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Letitia Elizabeth Landon (L E L)

Poems published in periodicals, primarily in The Literary Gazette - 8

Supplement

 

 

POETICAL CATALOGUE OF PICTURES. 

 

STOTHARD'S ERATO

 

Gentlest one, I bow to thee, 

Rose-lipp'd queen of poesy, 

Sweet Erato, thou whose chords 

Waken but for love-touched words ! 

Never other crown be mine 

Than a flower-linked wreath of thine : 

Green leaves of the laurel tree 

Are for Bards of high degree ; 

Better rose or violet suit 

With thy votary's softer lute. 

Not thine those proud lines that tell 

How kings ruled, or heroes fell; 

But that low and honey tone 

So peculiarly Love's own ; 

Music such as the night breeze 

Wakens from the willow trees ; 

Such as murmurs from the shell, 

Wave-kissed in some ocean cell ; 

Tales sweet as the breath of flowers, 

Such as in the twilight hours 

The young Bard breathes; and also thine 

Those old memories divine, 

Fables Grecian poets sung 

When on Beauty's lips they hung, 

Till the essenced song became 

Like that kiss, half dew, half flame. 

Thine each frail and lovely thing, 

The first blossoms of the spring : 

Violets, ere the sun ray 

Drinks their fragrant life away; 

Roses, ere their crimson breast 

Throws aside its green moss vest ; 

Young hearts, or ere toil, or care, 

Or gold, has left a sully there. 

Thine, too, other gifts above, 

Every sign and shape of love, 

Its first smile, and its first sigh, 

Its hope, its despondency, 

Its joy, its sorrow, all belong 

To thy so delicious song. 

Fair ERATO, vowed to thee, 

If a lute like mine may be 

Offered at thy myrtle shrine, 

Lute and heart and song are thine. 

Broken be my treasured lute, 

Be its every number mute, 

Ere a single chord should waken, 

By thee or by Love forsaken. 

Gentlest one, I bow to thee, 

Rose-lipp'd queen of poesy ! 

 

The Literary Gazette, 9th August 1823

 

SONNET 

To Miss Kelly, on her Performance of Juliet. 

 

’Twas the embodying of a lovely thought, 

A living picture exquisitely wrought, 

With hues we think, but never hope to see 

In all their beautiful reality : 

With something more than fancy can create, 

So full of life, so warm, so passionate. 

Young Beauty ! sweetly didst thou paint the deep 

Intense affection Woman's heart will keep 

More tenderly than life ! I see thee now, 

With thy white wreathed arms, thy pensive brow, 

Standing so lovely in thy sorrowing. 

I've sometimes read, and closed the page divine, 

Dreaming what that Italian girl might be : 

Yet never imaged look or tone more sweet than thine!

 

The Literary Gazette, 30th November 1822

 

Sonnet Kelly

ANTONY AND CLEOPATRA

 

An Anecdote from Plutarch.

 

Glorious was the marble hall 

With the sight and sound of festival, 

For autumn had sent its golden hoard, 

And summer its flowers, to grace the board. 

Inside and out the goblets shine, 

Outside with gems, inside with wine; 

And silver lamps shed round their light 

Like the moonrise on an eastern night. 

Gay laughs were heard ; when these were mute 

Came a voluptuous song and lute ; 

And fair nymphs floated round, whose feet 

Were light as the air on which they beat ; 

Their steps had no sound, they moved along 

Like spirits that lived in the breath of song. 

 

    Beneath the canopy's purple sweep, 

Like a sunset cloud on the twilight deep, 

Sate the king of the feast, stately and tall, 

Who look'd what he was, the lord of all. 

A glorious scar was upon his brow, 

And furrows that time and care will plough. 

His battle-suns had left their soil, 

And traces of tempest and traces of toil ; 

Yet was he one for whom woman's sigh 

Breathes its deepest idolatry. 

His that soft and worshipping air 

She loves so well her lover should wear ; 

His that low and pleading tone 

That makes the yielding heart its own ; 

And, more than all, his was the fame 

That victory flings on the soldier's name. 

 

    Yet those meanings high that speak, 

Scorn on the lip, fire on the cheek, 

Tell of somewhat above such scenes as these, 

With their wasting and midnight revelries. 

Albeit he drain'd the purple bowl, 

And heard the song till they madden'd his soul ; 

Yet his forehead grew pale, and then it burn'd, 

As if in disdain from the feast he turn'd ; 

And his inward thoughts sought out a home

And dwelt on thy stately memory, Rome. 

But his glance met hers beside, and again 

His spirit clung to its precious chain. 

 

    With haughty brow, and regal hand, 

As born but for worship and command, 

Yet with smiles that told she knew full well 

The power of woman's softest spell, 

Leant that Egyptian queen : a braid 

Of jewels shone 'mid her dark hair's shade ; 

One pearl on her forehead hung, whose gem 

Was worth a monarch's diadem, 

And an emerald cestus bound the fold 

Of her robe that shone with purple and gold. 

All spoke of pomp, all spoke of pride, 

And yet they were as nothing beside 

Her radiant cheek, her flashing eye, 

For their's was beauty's regality.

It was not that every feature apart, 

Seem'd as if carved by the sculptor's art. 

It was not the marble brow, nor the hair 

That lay in its jewel-starr'd midnight there ; 

Nor her neck, like the swan's, for grace and whiteness, 

Nor her step, like the wind of the south for lightness ; 

But it was a nameless spell, like the one 

That makes the Opal so fair a stone, 

The spell of change: — for a little while 

Her red lip shone with its summer smile — 

You look'd again, and that smile was fled, 

Sadness and softness were there instead. 

This moment all bounding gaiety, 

With a laugh that seem'd the heart's echo to be; 

Now it was grace and mirth, and now 

It was princely step and lofty brow ; 

By turns the woman and the queen, 

And each as the other had never been. 

 

    But on her lip, and cheek, and brow, 

Were traces that wildest passions avow, 

All that a southern sun and sky 

Could light in the heart, and flash from the eye ; 

A spirit that might by turns be led 

To all we love, and all we dread. 

And in that eye darkness and light 

Mingled, like her own climate's night, 

Till even he on her bosom leaning, 

Shrank at times from its fiery meaning. 

 

    There was a cloud on that warrior's face, 

That wine, music, smiles, could not quite erase : 

He sat on a rich and royal throne, 

But a fear would pass that he sat there alone. 

He stood not now on his native land, 

With kinsman and friends at his red right hand ; 

And the goblet pass'd unkiss'd, till the brim 

Had been touch'd by another as surety for him.

 

    She, his enchantress, mark'd his fear, 

But she let not her secret thought appear. 

Wreath'd with her hair were crimson flowers, 

The brightest that form the lotus bowers ; — 

She pluck'd two buds, and fill'd them with wine, 

And, laughing said, " this pledge be mine !" 

 

    Her smile shone over their bloom like a charm, 

He raised them up, but she caught his arm, 

And bade them bring to the festive hall 

One doom'd to death, a criminal. 

 

    He drank of the wine, he gasped for breath, 

For those bright, but poison'd flowers, held death ; 

And turn'd she to Antony with the wreath, 

While her haughty smile hid the sigh beneath, 

" Where had thy life been at this hour, 

Had not my Love been more than my Power ? — 

Away, if thou fearest, — love never must, 

Never can live with one shade of distrust." 

 

The New Monthly Magazine, 1825

 

Anthony

THE FUTURE

 

Ask me not, love, what can be in my heart ; 

When gazing on thee, sudden tear-drops start, 

When only smiles should brighten where thou art. 

 

The human heart is compassed by fears; 

And joy is tremulous — for it inspheres 

A vapoury star, which melts away in tears. 

 

I am too happy for a careless mirth ; 

Hence thoughts the sweet, yet sorrowful, have birth : 

Who looks from heaven is half returned to earth. 

 

I feel the weakness of my love — its care — 

How deep, how true, how passionate soe'er, 

It cannot keep one sorrow from thy share. 

 

How powerless is my fond anxiety ! 

I feel I could lay down my life for thee ; 

Yet know how vain such sacrifice must be ! 

 

Ah, the sweet present ! — should it not suffice ? 

Not to humanity, which vainly tries 

To lift the curtain that may never rise !

 

Hence do we tremble in our happiness ; 

Hurried and dim, the unknown hours press ; — 

We question of the grief we cannot guess. 

 

The Future is more present than the Past : 

For one look back, a thousand on we cast ; 

And hope doth ever memory outlast. 

 

For hope, say fear. Hope is a timid thing, 

Fearful and weak, and born 'mid suffering ; — 

At least, such hope as our sad earth can bring. 

 

Its home, it is not here, it looks beyond ; 

And while it carries an enchanter's wand, 

Its spells are conscious of their earthly bond. 

 

We almost fear the presence of our joy ; 

It doth tempt Fate, the stern one, to destroy, 

Fate in whose hands this world is as a toy. 

 

We dearly buy our pleasures, we repay 

By some deep suffering ; or they decay 

Or change to pain, and curse us by their stay. 

 

A world of ashes is beneath our feet — 

Cold ashes of each beautiful deceit, 

Owned by long silent hearts, that beat as ours now beat. 

 

How can we trust our own ? we waste our breath ; 

We heap up hope and joy in one bright wreath ; — 

Our altar is the grave — our priest is death. 

 

But, ah ! death is repose ; — 'tis not our doom,— 

The cold, the calm, that haunts my soul with gloom : 

I tremble at the passage to the tomb. 

 

Love mine — what depths of misery may be 

In the dark future ! — I may meet thine eye, 

Cold, careless, and estranged, before I die.

 

All grief is possible, and some is sure ; 

How can the loving heart e'er feel secure, 

And e'er it breaks it may so much endure? 

 

We had not lived had the past been foreshown ; 

Ah ! merciful the shadow round us thrown. — 

Thank heaven, the future is at least unknown !

 

The New Monthly Magazine, 1833

Future 2
Dream

THE DREAM

 

" Sleep hath its own world, 

And a wild realm of wide reality ; 

And dreams in their development have breath, 

And tears and tortures, and the touch of joy. 

They leave a weight upon our waking thoughts." 

 

Of thee, love, I was dreaming 

      Beneath the moon's pale light ; 

The trees were silver seeming, 

      And the meadow grass was white. 

 

The lark below was sleeping, — 

      He asks, whene'er he springs 

From the dewy clover's keeping, 

      For sunshine on his wings. 

 

The leaves hung dark and shivering 

      O'er the colourless dim flowers ; 

And the aspen's restless quivering 

      Alone disturbed the hours. 

 

Pale were the roses, stooping 

      Beneath the heavy dews, 

And the wan acacia drooping 

      Forgot its morning hues. 

 

Perhaps my sleep might borrow 

      Its likeness from the shade ; 

For the shadow of some sorrow 

      Upon my soul was laid. 

 

We seem'd to be together, 

      And yet we seem'd apart ; 

In sleep, — I question' d whether 

      Mine was the sleeper's part. 

 

Pale faces gather'd round us, — 

      The faces of the dead ; 

With cold white wreaths they bound us, — 

      We shudder'd, and they fled. 

 

Next came a crowd ; I lost thee 

      Amid the rapid throng, 

While hurrying strangers cross'd me, 

      And forced my steps along. 

 

Strange mirth was there, — but lonely ; 

      It was not made for me : 

I sought for thee — thee only, — 

      I sought in vain for thee ! 

 

Again we met, — but alter'd : 

      Thy brow was not the same : 

I strove to speak, but falter'd, — 

      I could not breathe thy name. 

 

And then I saw thee leave me, 

      And wear another's yoke ! 

In sleep thou couldst deceive me ! 

      But ah ! at once I woke.

 

The New Monthly Magazine, 1835

SUBJECTS FOR PICTURES

 

What seek I here to gather into words ? 

The scenes that rise before me as I turn 

The pages of old times. A word — a name — 

Conjures the past before me, till it grows 

More actual than the present : that — I see 

But with the common eyes of daily life, 

Imperfect and impatient ; but the past 

Out of imagination works its truth. 

And grows distinct with poetry.

 

The New Monthly Magazine, 1836

Introductory lines to the series.

Subject

THREE EXTRACTS FROM THE DIARY OF A WEEK

 

A record of the inward world, whose facts 

Are thoughts— and feelings— fears, and hopes, and dreams. 

There are some days that might outmeasure years 

Days that obliterate the past, and make 

The future of the colour which they cast. 

A day may be a destiny ; for life 

Lives in but little— but that little teems 

With some one chance, the balance of all time : 

A look— a word— and we are wholly changed. 

We marvel at ourselves — we would deny 

That which is working in the hidden soul ; 

But the heart knows and trembles at the truth : 

On such these records linger.

 

WE MIGHT HAVE BEEN! 

 

We might have been !— these are but common words, 

    And yet they make the sum of life's bewailing; 

They are the echo of those finer chords, 

    Whose music life deplores when unavailing. 

                            We might have been ! 

 

We might have been so happy ! says the child, 

    Pent in the weary school-room during summer, 

When the green rushes 'mid the marshes wild, 

    And rosy fruits, attend the radiant comer. 

                            We might have been ! 

 

It is the thought that darkens on our youth, 

    When first experience — sad experience — teaches 

What fallacies we have believed for truth, 

    And what few truths endeavour ever reaches. 

                            We might have been !

 

Alas ! how different from what we are 

    Had we but known the bitter path before us ; 

But feelings, hopes, and fancies left afar, 

    What in the wide bleak world can e'er restore us ? 

                            We might have been ! 

 

It is the motto of all human things, 

    The end of all that waits on mortal seeking ; 

The weary weight upon Hope's flagging wings, 

    It is the cry of the worn heart while breaking. 

                            We might have been ! 

 

And when, warm with the heaven that gave it birth, 

    Dawns on our world-worn way Love's hour Elysian, 

The last fair angel lingering on our earth, 

    The shadow of what thought obscures the vision.

                            We might have been ! 

 

A cold fatality attends on love, 

    Too soon or else too late the heart-beat quickens ; 

The star which is our fate springs up above, 

    And we but say — while round the vapour thickens — 

                            We might have been ! 

 

Life knoweth no like misery ; the rest 

    Are single sorrows, — but in this are blended 

All sweet emotions that disturb the breast ; 

    The light that was our loveliest is ended. 

                            We might have been ! 

 

Henceforth, how much of the full heart must be 

    A seal’d book at whose contents we tremble ? 

A still voice mutters 'mid our misery, 

    The worst to hear, because it must dissemble — 

                            We might have been ! 

 

Life is made up of miserable hours,

     And all of which we craved a brief possessing, 

For which we wasted wishes, hopes, and powers, 

     Comes with some fatal drawback on the blessing. 

                            We might have been !

 

The future never renders to the past 

    The young beliefs intrusted to its keeping ; 

Inscribe one sentence — life's first truth and last — 

    On the pale marble where our dust is sleeping — 

                            We might have been. 

Three Extracts

MEMORY

 

I do not say bequeath unto my soul 

Thy memory, — I rather ask forgetting ; 

Withdraw, I pray, from me thy strong control, 

Leave something in the wide world worth regretting. 

 

I need my thoughts for other things than thee, 

I dare not let thine image fill them only ; 

The hurried happiness it wakes in me 

Will leave the hours that are to come more lonely. 

 

I live not like the many of my kind, 

Mine is a world of feelings and of fancies, 

Fancies whose rainbow empire is the mind, 

Feelings that realise their own romances. 

 

To dream and to create has been my fate, 

Alone, apart from life's more busy scheming ; 

I fear to think that I may find too late 

Vain was the toil, and idle was the dreaming. 

 

Have I uprear'd my glorious pyre of thought, 

Up to the heavens, but for my own entombing ? 

The fair and fragrant things that years have brought 

Must they be gathered for my own consuming?

 

Oh ! give me back the past that took no part 

In the existence it was but surveying ; 

That knew not then of the awaken'd heart 

Amid the life of other lives decaying. 

 

Why should such be mine own ? I sought it not : 

More than content to live apart and lonely, 

The feverish tumult of a loving lot, 

Is what I wish'd, and thought to picture only. 

 

Surely the spirit is its own free will ; 

What should o'ermaster mine to vain complying 

With hopes that call down what they bring of ill, 

With fears to their own questioning replying ? 

 

In vain, in vain ! Fate is above us all ; 

We struggle, but what matters our endeavour ? 

Our doom is gone beyond our own recall, 

May we deny or mitigate it ? — never ! 

 

And what art thou to me, — thou who dost wake 

The mind's still depths with trouble and repining ?

Nothing; — though all things now thy likeness take ; 

Nothing, — and life has nothing worth resigning. 

 

Ah, yes ! one thing, thy memory ; though grief 

Watching the expiring beam of hope's last ember,

Life had one hour, — bright, beautiful, and brief, 

And now its only task is to remember.

 

The New Monthly Magazine, 1837

NECESSITY

 

In the ancestral presence of the dead 

Sits a lone power — a veil upon the head,

Stern with the terror of an unseen dread. 

 

It sitteth cold, immutable, and still, 

Girt with eternal consciousness of ill, 

And strong and silent as its own dark will. 

 

We are the victims of its iron rule, 

The warm and beating human heart its tool ; 

And man, immortal, godlike, but its fool. 

 

We know not of its presence, though its power 

Be on the gradual round of every hour, 

Now flinging down an empire, now a flower. 

 

And all things small and careless are its own, 

Unwittingly the seed minute is sown, — 

The tree of evil out of it is grown. 

 

At times we see and struggle with our chain, 

And dream that somewhat we are freed, in vain ; 

The mighty fetters close on us again. 

 

We mock our actual strength with lofty thought, 

And towers that look into the heavens are wrought, - 

But after all our toil the task is nought. 

 

Down comes the stately fabric, and the sands 

Are scatter'd with the work of myriad hands, 

High o'er whose pride the fragile wild-flower stands. 

 

Such are the wrecks of nations and of kings, 

Far in the desert, where the palm-tree springs ; 

'Tis the same story in all meaner things.

 

The heart builds up its hopes, though not addrest 

To meet the sunset glories of the west, 

But garnered in some still, sweet-singing nest. 

 

But the dark power is on its noiseless way, 

The song is silent so sweet yesterday, 

And not a green leaf lingers on the spray. 

 

We mock ourselves with freedom, and with hope, 

The while our feet glide down life's faithless slope ; 

One has no strength, the other has no scope. 

 

So we are flung on Time's tumultuous wave, 

Forced there to struggle, but denied to save, 

Till the stern tide ebbs — and there is the grave. 

 

Necessity
Memory 3

HYMN OF THE CALABRIAN SHEPHERDS TO THE VIRGIN

 

A peasant group, whose lips are full of prayer 

And hearts of home affections, such as flow 

So naturally in piety. 

 

Darker and darker fall around 

    The shadows from the pine, 

It is the hour with hymn and prayer 

    To gather round thy shrine. 

 

Hear us, sweet Mother ! thou hast known 

    Our earthly hopes and fears, 

The bitterness of mortal toil, 

    The tenderness of tears. 

 

We pray thee first for absent ones, 

    Those who knelt with us here — 

The father, brother, and the son, 

    The distant, and the dear. 

 

We pray thee for the little bark 

    Upon the stormy sea; 

Affection's anxiousness of love, 

    Is it not known to thee ? 

 

The soldier, he who only sleeps 

    His head upon his brand, 

Who only in a dream can see 

    His own beloved land. 

 

The wandering minstrel, he who gave 

    Thy hymns his earliest tone, 

Who strives to teach a foreign tongue 

    The music of his own. 

 

Kind Mother, let them see again 

    Their own Italian shore; 

Back to the home, which wanting them, 

    Seems like a home no more. 

 

Madonna, keep the cold north wind 

    Amid his native seas, 

So that no withering blight come down 

    Upon our olive trees. 

 

And bid the sunshine glad our hills, 

    The dew rejoice our vines, 

And bid the healthful sea-breeze sweep 

    In music through the pines. 

 

Pray for us, that our hearts and homes 

    Be kept in fear and love ; 

Love for all things around our path, 

    And fear for those above.

 

Thy soft blue eyes are filled with tears, 

    Oh ! let them wash away 

The soil of our unworthiness, — 

    Pray for us, Mother, pray ! 

 

We know how vain the fleeting flowers, 

    Around thine altar hung ; 

We know how humble is the hymn 

    Before thine image sung. 

 

But wilt thou not accept the wreath, 

    And sanctify the lay ; 

We trust to thee, our hopes and fears, — 

    Pray for us, Mother, pray ! 

 

From The Athaneum, Volume 25, 1829

Also The Museum of Foreign Literature and Science, 1829

Original source untraced

 

 

Hymn
Supplement
London Literary Gazette, 1834

THE EXILE

 

Translated from “Les Dernières Paroles,” by l'Abbé de la Mennais. 

 

        He wanders o'er the earth, that exiled one; 

        God be his guide, who other guide hath none! 

 

I wandered through the nations, and I gazed 

    On them, and they on me, alike unknown; 

No friendly head was with a welcome raised, 

    For every where the exile is alone. 

 

When o'er some chimney, at the closing day, 

    I saw the smoke unwind its shadowy zone, 

I said, “Thrice happy he who by his hearth 

    Sits down in quiet, with his loved, his own: 

    But every where the exile is alone. 

 

As the storm drives those heavy clouds along, 

    When scattered vapours o'er the sky are strown, 

So am I driven—where, it matters not 

    For every where the exile is alone. 

 

The soft brook wanders singing through the plain: 

    My childhood knew one with a sweeter tone; 

This wakes my spirit with no memories, 

    As every where the exile is alone. 

 

These songs are sweet—they breathe of grief and joy; 

   But not in language which my heart has known: 

They tell not of my griefs, nor of my joys— 

   Still every where the exile is alone. 

 

They ask me why I weep; and when I tell, 

   They weep not o'er my secret sorrow shown; 

They do not understand, and cannot weep 

   For every where the exile is alone. 

 

Old men I’ve seen amid their children stand,

    Like olives mid the shoots their trunks have thrown— 

None called me brother, and none called me child 

    Ah, every where the exile is alone. 

 

I've seen the maiden on her lover smile— 

    Smiles pure as gales in early morning blown; 

But no one had for me a rosy smile— 

    Still every where the exile is alone. 

 

I've seen the young man take the young man's hand 

    In strong embrace, as each to each had grown; 

No kindly hand extended to meet mine—

    Ah! every where the exile is alone! 

 

There is no friend, no wife, no sire, no son, 

    Save in the long-loved land which is our own; 

The wide world has one country, and one home; 

    For every where the exile is alone! 

 

Poor exile! cease thy plaint—e'en as thyself, 

    All are as banished ones in this sad life; 

All see those pass and vanish whom they love— 

    Kindred and brethren, parent, friend, and wife. 

 

Our country is not here; in vain man seeks—  

    'Tis but a dream of night that he has won; 

It fades—he wanders weary over earth— 

    God, only God, can guide the exiled one.

 

The Literary Gazette, 25th October 1834

Exile

THE HISTORY OF THE LILY. 

IT grew within a lonely dell, 

    Where other flowers were growing, 

A sweet companionship, to tell 

    How fair the spring was blowing. 

 

Like some lorn lady, mournfully 

    With love unpitied drooping, 

And head declined, a young ash-tree 

    Above the bank was stooping.

 

So when the hottest sunbeams came, 

    They fell with softened splendour; 

Green shadows made the noontide flame 

    Almost as moonlight tender. 

And violets around them grew, 

    And, in the rainy weather, 

Opened their urns of April blue, 

    And flung forth sweets together. 

 

And o'er the pebbles a small brook 

    Its pleasant chime was ringing; 

So just escaped from bench and book, 

    A joyous child goes singing. 

 

The bees came every sunny moon, 

    And gathered golden treasure, 

And with their blithe wings' lulling tune 

    Paid for their morning's pleasure. 

And there the lovely Lily grew, 

    The summer's purest flower, 

And many a tiny fairy knew 

    The shelter of its bower, 

 

And left the perfume of her hair 

    Within its fragrant bosom ;— 

The youngest, from the midnight air, 

    Was pillowed in that blossom, 

 

And breathed within its haunted cell 

    A charm of gentle fancies— 

Such dreams and hopes as form the spell 

    Of early youth's romances. 

 

That fairy charm, when it was reft, 

    Was in its petals sleeping; 

When borne from its green home it left 

    Its sweet companions weeping. 

 

And yet it was a happy hour, 

    The one when it was dying; 

In sooth it was a favoured flower, 

    Though bloom and breath were flying. 

 

'Twas pleasant so to fade away, 

    With fond eyes on it gazing, 

And wishing that it still could stay, 

    With words of tender praising. 

It died as I could wish to die, 

    Untouched by coming sorrow; 

No drooping head—no languid eye— 

    Such as would come to-morrow. 

 

Youth has its own appointed hours; 

    But ere we tell their number, 

Are they not like the withered flowers 

    Which some dark grave encumber? 

 

When hope—the lark which only sings 

    Its music to the morning— 

Lends the young step its buoyant wings, 

    Life's duller path-way scorning. 

 

They do not last; shade after shade 

    Come darkly sweeping round us, 

Till one dull atmosphere is made, 

    And earth's worst chain has bound us— 

 

Its selfish cares, whose subtle links 

    Control the heart's wild beating— 

Till each fine impulse, snail-like shrinks, 

    Within itself retreating. 

 

Its heartlessness, its cold deceit, 

    The unkindness of the many— 

Till grown ourselves like those we meet, 

    We are as false as any. 

But thou didst perish in thy prime, 

    Sweet Lily, in thy sweetness; 

No cause, in thy sole summer time, 

    Hadst thou to mourn its fleetness ; 

 

Do the blue violets weep for thee, 

    The friends of thy green dwelling? 

And mid the cowslip bells the bee 

    A gentle dirge is knelling.

 

The lonely bird that sings at night, 

    A few sad notes will give thee; 

And there are dreams of past delight, 

    Whose pleasures cannot leave thee. 

 

The poetry of all sweet thought 

    That memory can discover, 

And words, and looks, by fancy brought, 

    Around thy pale buds hover. 

 

Then sleep like an embalmed one, 

    Amid joy’s precious embers; 

Thy spirit and my heart are gone 

    To what the past remembers. 

The Literary Gazette, 7th June 1834

Lily

THE NEW YEAR

 

LET the black clouds sweep o'er the sky, 

    Earth-born, they suit our earthly sphere; 

Fit pall for the departed one, 

    Fit cradle for the coming Year. 

Heavy like many a heart below, 

    Yet lit with gleams of broken light, 

Uncertain, shadowy, and their gloom 

    So soon to merge in deeper night. 

 

On such a scroll might Fate inscribe 

    The records of the Year to be— 

The dark, the transient—such a page 

    O Earth! is chronicle for thee. 

'Twas a false science that which sought 

    Thy future where those planets shine: 

The bright, the calm–ah! what have they 

    In common or with thee or thine? 

 

The clouds, and not the stars, to them 

    The omen and the sign be given— 

The clouds, the vapours of our soil, 

    Not stars, whose element is heaven. 

The deepening shade, the flitting light, 

    Mark what each coming month will know—

The passing joy, the constant care, 

    Of life's sad pilgrimage below. 

 

The past still mirrors the to-come: 

    Let each say what their past has been. 

Do they not shudder to recall— 

    Would they live o'er each troubled scene? 

Ah! happy those, if such there be, 

    Whose still unbroken spirits raise 

Some vision to be realised, 

    Some fond belief in happier days. 

 

The changeful Year itself may read 

    Its lesson to the human heart ! 

How pass away its sunshine hours; 

    How does its loveliness depart ! 

From the first flower, which, timid, sad, 

    Rises amid the unkindly snow, 

To the last rose, whose pale sweet blush 

    Has half forgot its early glow— 

 

Do they not fade and fall?—the air 

    Forgetful of their summer spell, 

Till Earth seems one vast sepulchre, 

    Inscribed with one sad word, “Farewell!” 

And thus it is with life: how soon 

    Its early hopes decline and die! 

And love, which lingers to the last, 

    Forgets its smile, but keeps its sigh. 

 

Look back—twelve phantoms, drear and dim, 

    Have melted into silent space; 

Twelve more come gradual in their room, 

    With eager step and hidden face. 

Ah! trust them not;—the veil when raised 

    Will shew but faces ye have known; 

Though still from every added round 

    Something of light and life is flown. 

 

Those cheerful bells, how can they bid 

    A welcome to the new-born Year? 

I think on what the past has been ; 

    I cannot hope—I only fear. 

Oh, vanity of mirth ! those bells 

    What mockery the peal they gave !

Chime as for a departing soul— 

    Toll o'er the New Year as a grave. 

The Literary Gazette, 4th January 1834

The New Year
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