —
Come to our old oak tree ;
Surely, dear love, you cannot fear
Aught like reproach from me.
No, dearest mine ! then pray thee come,
When that star lights the sky ;
I do but ask to pardon thee.
To kiss thy lips, and die !
The Literary Gazette, 3rd January 1824
SONG
Oh say not that my heart is dead,
For that my lip has learn’d
A lesson from the lapse of time,
Which it would once have spurn'd.
I must live with the false, the cold,
And I must seem like them ;
And thought and feeling wear the mask
That yet they most contemn.
Oh ! say not that my words are false ;
They may not dare be true :
What am I, that I should forsake
The path which all pursue ?
’Tis sad to see how all around
To gilded idols kneel ;
And strive to be like one of those
Who cannot think or feel.
Alas ! alas ! to pass in peace
Through a world so chill, so lone,
The throbbing pulses should be steel,
And the heart should be stone !
The New Monthly Magazine, 1825
Also last verse as 'The World' in The Album Wreath, 1835
FRAGMENTS - Second Series
SONG
Oh speak not of love
As of that which might be,
If the love could pass over
I now feel for thee.
Oh speak not of falsehood,
For it must be thine ;
I cannot in fancy
Dream of it as mine.
I have lived but for one love ;
If that were no more,
Oh never could new love
Its likeness restore.
When the lamp of the vestal
Had chanced to expire,
It might be rekindled
By morning sunfire ;
But, love once extinguished,
All efforts are vain,
There is nothing can brighten
Its embers again.
The Literary Gazette, 10th January 1824
SONG
Oh, you cannot prove false to me, my love,
Think how I have confided in thee,
I have prized thy love all else above,
Oh, you cannot be false to me.
Could you chill the first warm overflow of the heart,
Freeze the fountain you first taught to flow ;
Could you act a cruel, a treacherous part,
Could you be the herald of woe.
I will not believe it, but still will repose
Ev'ry hope of my heart upon thine;
I will not believe you could blight the young rose
That but blossom'd to bloom on thy shrine.
I'll believe that the sun will forsake his day throne,
The moon her night palace of blue,
That blushes, sighs, smiles, are no longer love's own,
Ere I will believe you untrue.
The Literary Gazette, 24th November 1821
IMITATIONS OF SERVIAN POETRY
SONG
She took a flower, and plucked the leaves,
Then flung them in the wine ;
And ever thus, she said, at first
The hopes of young love shine.
The cup is drained : amid the dregs
The leaves pale scentless lie ;
And ever thus, she said, at last
The hopes of young love die.
The Literary Gazette, 12th May 1827
FRAGMENTS 4th Series
SONG
Take back your wreath, your sunny wreath,
See under FRAGMENTS
SONG
There were sweet sounds waked from my harp ;
But see, its strings are broken.
Alas ! that touch so sweet should leave
So sad a token.
My harp and heart are both alike,
Their music is departed ;
The joy of song is gone from one
So broken hearted.
Love has past o'er my harp
Like unto summer thunder.
And all the beauteous chords of hope
Are rent asunder !
The Literary Gazette, 26th January 1822
SONG
There's a shade upon that fountain ;
It will not linger there ;
But the cloud now resting on it
Will leave it yet more fair.
Not thus the shade may pass
That is upon thy heart,
There is no sun in earthly skies ,
Can bid its gloom depart ;
For falsehood's stain is on it,
And cruelty and guile —
And these are stains that never pass,
And shades that never smile.
The Literary Gazette, 31st December 1825
SONG
This is enough ! this broken heart
Is fitting gift for me ;
I would it had the voice to speak
All it should say to thee.
Last year I sent the brightest gems
To hail thy natal day ;
They told my love,— this broken heart
May speak as much as they.
And when it shall be thrown aside,
Unprized by thee or thine,
You will but only waste this heart,
As you have wasted mine !
The Literary Gazette, 26th June 1824
SONG
When last we parted, we stood beneath
The shade of the sycamore.
Which hung like a guardian over the rose
That grew by the cottage door.
There were two or three flowers of wildest bloom
Amid thy beautiful hair.
And thy sigh and thy blush were as sweet as those
Of thy sister, the rosebud there.
I have been like that bird of the eastern tale
Which has not a rest in the sky ;
But the thought of that blush came in peace to my heart
Like a pledge for the truth of that sigh.
I had since looked on many a sunlit cheek,
And on many a brow of pearl ;
But I never saw brow or cheek like those
Of my own fair Peasant Girl.
At length we met, — thou wert robed like a queen,
And more fair, if more fair thou couldst be :
There were many that said thou wert loveliest;
But thou didst not seem so to me.
Thou hadst still the charm of thy rainbow smile,
The spell of thy starry eye;
But the trust and the hope of thy wanderer's breast
Are gone with thy blush and thy sigh. —
The Literary Gazette, 28th June 1823
FRAGMENTS Fifth Series
SONG
The wreath of green leaves that was bound
Amid your chesnut hair,
Is scattered, — look upon the ground,
The leaves are lying there.
And some are faded, some are stained,
Some crushed, and not one has retained
Its sweet and summer share
Of graceful shape and fresh green hue,
Such as they were when given you.
Around thy heart there is a wreath
Of fair hopes fresh and green,
Breathed on by young Love's summer breath ;
A little while, I ween,
The green hopes will have died away,
As utterly gone to decay
As they had never been.
The wreath that bound your heart and hair
Were made the self-same fate to share.
Your shining curls flow wild on air,
Their braiding wreath undone ;
Your heart lies desolate and bare,
Its hope's glad foliage gone.
And such the destiny that clings
To all earth's fair and fragrant things ;
And such will be thine own ;
The wasted heart, the withered tree,
Are emblems of thy fate and Thee.
The Literary Gazette, 31st January 1824
EXTRACTS FROM MY COPY BOOK
SONG
Yes, still truly thine ! Ah, they never Love knew
Who drew him with wings of the Iris' hue ;
Love is still the same, changeless, 'mid smiles and 'mid tears,
The anchor for hope, and the shelter for fears.
Thy fate may be darkness, — I ask but to share
The sting of each sorrow, the cloud of each care ;
Thy brow may be sad, but the shade there will be
More dear than the smile of another to me.
They bid me fly from thee, and say that thy love
Is like the false fetters they throw round the dove ;
But the chain thou hast linked is more precious to me
Than liberty, if it divides me from thee.
Howe'er rough thy path, that path I can bear, —
A dungeon were brightness if thou too wert there ;
Like oil to the lamp is thy love to my heart, —
’Tis life to be near thee, and death if we part !
The Literary Gazette, 27th September 1823
SONG
My heart is wholly changed.
My heart is wholly changed
From what it was to me,
Altho' I scarce may say
In what that change can be.
'Tis not from faded hope ;
For all that hope could seem,
Has been realized for me
Beyond its wildest dream.
Nor yet is it that love
Has lighted up my heart ;
In the fears and cares of love,
As yet I have no part :
For far too light a spirit,
And too cold a breast is mine,
For Love to fix on me
As his dwelling place and shrine.
But I am sad to think
Upon life's summer scene, —
To think upon what is,
And upon what has been :
To think how friends deceive,
To think how foes can feign ;
And how the heart's best gifts
Are given but in vain ;
To think that tears are false,
To think the same of smiles,
To think that honeyed words
The trusting one beguiles :
Of sorrow, like a blight,
Falling on youth and bloom ;
To think upon the broken heart,
On sickness and the tomb :
And knowing what I know,
And seeing what I see,
How can I marvel that my heart
Is changed and sad to me.
The Literary Gazette, 23rd April 1825
SONGS
1.
Ah, look upon those withered flowers,
And look upon that broken lute !
Why are those roses scentless, dead ?
Why are those gentle chords so mute ?
A sunbeam pass'd and kissed those flowers,
Waked the young bloom, the incense sigh ;
But darkling clouds came o'er that ray,
The rose was left to droop, to die !
A wind breathed by and waked the lyre,
Oh never had it such a sound ;
But soon the gale too rudely swept —
The lute lay broken on the ground !
These things are emblems of my heart ;
And what has been thine influence there ?
You taught me first love's happiness,
How could you teach me love's despair!
2.
LOVE'S LAST WORDS
3.
FOR MUSIC
The Literary Gazette, 29th June 1822
SONGS
[1]
Beautiful are the hues that lie
On that Indian bird's blue wing.
With his rainbow crest and soft black eye,
And neck like the rose of spring.
Love's fond fancies are quickly caught
By links love only can see ;
But too much truth there was in the thought
That likened that bird to thee.
To each all outward gifts belong,
But each wants the inward part :
That fair bird has not the sweet gift of song,
And you — oh, you want a heart !
[2]
Last night, a fairy bark, for Hope,
That lily floated o'er the wave,
Which now curls round the scattered leaves,
Kissing the flower it cannot save.
A sweet hymn to the setting sun
Came yesterday from that white thorn ;
But no song welcomes his return,
The shade is bare, the nest is torn.
What can have made so desolate
What was last night so very fair ?
Were I to judge by my own heart,
I should but say Love had been there.
The Literary Gazette, 11th October 1823