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Published collections of poems, as follows:

 

The Fate of Adelaide, 1821

The Improvisatrice, 1824

The Troubadour, 1825

The Golden Violet, 1827

The Venetian Bracelet, 1829

The Easter Gift, 1832

The Vow of the Peacock, 1835

 

 

ABSENCE

 

" Cesser d’exister n'est rien, se quitter est le plus grand des maux."

 

“ And all the fix'd delights of house and home—

Friendship that cannot break, and love that will not roam.”

 

I will not say, I fear your absent one

Will be forgotten; but you cannot feel

The darkening thoughts that o'er my spirits steal,

When I remember I am quite alone—

That all I lov'd most fondly, all are gone.

To you that deepest sorrow is unknown:

Some very dear ones are beside you now;

But cold is here each smile that meets my own ;

It does not lighten o'er some long lov'd brow.

‘Tis vain to tell me soon again we meet—

That thought but makes the weary hours depart

More slowly : hope is sickness to the heart

When we so oft its accents must repeat.

Affection is, in absence, as the flower

Transplanted from the soil which gave it birth—

Dew has no freshness, sunshine has no power ;

Drooping, it pines for its lov'd native earth.


From the Fate of Adelaide, 1821

ABSENCE

 

" Song is but the eloquence of truth."

CAMPBELL.

 

Oh ! never can we feel how dear

Each lov'd one is, till we have known

The deep regret, the bitter tear,

That comes when those lov'd ones are gone.

It is not till the flowers are pass'd,

That breath'd on summer's perfum'd air,

Till but in memory they last,

That we can feel how sweet they were :

‘Tis only at the parting hour,

Affection claims her thrilling power.

There are a thousand ties that wreathe

Around that word of magic—home;

Cold is the heart that e're could breathe

A wish from that lov'd spot to roam.

How fondly now my thoughts retrace—

All once so priz'd, now still more dear—

Each look of love, each gentle face,

The tender word, the parting tear;

Cherish'd and unforgotten seem

The gems of memory's sweetest dream.

 

As pants the hart in the long chace

For streams where the cool water flows,

So seeks my soul the resting place,

Where all its thoughts, its wishes close.

So dwells my spirit on the hour,

When we shall meet in joy again ;

Hope has enwreath'd full many a flower—

Oh ! may her visions not be vain !

The world has not a joy for me,

Dear as our meeting thus would be.

 

From The Fate of Adelaide, 1821

ADDRESSED TO ------

 

The bee, when varying flowers are nigh,

     On many a sweet will careless dwell;

Just sips their dew, and then will fly

     Again to its own cherish'd cell.

Thus, tho' my heart by fancy led,

     A wanderer for awhile may be ; 

Yet, soon returning whence it fled,

     Comes but more fondly back to thee.

 

From The Fate of Adelaide, 1821

 

Addressed

ALEXANDER AND PHILLIP.

 

    HE stood by the river's side

        A conqueror and a king,

    None match'd his step of pride

        Amid the armed ring.

And a heavy echo rose from the ground,

As a thousand warriors gather'd round.

 

    And the morning march had been long,

        And the noontide sun was high,

    And weariness bow'd down the strong,

        And heat closed every eye;

And the victor stood by the river's brim

Whose coolness seem'd but made for him.

 

    The cypress spread their gloom

        Like a cloak from the noontide beam,

    He flung back his dusty plume,

        And plunged in the silver stream;

He plunged like the young steed, fierce and wild,

He was borne away like the feeble child.

 

    They took the king to his tent

        From the river's fatal banks,

    A cry of terror went

        Like a storm through the Grecian ranks:

Was this the fruit of their glories won,

Was this the death for AMMON'S son?

 

    Many a leech heard the call,

        But each one shrank away;

    For heavy upon all

        Was the weight of fear that day:

When a thought of treason, a word of death,

Was in each eye, and on each breath.

 

    But one with the royal youth

        Had been from his earliest hour,

    And he knew that his heart was truth,

        And he knew that his hand was power;

He gave what hope his skill might give,

And bade him trust to his faith and live.

 

    ALEXANDER took the cup,

        And from beneath his head a scroll,

    He drank the liquor up,

        And bade PHILLIP read the roll;

And PHILLIP look'd on the page, where shame,

Treason, and poison were named with his name.

 

    An angry flush rose on his brow,

        And anger darken'd his eye,

    What I have done I would do again now!

        If you trust my fidelity.

The king watch'd his face, he felt he might dare

Trust the faith that was written there.

 

    Next day the conqueror rose

        From a greater conqueror free;

    And again he stood amid those

        Who had died his death to see:

He stood there proud of the lesson he gave

That faith and trust were made for the brave.

 

From The Troubadour 

Sketches from History

 

AlexanderP
Altered

THE ALTERED RIVER.

 

THOU lovely river, thou art now

    As fair as fair can be,

Pale flowers wreathe upon thy brow,

    The rose bends over thee.

Only the morning sun hath leave

    To turn thy waves to light,

Cool shade the willow branches weave

    When noon becomes too bright.

The lilies are the only boats

    Upon thy diamond plain,

The swan alone in silence floats

    Around thy charm'd domain.

The moss bank's fresh embroiderie,

    With fairy favours starr'd,

Seems made the summer haunt to be

    Of melancholy bard.

Fair as thou art, thou wilt be food

    For many a thought of pain;

For who can gaze upon thy flood,

    Nor wish it to remain

The same pure and unsullied thing

    Where heaven's face is as clear

Mirror'd in thy blue wandering

    As heaven's face can be here.

Flowers fling their sweet bonds on thy breast,

    The willows woo thy stay,

In vain,--thy waters may not rest,

    Their course must be away.

In yon wide world, what wilt thou find?

    What all find--toil and care:

Your flowers you have left behind

    Far other weight to bear.

The heavy bridge confines your stream,

    Through which the barges toil,

Smoke has shut out the sun's glad beam,

    Thy waves have caught the soil.

On--on--though weariness it be,

    By shoal and barrier cross'd,

Till thou hast reach'd the mighty sea,

    And there art wholly lost.

Bend thou, young poet, o'er the stream—

    Such fate will be thine own;

Thy lute's hope is a morning dream,

    And when have dreams not flown?

 

From The Vow of the Peacock

(original: The Keepsake, 1829)

 

Ancestress

THE ANCESTRESS,

A DRAMATIC SKETCH

 

 

[Characters.]

      The COUNT of ARDENBURG.

      JAROMIR, otherwise COUNT HERMAN, his Nephew.

      Guests, Attendants, Officers, &c.

 

      BERTHA, Daughter of the Count.

      LEITRA, her Nurse.

      Ladies, Attendants, &c.

 

THE ANCESTRESS

 

SCENE I.     —JAROMIR. BERTHA

 

    BERTHA.

IT is in this we differ; I would seek

To blend my very being into thine—

I'm even jealous of thy memory:

I wish our childhood had been pass'd together.

 

    JAROMIR.

Bertha, sweet Bertha! would to heav'n it had!

What would'st thou with a past that knew thee not?

 

    BERTHA.

To make that past my own by confidence,

By mingled recollections, I would fain

Our childish sorrows had been wept together;

Our childish joys had been indulged together;

Our childish hopes had been believed together:

But as this cannot be, I speak of them—

The very speaking does associate us—

I speak of them, that, in those coming years,

When youthful hours rise up within the mind,

Like lovely dreams some sudden chance has brought,

To fill the eyes with long-forgotten tears,

My image may be with them as of one

Who held such sympathy with aught of thine.

 

    JAROMIR.

Sweetest, no more of this: my youth hath pass'd

In harsh and rugged warfare, not the scenes

Of young knights with white plumes, and gallant steeds,

With lady's favour on each burnish'd crest,

Whose tournaments, in honour of fair dames,

May furnish tales to suit the maiden's ear.

I've had no part in such; I only know

Of war the terrible reality:—

The long night-watch beneath the driving snow:—

The unsoothed pillow, where the strong man lay

Like a weak child, by weary sickness worn

Even to weeping:—or the ghastly dead,

By the more ghastly dying, whose last breath

Pass'd in a prayer for water—but in vain,—

O'er them their eager comrades hurry on

To slaughter others. How thy cheek is blanch'd!

I truly said these were no tales for thee.

Come, take thy lute, and sing just one sweet song

To fill my sleep with music.

 

    BERTHA.

                                Then good night.

I have so much to say to my old nurse,—

This is her annual visit, and she waits

Within my chamber,—so one only song.

    My lute is tuneless with this damp night air.

Like to our own glad spirits, its fine chords

Are soon relax'd.

 

    JAROMIR.

                                Then sing, love, with the wind,

The plaining wind, and let that be thy lute.

 

    BERTHA.

How wildly round our ancient battlements

The air-notes murmur! Blent with such a wind

I heard the song which shall be ours to-night.

She had a strange sweet voice, the maid who sang,

But early death was pale upon her cheek;

And she had melancholy thoughts, that gave

Their sadness to her speech: she sat apart

From all her young companions, in the shade

Of an old tree—a gloomy tree, whose boughs

Hung o'er her as a pall:—'twas omen-like,

For she died young,—of gradual decay,

As if the heart consumed itself. None knew

If she had loved; but alway did her song

Dwell on love's sorrows.

                Sleep, heart of mine,—

            Why should love awake thee?

                Like yon closed rosebud,

                To thy rest betake thee.

                Sleep, heart of mine,—

            Wherefore art thou beating?

                Do dreams stir thy slumbers,

                Vainest hopes repeating?

                Sleep, heart of mine,

            Sleep thou without dreaming:

                Love, the beguiler,

                Weareth such false seeming.

                Sleep, heart of mine;

            But if on thy slumbers

                Breathe one faint murmur

                Of his charm'd numbers;

                Waken, heart of mine,

            From such dangerous sleeping;

                Love's haunted visions

                Ever end in weeping.

But now no more of song. I will not lose

Another legend of my nurse's store.

A whole year must have added to her list

Of ghastly murders, spiritual visitings:

At least, 't will make the ancient ones seem new.

 

    JAROMIR.

And you will listen like a frighted child.

I think I see you;—when the turret clock

Has toll'd the night hour heavily; the hearth

Has only flickering embers, which send forth

Gleams of distorting light; the untrimm'd lamp

Exaggerates the shadows, till they seem

Flung by no human shape; the hollow voice

Of that old crone, the only living sound;

Her face, on which mortality has writ

Its closing, with the wan and bony hand,

Raised like a spectre's—and yourself the while,

Cold from the midnight chill, and white with fear,

Your large blue eyes darker and larger grown

With terror's chain'd attention, and your breath

Suppress'd for very earnestness. Well, love,

Good night; and if our haunted air be fill'd

With Spirits, may they watch o'er thee like Love!

 

    BERTHA.

Good night, good night!—the kind Madonna shed

Her blessings o'er thee!

    [Exit JAROMIR.

 

'Tis his last footfall,—I can catch no more.

Methinks he pass'd too quickly. Had I left

This room, I should have counted every step,—

Have linger'd on the threshold; but he went

Rapidly, carelessly. Now out on this,

The very folly of a loving heart!

O Jaromir! it is a fearful thing

To love as I love thee; to feel the world—

The bright, the beautiful, joy-giving world—

A blank without thee. Never more to me

Can hope, joy, fear wear different seemings. Now

I have no hope that does not dream for thee;

I have no joy that is not shared by thee;

I have no fear that does not dread for thee.

All that I once took pleasure in,—my lute

Is only sweet when it repeats thy name;

My flowers, I only gather them for thee;

The book drops listless down, I cannot read,

Unless it is to thee; my lonely hours

Are spent in shaping forth our future lives

After my own romantic fantasies.

He is the star round which my thoughts revolve

Like satellites. My father, can it be

That thine, the unceasing love of many years,

Doth not so fill my heart as this strange guest?

I loved thee once so wholly,—now methinks

I love thee for that thou lovest Jaromir.

—It is the lamp gone out,—that dreams like these

Should be by darkness broken! I am grown

So superstitious in my fears and hopes,

As if I thought that all things must take part

In my great love.—Alas, my poor old nurse,

How she has waited!

 

    [Exit BERTHA.

 

SCENE II.     — BERTHA. LEITRA

 

    BERTHA.

The embers cast a cold dim light around,

And the wan lamp seems weary with our watch.—

O Leitra, do not look so fearfully.

 

    LEITRA.

Now, holy saints! who brought that picture here?

 

    BERTHA.

That picture—oh, now, Leitra, thy strange tales

Made me forget what Jaromir had done.

In the east turret's old deserted rooms

He saw a lovely portrait almost hid

By the gray cobwebs and the gather'd dust;

That he had clear'd it carefully, and thought

It should be with my favourite pictures hung—

And here it is, my own kind Jaromir.

 

    LEITRA.

He brought it here!—O Bertha, kneel and pray!—

The shadowy likeness, when the actual shape

Is distant far; the dream whose prophecy

Comes when we waken terribly distinct;

The shriek the grave sends up in the still night,

Are not such deadly omens as that face.

My young, my good, my fair, what hath that curse

That is upon thine house to do with thee?

 

    BERTHA.

What do you mean? Speak, speak!—the very sound

Of my own voice is terrible!—what curse?—

Whose is this picture?

 

    LEITRA.

It is The Ancestress!

 

    BERTHA.

My Ancestress?—and a most lovely one:

Yet is her beauty awful:—the pale cheek

Looks as if passion had fed on its rose;

The lips are pale, too, though their graceful curve

Fascinates in its scorn; her loose dark air ,

Wild as a sibyl's, sweeps as if 't had caught

Its wildness and its darkness from the storm;

Her eyes, like moonlight melancholy, seem

So deep, so spiritual,—such the far light

Of stars which are a mystery; like a queen's

For grace, and like a swan's for snow, her neck

Thrown back so haughtily; and her black robe,

Her golden girdle with strange characters,

Suit her strange loveliness so well.

 

    LEITRA.

                                Hush, hush!

Your thoughtless words sound like impiety.

I had not meant to tell her history,

But it is best you know it. Never came

That portrait here by but a simple chance.

She was a princess of the olden time,

So beautiful, that kings laid down their crowns

Like flowers before her, and her halls were throng'd

With lovers, and of life she took no thought,

Save for its pleasures; but as years pass'd on

She felt her insecurity, and cursed

Her own fair face for fading. Suddenly

She grew more lovely, as if age to her

Were but a second youth; again her halls

Were fill'd with worshippers, and day and night

Consumed in revels; when, as suddenly

As summer had revisited her face,

She pass'd away. On his deathbed a monk

Told a wild legend, how one autumn eve

He leant in his confessional alone,

And a most radiant lady knelt and wept

Over the one unpardonable sin.

How for the sake of lasting loveliness

Her soul was forfeit to the evil power,

Who tempted her with beauty. Then she said

It was now mock'd by ceaseless tears, which fell,

Although in vain; how she from shrine to shrine

Had gone in late repentant pilgrimage.

Her knees were worn with many prayers; but still

The presence of the demon haunted her.

Then rose a spirit of strong prophecy

Upon that aged monk: he said her crime

Was fearful, so would be its punishment;

That for her sin a curse was on her race,

Which she would witness:—sorrow, early death,

Sickness, and guilt would be her children's lot;

That, still bound by her human sympathy,

Although debarr'd all human intercourse,

She now was doom'd to wander o'er the earth,

A witness of their misery, till not one

Remain'd of her descendants; then the grave

Would be her resting-place, and she might hope

That the most infinite mercy of the Cross

Might sanctify a sinner's penitence.—

Bertha, this was your Ancestress. My child,

Yon portrait is an evil omen here.

 

    BERTHA.

There is another where my heart can turn:—

Gentlest Madonna, from my early years

Thou hast been as the mother I have lost,

In patience and in comfort. Leitra,

I am too sad for more of these dark tales:—

Good night!

 

    LEITRA.

Now blessings rest upon thee, my sweet child!

There's not a bead upon my rosary

That shall not count a prayer for thy dear sake.

 

SCENE III.     —The Castle Chapel

 

    JAROMIR. BERTHA.

 

    JAROMIR.

What, Bertha, is it you? I little thought

The shrouding mantle, and the hurried step,

Which raised my wonder at this midnight hour,

So cold, so damp, were those of mine own love;

I little dream'd this dreary chapel held

So fair a saint.

 

    BERTHA.

I pray thee do not speak to me; I feel

As if the dead were conscious of our presence;

And human tenderness, and human hope,

Were impious before them. Nay, but hark!

I hear a strange low sound, like grief suppress'd,

Debarr'd from words, and breaking out in sighs.

 

    JAROMIR.

I hear it too; the wild wind in the pines,

The mournful music of an autumn eve.

What brought thee here, to scare thyself with thoughts

That make their own reality?

 

    BERTHA.

                                To pray.

Alas! for thee too much have I forgot

My orisons beside my mother's grave:

Till lately, never did a day go past

Without some scatter'd flowers, some holy hymn,

That kept affection fresh with piety.

It is a beautiful, a bless'd belief,

That the beloved dead, grown angels, watch

The dear ones left behind; and that my prayers

Are welcome to my mother's ears, as when

I knelt a lisping infant at her knee;

And that her pure and holy spirit now

Doth intercede at the eternal throne:

And thus religion in its love and hope

Unites us still—the mother and her child!

 

    JAROMIR.

Ah, Bertha mine! thy childhood was thrice bless'd,

Thy young mind sanctified, and after life

Made holy by the memory of the past.

I knew no mother's care to teach my lips

Those prayers that like good angels keep the heart

From uncurb'd passions, that lay waste and curse.

But Bertha, my sweet Bertha! thou shalt be

My soul's religion, and my prayers will rise

Welcome and purified when blent with thine.

But come, methinks the funeral urn has lent

Its marble to thy cheek: thy hair is wild;

The dew has half unloosed its graceful curl.

The lamps around burn dim in the thick air:

Come, let me wrap my cloak around thee, love;

Thou art too delicate for such a night.

Why didst thou leave thy chamber?

 

    BERTHA.

My nurse—O Jaromir! she told to-night

A history of our house. I could not sleep,—

The fear of its deep terror, like a ghost,

So haunted me; I sought my mother's grave;

It seem'd a sanctuary,—O Jaromir!

Have you not heard of her—"The Ancestress?"

 

    JAROMIR.

An excellent ghost story. I have led

A life too stirring for those vague beliefs

That superstition builds in solitude:

But you, my gentle lady of romance,

Whose youth has pass'd in an old castle, dark

With overhanging pines; whose twilight hours

Are spent in ancient galleries, where the walls

Are hung with pictures of grim ancestors;

Who art familiar with the plumed knights

Whose effigies keep guard in the old hall,

On whose black panels of the carved oak

The sunshine falls in vain; no wonder thou

Shouldst yield these marvels such a ready faith:

But, though I fain would share thy every thought,

Feel—hope—fear—any thing like thee—at this

I cannot choose but smile.

 

    BERTHA.

                                Nay, Jaromir!

Who shall deny the spiritual influence

Of the unquiet dead?—a mystery

The hidden, and the terrible.

 

    JAROMIR.

                                Come, come,

This shall be argued by the cheerful fire.

 

    BERTHA.

Look there, look there! My God, it is her face!

 

    [The ANCESTRESS rises from the tombs, but only visible to BERTHA, as JAROMIR is turned from her.

 

    JAROMIR.

What foolish fear is this? My Bertha, speak!

Good saints! but she is senseless.

 

    [Carries her out.

 

SCENE IV.     —The COUNT and JAROMIR

 

    COUNT.

The legends of our house?—I'll tell you one.

There were two brothers who grew up together,

As if they had one heart; their tasks, their sports

Were shared; at evening side by side they slept,

At morning waked together; when they talk'd

With all youth's eagerness of future days,

They imaged but one plan, for neither knew

Their hopes could be divided. Years pass'd on,

And never brought they with them less of change.

But when the elder came to man's estate,

There was too mark'd a difference in their lot:

The first held wealth and rank,—the younger one

Dependent; 'tis a bitter word, and most

When bred together in equality.

And then the younger brother rashly wed,

And lovely children crowded at his knee,

Foredoom'd to the same life that he had led,

Where pride and poverty contend, and shame

Grows deeper from suppression. Years pass'd on:

At length a deadly sickness smote the Count;

His brother, with a strange unholy joy,

Stood by the dying man; for he was heir

To that proud castle and its wide domain,

And past loves were all lost in future hopes.

Then was a secret told him which destroy'd

Those golden dreams,—that brother had a child!

Death scoffs at worldly vanities, and death

Avow'd the secret marriage pride conceal'd.

He died; and now his lonely orphan's fate

Was in the new Count's hands, and he play'd false:

The boy was left in poor obscurity,

The mother's claim put down, and fraud and strife

Grasp'd their inheritance. That unjust lord,

The curse was on him,—one by one they died,

The children, for whose sake he sold his soul.

One only daughter cheer'd his desolate house!

And all search for the orphan was in vain,

Till chance restored him, and her father sought

To make her his atonement.

 

    JAROMIR.

                                Count, no more!

I know the history, though till now I deem'd

Myself unknown. It was with bitter thoughts

And evil hopes I sought this castle first;

But love and kindness greeted me; I saw

An old man with remorse upon his brow.

 

    COUNT.

Remorse!—for years it has encompass'd me,

Darker and darker as its shadow fell

Nearer the grave: but at your coming, hope

Enter'd the dungeon of my mind like light.

I knew you by your likeness to your father.

For years I have not dared to raise my eyes

Even upon his picture; but to-night,

When all the lighted halls are fill'd with guests,

By blood or amity link'd to our house,

You shall be own'd before them as the heir;

And I will look my brother in the face,

And say, Your son is happy,—pardon me.

    And now for the worst penance of my sin,—

To tell my Bertha of her father's crime.

Alas! to think that he who virtue taught,

Who fill'd her heart with piety and truth,

Should be the first to show temptation's strength;

To prove that guilt could be within the soul,

While the false words spoke moral loveliness.

 

    JAROMIR.

But, oh! there needs not this.—

 

    COUNT.

                                Hush! Hush

I am impatient as a wearied man

Eager to lay a weighty burthen down.

Come to me presently.

 

    [Exit.

 

    JAROMIR.

I do not feel as I should feel at this.

Acknowledged heir of a most noble house,

Beloved and loving, wherefore should the past,

Which hitherto has seem'd but as a dream,

Of which I took no heed,—why should the past

Come darkly up like an o'ertaking storm,

Whose heaviness weighs down the atmosphere

Of present hope? Which shall I curse the most

My father's pride, my uncle's avarice?

But for these, bred according to my birth,

Familiar but with honourable deeds,

My fiery youth allow'd an open field,

The name of every gallant ancestor

A bond upon my soul against disgrace,

My name had been as stainless as my crest.

But, nursed in poverty, my infant ears

Listening to curses, how must wrongs have changed

A mother's nature, when the first lisp'd words

Her child's young lips were taught, were oaths and threats

Of deep revenge! Brought up to scorn my state,

Yet shut out from all other, while the blood

Of my bold forefathers stirr'd in my veins,

What have they made me? Robber—murderer!

One of the ready sword and reckless hand,

Who values blood by gold. Where art thou now,

Spirit of enterprise, that urged me on—

Spirit of vengeance, that at midnight rang

My mother's dying words within my brain,—

Where are ye now? Hush'd as the worn-out wave!

And in your stead do fear and sorrow come;

Till, even as a child that dreads the dark,

I dread the future. Bertha, thou hast struck,

As with an angel's hand, my rocky heart,

And call'd forth its pure waters: higher hopes,

Gentle affections, thankfulness to God,

And kindliness towards my fellow-men,

Are gushing in my bosom's stony depths;

And all subdued and chasten'd by a sense

Of my unworthiness. No more I hold

A blind and terrible fatality

Is paramount upon this weary life—

This gulf of troubled billows—where the soul,

Like a vex'd bark, is toss'd upon the waves

Of pain and pleasure by the warring breath

Of passions, which are winds that bear it on,

And only to destruction. Never more

Shall I speak recklessly of death; or shun

A quiet thought or solitary hour;

Or drown that consciousness, our moral life,

In the red wine cup: now my better heart

Luxuriates in repose; I can pass days

Stretch'd in the shade of those old cedar trees,

Watching the sunshine like a blessing fall,—

The breeze like music wandering o'er the boughs,—

Each tree a natural harp,—each different leaf

A different note, blent in one vast thanks-giving.

 

    [In leaning from the casement he catches a sight of BERTHA.

 

I see her now. How more than beautiful

She paces yon broad terrace!—The free wind

Has lifted the soft curls from off her cheek,

Which yet it crimsons not,—the pure, the pale,—

Like a young saint. How delicately carved

The Grecian outline of her face!—but touch'd

With a more spiritual beauty, and more meek.

Her large blue eyes are raised up to the heav'ns,

Whose hues they wear, and seem to grow more clear

As the heart fills them. There, those parted lips,—

Prayer could but give such voiceless eloquence,—

Shining like snow her clasp'd and earnest hands,

She seems a dedicated nun, whose heart

Is God's own altar. By her side I feel

As in some holy place. My best love, mine,

Blessings must fall on one like thee!

 

SCENE V.     —BERTHA in her Room

 

    BERTHA.

The sound of festival is in my ear,

Haunting it with faint music; the red lights

Shine fitfully reflected in the lake,

Where I have never seen aught but the moon

Mirror'd before, or the bright quiet stars.

A weight is on the air, for ev'ry breeze

Has, bird-like, folded up its wings for sleep.

It is like mockery of the silent night

To choose her hours for merriment; but thus

We struggle with all natural laws, and make

Our life a strange disorder. Yet how sweet

Comes up the distant music!—though 'tis sad.

A few brief moments, and those notes will be

But echoes to the dancers' joyous steps.

Why should they rouse in me such mournful thoughts?

Recalling snatches of familiar songs,

I've sung to those sweet airs, all sorrowful.

I see the youthful warrior with his head

Pillow'd upon his shield, but not for sleep;

The maiden with her face upon her hands

Bow'd in its last despair. What are the words?

    [Sings a few words in a low tone to herself.

 

        And fitfully the embers raised

            A faint and passing flame;

        They miss'd her from her father's hearth,

            But call'd not on her name.

        They knew that she was weeping

            For the loved and for the dead;

        In silence and in solitude,

            Must such heavy tears be shed?

And can these notes, so long associate

With love and sorrow, thus be turn'd to mirth,

And we shall dance to what brought tears before?

    [Leaning from the casement.

 

How beautiful it is! though on the air

There is the stillness of a coming storm,

And on the sky its darkness. On the west,

Like a rebellious multitude, the clouds

Are gather'd in huge masses; but the Moon,

Like a young queen, unconscious, brightens still

A little clear blue space; though rapidly

Her comrades, the sweet stars, sink one by one,

Lost in the spreading vapours. Yet the lake

Has not a shadow. Well may the young Moon

Forget her danger, gazing on the face

Its silver waters mirror:—all beyond

Is like the grave's obscurity; more near

All is most tranquil beauty and repose.

The garden flowers are paler than by day,

And sweeter. What an altar of perfume

Is the musk-rose, beneath my casement twined!

Dipping its golden tresses in the lake,

Leans the laburnum, and beneath its shade

Sleep my two swans, as white, as still as snow.

—The wind is rising, and a yellow haze,

Like a volcano's smoke, makes heaven less dark

To be more fearful. I can now discern

Our ancient avenue of cedar trees,—

How black they look, and with what heavy strength

The giant branches move!—the weary air

Like a deep breath comes from them.—Ah, how dark!

It is the first cloud that has touch'd the moon:—

Her loveliness has conquer'd,—oh, not yet!—

One huge cloud, and another. I could deem

The evil powers did war on high to-night.

And are there such that o'er humanity

Hold influence,—the terrible, the wild,—

Inscrutable as fear,—the ministers

To our unholy passions? These are they

Who dazzle with unrighteous wealth, and make

Our sleep temptation; they who fill its dreams

With passionate strife and guilt, until the mind

Is grown familiar with the sight of blood.

I do believe in them:—by those strange crimes

Man's natural heart would shrink from,—by the fear

That comes with midnight,—by that awful face,

Which, though they say it was a fantasy,

I know I saw,—I do believe in them.

 

     Enter JAROMIR.

 

    JAROMIR.

O Bertha, you are beautiful to-night!

My fairy Princess, with your golden hair

Loosed from the braids which almost hid its wealth,

Descending in a sunny shower of curls,

And lighted up with diamonds; and your waist,—

That rainbow girdle of all precious stones,—

How well it suits its slender gracefulness!

Our halls are fill'd with guests. There, take one glance

At yonder mirror; and now let me lead

My lovely cousin to the festal rooms.

Come, Bertha.

 

SCENE VI.     —A Hall filled with Guests

 

     The COUNT, JAROMIR, and BERTHA.

 

    FIRST LADY.

This is delightful. Why the grim old hall

Is fill'd with torches; every shining shield

And gilded helm reflects the light: the crowd

Of our gay nobles have not left a gem

Within their ancient coffers.

 

    SECOND LADY.

                                Yet methinks

There is a shadow on this gaiety,

Flung from departed years; yon empty helm,

The last memorial of some mighty chief,

Now even as the dust upon his plume;

Those ghastly portraits bringing back the dead.

I cannot bear to look upon a face

Warm with the hues of life, from which long since

All likeness to the human form has pass'd.

 

    FIRST LADY.

This is too fanciful:—come, join the dance.

 

    FIRST NOBLEMAN.

A gallant cavalier this new-found Count:

He'll wear his honours gaily.

 

    SECOND NOBLEMAN.

                                Such excess

Of mirth's exuberance visits not for good.

An evil fate is written on his brow;

The dark, the ominous,—his very joy

Is like a desperate man's:— I like it not.

He is not one over whose head the curse

Will pass away that hangs upon his house.

 

    FIRST NOBLEMAN.

Yonder is Bertha; but how very pale!—

More like a nun on whom the moonlight falls

In some lone cell, than a betrothed bride.

My gentle Bertha, have you not a smile

For an old friend to-night?

 

    BERTHA.

My very kindest, if you did but know

The happiness of one familiar face.

Let us rest here awhile, the open air

Is so refreshing in its natural sweetness.

My head is dizzy with excess of light;

Let us but join with looks the festival

Awhile from this alcove.

 

    FIRST NOBLEMAN.

                                How miser-like

The wealth of spring is heap'd! Say, are not these

Among your favourite flowers?

 

    BERTHA.

                            Blue hyacinths!

Oh, do not show them me; they fill my eyes

With tears too soft for such a scene as this.

 

    FIRST NOBLEMAN.

Is happiness so wholly past from thee,

That its remembrance is turn'd into pain?

Or is thy heart, thy woman's heart, so caught

By this gay revel, that a serious thought

Is counted as a pleasure lost?

 

    BERTHA.

                                O no!

But now thy words give utterance to mine,

Which else might seem so grave. I've lived too long.

In the deep quiet of our ancient halls;

Have dwelt too much in solitude, whose fence

Was broken but by old beloved friends,

To bear this revelry of festival,

And not feel too oppress'd for happiness.

I am spectator, not partaker, here.

To me it seems more like a pageant made

To represent mirth, than the mirth itself.

I have known many that did act a joy

In which they had no part. At first I gazed

In wonder and delight on lips that wore

A smile as if by custom, and on eyes

Which seem'd but made to look bland courtesy.

This did not last. I saw the cheek grow red

With ill-dissembled anger, at some slight;

The eye flash sudden fire, and the harsh lip

Curve into scorn: then all grow calm again,—

Is it not like those lands, where, I have read,

Beneath an outward show of fairest flowers

The soil has veins of subterranean flame,

Whose fiery sparkles start to sudden life

When we least dream of them. I'd rather breathe

One moment's breath of morning on the hills,

Than all the Indian woods that ever burnt

On silver censers; and would rather see

One leaf fall from the bough which misses not

Its loss, than look upon the purple sweep

Of these rich tapestries.

                                Ah, 'tis his voice!

 

    JAROMIR in the distance.

Health and long happiness, my friends!

 

    BERTHA, coming forward.

Who are those strangers? They are arm'd; and see

How rudely do they force their way!

 

    OFFICERS rush up the room, and surround JAROMIR, exclaiming,

Our prisoner!

 

    FIRST OFFICER

Count Herman, we are sorry thus to break

Upon your gaiety.

 

    COUNT HERMAN.

Off, off! your prisoner is my nearest kin,

The noble heir of these insulted halls.

 

    FIRST OFFICER.

But not the less the robber Udolph, too.

 

    JAROMIR.

Discover'd, baffled—well, I can but die.

I will not shame a name at which so oft

The brave have trembled. I am Udolph: come,

I do defy you: one and all come on.

Is there no rescue in my father's house?

 

     [Some of the young Cavaliers come forward; they fight; when BERTHA flings herself before JAROMIR, who is mortally wounded, and receives another blow destined for him.

 

    BERTHA.

My father!—     [Dies.

 

    JAROMIR.

There, take my sword; I cannot see her face.

Oh, for one hour of life but to revenge!

 

    COUNT HERMAN.

I see her:—'tis the Ancestress!

 

    [The ANCESTRESS glides across the stage, beckoning the COUNT.

    COUNT.

The last and the accursed of my house,

Will no one let me touch his hand?

 

     Enter SERVANTS.

The castle is on fire!—a lightning flash

Has set the eastern turrets in a blaze.

Fly for your lives!

 

    SECOND NOBLEMAN.

We must take hence this miserable man.

 

    FIRST NOBLEMAN.

He's dead!

    [The flames burst into the room, and they fly.

     The ANCESTRESS is seen to kneel by the dead, with her hands raised to heaven, till the falling ruins of the Castle hide the whole.

 

NOTE

The hint of "The Ancestress" is taken from a German play by Grillparzer, called "The Ahnfrau." The following is the account of it, contained in Blackwood's Magazine for September 1825:—"The guilt of the Ahnfrau having introduced a spurious heir into the noble family of Borotin, she cannot rest in her grave until her crime is expiated, and its consequences remedied, by the extinction of the intrusive line. This is finally effected in the play through a series of horrible calamities. The son of the Count having been stolen in his infancy by a robber, is brought up in his supposed father's profession; falls in love, as unwittingly as Œdipus, with his sister; kills his father in a scuffle with the Bow-street officers of Poland; and finally dies in the embrace of his ghostly Ahnfrau, whom he mistakes for Bertha. The old lady, when her penance is completed, by the disasters of her descendants, which, with truly disinterested maternal love, she had vainly endeavoured to prevent, ends the tragedy by going quietly home into her hitherto untenanted monument."

I have taken very considerable liberties with the original plot; first, in making the guilt of the Ancestress supernatural, as believing such most likely to incur supernatural punishment; secondly, in making Jaromir cousin instead of brother, and thus avoiding the most revolting of crimes; and, thirdly, in awarding something of the character of poetical justice, as it is the Count's own offence which brings down the punishment.

 

From The Venetian Bracelet

Answer1

ANSWER

 

The wreath you gave me, love, is dead, 

The bloom is from the roses fled; 

A blight is o'er the myrtle shed, 

            The violets are withering. 

Ah ! who that gaz'd upon them now, 

Saw each dry leaf, each faded glow, 

            Could deem them worth the gathering !

 

The vows you breathed me, love, were dear; 

They fell like music on my ear, 

But left behind a sigh, a tear— 

            For they were but deceiving.

And who, that thought upon them now, 

Would deem each heartless, broken vow, 

            Had e'er been worth believing ?

 

Fond dreams, like summer flowers, fall, 

And wither'd leaves and thorns are all 

They leave their memory to recall,

            So quickly have they perished; 

And love that could so soon depart, 

That open'd but to chill the heart,

            Will not be long time cherished.

 

From The Fate of Adelaide

ANSWER TO -----

 

Twine not the cypress round my harp—

It wears too dull a shade for me;

    Light as the flowers

    Of April bowers,

The wreath that encircles my harp must be.

 

If you will twine a wreath for me,

Twine it of blooms that vanish soon;

    Let each fair hue

    Be wet with dew,

But dew that will pass in the smile of noon.

 

Light is the spirit of my harp—

Twas love and hope first wak'd its strain;

    Awhile sorrow's wings 

    May o'ershadow the strings—

They soon will answer to mirth again.

 

Oh ! were it mine to choose the notes,

That should unto my harp belong,

    They should be gay,

    As the sky lark's lay,

With one sweet breath of the nightingale's song.

 

From The Fate of Adelaide

 

Answer2

APOLOGUE:

 

 

THE THOUGHT SUGGESTED BY A SPANISH SAYING.

 

"AIR--FIRE--WATER--SHAME."

 

WATER.

SEEK for me the Arab maid's bower,

Where the fountain plays over the jasmine flower;

Seek for me in the light cascade,

The minstrel lists in the greenwood shade;

Seek me at morn 'mid the violet's dyes;

Seek me where rainbows paint April skies;

In the blue rush of rivers, the depths of the sea,

If we should sever, there seek for me.

 

FIRE.

Seek for me where the war-shots meet,

Where the soldier's cloak is his winding-sheet;

Seek for me where the lava wave

Bursts from Etna's secret cave;

Seek for me where Christmas mirth

Brightens the circle of love round your hearth;

Where meteor-flames glance, where the stars are bright,

Where the beacon flashes at the dead midnight;

Where the lightning scathes the tall oak-tree,

If we should sever, there seek for me.

 

AIR.

Seek for me where the Spanish maid

Hearkens at eve to the serenade;

Seek for me where the clouds are dark,

Where the billows foam round the sinking bark;

Where the aspen-leaf floats on the summer's gale,

Where the rose bends low at the nightingale's tale;

Where the wind-harp wakens in melody,

If we should sever, there seek for me.

 

SHAME.

Seek not me, if we should sever:

Parted once, we part for ever.

 

From The Improvistrice

Apologue
April

APRIL

 

OF all the months that fill the year

    Give April's month to me,

For earth and sky are then so filled

    With sweet variety.

 

The apple-blossoms' shower of rose,

    The pear-tree's pearly hue,

As beautiful as Woman's blush,

    As evanescent too.

 

The purple light, that like a sigh

    Comes from the violet bed,

As there the perfumes of the East

    Had all their odours shed.

 

The wild-briar rose, a fragrant cup

    To hold the morning's tear;

The bird's-eye, like a sapphire star;

    The primrose, pale like fear.

 

The balls that hang like drifted snow

    Upon the guelderose;

The woodbine's fairy trumpets, where

    The elf his war-note blows.

 

On every bough there is a bud,

    In every bud a flower;

But scarcely bud or flower will last

    Beyond the present hour.

 

Now comes a shower-cloud o'er the sky,

    Then all again sunshine;

Then clouds again, but brightened with

    The rainbow's coloured line.

 

Ay, this, this is the month for me!

    I could not love a scene

Where the blue sky was always blue,

    The green earth always green.

 

It is like love; oh, love should be

    An ever-changing thing,--

The love that I could worship must

    Be ever on the wing.

 

The chain my mistress flings round me

    Must be both brief and bright;

Or formed of opals, which will change

    With every changing light.

 

To-morrow she must turn to sighs

    The smiles she wore to-day;

This moment's look of tenderness,

    The next one must be gay.

 

Sweet April! thou the emblem art

    Of what my love must be;

One varying like the varying bloom

    Is just the love for me.

 

From The Vow of the Peacock

(First in The Literary Gazette, 5th April 1823)

Arion

ARION

 

A TALE

 

THE winds are high, the clouds are dark,

But stay not thou for storm, my bark;

What is the song of love to me,

Unheard, my sweet EGLÆ, by thee?

Fair lips may smile, and eyes may shine;

But lip nor eye will be like thine,

And every blush that mantles here

But images one more bright and more dear.

My spirit of song is languid and dead,

If not at thine altar of beauty fed.

Again I must listen thy gentle tone,

And make its echo in music my own;

Again I must look on thy smile divine,

Again I must see the red flowers twine

Around my harp, enwreathed by thine hand,

And waken its chords at my love's command.--

I have dwelt in a distant but lovely place,

And worshipped many a radiant face;

And sipped the flowers from the purple wine,

But they were not so sweet as one kiss of thine.

I have wandered o'er land, I have wandered o'er sea,

But my heart has ne'er wandered, EGLÆ, from thee.--

And, GREECE, my own, my glorious land!

I will take no laurel but from thy hand.

What is the light of a poet's name,

If it is not his country that hallows his fame?

Where may he look for guerdon so fair

As the honour and praise that await him there?

His name will be lost and his grave forgot,

If the tears of his country preserve them not!  .  .  .

.  .  .  He laid him on the deck to sleep,

And pleasant was his rest, and deep;

He heard familiar voices speak,

He felt his love's breath on his cheek;

He looked upon his own blue skies,

He saw his native temples rise:

Even in dreams he wept to see

What he had loved so tenderly.

The sailors looked within the hold,

And envied him his shining gold:

They waked him, bade him mark the wave,

And said 'twas for ARION's grave!

He watched each dark face that appeared,

And saw each heart with gold was seared,

Then roused his spirit's energy,

And stood prepared in pride to die!

He cast one look upon his lyre--

He felt his heart and hand on fire,

And prayed the slaves to let him pour

His spirit in its song once more!

He sung,--the notes at first were low,

Like the whispers of love, or the breathings of woe:

The waters were hushed, and the winds were stay'd,

As he sang his farewell to his Lesbian maid!

Even his murderers paused and wept,

But looked on the gold and their purpose kept.

More proudly he swept the chords along,

'Twas the stirring burst of a battle song--

And with the last close of his martial strain

He plunged with his lyre in the deep blue main!

.  .  .  The tempest has burst from its blackened dwelling,

The lightning is flashing, the waters are swelling

In mountains crested with foam and with froth,

And the wind has rushed like a giant forth;

The deck is all spray, the mast is shattered,

The sails, like the leaves in the autumn, are scattered;

The mariner's pale with fear, for a grave

Is in the dark bosom of every wave.

The billows rushed--one fearful cry

Is heard of human agony!

Another swell--no trace is seen

Of what upon its breast has been!  .  .  .  .

But who is he, who o'er the sea

Rides like a god, triumphantly,

Upon a dolphin? All is calm

Around--the air he breathes is balm,

And quiet as beneath the sky

Of his own flowery Arcady;

And all grows peaceful, as he rides

His dolphin through the glassy tides;

And ever as he music drew

From his sweet harp, a brightening hue,

Like rainbow tints, a gentle bound,

Told how the creature loved the sound.

ARION, some god has watched over thee,

And saved thee alike from man and the sea.

The night came on, a summer night,

With snowy clouds and soft starlight;

And glancing meteors, like the flash

Sent from a Greek girl's dark eyelash

O'er a sky as blue as her own blue eyes,

Borne by winds as perfumed and light as her sighs.

The zenith moon was shedding her light

In the silence and glory of deep midnight,

When the voice of singing was heard from afar,

Like the music that echoes a falling star;

And presently came gliding by

The Spirit of the melody:

A radiant shape, her long gold hair

Flew like a banner on the air,

Save one or two bright curls that fell

Like gems upon a neck whose swell

Rose like the dove's, when its mate's caress

Is smoothing the soft plumes in tenderness;

And one arm, white as the sea-spray,

Amid the chords of music lay.

She swept the strings, and fixed the while

Her dark eye's wild luxuriant smile

Upon ARION; and her lip,

Like the first spring rose that the bee can sip,

Curled half in the pride of its loveliness,

And half with a love-sigh's voluptuousness.

 

    There is a voice of music swells

        In the ocean's coral groves;

    Sweet is the harp in the pearly cells,

        Where the step of the sea-maid roves.

    The angry storm when it rolls above,

        At war with the foaming wave,

    Is soft and low as the voice of love,

        Ere it reach her sparry cave.

    When the sun seeks his glorious rest,

        And his beams o'er ocean fall,

    The gold and the crimson, spread on the west,

        Brighten her crystal hall.

    The sands of amber breathe perfume,

        Gemm'd with pearls like tears of snow,

    Around in wreaths the white sea-flowers bloom,

        The waves in music flow.

    Child of the lyre! is not this a spot

        That would suit a minstrel well?

    Then haste thee and share the sea-maid's lot,

        Her love and her spar-built cell.

 

    ARION scarcely heard the strain,

Her song was lost, her smile was vain,

He had a charm all charms above,

To guard his heart--the charm of love.

He floated on. The morning came,

With lip of dew and cheek of flame;

He looked upon his native shore,

His voyage, his perilous voyage is o'er.

There stood a temple by the sea,

Raised to its queen, AMPHITRITE:

ARION entered, and kneeling there

He saw a girl, like spring-day fair,

Feeding with incense the sacred flame,

And he heard her hymn, and it breathed his name.

Oh, Love! a whole life is not worth this bliss--

EGLÆ has met her ARION's kiss!--

They raised an altar upon the sea-shore,

And every spring they covered it o'er

With fruits of the wood and flowers of the field,

And the richest perfumes that the East could yield;

And as the waves rolled, they knelt by the side,

And poured their hymn to the Queen of the Tide.

 

From The Improvisatrice.

Original in The Literary Gazette, 23rd November, 1822.

Aspen

THE ASPEN TREE

 

THE quiet of the evening hour

    Was laid on every summer leaf;

That purple shade was on each flower,

    At once so beautiful, so brief,

 

Only the aspen knew not rest,

    But still, with an unquiet song,

Kept murmuring to the gentle west,

    And cast a changeful shade along.

 

Not for its beauty--other trees

    Had greener boughs, and statelier stem;

And those had fruit, and blossoms these,

    Yet still I chose this tree from them.

 

'Tis a strange thing, this depth of love

    Which dwells within the human heart;

From earth below to heaven above,

    In each, in all, it fain has part.

 

It must find sympathy, or make;

    And hence beliefs, the fond, the vain,

The thousand shapes that fancies take,

    To bind the fine connecting chain.

 

We plant pale flowers beside the tomb,

    And love to see them droop and fade;

For every leaf that sheds its bloom

    Seems like a natural tribute paid.

 

Thus Nature soothes the grief she shares:

    What are the flowers we hold most dear?

The one whose haunted beauty wears

    The sign of human thought or tear.

 

Why hold the violet and rose

    A place within the heart, denied

To fairer foreign flowers, to those

    To earlier memories allied?

 

Like those frail leaves, each restless thought

    Fluctuates in my weary mind;

Uncertain tree! my fate was wrought

    In the same loom where thine was twined.

 

And thus from other trees around

    Did I still watch the aspen-tree,

Because in its unrest I found

    Somewhat of sympathy with me.

 

From The Vow of the Peacock

Original in The Literary Gazette, 21st August 1830

BACCHUS AND ARIADNE

 

    LEONARDI.

'Tis finished now: look on my picture, Love!

 

    ALVINE.

Oh, that sweet ring of graceful figures! One

Flings her white arms on high, and gaily strikes

Her golden cymbals--I can almost deem

I hear their beatings; one with glancing feet

Follows her music, while her crimson cheek

Is flushed with exercise, till the red grape

'Mid the dark tresses of a sister nymph

Is scarcely brighter: there another stands,

A darker spirit yet, with joyous brow,

And holding a rich goblet: oh, that child!

With eyes as blue as spring-days, and those curls

Throwing their auburn shadow o'er a brow

So arch, so playful--have you bodied forth

Young Cupid in your colours?

 

    LEONARDI.

No--oh no, I could not paint Love as a careless boy,--

That passionate Divinity, whose life

Is of such deep and intense feeling! No,

I am too true, too earnest, and too happy,

To ever image by a changeful child

That which is so unchangeable. But mark

How sweet, how pale, the light that I have thrown

Over the picture: it is just the time

When Dian's dewy kiss lights up the dreams

That make Endymion's sleep so beautiful.

Look on the calm blue sky, so set with stars:

Is it not like to what we both recall?

Those azure shadows of a summer night,

That veiled the cautious lutanist who waked

Thy slumbers with his song. How more than fair,

How like a spirit of that starry hour,

I used to think you, as your timid hand

Unbarr'd the casement, and you leant to hear,

Your long hair floating loose amid the vines

Around your lattice; and how very sweet

Your voice, scarce audible, with the soft fear

That mingled in its low and tender tones!

 

    ALVINE.

Nay, now I will not listen to the tales

Our memory is so rich in. I have much

For question here. Who is this glorious shape,

That, placed on a bright chariot in the midst,

Stands radiant in his youth and loveliness?

Around his sunny locks there is a wreath

Of the green vine leaves, and his ivory brow

Shines out like marble, when a golden ray

Of summer light is on it, and his step

Scarce seems to touch his pard-drawn car, but floats

Buoyant upon the air;--and who is she

On whom his ardent gaze is turned? So pale,--

Her dark hair gathered round her like a shroud,

Yet far more lovely than the sparkling nymphs

Dancing around that chariot. Yet how sweet,

Though dimmed with tears, those deep blue eyes,

Half turned and half averted timidly

From the youth's lightning glance. Oh tell me now

One of those legends that I love so well:

Has not this picture some old history?

 

    LEONARDI.

'Tis one of those bright fictions that have made

The name of Greece only another word

For love and poetry; with a green earth—

Groves of the graceful myrtle--summer skies,

Whose stars are mirror'd in ten thousand streams—

Winds that move but in perfume and in music,

And, more than all, the gift of woman's beauty.

What marvel that the earth, the sky, the sea,

Were filled with all those fine imaginings

That love creates, and that the lyre preserves!

 

    ALVINE.

But for the history of that pale girl

Who stands so desolate on the sea shore?

 

    LEONARDI.

She was the daughter of a Cretan king—

A tyrant. Hidden in the dark recess

Of a wide labyrinth, a monster dwelt,

And every year was human tribute paid

By the Athenians. They had bowed in war;

And every spring the flowers of all the city,

Young maids in their first beauty--stately youths,

Were sacrificed to the fierce King! They died

In the unfathomable den of want,

Or served the Minotaur for food. At length

There came a royal Youth, who vowed to slay

The monster or to perish!--Look, Alvine,

That statue is young Theseus.

 

    ALVINE.

Glorious!

How like a god he stands, one haughty hand

Raised in defiance! I have often looked

Upon the marble, wondering it could give

Such truth to life and majesty.

 

    LEONARDI.

You will not marvel Ariadne loved.

She gave the secret clue that led him safe

Through all the labyrinth, and she fled with him.

 

    ALVINE.

Ah, now I know your tale: he proved untrue.

This ever has been woman's fate,--to love,

To know one summer day of happiness,

And then to be most wretched!

 

    LEONARDI.

She was left

By her so heartless lover while she slept.

She woke from pleasant dreams--she dreamt of him—

Love's power is felt in slumber--woke, and found

Herself deserted on the lonely shore!

The bark of the false Theseus was a speck

Scarce seen upon the waters, less and less,

Like hope diminishing, till wholly past.

I will not say, for you can fancy well,

Her desolate feelings as she roamed the beach,

Hurled from the highest heaven of happy love!

But evening crimsoned the blue sea--a sound

Of music and of mirth came on the wind,

And radiant shapes and laughing nymphs danced by,

And he, the Theban God, looked on the maid,

And looked and loved, and was beloved again.

This is the moment that the picture gives:

He has just flung her starry crown on high,

And bade it there a long memorial shine

How a god loved a mortal. He is springing

From out his golden car--another bound—

Bacchus is by his Ariadne's side!

 

    ALVINE.

She loved again! Oh cold inconstancy!

This is not woman's love; her love should be

A feeling pure and holy as the flame

The vestal virgin kindles, fresh as flowers

The spring has but just coloured, innocent

As the young dove, and changeless as the faith

The martyr seals in blood. 'Tis beautiful

This picture, but it wakes no sympathy.

 

    LEONARDI.

Next time, Alvine, my pencil shall but give

Existence to the memory of love's truth.

 

    ALVINE.

Do you recall a tale you told me once,

Of the forsaken Nymph that Paris left

For new love and ambition; at his death

He bade them bear him to Enone's arms?

She never had forgotten him: her heart,

Which beat so faithfully, became his pillow;

She closed his eyes, and pardoned him and died!

 

    LEONARDI.

Love, yes; I'll paint their meeting; the wan youth,

Dying, but yet so happy in forgiveness;

The sweet Enone, with her gentle tears,

Filled with meek tenderness, her pensive brow

Arching so gracefully, with deep blue eyes

Half hidden by the shadowy lash--a look

So patient, yet so fraught with tenderest feeling,

Like to an idol placed upon the shrine

Of faith, for all to worship. She shall be,

Saving thine own inimitable smile,

In all like thee, Alvine!

 

From The Vow of the Peacock

Bacchus
Basque

THE BASQUE GIRL AND HENRI QUATRE

 

      Love! summer flower, how soon thou art decayed!

      Opening amid a paradise of sweets,

      Dying with withered leaves and cankered stem!

      The very memory of thy happiness

      Departed with thy beauty; breath and bloom

      Gone, and the trusting heart which thou hadst made

      So green, so lovely, for thy dwelling-place,

      Left but a desolation.

 

'Twas one of those sweet spots which seem just made

For lovers' meeting, or for minstrel haunt;

The maiden's blush would look so beautiful

By those white roses, and the poet's dream

Would be so soothing, lulled by the low notes

The birds sing to the leaves, whose soft reply

Is murmured by the wind: the grass beneath

Is full of wild flowers, and the cypress boughs

Have twined o'er head, graceful and close as love.

The sun is shining cheerfully, though scarce

His rays may pierce through the dim shade, yet still

Some golden hues are glancing o'er the trees,

And the blue flood is gliding by, as bright

As Hope's first smile. All, lingering, stayed to gaze

Upon this Eden of the painter's art,

And looking on its loveliness, forgot

The crowded world around them!--But a spell

Stronger than the green landscape fixed the eye--

The spell of woman's beauty!--By a beech

Whose long dark shadow fell upon the stream,

There stood a radiant girl!--her chesnut hair--

One bright gold tint was on it--loosely fell

In large rich curls upon a neck whose snow

And grace were like the swan's; she wore the garb

Of her own village, and her small white feet

And slender ancles, delicate as carved

From Indian ivory, were bare,--the turf

Seemed scarce to feel their pressure. There she stood!

Her head leant on her arm, the beech's trunk

Supporting her slight figure, and one hand

Prest to her heart, as if to still its throbs!--

You never might forget that face,--so young,

So fair, yet traced with such deep characters

Of inward wretchedness! The eyes were dim,

With tears on the dark lashes; still the lip

Could not quite lose its own accustomed smile,

Even by that pale cheek it kept its arch

And tender playfulness: you looked and said,

What can have shadowed such a sunny brow?

There is so much of natural happiness

In that bright countenance, it seems but formed

For Spring's light sunbeams, or yet lighter dews.

You turned away--then came--and looked again,

Watching the pale and silent loveliness,

Till even sleep was haunted by that image.

There was a severed chain upon the ground--

Ah! love is even more fragile than its gifts!

A tress of raven hair:--oh, only those

Whose souls have felt this one idolatry,

Can tell how precious is the slightest thing

Affection gives and hallows! A dead flower

Will long be kept, remembrancer of looks

That made each leaf a treasure. And the tree

Had two slight words graven upon its stem--

The broken heart's last record of its faith--

"Adieu, Henri!" .  .  .  .

.  .  .  I learnt the history of the lovely picture:

It was a peasant girls', whose soul was given

To one as far above her as the pine

Towers o'er the lowly violet; yet still

She loved, and was beloved again--ere yet

The many trammels of the world were flung

Around a heart, whose first and latest pulse

Throbbed but for beauty: him, the young, the brave

Chivalrous Prince, whose name in after-years

A nation was to worship--that young heart

Beat with its first wild passion--that pure feeling

Life only once may know. I will not dwell

On how Affection's bark was launched and lost:--

Love, thou hast hopes like summers, short and bright,

Moments of ecstasy, and maddening dreams,

Intense delicious throbs! But happiness

Is not for thee. If ever thou hast known

Quiet, yet deep enjoyment, 'tis or ere

Thy presence is confessed; but, once revealed,

We bow us down in passionate devotion

Vowed to thy altar, then the serpents wake

That coil around thy votaries--hopes that make

Fears burning arrows--lingering jealousy,

And last worst poison of thy cup--neglect! .  .  .

.  .  .  It matters little how she was forgotten,

Or what she felt--a woman can but weep.

She prayed her lover but to say Farewell--

To meet her by the river where such hours

Of happiness had pass'd, and said she knew

How much she was beneath him; but she prayed

That he would look upon her face once more!

.  .  .  He sought the spot--upon the beechen tree

"Adieu, Henri!" was graven, and his heart

Felt cold within him! He turned to the wave,

And there the beautiful peasant floated--Death

Had sealed love's sacrifice! .  .  .

 

From The Improvisatrice

Original in The Literary Gazette, 12th October 1822, as the 6th sketch in the 3rd Series of "Poetic(al) Sketches.

Battle

THE BATTLE FIELD

 

        It was a battle field, and the cold moon

        Made the pale dead yet paler. Two lay there;

        One with the ghastly marble of the grave

        Upon his face; the other wan, but yet

        Touch'd with the hues of life, and its warm breath

        Upon his parted lips.

 

HE sleeps—the night wind o'er the battle field

    Is gently sighing;

Gently, though each breeze bear away

    Life from the dying.

He sleeps,—though his dear and early friend

    A corpse lies by him;

Though the ravening vulture and screaming crow

    Are hovering nigh him.

He sleeps,—where blood has been pour'd like rain,

    Another field before him;

And he sleeps as calm as his mother's eyes

    Were watching o'er him.

To-morrow that youthful victor's name

    Will be proudly given,

By the trumpet's voice, and the soldier's shout,

    To the winds of heaven.

Yet life, how pitiful and how mean,

    Thy noblest story;

When the high excitement of victory,

    The fulness of glory,

Nor the sorrow felt for the friend of his youth,

    Whose corpse he's keeping,

Can give his human weakness force

    To keep from sleeping!

And this is the sum of our mortal state,

    The hopes we number,—

Feverish waking, danger, death,

    And listless slumber.

 

From The Venetian Bracelet

Bayadere

THE BAYADERE

 

AN INDIAN TALE

 

["THE BAYADERE" was taken from some faint recollection of a tale I had

either read or heard; and meeting with the word "Bayadere" many years

after recalled it to my memory as a subject exquisitely poetical. I have been

since told it was a poem of Goëthe's. This poem has never been to my

knowledge translated; and, being ignorant of the German language, I am

unable to say whether the tale conforms to the original or not.]

 

THERE were seventy pillars around the hall,

Of wreathed gold was each capital,

And the roof was fretted with amber and gems,

Such as light kingly diadems;

The floor was marble, white as the snow

Ere its pureness is stained by its fall below:

In the midst played a fountain, whose starry showers

Fell like beams on the radiant flowers,

Whose colours were gleaming, as every one

Burnt with the kisses just caught from the sun;

And vases sent forth their silvery clouds,

Like those which the face of the young moon shrouds,

But sweet as the breath of the twilight hour

When the dew awakens the rose's power.

At the end of the hall was a sunbright throne,

Rich with every glorious stone;

And the purple canopy over head

Was like the shade o'er the day-fall shed;

And the couch beneath was of buds half blown,

Hued with the blooms of the rainbow's zone;

And round, like festoons, a vine was rolled,

Whose leaf was of emerald, whose fruit was of gold.

But, though graced as for a festival,

There was something sad in that stately hall:

There floated the breath of the harp and flute,--

But the sweetest of every music is mute;

There are flowers of light and spiced perfume,--

But there wants the sweetest of breath and of bloom:

And the hall is lone, and the hall is drear,

For the smiling of woman shineth not here.

    With urns of odour o'er him weeping,

    Upon the couch a youth is sleeping:

His radiant hair is bound with stars,

    Such as shine on the brow of night,

Filling the dome with diamond rays,

    Only than his own curls less bright.

And such a brow and such an eye

    As fit a young divinity;

A brow like twilight's darkening line,

An eye like morning's first sunshine,

Now glancing thro' the veil of dreams

As sudden light at day-break streams,

And richer than the mingled shade

By gem, and gold, and purple made;

His orient wings closed o'er his head,

    Like that bird's, bright with every dye,

Whose home, as Persian bards have said,

    Is fixed in scented Araby.

Some dreams is passing o'er him now--

A sudden flush is on his brow;

And from his lip came murmur'd words,

Low, but sweet as the light lute chords

When o'er its strings the night winds glide

To woo the roses by its side.

He, the fair boy god, whose nest

Is in the water-lily's breast;

He of the many-arrowed bow,

Of the joys that come and go

Like the leaves, and of the sighs

Like the winds of summer skies,

Blushes like the birds of spring,

Soon seen and soon vanishing;

He of hopes, and he of fears,

He of smiles, and he of tears--

Young CAMDEO, he has brought

A sweet dream of coloured thought,

One of love and woman's power,

To MANDALLA's sleeping hour.

 

    Joyless and dark was his jewelled throne

When MANDALLA awakened and found him alone.

He drank the perfume that around him swept,

'Twas not sweet as the sigh he drank as he slept;

There was music, but where was the voice, at whose thrill

Every pulse in his veins was throbbing still?

Dim was the home at his native star

While the light of woman and love was afar;

And lips of the rosebud, and violet eyes

Are the sunniest flowers in Paradise.

He veiled the light of his glorious race

In a mortal's form and a mortal's face,

And 'mid earth's loveliest sought for one

Who might dwell in his hall and share in his throne.

 

    The loorie brought to his cinnamon nest.

The bee from the midst of its honey quest,

And open the leaves of the lotus lay

To welcome the noon of the summer day.

It was glory and light and beauty all,

When MANDALLA closed his wing in Bengal;

He stood in the midst of a stately square,

As the waves of the sea rolled the thousands there;

Their gathering was round the gorgeous car

Where sat in his triumph the Subadar,

For his sabre was red with the blood of the slain,

And his proudest foes were slaves in his chain;

And the sound of the trumpet, the sound of his name,

Rose in shouts from the crowd as onwards he came.

With gems and gold on each ataghan,

A thousand warriors led the van,

Mounted on steeds black as the night,

But with foam and with stirrup gleaming in light;

And another thousand came in their rear,

On white horses, armed with bow and spear,

With quivers of gold on each shoulder laid,

And with crimson belts for the crooked blade.

Then followed the foot ranks,--their turbans showed

Like flashes of light from a mountain cloud,

For white were the turbans as winter snow,

And death-black the foreheads that darkened below;

Scarlet and white was each soldier's vest,

And each bore a lion of gold on his breast,

For this was the chosen band that bore

The lion standard,--it floated o'er

Their ranks like morning; at every wave

Of that purple banner, the trumpets gave

A martial salute to the radiant fold

That bore the lion-king wrought in gold.

And last the elephant came, whose tower

Held the Lord of this pomp and power:

    And round that chariot of his pride,

        Like chains of white sea-pearls,

    Of braids enwove of summer flowers,

        Glided fair dancing girls;

    And as the rose-leaves fall to earth,

        Their light feet touched the ground,--

    But for the zone of silver bells

    You had not heard a sound,

As, scattering flowers o'er the way,

Danced round the beautiful array.

But there was one who 'mid them shone,

A planet lovely and alone,

A rose, one flower amid many,

But still the loveliest of any:

Though fair her arm as the moonlight,

Others might raise an arm as white;

Though light her feet as music's fall,

Others might be as musical:

But where were such dark eyes as hers?

    So tender, yet withal so bright,

As the dark orbs had in their smile

    Mingled the light of day and night.

And where was the wild grace which shed

A loveliness o'er every tread,

A beauty shining through the whole,

Something which spoke of heart and soul.

The Almas had pass'd lightly on,

The armed ranks, the crowd, were gone,

Yet gazed MANDALLA on the square

As she he sought still glided there,--

Oh that fond look, whose eyeballs’ strain,

And will not know its look is vain!

At length he turned,--his silent mood

Sought that impassioned solitude,

The Eden of young hearts, when first

Love in its loneliness is nurst.

He sat him by a little fount;

    A tulip tree grew by its side,

A lily with its silver towers

    Floated in silence on the tide;

And far round a banana tree

Extended its green sanctuary;

And the long grass, which was his seat,

With every movement grew more sweet,

Yielding a more voluptuous scent

At every blade his pressure bent.

And there he lingered, till the sky

Lost somewhat of its brilliancy,

And crimson shadows rolled on the west,

And raised the moon her diamond crest,

And came a freshness on the trees,

Harbinger of the evening breeze,

When a sweet far sound of song,

Borne by the breath of flowers along,

A mingling of the voice and lute,

    Such as the wind-harp, when it makes

Its pleasant music to the gale

    Which kisses first the chords it breaks.

He followed where the echo led,

    Till in a cypress grove he found

A funeral train, that round a grave

    Poured forth their sorrows' wailing sound;

And by the tomb a choir of girls,

    With measured steps and mournful notes,

And snow-white robes, while on the air,

    Unbound their wreaths, each dark curl floats,

Paced round and sang to her who slept

Calm, while their young eyes o'er her wept.

And she, that loveliest one, is here,

The morning's radiant Bayadere:

A darker light in her dark eyes,--

    For tears are there,--a paler brow

Change but to charm the morning's smile,

    Less sparkling, but more touching now.

And first her sweet lip prest the flute,

    A nightingale waked by the rose,

And when that honey breath was mute,

    Her low and plaintive song arose.

Wailing for the young blossom's fall,

The last, the most beloved of all.

As died in gushing tears the lay,

The band of mourners pass'd away:

They left their wreaths upon the tomb,

As fading leaves and long perfume

Were emblems of her; and unbound

Many a cage's gilded round

And set the prisoners free, as none

Were left to love now she was gone.

And azure wings spread on the air,

    And songs, rejoicing songs were heard;

But, pining as forgotten now,

    Lingered one solitary bird:

A beautiful and pearl-white dove,

Alone in its remembering love.

It was a strange and lovely thing

To mark the drooping of its wing,

And how into the grave it prest

Till soiled the dark earth-stain its breast;

And darker as the night-shades grew,

Sadder became its wailing coo,

As if it missed the hand that bore,

As the cool twilight came, its store

Of seeds and flowers.--There was one,

Who like that dove, was lingering lone,--

The Bayadere: her part had been

    Only the hired mourner's part;

But she had given what none might buy,--

    The precious sorrow of the heart.

She wooed the white dove to her breast,

It sought at once its place of rest:

Round it she threw her raven hair,

It seemed to love the gentle snare,

And its soft beak was raised to sip

The honey-dew of her red lip.

Her dark eyes filled with tears, to feel

The gentle creature closer steal

Into her heart with soft caress,

As it would thank her tenderness;

To her 't was strange and sweet to be

Beloved in such fond purity,

And sighed MANDALLA to think that sin

Could dwell so fair a shrine within.

"Oh grief to think that she was one

"Who like the breeze was wooed and won:

"Yet sure it were a task for love

"To come like dew of the night from above

"Upon her heart, and wash away,

"Like dust from the flowers, its stain of clay,

"And win her back in her tears to heaven,

"Pure, loved, and humble, and forgiven;

"Yes! freed from the soil of her earthly thrall,

"Her smile shall light up my starry hall!"

 

    The moonlight is on a little bower,

With wall and with roof of leaf and of flower,

Built of that green and holy tree

Which heeds not how rude the storm may be.

Like a bridal canopy over head

The jasmines their slender wreathings spread,

One with stars as ivory white,

The other with clusters of amber light;

Rose-trees four grew by the wall,

Beautiful each, but different all:

One with that pure but crimson flush

That marks the maiden's first love blush;

By its side grew another one,

Pale as the snow of the funeral stone;

 

The next was rich with the damask dye

Of a monarch's purple drapery;

And the last had leaves like those leaves of gold

Worked on that drapery's royal fold.

Three or four vases, with blossoms filled,

Like censers of incense, their fragrance distilled;

Lilies, heaped like the pearls of the sea,

Peeped from their large leaves' security;

Hyacinths with their graceful bells,

Where the spirit of odour dwells

Like the spirit of music in ocean shells;

And tulips, with every colour that shines

In the radiant gems of Serendib's mines:

One tulip was found in every wreath,

That one most scorched by the summer's breath,

Whose passionate leaves with their ruby glow

Hide the heart that lies burning and black below.

    And there, beneath the flowered shade

    By a pink acacia made,

    MANDALLA lay, and by his side,

    With eye and breath and blush that vied

    With the star and with the flower

    In their own and loveliest hour,

    Was that fair Bayadere, the dove

        Yet nestling in her long black hair:

    She has now more than that to love,

        And the loved one sat by her there.

    And by the sweet acacia porch

        They drank the softness of the breeze,--

    Oh more than lovely are love's dreams,

        'Mid lights and blooms and airs like these!

    And sometimes she would leave his side,

    And like a spirit round him glide:

    A light shawl wreathed now round her brow,

    Now waving from her hand of snow,

    Now zoned around her graceful waist,

    And now like fetters round her placed;

    And then, flung suddenly aside,

    Her many curls, instead, unbound,

    Waved in fantastic braids, till loosed,

    Her long dark tresses swept the ground;

    Then, changing from the soft slow step,

        Her white feet bounded on the wind

    Like gleaming silver, and her hair

        Like a dark banner swept behind;

Or with her sweet voice, sweet like a bird's

    When it pours forth its first song in spring,

The one like an echo to the other,

    She answered the sigh of her soft lute-string,

And with eyes that darkened in gentlest tears,

    Like the dewy light in the dark-eyed dove,

Would she sing those sorrowing songs that breathe

   Some history of unhappy love.

"Yes, thou art mine!" MANDALLA said,--

   "I have lighted up love in thy youthful heart;

"I taught thee its tenderness, now I must teach

   "Its faith, its grief, and its gloomier part;

"And then, from thy earth-stains purified,

"In my star and my hall shalt thou reign my bride."

 

    It was an evening soft and fair,

As surely those in Eden are,

When, bearing spoils of leaf and a flower,

Entered the Bayadere her bower;

Her love lay sleeping, as she thought,

And playfully a bunch she caught

Of azure hyacinth bells, and o'er

    His face she let the blossoms fall:

"Why I am jealous of thy dreams,

    "Awaken at thy AZA's call."

No answer came from him whose tone

Had been the echo of her own.

She spoke again,--no words came forth;

    She clasped his hand,--she raised his head,--

One wild loud scream, she sank beside,

    As pale, as cold, almost as dead!

 

    By the Ganges raised, for the morning sun

To shed his earliest beams upon,

Is a funeral pile,--around it stand

Priests and the hired mourners' band.

But who is she that so wildly prays

To share the couch and light the blaze?

MANDALLA's love, while scornful eye

And chilling jeers mock her agony:

An Alma girl! oh shame, deep shame,

To Brahma's race and Brahma's name!

Unmarked, unpitied, she turned aside,

For a moment her bursting tears to hide.

None thought of the Bayadere, till the fire

Blazed redly and fiercely the funeral pyre,

Then like a thought she darted by,

And sprang on the burning pile to die!

 

    "Now thou art mine! away, away

"To my own bright Star, to my home of Day,"

A dear voice sighed, as he bore her along

Gently as spring breezes bear the song,

"Thy love and thy faith have won for thee

"The breath of immortality.

"Maid of earth, MANDALLA is free to call

"AZA the queen of his heart and hall!"

 

From The Improvisatrice

Original in The Literary Gazette in three parts:

30th Aug.,6th Sept. and 13th Sept. 1823

 

Castilian

THE CASTILIAN NUPTIALS

 

                And days fled by,

        A cloud came o'er my destiny,

        The dream of passion soon was past,

        A summer's day may never last—

        Yes, every feeling then knew change,

        One only hope was left--revenge!

        He wedded with another—tears

        Are very vain, and as for fears

        I know them not--I deeply swore

        No lip should sigh where mine before

        Had sealed its vow, no heart should rest

        Upon the bosom mine had prest.

        Life had no ill I would not brave

        To claim him, even in the grave!

 

FAIR is the form that in yon orange bower,

Like a lone spirit, bends beside the lamp,

Whose silver light is flung o'er clustering rose,

And myrtle with pearl buds and emerald leaves.

Green moss and azure violets have formed

The floor, and fragrant bloom the canopy,

And perfumed shrubs the pillars, round whose stems

The vine has crept, and mixed its purple fruit

Amid the rich-hued blossoms. Citron trees,

And beds of hyacinths, have sent their sweets

Upon the odorous dew of the night gale,

Which, playing with the trembling lamp, flings round

A changeful light--now glancing on the flowers,

And brightening every hue--now lost in shade.

Look out upon the night! There is no star

In beauty visible--the Moon is still

Sojourning in her shadowy hall--the clouds

Are thickening round; but though the tempest's wing

Will herald in the morning, all is still,

And calm, and soothing now,--no rougher sounds

Than the low murmur of the mountain rill,

And the sweet music of the nightingale,

Are on the air. But a far darker storm,

The tempest of the heart, the evil war

Of fiery passions, is fast gathering

O'er that bright creature's head, whose fairy bower

And fairy shape breathe but of happiness.

She is most beautiful! The richest tint

That e'er with roselight dyed a summer cloud,

Were pale beside her cheek; her raven hair

Falls even to her feet, though fastened up

In many a curl and braid with bands of pearl;

And that white bosom and those rounded arms

Are perfect as a statue's, when the skill

Of some fine touch has moulded it to beauty.

Yet there are tears within those radiant eyes,

And that fair brow is troubled! She is young;

But her heart's youth is gone, and innocence,

And peace, and soft and gentle thoughts, have fled

A breast, the sanctuary of unhallowed fires,

That love has led to guilt. At each light stir

Of but a waving branch, a falling leaf,

A deeper crimson burnt upon her cheek,

Each pulse beat eagerly, for every sound

To her was Fernand's step, and then she sank

Pallid and tearful, with that sickening throb

Of sadness only love and fear can know.

The night pass'd on--she touched the silver chords,

And answered with her voice her lone guitar.

It pleased her for a while:--it soothes the soul

To pour its thoughts in melancholy words;

And if aught can charm sorrow, music can.

The song she chose was one her youth had loved,

Ere yet she knew the bitterness of grief,

But thought tears luxury:--

 

Oh take that starry wreath away,

    Fling not those roses o'er my lute!

The brow that thou wouldst crown is pale,

    The chords thou wouldst awaken mute.

 

Look on those broken gems that lie

    Beside those flowers, withering there;

Those leaves were blooming round my lute,

    Those gems were bright amid my hair.

 

And they may be a sign to tell

    Of all the ruin love will make:

He comes in beauty, and then leaves

    The hope to fade, the heart to break!

 

The song died in low sobs. "I ever felt

That it would come to this,--that I should be

Forsaken and forgotten! I would give

Life, more than life, those precious memories

Of happiness and Fernand! I'd forget

That I have been beloved, all I have known

Of rapture, all the dreams that long have been

My sole existence, but to feel again

As I felt ere I loved--ere I had given

My every hope as passion's sacrifice."

Her face was hidden in her hands; but tears

Trickled through her slight fingers--tears, those late

Vain tributes to remorse! At length she rose,

And paced with eager steps her scented bower,

Then trimmed her lamp, and gathered flowers and leaves,

Twined them in wreaths, and placed them gracefully;

Then felt the vanity of all her care,

And scattered them around. The morning broke,

And hastily she left the shade, to hide

From all her anxious heart--her misery!

That day she knew her fate--heard that Fernand

Was now betrothed to the high-born Blanche.

Hermione wept not, although her heart

Swelled nigh to bursting; but she hid her thoughts.

Next morning she was gone! - - - - -

    The palace was all lustre, like a dome,

A fairy dome; the roofs were all one blaze

With lamp and chandelier; the mirrors shone

Like streams of light, and, waving gracefully,

The purple draperies hung festooned with wreaths,

That shed their incense round. Hall after hall

Opened in some new splendour. Proud the feast

The Duke to-night gives for his peerless child,

And Castile's noblest are all met to greet

Blanche and her gallant lover: princely forms,

And ladies beautiful, whose footsteps fell

Soft as the music which they echoed; light,

And melody, and perfume, and sweet shapes,

Mingled together like a glorious dream.—

Hermione is there! She has forsaken

Her woman's garb, her long dark tresses float

Like weeds upon the Tagus, and no one

Can in that pale and melancholy boy

Recall the lovely woman. All in vain

She looked for him she sought; but when one pass'd

With raven hair and tall, her heart beat high—

Then sank again, when her impatient glance

Fell on a stranger's face. At length she reached

A stately room, richer than all the rest,

For there were loveliest things, though not of life:

Canvass, to which the painter's soul had given

A heaven of beauty; and statues, which were touched

With art so exquisite, the marble seemed

Animate with emotion. It is strange,

Amid its deepest feelings, how the soul

Will cling to outward images, as thus

It could forget its sickness! There she gazed,

And envied the sad smile, the patient look,

Of a pale Magdalen: it told of grief,

But grief long since subdued. Half curtained round

By vases filled with fragrant shrubs, were shapes

Of Grecian deities and nymphs. She drew

Sad parallels with her of Crete, who wept

O'er her Athenian lover's perjury.

She left the hall of paintings, and pursued

A corridor which opened to the air,

And entered in the garden: there awhile,

Beneath the shadow of a cypress tree,

She breathed the cooling gale. Amid the shade

Of those bright groves were ladies lingering,

Who listened to most gentle things, and then

Blushed like the roses near them; and light groups

Of gladsome dancers, gliding o'er the turf,

Like elfin revelling by the moonlight.

She looked up to the lovely face of heaven:--

It was unclouded, and the rolling moon

Pass'd o'er the deep blue sky like happiness,

Leaving a trace of light. She gazed around,--

There was no gloom but that within her heart.

Ah, this is very loneliness to feel

So wholly destitute, without one thing

That has a portion in our wretchedness!

 

Then two came by--that voice to her was death—

It was her false Fernand's! A lovely girl

Hung on his arm, so soft, so delicate,

It seemed a breath might sweep her from the earth;

And Fernand bent with so much tenderness

To catch the music of the timid voice,

Which dared not breathe its love-vow audibly.

Hermione rushed thence, as if her step

Had been upon the serpent's lair. That night

She brooded o'er her wrongs, and bitterly

Prayed for revenge! - - -And this is Woman's fate:

All her affections are called into life

By winning flatteries, and then thrown back

Upon themselves to perish, and her heart,

Her trusting heart, filled with weak tenderness,

Is left to bleed or break! - - - -

The marriage feast was spread, the guests were round,

The halls were filled with mirth, and light, and song.

High o'er the rest the youthful pair were placed,

Beneath a canopy of fretted gold

And royal purple. With a shout they drank

Health and long blessedness to the fair bride!

And Fernand called for wine, to pledge them back

His thanks. A slender Page approached, and held

The golden cup; - - - There is a marble look

In the dark countenance of that pale boy

Ill suiting one so youthful. Fernand drained

The liquor to the dregs; yet, while he drank

He felt the eagle glance of that strange Page

Fix on him like a spell. With a wild laugh

Of fearless taunting, he took back the cup—

That laugh rang like a demon's curse! The sounds

Of revelry one moment paused--they heard

Muttered the words--'Vengeance!' 'Hermione!'

Blanche broke the silence by her shriek—Fernand

Had fallen from his seat, his face was black

With inward agony--that draught bore fate!

That Page had poisoned him!--In dread they turned

To where the murderer was: she had not moved,

But stood with fixed eyes; the clouds of death

Were on her face-- she too had pledged the cup!

 

From The Vow of the Peacock

Original in The London Literary Gazette, 28th September 1822 - Poetical Sketches. Third series - Sketch the Fourth

Castle

CASTLE BUILDING

 

You may smile at the fanciful structures I rear,

    And say, that my castles are built but on sand ;

Like bubbles, that on the blue waters appear,

    That sparkle, invite, and then sink from the hand.

 

When my spirit is tracing some bright and new sphere,

    As light as the moment, when joy gave it birth ;

Would you stop her gay pinion, and chain her down here

    To reality's region—a plodder on earth ?

 

Tho' time, as its shadows and sorrows pass by,

    Darkens many a tint, fancy brighten'd in vain;

Their shade it will flit, like the clouds o'er the sky,

    And the picture be colour'd as gaily again.

 

Unlike the Pactolus, which glisten'd of old,

    But whose waves have exhausted their own brilliant store;

The fountain of hope is still sparkling with gold,

    And often applied to, but proffers the more.

 

From The Fate of Adelaide

Change4

CHANGE

 

AND this is what is left of youth!  .  .  .

There were two boys, who were bred up together,

Shared the same bed, and fed at the same board;

Each tried the other's sport, from their first change,

Young hunters of the butterfly and bee,

To when they followed the fleet hare, and tried

The swiftness of the bird. They lay beside

The silver trout-stream, watching as the sun

Played on the bubbles; shared each in the store

Of either's garden; and together read

Of him, the master of the desert isle,

Till a low hut, a gun, and a canoe,

Bounded their wishes. Or if ever came

A thought of future days, 'twas but to say

That they would share each other's lot, and do

Wonders, no doubt. But this was vain: they parted

With promises of long remembrance, words

Whose kindness was the heart's, and those warm tears,

Hidden like shame by the young eyes which shed them,

But which are thought upon in after-years

As what we would give worlds to shed once more.

 

     They met again,--but different from themselves,

At least what each remembered of themselves:

The one proud as a soldier of his rank,

And of his many battles; and the other

Proud of his Indian wealth, and of the skill

And toil which gathered it; each with a brow

And heart alike darkened by years and care.

They met with cold words, and yet colder looks:

Each was changed in himself, and yet each thought

The other only changed, himself the same.

The coldness bred dislike, and rivalry

Came like the pestilence o'er some sweet thoughts

That lingered yet, healthy and beautiful,

Amid dark and unkindly ones. And they,

Whose boyhood had not known one jarring word,

Were strangers in their age: if their eyes met,

'Twas but to look contempt; and when they spoke,

Their speech was wormwood! .  .  .  .

.  .  .  .  And this, this is life!

 

From The Improvisatrice

Change5

CHANGE

 

    I would not care, at least so much, sweet Spring,

    For the departing colour of thy flowers—

    The green leaves early falling from thy boughs—

    Thy birds so soon forgetful of their songs—

    Thy skies, whose sunshine ends in heavy showers;--

    But thou dost leave thy memory, like a ghost,

    To haunt the ruined heart, which still recurs

    To former beauty; and the desolate

    Is doubly sorrowful when it recalls

    It was not always desolate.

 

WHEN those eyes have forgotten the smile they wear now,

When care shall have shadowed that beautiful brow—

When thy hopes and thy roses together lie dead,

And thy heart turns back pining to days that are fled--

Then wilt thou remember what now seems to pass

Like the moonlight on water, the breath-stain on glass:

Oh! maiden, the lovely and youthful, to thee,

How rose-touched the page of thy future must be!

By the past, if thou judge it, how little is there

But flowers that flourish, but hopes that are fair;

And what is thy present? a southern sky's spring,

With thy feelings and fancies like birds on the wing.

As the rose by the fountain flings down on the wave

Its blushes, forgetting its glass is its grave:

So the heart sheds its colour on life's early hour,

But the heart has its fading as well as the flower.

The charmed light darkens, the rose-leaves are gone,

And life, like the fountain, floats colourless on.

Said I, when thy beauty's sweet vision was fled,

How wouldst thou turn, pining, to days like the dead!

Oh! long ere one shadow shall darken that brow,

Wilt thou weep like a mourner o'er all thou lovest now;

When thy hopes, like spent arrows, fall short of the mark;

Or, like meteors at midnight, make darkness more dark;

When thy feelings lie fettered like waters in frost,

Or, scattered too freely, are wasted and lost:

For aye cometh sorrow, when youth has pass'd by—

What saith the Arabian? Its memory's a sigh.

 

From The Vow of the Peacock

Original in The London Literary Gazette, 3rd January 1829)

Change6

THE CHANGE

 

THY features do not wear the light

    They wore in happier days;

Though still there may be much to love,

    There's little left to praise.

 

The rose has faded from thy cheek—

    There's scarce a blush left now;

And there's a dark and weary sign

    Upon thine altered brow.

 

Thy raven hair is dashed with gray,

    Thine eyes are dim with tears;

And care, before thy youth is past,

    Has done the work of years.

 

Beautiful wreck! for still thy face,

    Though changed, is very fair;

Like beauty's moonlight, left to shew

    Her morning sun was there.

 

Come, here are friends and festival,

    Recall thine early smile;

And wear yon wreath, whose glad red rose

    Will lend its bloom awhile.

 

Come, take thy lute, and sing again

    The song you used to sing—

The bird-like song:--See, though unused,

    The lute has every string.

 

What, doth thy hand forget the lute?

    Thy brow reject the wreath?

Alas! whate'er the change above,

    There's more of change beneath!

 

The smile may come, the smile may go,

    The blush shine and depart;

But farewell when their sense is quench'd

    Within the breaking heart.

 

And such is thine: 'tis vain to seek

    The shades of past delight:

Fling down the wreath, and break the lute;

    They mock our souls to-night.

 

From The Vow of the Peacock

Original in The London Literary Gazette, 16th February 1828

A Child

A CHILD SCREENING A DOVE FROM A HAWK

BY STEWARDSON

 

 

AY , screen thy favourite dove, fair child,

    Ay, screen it if you may,--

Yet I misdoubt thy trembling hand

    Will scare the hawk away.

 

That dove will die, that child will weep,--

    Is this their destinie?

Ever amid the sweets of life

    Some evil thing must be.

 

Ay, moralize,--is it not thus

    We've mourn'd our hope and love?

Alas! there's tears for every eye,

    A hawk for every dove!

 

From The Troubadour

Christ Bread

CHRIST BLESSING THE BREAD.

 

" This do in remembrance of me.

" This cup is the new testament in my blood, which is shed for you."   St. Luke xxii. 19,20.

" And as they were eating, Jesus look bread, and blessed it, and brake it, and gave it to the disciples, and said, Take, eat ; this is my body.

" And he took the cup, and gave thanks, and gave it to them, saying, Drink ye all of it :

" For this is my blood of the new testament, which is shed for many for the remission of sins.

" But I say unto you, I will not drink henceforth of this fruit of the vine, until that day when I drink it new with you in my Father's kingdom." St. Matthew xxvi. 26-29.

 

Bow thee to earth, and from thee cast

All stubbornness of human will ;

Then dare to drink the sacred cup

Thy God and Saviour died to fill.

 

If thou art humble as a child,

When lisping at his mother's knee,

His first meek words of earnest prayer,

That sacred cup may be for thee.

 

But if within thy sinful heart,

Lurk earthly crime or earthly care,

If hate, which broods upon the past

Or pleasure's feverish dream, be there ;

 

If thou against the widow's prayer,

Or orphan's cry, hast closed thine ear ;

In mercy to thyself forbear,

Drink not thine own destruction here :

 

But from thee put all thoughts of earth,

As erst from Israel's camp were flung

Each worldly and unholy thing,

To which the secret sinner clung.

 

Come with thy guilt new wash'd in tears,

Thy spirit raised in faith above ;

Then drink, and so thy soul shall live,

Thy Saviour's blood—thy Saviour's love. 

 

From The Easter Gift

Christ Children

CHRIST BLESSING LITTLE CHILDREN

 

" Suffer little children to come unto me—for of such is the kingdom of heaven."

 St. Matthew xix. 14.

 

If ever in the human heart

    A fitting season there can be,

Worthy of its immortal part,

    Worthy, O blessed Lord, of thee ;

 

‘Tis in that yet unsullied hour,

    Or ere the world has claim'd his own ;

Pure as the hues within the flower,

    To summer and the sun unknown ;

 

When still the youthful spirit bears

    The image of its God within,

And uneffaced that beauty wears,

    So soon to be destroy'd by sin.

 

Then is the time for faith and love

    To take in charge their precious care,

Teach the young eye to look above,

    Teach the young knee to bend in prayer.

 

This work is ours—this charge was thine

    These youthful souls from sin to save ;

To lead them in thy faith divine,

    And teach its triumph o'er the grave.

 

The world will come with care and crime,

    And tempt too many a heart astray ;

Still the seed sown in early time

    Will not be wholly cast away.

 

The infant prayer, the infant hymn,

    Within the darken'd soul will rise,

When age's weary eye is dim,

    And the grave's shadow round us lies.

 

The infant hymn is heard again,

    The infant prayer is breathed once more,

Reclasping of a broken chain,

    We turn to all we loved before.

 

Lord, grant our hearts be so inclined,

    y work to seek—thy will to do ;

And while we teach the youthful mind,

    Our own be taught thy lessons too. 

 

From The Easter Gift

Christ Crowned

CHRIST CROWNED WITH THORNS

 

" BEHOLD THE MAN."

 

"A man of sorrows, and acquainted with grief."

 

Too little do we think of thee,

    Our too indulgent Lord :

We ask not what thy will may be,

    We dwell not on thy word.

 

Thou, who in human shape wast born,

    And shared in human wo ;

Thou, who didst wear the crown of thorn,

    Which all must wear below ;

 

Thou, who the sinners' fate didst share,

    Yet from the grave arise—

Alas ! unworthy that we are

    Of such a sacrifice.

 

Thy love should fill our hearts, like dew

    That fills the flowers by night ;

Who, in that gentle rain renew

    The waste of morning's light.

 

Thus doth life's hurry and its glare

    Dry up within our heart

The holier thoughts that are thy share,

    The spirit's better part.

 

And yet we turn not to thy love,

    We seek not to recall

The hopes that lift our souls above

    Their low and earthly thrall.

 

On pleasures or on wealth intent,

    Careless we hurry on,

And vainly precious hours are spent

    Before we think them gone.

 

Their joy and sorrow, sin and strife,

    Close round us like a bond,

Which so enslaves to present life,

    We never look beyond.

 

O Lord, if every thought were thine,

    How little would they be

Acceptable before thy shrine,

    Unworthy heaven and thee.

 

Yet thou hast said, thou wilt accept

    Prayers offer'd in thy name ;

That never tears in vain were wept,

    If from the heart they came.

 

Then strike our rocky souls, O Lord,

    Amid life's desert place ;

Yet may their harden'd depths afford

    The waters of thy grace.

 

Low in the dust we kneel and pray,

    O ! sanctify our tears :

Till they wash every stain away

    From past and guilty years.

 

From The Easter Gift

Churchyard

THE CHURCHYARD

 

The shadow of the church falls o'er the ground,

Hallowing its place of rest; and here the dead

Slumber, where all religious impulses,

And sad and holy feelings, angel like,

Make the spot sacred with themselves, and wake

Those sorrowful emotions in the heart

Which purify it, like a temple meet

For an unearthly presence. Life, vain Life,

The bitter and the worthless, wherefore here

Do thy remembrances intrude?

 

THE willow shade is on the ground,

    A green and solitary shade;

And many a wild flower on that mound

    Its pleasant summer home has made.

And every breath that waves a leaf

    Flings down upon the lonely flowers

A moment's sunshine, bright and brief—

    A blessing looked by passing hours.

 

Those sweet, vague sounds are on the air,

    Half sleep, half song--half false, half true,

As if the wind that brought them there

    Had touched them with its music too.

It is the very place to dream

    Away a twilight's idle rest;

Where Thought floats down a starry stream,

    Without a shadow on its breast.

 

Where Wealth, the fairy gift, 's our own,

    Without its low and petty cares;

Where Pleasure some new veil has thrown,

    To hide the weary face she wears.

Where hopes are high, yet cares come not,

    Those fellow-waves of life's drear sea,

Its froth and depth--where Love is what

    Love only in a dream can be.

 

I cannot muse beside that mound—

    I cannot dream beneath that shade—

Too solemn is the haunted ground

    Where Death his resting-place has made,

I feel my heart beat but to think

    Each pulse is bearing life away;

I cannot rest upon the grave,

    And not feel kindred to its clay.

 

There is a name upon the stone—

    Alas I and can it be the same—

The young, the lovely, and the loved?—

    It is too soon to bear thy name.

Too soon!--oh no, 'tis best to die

    Ere all of life save breath is fled:

Why live when feelings, friends, and hopes,

    Have long been numbered with the dead?

 

But thou, thy heart and cheek were bright—

    No check, no soil had either known;

The angel natures of yon sky

    Will only be to thee thine own.

Thou knew'st no rainbow-hopes that weep

    Themselves away to deeper shade;

Nor Love, whose very happiness

    Should make the weakening heart afraid.

 

The green leaves e'en in spring they fall,

    The tears the stars at midnight weep,

The dewy wild-flowers--such as these

    Are fitting mourners o'er thy sleep.

For human tears are lava-drops,

    That scorch and wither as they flow;

Then let them flow for those who live,

    And not for those who sleep below.

 

Oh, weep for those whose silver chain

    Has long been loosed, and yet live on—

The doomed to drink of life's dark wave,

    Whose golden bowl has long been gone!

Ay, weep for those, the wearied, worn,

    Dragged downward by some earthly tie,

By some vain hope, some vainer love,

    Who loathe to live, yet fear to die.

 

From The Vow of the Peacock

Original in The London Literary Gazette, 3rd January 1829

City Dead

THE CITY OF THE DEAD

 

    'Twas dark with cypresses and yews, which cast

    Drear shadows on the fairer trees and flowers—

    Affection's latest signs. * * *

                Dark portal of another world--the grave—

    I do not fear thy shadow; and methinks,

    If I may make my own heart oracle,--

    The many long to enter thee, for thou

    Alone canst reunite the loved and lost

    With those who pine for them. I fear thee not;

    I only fear my own unworthiness,

    Lest it prove barrier to my hope, and make

    Another parting in another world.

 

I.

LAUREL ! oh, fling thy green boughs on the air,

There is dew on thy branches, what doth it do there?

Thou that art worn on the conqueror's shield,

When his country receives him from glory's red field;

Thou that art wreathed round the lyre of the bard,

When the song of its sweetness has won its reward.

Earth's changeless and sacred--thou proud laurel tree!

The tears of the midnight, why hang they on thee?

 

II.

Rose of the morning, the blushing and bright,

Thou whose whole life is one breath of delight;

Beloved of the maiden, the chosen to bind

Her dark tresses' wealth from the wild summer wind.

Fair tablet, still vow'd to the thoughts of the lover,

Whose rich leaves with sweet secrets are written all over;

Fragrant as blooming--thou lovely rose tree!

The tears of the midnight, why hang they on thee?

 

III.

Dark cypress! I see thee-- thou art my reply,

Why the tears of the night on thy comrade trees lie;

That laurel it wreathed the red brow of the brave,

Yet thy shadow lies black on the warrior's grave.

That rose was less bright than the lip which it prest,

Yet thy sad branches bend o'er the maiden's last rest;

The brave and the lovely alike they are sleeping,

I marvel no more rose and laurel are weeping.

 

IV.

Yet, sunbeam of heaven! thou fall'st on the tomb—

Why pausest thou by such dwelling of doom?

Before thee the grove and the garden are spread—

Why lingerest thou round the place of the dead?

Thou art from another, a lovelier sphere,

Unknown to the sorrows that darken us here.

Thou art as a herald of hope from above:--

Weep, mourner, no more o'er thy grief and thy love!

Still thy heart in its beating; be glad of such rest,

Though it call from thy bosom its dearest and best.

Weep no more that affection thus loosens its tie;

Weep no more that the loved and the loving must die;

Weep no more o'er the cold dust that lies at your feet:

But gaze on yon starry world--there ye shall meet.

 

V.

O heart of mine! is there not One dwelling there

To whom thy love clings in its hope and its prayer?

For whose sake thou numberest each hour of the day,

As a link in the fetters that keep me away?

When I think of the glad and the beautiful home,

Which oft in my dreams to my spirit hath come:

That when our last sleep on my eyelids hath prest,

That I may be with thee at home and at rest:

When wanderer no longer on life's weary shore,

I may kneel at thy feet, and part from thee no more:

While death holds such hope forth to soothe and to save,

Oh, sunbeam of heaven, thou may'st well light the grave!

 

From The Vow of the Peacock

Original in The Bijou, 1828

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