Poems from Published Collections - 5
THE LOST STAR
A LIGHT is gone from yonder sky,
A star has left its sphere;
The beautiful--and do they die
In yon bright world as here?
Will that star leave a lonely place,
A darkness on the night?—
No; few will miss its lovely face,
And none think heaven less bright!
What wert thou star of?--vanished one!
What mystery was thine?
Thy beauty from the east is gone:
What was thy sway and sign?
Wert thou the star of opening youth?—
And is it then for thee,
Its frank glad thoughts, its stainless truth,
So early cease to be?
Of hope?--and was it to express
How soon hope sinks in shade;
Or else of human loveliness,
In sign how it will fade?
How was thy dying? like the song,
In music to the last,
An echo flung the winds among,
And then for ever past?
Or didst thou sink as stars whose light
The fair moon renders vain?
The rest shone forth the next dark night,
Thou didst not shine again.
Didst thou fade gradual from the time
The first great curse was hurled,
Till lost in sorrow and in crime,
Star of our early world?
Forgotten and departed star!
A thousand glories shine
Round the blue midnight's regal car,
Who then remembers thine?
Save when some mournful bard like me
Dreams over beauty gone,
And in the fate that waited thee,
Reads what will be his own.
From The Vow of The Peacock
Original in The Literary Souvenir, 1828
LOVE, HOPE, AND BEAUTY
LOVE may be increased with fears,
May be fanned with sighs,
Nurst by fancies, fed by doubts;
But without Hope it dies!
As in the far Indian isles
Dies the young cocoa-tree,
Unless within the pleasant shade
Of the parent plant it be:
So Love may spring up at first,
Lighted at Beauty's eyes;--
But Beauty is not all its life,
For without Hope it dies.
From The Improvisatice
LOVE NURSED BY SOLITUDE
BY W. I. THOMSON, EDINBURGH
AY , surely it is here that Love should come,
And find, (if he may find on earth), a home;
Here cast off all the sorrow and the shame
That cling like shadows to his very name.
Young Love, thou art belied: they speak of thee,
And couple with thy mention misery;
Talk of the broken heart, the wasted bloom,
The spirit blighted, and the early tomb;
As if these waited on thy golden lot,--
They blame thee for the faults which thou hast not.
Art thou to blame for that they bring on thee
The soil and weight of their mortality?
How can they hope that ever links will hold
Form'd, as they form them now, of the harsh gold?
Or worse than even this, how can they think
That vanity will bind the failing link?
How can they dream that thy sweet life will bear
Crowds', palaces', and cities' heartless air?
Where the lip smiles while the heart's desolate,
And courtesy lends its deep mask to hate;
Where looks and thoughts alike must feel the chain,
And nought of life is real but its pain;
Where the young spirit's high imaginings
Are scorn'd and cast away as idle things;
Where, think or feel, you are foredoom'd to be
A marvel and a sign for mockery;
Where none must wander from the beaten road,--
All alike champ the bit, and feel the goad.
It is not made for thee, young Love! Away
To where the green earth laughs to the clear day,
To the deep valley, where a thousand trees
Keep a green court for fairy revelries,--
To some small island on a lonely lake,
Where only swans the diamond waters break,
Where the pines hang in silence oe'r the tide
And the stream gushes from the mountain side;
These, Love, are haunts for thee; where canst thou brood
With thy sweet wings furl'd but in Solitude.
From The Troubadour
A LOVER'S DREAM
.
It was a dream, as bright as e'er
Yet glanc'd upon a sleeper's brain;
For fancy's witching wing was there,
And love had gilded slumber's chain.
There was an eye, like noontide light,
A voice, like notes of minstrelsy;
That voice was soft, those eyes were bright,
For, oh ! they breathed of love to me.
There was a form of loveliness,
Whose look of tenderness was mine ;
My Katherine, dear, canst thou not guess,
That form of loveliness was thine ?
And smil'st thou at my dream, my love ?
No more a vision let it be ;
But bid the dreamer's slumber prove
An image of reality.
From The Fate of Adelaide
THE LOVER'S ROCK
"Oh why should Fate such pleasure have,
Life's dearest bands untwining;
Or why so sweet a flower as love
Depend on Fortune's shining?
This world's wealth, when I think upon't,
Is pride and a' the lave on't;
Fie, fie on silly coward man,
That he should be the slave on't."
--BURNS.
Most beautiful, most happy! must there be
Clouds on thy sky, and thorns upon thy path?
Love, why art thou so wretched? thou, so formed
To be the blessedness of life, the last
Sweet relic left of Eden! Yet on thee,
Even on thee, the curse is laid! Thy cup
Has its full share of bitterness. The heart
Is chilled, crushed, and constrained by the cold world,
Outraged and undervalued; the fine throbs
Of feeling turn to ministers of grief;
All is so false around, affection's self
Becomes suspected. But of all drear lots
That love must draw from the dark urn of fate,
There is one deepest misery--when two hearts,
Born for each other, yet must beat apart.
Aye, this is misery, to check, conceal
That which should be our happiness and glory;
To love, to be beloved again, and know
A gulf between us:--aye, 'tis misery!
This agony of passion, this wild faith,
Whose constancy is fruitless, yet is kept
Inviolate:--to feel that all life's hope,
And light, and treasure, clings to one from whom
Our wayward doom divides us. Better far
To weep o'er treachery or broken vows,--
For time may teach their worthlessness:--or pine
With unrequited love;--there is a pride
In the fond sacrifice--the cheek may lose
Its summer crimson; but at least the rose
Has withered secretly--at least, the heart
That has been victim to its tenderness,
Has sighed unechoed by some one as true,
As wretched as itself. But to be loved
With feelings deep, eternal as our own,
And yet to know that we must quell those feelings
With phantom shapes of prudence, worldly care—
For two who live but in each other's life,
Whose only star in this dark world is love!
Alas, that circumstance has power to part
The destiny of true lovers! Yonder rock
Has a wild legend of untoward love,
Fond, faithful, and unhappy! There it stands
By the blue Guadalquivir; the green vines
Are like a girdle round the granite pillars
Of its bare crags, and its dark shadow falls
Over an ancient castle at the base.
Its Lord had a fair Daughter, his sole child,--
Her picture is in the old gallery still;
The frame is shattered, but the lovely face
Looks out in all its beauty; 'tis a brow
Fresh, radiant as the spring,--a pencilled arch,
One soft dark shadow upon mountain snow.
A small white hand flings back the raven curls
From off the blue-veined temples; on her cheek
There is a colour like the moss-rose bud
When first it opens, ere the sun and wind
Have kissed away its delicate slight blush.
And such a fairy shape, as those fine moulds
Of ancient Greece, whose perfect grace has given
Eternity to beauty. She was loved!
And the wild songs that tell how she was loved
Yet haunt their native valley. He was one
Who had each great and glorious gift, save gold;
Music was ever round his steps:--to him
There was deep happiness in nature's wild
And rich luxuriance, and he had the pride,
The buoyant hope, that genius ever feels
In dreaming of the path that it will carve
To immortality. A sweeter dream
Soon filled the young Leandro's heart: he loved,
And all around grew Paradise,--Inez
Became to him existence, and her heart
Soon yielded to his gentle constancy.
They had roamed forth together: the bright dew
Was on the flowers that he knelt and gave,
Sweet tribute to his idol. A dark brow
Was bent upon them--'tis her father's brow!
And Inez flung her on his neck and wept.
He was not one that prayers or tears might move;
For he had never known that passion's power,
And could not pardon it in others. Love
To him was folly and a feverish dream,
A girl's most vain romance--he did but mock
Its truth and its devotion. "You shall win
Your lady love," he said with scornful smile,
"If you can bear her, ere the sun is set,
To yonder summit: 'tis but a light burden,
And I have heard that lovers can do wonders!"
He deemed it might not be; but what has love
E'er found impossible! - - - - -
Leandro took his mistress in his arms.
Crowds gathered round to look on the pale youth,
And his yet paler Inez; but she hid
Her face upon his bosom, and her hair,
Whose loose black tresses floated on the wind,
Was wet with tears! - - They paused to rest awhile
Beneath a mulberry's cool sanctuary—
(Ill-omened tree, two lovers met their death
Beneath thy treacherous shade! 'Twas in old time
Even as now:)--it spread its branches round,
The fruit hung like dark rubies 'mid the green
Of the thick leaves, and there like treasures shone
Balls of bright gold, the silk-worm's summer palace.
Leandro spoke most cheerfully, and soothed
The weeping girl beside him; but when next
He loosed her from his arms he did not speak,
And Inez wept in agony to look
Upon his burning brow! The veins were swelled,
The polished marble of those temples now
Was turned to crimson--the large heavy drops
Rolled over his flushed cheek--his lips were parched,
And moistened but with blood; each breath he drew
Was a convulsive gasp! She bathed his face
With the cool stream, and laid her cheek to his—
Bade him renounce his perilous attempt,
And said, at least they now might die together!
He did not listen to her words, but watched
The reddening west--the sun was near the wave:
He caught the fainting Inez in his arms—
One desperate struggle--he has gained the top,
And the broad sun has sunk beneath the river!
A shout arose from those who watched; but why
Does still Leandro kneel, and Inez hang
Motionless round his neck? The blood has gushed—
The life-blood from his heart! a vein had burst.
- - - And Inez was dead too! - - -
From The Vow of The Peacock
Original in the London Literary Gazette, 5th October 1822 - Poetical Sketches. Third series - Sketch the Fifth
LOVE'S CHOICE
[From the French of Millevoix.]
Too long the daring power of love
Had braved the angry gods above :
His doom is seal'd—the doom of heaven—
Love may not hope to be forgiven.
They took away his bow of gold,
And from his eyes the veil unroll'd;
His rose-wreathed quiver is unbound ;
His sparkling darts bestrew the ground.
But Venus wept—can such sweet rain
From beauty's eyes e'er fall in vain ?
Jove gaz'd on Cytherea's tear,
And own'd his sentence too severe.
" Well, let the boy one treasure keep ;
The one he may most dearly prize,
That let him chuse." Love ceas'd to weep,
And caught the veil that blinds his eyes.
From The Fate of Adelaide
LOVE'S LAST LESSON
Teach it me, if you can,—forgetfulness!
I surely shall forget, if you can bid me;
I who have worshipp'd thee, my god on earth,
I who have bow'd me at thy lightest word.
Your last command, " Forget me," will it not
Sink deeply down within my inmost soul?
Forget thee!—ay, forgetfulness will be
A mercy to me. By the many nights
When I have wept for that I dared not sleep,—
A dream had made me live my woes again,
Acting my wretchedness, without the hope
My foolish heart still clings to, though that hope
Is like the opiate which may lull a while,
Then wake to double torture; by the days
Pass'd in lone watching and in anxious fears,
When a breath sent the crimson to my cheek,
Like the red gushing of a sudden wound;
By all the careless looks and careless words
Which have to me been like the scorpion's stinging;
By happiness blighted, and by thee, for ever;
By thy eternal work of wretchedness;
By all my wither'd feelings, ruin'd health,
Crush'd hopes, and rifled heart, I will forget thee!
Alas! my words are vanity. Forget thee!
Thy work of wasting is too surely done.
The April shower may pass and be forgotten,
The rose fall and one fresh spring in its place,
And thus it may be with light summer love.
It was not thus with mine: it did not spring,
Like the bright colour on an evening cloud,
Into a moment's life, brief, beautiful;
Not amid lighted halls, when flatteries
Steal on the ear like dew upon the rose,
As soft, as soon dispersed, as quickly pass'd;
But you first call'd my woman's feelings forth,
And taught me love ere I had dream'd love's name.
I loved unconsciously: your name was all
That seem'd in language, and to me the world
Was only made for you; in solitude,
When passions hold their interchange together,
Your image was the shadow of my thought;
Never did slave, before his Eastern lord,
Tremble as I did when I met your eye.
And yet each look was counted as a prize;
I laid your words up in my heart like pearls
Hid in the ocean's treasure-cave. At last
I learn'd my heart's deep secret: for I hoped,
I dream'd you loved me; wonder, fear, delight,
Swept my heart like a storm; my soul, my life,
Seem'd all too little for your happiness;
Had I been mistress of the starry worlds
That light the midnight, they had all been yours,
And I had deem'd such boon but poverty.
As it was, I gave all I could—my love,
My deep, my true, my fervent, faithful love;
And now you bid me learn forgetfulness:
It is a lesson that I soon shall learn.
There is a home of quiet for the wretched,
A somewhat dark, and cold, and silent rest,
But still it is rest,—for it is the grave.
She flung aside the scroll, as it had part
In her great misery. Why should she write ?
What could she write? Her woman's pride forbade
To let him look upon her heart, and see
It was an utter ruin;—and cold words,
And scorn and slight that may repay his own,
Were as a foreign language, to whose sound
She might not frame her utterance. Down she bent
Her head upon an arm so white that tears
Seem'd but the natural melting of its snow,
Touch'd by the flush'd cheek's crimson; yet lifeblood
Less wrings in shedding than such tears as those.
And this then is love's ending! It is like
The history of some fair southern clime.
Hot fires are in the bosom of the earth,
And the warm'd soil puts forth its thousand flowers,
Its fruits of gold, summer's regality,
And sleep and odours float upon the air:
At length the subterranean element
Breaks from its secret dwelling-place, and lays
All waste before it; the red lava stream
Sweeps like the pestilence; and that which was
A garden in its colours and its breath,
Fit for the princess of a fairy tale,
Is as a desert, in whose burning sands,
And ashy waters, who is there can trace
A sign, a memory of its former beauty?
It is thus with the heart; love lights it up
With hopes like young companions, and with joys
Dreaming deliciously of their sweet selves.
This is at first; but what is the result ?
Hopes that lie mute in their own sullenness,
For they have quarrel'd even with themselves;
And joys indeed like birds of Paradise:
And in their stead despair coils scorpion-like
Stinging itself; and the heart, burnt and crush'd
With passion's earthquake, scorch'd and wither'd up.
Lies in its desolation,—this is love.
What is the tale that I would tell ? Not one
Of strange adventure, but a common tale
Of woman's wretchedness; one to be read
Daily in many a young and blighted heart.
The lady whom I spake of rose again
From the red fever's couch, to careless eyes
Perchance the same as she had ever been.
But oh, how alter'd to herself! She felt
That bird-like pining for some gentle home
To which affection might attach itself,
That weariness which hath but outward part
In what the world calls pleasure, and that chill
Which makes life taste the bitterness of death.
And he she loved so well,—what opiate
Lull'd consciousness into its selfish sleep?—
He said he loved her not; that never vow
Or passionate pleading won her soul for him;
And that he guess'd not her deep tenderness.
Are words, then, only false? are there no looks,
Mute but most eloquent; no gentle cares
That win so much upon the fair weak things
They seem to guard? And had he not long read
Her heart's hush'd secret in the soft dark eye
Lighted at his approach, and on the cheek
Colouring all crimson at his lightest look?
This is the truth; his spirit wholly turn'd
To stern ambition's dream, to that fierce strife
Which leads to life's high places, and reck'd not
What lovely flowers might perish in his path.
And here at length is somewhat of revenge:
For man's most golden dreams of pride and power
Are vain as any woman-dreams of love;
Both end in weary brow and wither'd heart,
And the grave closes over those whose hopes
Have lain there long before.
From The Golden Violet
LOVE'S PARTING WREATH
I Give thee, love, a blooming braid;
I cull'd it at eve's 'witching hour ;
I twin'd it in the moon's sweet shade,
When starlight dew was on each flower.
I chose the myrtle's fadeless leaf,
For it will picture faith to thee ;
I chose the cypress—'tis like grief—
And that may well my emblem be.
I place the violet in my wreath—
Its sigh is memory's perfume;
I place the rose, for its sweet breath
Survives its beauty's passing bloom.
Oh! not a flower is here entwin'd,
That lays not on thy thought a spell:
Forget-me-not, the wreath shall bind—
Forget me not, is Love's farewell.
From The Fate of Adelaide
THE MADONNA AND CHILD
“BLESSED ART THOU AMONG WOMEN.”
“And the angel came in unto her, and said, Blessed art thou among women.
“And Mary said, My soul doth magnify the Lord,
“And my spirit hath rejoiced in God my Saviour.
“For he hath regarded the low estate of his handmaiden; for, behold, from henceforth all generations shall call me blessed.
“For he that is mighty hath done to me great things, and holy is his name.”
ST. LUKE i.28, 46-49.
Thrice blessed and thrice beautiful ;
Yet come we not to thee ;
With those vain prayers which make a creed
Of false idolatry.
We bring no gems to bind thine hair,
No flowers to deck thy shrine ;
We light no taper's fragrant blaze,
We ask no aid of thine.
We have no need of pagan rites
To join with Christian prayer;
Nor that salvation ask of thee,
'Twas only thine to share.
Thine altars where thy statues stood,
Thy hymns and votive flowers,
Were relics of another age,
Another creed, than ours ;
When human was all human faith
And to that faith was given
The likeness of its native earth,
Rather than that of heaven ;
When only reason's shadowy ray
Upon the world was thrown,
And every idol's attribute
Had been the maker's own.
Then was the time of gift and vow,
And e'en a purer light
Was long ere it could penetrate
The depths of such a night.
Old superstitions still remain'd,
And priestcraft next slept in,
To rule by human ignorance,
And work by human sin.
Then was a veil flung over faith,
Then was God's word conceal'd ;
Thank God, for us that veil is rent,
That Book has been reveal'd.
The votive wreath of early flowers,
The taper and the gem,
Were superstitions vain, we know
God asketh not for them.
We look on the Madonna's face
In thankfulness and love,
But ask no more a mortal's help
To bear our vows above.
The earnest prayer, the humble tear,
The Saviour's blessed name,
These are the Christian's sacrifice,
These are the Christian's claim.
From The Easter Gift

THE MAGDALEN
The plaining murmur of the midnight wind,
Like mournful music is upon the air :
So sad, so sweet, that the eyes fill'd with tears,
Without a cause—ah ! no, the heart is heap'd
So full with perish'd pleasures, vain regrets,
That nature cannot sound one grieving note
Upon her forest lyre, but still it finds
Mute echo in the sorrowing human heart.
Now the wind wails among the yellow leaves,
About to fall, over the faded flowers,
Over all summer's lovely memories,
About to die ; the year has yet in store
A few dim hours, but they are dark and cold :
Sunshine, green leaves, glad flowers, they all are gone;
And it has only left the wornout soil,
The leafless bough, and the o'er-cloudcd sky.
And shall humanity not sympathize
With desolation which is like its own !
So do our early dreams fade unfulfill'd ;
So does our hope turn into memory
The one so glad—the other such despair,
(For who can find a comfort in the past ;)
So do our feelings harden, or decay,
Encrusting with hard selfishness too late,
Or bearing that deep wound, whereof we die.
Where are the buoyant spirits of our youth ?
Where are the dancing steps, that but kept time
To our own inward gladness—where the light
That flush'd the check into one joyous rose :
That lit the lips, and fill'd the eyes with smiles ?—
Gone, gone as utterly, as singing birds,
And opening flowers, and honey-laden bees,
And shining leaves, are from yon forest gone.
I know this from myself—the words I speak
Were written first with tears on mine own heart;
And yet, albeit, it was a lovely time !
Who would recall their youth, and be again,
The dreaming—the believing—the betray'd.
The feverishness of hope, the agony,
As every disappointment taught a truth ;
For still is knowledge bought by wretchedness,
Who could find energy to bear again ?
Ye clear bright stars, that from the face of heaven
Shine out in tranquil loveliness, how oft
Have ye been witness to my passionate tears ;
Although beloved, and beautiful, and young;
Yet happiness was not with my unrest.
For I had pleasure, not content ; each wish
Seem'd granted, only to be weariness.
No hope fulfill'd its promise ; and no dream
Was ever worth its waking bitterness.
Then there was love, that crowding into one
All vanity, all sorrow, all remorse :
Till we loathe life, glad, beauteous, hoping life,
And would be fain to lay our burthen down,
Although we might but lay it in the grave,
All natural terror lost in hope of peace.
God of those stars, to which I once appeal'd
In a vain fantasy of sympathy,
How wretched I have been in my few years !
How have I wept throughout the sleepless nights
Then sank in heavy slumber, misery still
Haunting its visions : morning's cold gray light
Waked me reluctant, for though sleep had been
Anguish, yet I could say it was but sleep.
And then day came, with all those vanities
With which our nature mocks its wretchedness,
The toilsome pleasures, and the dull pursuits ;
Efforts to fly ourselves, and made in vain.
Too soon I learnt the secret of our life,
That " vanity of vanities" is writ
Deep in the hidden soul of human things :
And then I sank into despondency,
And lived from habit, not from hope ; and fear
Stood between me and death, and only fear ;
I was a castaway : for, like the fool,
Within my soul I said there is no God.
But then a mighty and a glorious voice
Was speaking on the earth—thus said the Lord,
" Now come to me, ye that are heavy laden,
And I will give you rest"—and, lo, I came
Sorrowing,—and the broken contrite heart,
Lord, thou didst not despise. Now let me weep
Tears, and my dying Saviour's precious blood
Will wash away my sin. Now let me pray
In thankfulness that time is given for prayer ;
In hope that, offer'd in my Saviour's name,
I may find favour in the sight of God.
Where is my former weariness of life,
Where is my former terror of the grave ?
Out of my penitence there has grown hope ;
I trust, and raise my suppliant eyes to heaven ;
And, when my soul desponds, I meekly say,
" I know that my Redeemer liveth."
HYMN OF THE MAGDALEN
THERE was a time, when I but sought
In life its pleasant things ;
And ask'd each moment what it brought
Of pleasure on its wings.
I bound red roses in my hair,
And when they died away,
I only thought, fresh flowers there are
As beautiful as they.
And time past on—the bright and brief,
I led the dance and song,
As careless as the summer leaf
The wild wind bears along.
But the wind fails the leaf at last,
And down it sinks to die,
To perish with the perish'd past,
And gone as idly by.
So sink the spirits of those days,
That buoyant bore us on ;
The joy declines, the hope decays
Ere we believe them gone.
Then memory rises like a ghost,
Whose presence brings to mind
The better things which we have lost,
The hopes we've left behind.
And what could memory bring to me
But sorrow, shame, and sin ;
And wretched the worn heart must be,
With such dark guests within
I said, accursed be a life
That 'mid such ills hath birth ;
Where fate and nature in their strife,
Make desolate the earth.
But no more of that evil time,
An alter'd heart is mine:
Purified by a hope sublime,
And by a faith divine.
I weep ; but tears of penitence
Still comfort as they flow ;
And rise to heaven, and win from thence
A solace for below.
For I have learnt, my God, to trace
Thy love in all things here ;
How wonderful the power and grace
In all thy works appear.
The vineyard dim with purple light,
The silvery olive tree,
The corn wherewith the plains are bright,
Speak to my soul of thee.
This loveliness is born to die ;
Not so the race, for whom
The sun goes shining through the sky,
The world puts forth its bloom.
We know that to this lovely earth,
Will sure destruction come ;
But though it be our place of birth,
Yet it is not our home.
For we are God's own chosen race,
Whom the Lord died to save ;
This earth is but a trial-place,
Whose triumph is the grave.
From The Easter Gift

MANMADIN, THE INDIAN CUPID
FLOATING DOWN THE GANGES*
THERE is a darkness on the sky,
And the troubled waves run high,
And the lightning flash is breaking,
And the thunder peal is waking;
Reddening meteors, strange and bright,
Cross the rainbow's timid light,
As if mingled hope and fear,
Storm and sunshine, shook the sphere.
Tempest winds rush fierce along,
Bearing yet a sound of song;
Music's on the tempest's wing,
Wafting thee, young MANMADIN!
Pillowed on a lotus flower,
Gathered in a summer hour,
Rides he o'er the mountain wave
Which would be a tall ship's grave!
At his back his bow is slung,
Sugar-cane, with wild bees strung,--
Bees born with the buds of spring,
Yet with each a deadly sting;--
Grasping in his infant hand
Arrows in their silken band,
Each made of a signal flower,
Emblem of its varied power;
Some formed of the silver leaf
Of the almond, bright and brief,
Just a frail and lovely thing,
For but one hour's flourishing;
Others, on whose shaft there glows
The red beauty of the rose;
Some in spring's half-folded bloom,
Some in summer's full perfume;
Some with withered leaves and sere,
Falling with the falling year;
Some bright with the rainbow-dyes
Of the tulip's vanities;
Some, bound with the lily's bell,
Breathe of love, that dares not tell
Its sweet feelings; the dark leaves
Of the ocynum, which grieves >>>
Droopingly, round some were bound;
Others were with tendrils wound
Of the green and laughing vine,--
And the barb was dipp'd in wine.
But all these are summer ills,
Like the tree whose stem distils
Balm beneath its pleasant shade
In the wounds its thorns have made.
Though the flowers may fade and die,
'Tis but a light penalty.
All these bloom-clad darts are meant
But for a short-lived content!--
Yet one arrow has a power
Lasting till life's latest hour--
Weary day and sleepless night,
Lightning gleams of fierce delight,
Fragrant and yet poisoned sighs,
Agonies and ecstasies;
Hopes, like fires amid the gloom,
Lighting only to consume!
Happiness one hasty draught,
And the lip has venom quaffed.
Doubt, despairing, crime and craft,
Are upon that honied shaft!
It has made the crowned king
Crouch beneath his suffering;
Made the beauty's cheek more pale
Than the foldings of her veil;
Like a child, the soldier kneel
Who had mocked at flame or steel;
Bade the fires of genius turn
On their own breasts, and there burn;
A wound, a blight, a curse, a doom,
Bowing young hearts to the tomb!
Well may storm be on the sky,
And the waters roll on high,
When MANMADIN passes by.
Earth below and heaven above
Well may bend to thee, oh Love!
From The Improvisatrice
* Camdeo, or Manmadin, the Indian Cupid, is pictured in Ackermann's
pretty work on Hindostan in another form. He is riding a green parrot, his
bow of sugar-cane, the cord of bees, and his arrows all sorts of flowers; but
one alone is headed, and the head covered with honey-comb.
Erratum. — In the Sketch of Manmadin last week, for esignum, read ocynum.
Literary Gazette, 21st December 1822
THE MIDDLE TEMPLE GARDENS
THE fountain's low singing is heard on the wind,
Like a melody bringing sweet fancies to mind;
Some to grieve, some to gladden: around them they cast
The hopes of the morrow, the dreams of the past.
Away in the distance is heard the vast sound,
From the streets of the city that compass it round,
Like the echo of mountains, or ocean's deep call;
Yet that fountain's low singing is heard over all.
The turf and the terrace slope down to the tide
Of the Thames, that sweeps onwards--a world at its side:
And dark the horizon, with mast and with sail
Of the thousand tall ships that have weathered the gale:
While beyond the arched bridge the old abbey appears,
Where England has garnered the glories of years.
There the royal, the lovely, the gifted, the brave,
Haunt the heart with a poetry born of the grave.
Still and lone mid the tumult these gardens extend,
The elm and the lime over flower-beds bend;
And the sunshine rains in as the light leaves are stirred,
When away from the nest he has built springs the bird.
The boat, and the barge, and the wave, have grown red;
And the sunset has crimsoned the boughs over head:
But the lamps are now shining, the colours are gone,
And the garden lies shadowy, silent, and lone.
There are lights in the casements: how weary the ray
That asks from the night-time the toils of the day!
I fancy I see the brow bent o'er the page,
Whose youth wears the paleness and wrinkles of age.
The hour may be coming when fortune and fame
May crown the endeavour, and honour the name:
But the toil has been long that too early began;
And the judge and the peer is a world-weary man.
The robe and the ermine, by few they are won:
How many sink down ere the race be half ran!
What struggles, what hopes, what despair may have been,
Where sweep those dark branches of shadowy green!
What crowds are around us, what misery is there,
Could the heart, like the face which conceals it, lay bare!
But we know not each other--we seek not to know
What the social world hides in the darkness below.
I lean in the window, and hear the low tune
Of the fountain, now bright with the new risen moon.
In the chamber within are the gay and the young;
The light laugh is laughed, and the sweet song is sung.
I turn to their mirth, but it is in a mask—
The jest is an omen, the smile is a task.
A slave in a pageant, I walk through life's part,
With smiles on the lip, and despair at the heart.
From The Vow of The Peacock
I know not that I have ever been more struck than with the beauty of the Middle Temple Gardens, as seen on a still summer evening. There is about it such a singular mixture of action and repose. The trees cast an undisturbed shadow on the turf; the barges rest tranquilly on the dark river; only now and then the dim outline of a scarcely seen sail flits by; the very lamps in the distance seem as if shining in their sleep. But the presence of life is around. Lights appear in most of the windows; and there comes upon the air the unceasing murmur of the city around. Nothing is distinct; all varieties of noise blending into one deep sound. But the little fountain is heard amid it all; the ear does not lose a note of its low sweet music: it is the poetry of the place, or, rather, the voice of the poetry with which it is filled.
THE MINSTREL OF PORTUGAL
Their path had been a troubled one, each step
Had trod 'mid thorns and springs of bitterness;
But they had fled away from the cold world,
And found, in a fair valley, solitude
And happiness in themselves. They oft would rove
Through the dark forests when the golden light
Of evening was upon the oak, or catch
The first wild breath of morning on the hill,
And in the hot noon seek some greenwood shade,
Filled with the music of the birds, the leaves,
Or the descending waters' distant song.
And that young maiden hung delightedly
Upon her minstrel lover's words, when he
Breathed some old melancholy verse, or told
Love's ever-varying histories; and her smile
Thanked him so tenderly, that he forgot
Or thought of but to scorn the flatteries
He was so proud of once. I need not say
How happy his sweet mistress was.--Oh, all
Know love is woman's happiness.
Come, love! we'll rest us from our wanderings:
The violets are fresh among the moss,
The dew is not yet on their purple leaves,
Warm with the sun's last kiss--sit here, dear love!
This chesnut be our canopy. Look up
Towards the beautiful heaven! the fair moon
Is shining timidly, like a young queen
Who fears to claim her full authority:
The stars shine in her presence; o'er the sky
A few light clouds are wandering, like the fears
That even happy love must know; the air
Is full of perfume and most musical,
Although no other sounds are on the gale
Than the soft falling of the mountain rill,
Or waving of the leaves. 'Tis just the time
For legend of romance, and, dearest, now
I have one framed for thee: it is of love,
Most perfect love, and of a faithful heart
That was a sacrifice upon the shrine
Itself had reared! I will begin it now,
Like an old tale:--There was a Princess once,
More beautiful than Spring, when the warm look
Of Summer calls the blush upon her cheek,
The matchless Isabel of Portugal.
She moved in beauty, and where'er she went
Some heart did homage to her loveliness.
But there was one--a youth of lowly birth--
Who worshipped her!--I have heard many say
Love lives on hope; they knew not what they said:
Hope is Love's happiness, but not its life;--
How many hearts have nourished a vain flame
In silence and in secret, though they knew
They fed the scorching fire that would consume them!
Young Juan loved in veriest hopelessness!--
He saw the lady once at matin time,--
Saw her when bent in meek humility
Before the altar; she was then unveiled,
And Juan gazed upon the face which was
Thenceforth the world to him! Awhile he looked
Upon the white hands clasped gracefully;
The rose-bud lips, moving in silent prayer;
The raven hair, that hung as a dark cloud
On the white brow of morning! She arose,
And as she moved, her slender figure waved
Like the light cypress, when the breeze of Spring
Wakes music in its boughs. As Juan knelt
It chanced her eyes met his, and all his soul
Maddened in that slight glance! She left the place;
Yet still her shape seemed visible, and still
He felt the light through the long eyelash steal
And melt within his heart! . . . .
From that time life was one impassioned dream:
He lingered on the spot which she had made
So sacred by her presence, and he thought
It happiness to only breathe the air
Her sigh had perfumed--but to press the floor
Her faëry step had hallowed. He renounced
All projects of ambition, joyed no more
In pleasures of his age, but like a ghost,
Confined to one peculiar spot, he strayed
Where first he saw the Princess; and the court
Through which she pass'd to matins, now became
To him a home; and either he recalled
Fondly her every look, or else embalmed
Her name in wild sweet song. . . . .
His love grew blazed abroad--a poet's love
Is immortality! The heart whose beat
Is echoed by the lyre, will have its griefs,
Its tenderness, remembered, when each pulse
Has long been cold and still. Some pitied him,
And others marvelled, half in mockery;
They little knew what pride love ever has
In self-devotedness. The Princess heard
Of her pale lover; but none ever knew
Her secret thoughts: she heard it silently.
It could not be but woman's heart must feel
Such fond and faithful homage!--But some deemed
Even such timid worship was not meet
For royalty. They bade the youth depart,
And the King sent him gold; he turned away,
And would not look upon the glittering treasure--
And then they banished him! He heard them say
He was an exile with a ghastly smile,
And murmured not--but rose and left the city.
He went on silently, until he came
To where a little hill rose, covered o'er
With lemon shrubs and golden oranges:
The windows of the palace where she dwelt--
His so loved Isabel--o'erlooked the place.
There was some gorgeous fête there, for the light
Streamed through the lattices, and a far sound
Of lute, and dance, and song, came echoing.
The wanderer hid his face ; but from his brow
His hands fell powerless! Some gathered round
And raised him from the ground: his eyes were closed,
His lip and cheek were colourless;--they told
His heart was broken! . . . .
His Princess never knew an earthly love:
She vowed herself to Heaven, and she died young!
The evening of her death, a strange sweet sound
Of music came, delicious as a dream:
With that her spirit parted from this earth.
Many remembered that it was the hour
Her humble lover perished
From The Improvisatrice
THE MINSTREL'S MONITOR
SILENT and dark as the source of yon river,
Whose birth-place we know not, and seek not to know,
Though wild as the flight of the shaft from yon quiver,
Is the course of its waves as in music they flow.
The lily flings o'er it its silver white blossom,
Like ivory barks which a fairy hath made;
The rose o'er it bends with its beautiful bosom,
As though 't were enamour'd itself of its shade.
The sunshine, like Hope, in its noontide hour slumbers
On the stream, as it loved the bright place of its rest;
And its waves pass in song, as the sea shell's soft numbers
Had given to those waters their sweetest and best.
The banks that surround it are flower-dropt sunny;
There the first birth of violets' odour-showers weep—
There the bee heaps his earliest treasure of honey,
Or sinks in the depths of the harebell to sleep.
Like prisoners escaped during night from their prison,
The waters fling gaily their spray to the sun;
Who can tell me from whence that glad river has risen?
Who can say whence it springs in its beauty?—not one.
Oh my heart, and my song, which is as my heart's flowing,
Read thy fate in yon river, for such is thine own!
Mid those the chief praise on thy music bestowing,
Who cares for the lips from whence issue the tone?
Dark as its birth-place so dark is my spirit,
Whence yet the sweet waters of melody came:
'Tis the long after-course, not the source, will inherit
The beauty and glory of sunshine and fame.
Originally in The Literary Souvenir, 1827
From The Vow of The Peacock
'whence it springs' is the original text. the Vow of the Peacock has 'whence its springs' which was a misprint that was later discarded.
THE MOUNTAIN GRAVE
SHE sate beside the rock from which arose
A mountain rivulet's blue wanderings;
And there, with careless hand, cast leaves and flowers
To float upon the surface, or to sink,
As the wind listed, for she took no heed,
Nor watch'd their progress. Suddenly she ceased,
While pass'd a cloud across her deep blue eyes:
"Are ye not symbols of me, ye fair flowers?
Thus in mere recklessness my wilful hand
Has wasted the whole beauty of a spring,
And I have thrown your fragrant lives away
In one vain moment's idleness." 'Tis strange
How the heart, overpress'd with its own thoughts,—
And what oppresses the young heart like love?—
Grows superstitious, finds similitudes
And boding fears in every change and chance.
She bow'd her face upon her hands and wept,
When suddenly her bright hair was flung back,
Her cheek was turn'd to crimson, and the tears
Lay like dew on the rose. "Mine AGATHA!
What! weeping, love? I am not late to-night;
Our meeting star but trembles in the sky,
In light as glistening as thine own sweet eyes."
His words had a strange sound; she had forgot
Her sorrow and its cause in the deep joy
His presence brought. She gazed upon his face,
As if 'twould vanish if she did not gaze;
She stay'd her breath to listen to his words,
Scarce daring credit her own happiness.
There stood they, with the rich red light of eve
Yet lingering, like a glory, on their heads,
In the snow mirror of the mountain peak;—
A bright laburnum grew beside,—its boughs
Flung over them a golden shower: the wave
That wander'd at their feet was clear as Hope;
Their shapes were outlined in it; and one star,
Reflected too, shone like an augury
Of good between them.—There they leant, while hours
Pass'd, as time had no boundaries. O earth,
Yet art thou touch'd by heaven, though only touch'd,—
Thy pleasures are but rainbows, which unite
The glad heavens with thee in their transient beauty,
Then melt away again upon the clouds.
O youth, and love, which is the light of youth,
Why pass ye as the morning?—life goes on,
But like a bark that, first in carelessness,
And afterwards in fear of each rough gale,
Has flung her richest freightage overboard.
Who is there, though young still, yet having lost
The warmth, the freshness, morning's dew and light,
Can bear to look back on their earlier hours,
When faith made its own happiness, and the heart
Was credulous of its delight, and gave
Its best affections forth so trustingly,
Content to love, not doubting of return?
'Twas AGATHA broke the sweet silence first:
"My father told me he had seen to-day
The gathering, HERMAN, of your hardy troops:
You led them, mounted on your snow-white steed.—
He bade me fling to-night a double chain
Of sighs and smiles, for the young warrior's truth
Was sorely tried by absence. You will go,
Like our bold river, into other lands,
On its own proud free course; whilst I shall send
After thee hopes and prayers, like the poor leaves
That I have cast upon the waves to perish."
She spoke in mirth; yet as she spoke, her words
Caught such a sadness in their omen tone,
In silence HERMAN took her hand, and gazed
Upon her face as he would picture it
Within his inmost soul. A brow more fair
Ne'er caught the silver softness of moonlight.
Her cheek was as the mirror of her heart,
Eloquent in its blushes, and its hues
Now varied like the evening's;—but 'tis vain
To dwell on youthful lovers' parting hour.
A first farewell, with all its passionate words,
Its lingering looks, its gushing tears, its hopes
Scarcely distinguish'd from its fears, its vows,—
They are its least of suffering; for the heart
Feels that it needs them not, yet breathes them still,
Making them oracles. But the last star
Sinks down amid the mountains:—he must go;
By daybreak will his gallant vassals look
To hear their chieftain's bugle. Watch'd she there
His dark plume cast its shadow on the snows,
His rapid foot bound on from crag to crag:—
The rocks have hid him from her eager view,
But still she hears the echo of his step,—
That dies too into silence; then she feels
Her utter loneliness:—he is quite gone!
Long days have pass'd—that evening star hath left
Its throne of beauty on the snow-crown'd hill,
Yielding its place to winter's thousand lights;—
Long days have pass'd:—again the twilight hour
Smiles in the influence of that lovely star;
The bright laburnum's golden wealth is heap'd,
The spring's first treasure, and beneath its shade
Rests AGATHA alone:—what! still alone?
A few short words will tell what change has wrought
In their once love: it is a history
That would suit half mankind. In its first spring,—
For the heart has its spring of bud and bloom
Even as has the year,—it found a home
For all its young affections, gentle thoughts,
In his true maiden's bosom; and the life
He dream'd of was indeed a dream—'twas made
Of quiet happiness: but forth he went
Into the wild world's tumult. As the bloom
Fades from the face of nature, so the gloss
Of his warm feelings faded with their freshness;
Ambition took the place of Love, and Hope
Fed upon fiery thoughts, aspiring aims;
And the bold warrior, favourite of his king,
If that he thought of his first tenderness,
Thought of it but with scorn, or vain excuse,
And in her uncomplaining silence read
But what he wish'd,—oblivion; and at last
Her very name had faded, like the flower
Which we have laid upon our heart, and there
Have suffer'd it to die. A second spring
Has loosed the snowy waters, and has fill'd
The valleys with her joy; but, AGATHA,
It is not spring for thee; it has not brought
Its sunny beauty to thy deep blue eyes,
Its dew to freshen thy lips' languid rose,
And its bloom is not for thy cheek. One year,
And thou didst hide thy misery, and seem,
With thy gay songs and smiles and gladsome words,
Still in thine aged father's sight the same.
His pride was wounded by young Herman's false-hood,
But not his happiness; and when he died,
It was with blessings breathed in trusting hope
Upon that dear child's head, whose tenderness
Had made him half forget the path he trod
Was hurrying to the grave. But he was dead,
And AGATHA stood in his lonely halls,
An orphan, last of all her race and name,
Without one tie of kindred or of love
To bind her to the earth. Yet few there were
That dream'd the hidden grief that lurk'd within.
Too kind, too gentle not to be beloved,
Many a vassal mourn'd the coming death,
Whose sign was written on his lady's cheek.
She died in silence, without sign or word
That might betray the memory of her fate;
But when they heard her last request, to lie
Beneath the shade of the laburnum tree,
Which grew beside the mountain rivulet,
Many a cheek grew red, and brow grew dark,
And many a whisper'd word recall'd the time
When, in unworldly and in happy youth,
The valley's chieftain and the mountain girl
Made it their favourite haunt; all call'd to mind,
Then was the morning colour on her cheek,
Then her life was as summer in its smile,
And all felt, as they laid her in the grave,
It was the lorn rest of the broken heart.
Years pass'd:—the green moss had o'ergrown the stone
Which mark'd the orphan maiden's lowly grave,
When rode an armed train beside the stream.
Why does One pause beneath the lonely tree,
And watch the starlight fall on the white stone?
That martial step, that haughty brow, so traced
With lines of the world's warfare, are not such
As linger with a ready sympathy
O'er the foot-prints of sorrow; yet that cheek
Was startled into paleness as he read
AGATHA!—and the mossy date which told
She had been tenant of that tomb for years.
HERMAN,—for he it was had sought the vale,
But upon warlike mission—if he thought
Of his once love, it was but how to shun
The meek reproaching of her mournful eye,
Or else to think she had like him forgot.
But dead!—so young!—he had not dream'd of this.—
He knelt him down, and like a child he wept:—
Gentle affections struggled with, subdued—
Tenderness, long forgotten, now burst forth
Like rain drops from the summer sky. Those tears
Pass'd, and their outward trace; but in his heart
A fountain had sprung up which dried no more.
He went on in his course, proud, bold, and never
The name of AGATHA fell from his lips.
But he died early, and in his last field
He pray'd the brother of his arms to take
His heart, and lay it in the distant grave
Where AGATHA was sleeping.
From The Venetian Bracelet
THE NAMELESS GRAVE
A NAMELESS grave,—there is no stone
To sanctify the dead:
O'er it the willow droops alone,
With only wild flowers spread.
"Oh, there is nought to interest here,
No record of a name,
A trumpet call upon the ear,
High on the roll of fame.
"I will not pause beside a tomb
Where nothing calls to mind
Aught that can brighten mortal gloom,
Or elevate mankind;—
"No glorious memory to efface
The stain of meaner clay;
No intellect whose heavenly trace
Redeem'd our earth:—away!"
Ah, these are thoughts that well may rise
On youth's ambitious pride;
But I will sit and moralise
This lowly stone beside.
Here thousands might have slept, whose name
Had been to thee a spell,
To light thy flashing eyes with flame,—
To bid thy young heart swell.
Here might have been a warrior's rest,
Some chief who bravely bled,
With waving banner, sculptured crest,
And laurel on his head.
That laurel must have had its blood,
That blood have caused its tear,—
Look on the lovely solitude—
What! wish for warfare here!
A poet might have slept,—what! He
Whose restless heart first wakes
Its life-pulse into melody,
Then o'er it pines and breaks?—
He who hath sung of passionate love,
His life a feverish tale:—
Oh! not the nightingale, the dove
Would suit this quiet vale.
See, I have named your favourite two,—
Each had been glad to crave
Rest 'neath this turf's unbroken dew,
And such a nameless grave!
From The Venetian Bracelet
NATHAN AND DAVID
" And David said unto Nathan, I have sinned against The Lord. And Nathan said unto David, The Lord also hath put away thy sin ; thou shall not die."
2 Samuel xii. 13.
" Repent ye therefore, and be converted, that your sins may be blotted out, when the time of refreshing shall come from the presence of ihe Lord."
Acts iii. 19.
The monarch knelt, and, in the dust,
Confess'd his sin and shame ;
And God forgave the guilty one,
Who call'd upon his name.
He won by tears, he won by prayers,
A pardon from on high ;
Though scarce he dared to raise to heaven
His dim and pleading eye.
O, write the lesson on our heart,
And teach us that our tears
Can wash away each guilty stain
That on life's page appears.
God grant that never we may bow
So low to guilt's control,
As did that king who had the weight
Of blood upon his soul.
But seeds of sorrow and of crime
Are sown each heart within ;
And who can look upon his soul,
And say he knows not sin ?
We are as nothing in ourselves,
And only in thy name
May we approach thy heavenly throne,
And urge our sorrow's claim.
Then teach us, Lord, to weep and pray,
And bend the suppliant knee ;
For what but penitence and prayer
Can hope for grace from thee ?
From The Easter Gift

THE NATIVITY
" Lo, the star which they saw in the east, went before them, till it came and stood over where the young child was."
" When they saw the star, they rejoiced with exceeding great joy."
"And when they were come into the house, they saw the young child, with Mary his mother, and fell down and worshipped him."
St. Matthew ii. 9-11
Far in the desert east it shone,
A guiding-star, and only one ;
The other planets left the sky,
Trembling, as if rebuked on high.
The moon forsook her silvery height,
Abash'd before that holier light :
The storm clouds that on ether lay
Melted before its glorious ray ;
Till half the heaven shone pure and clear,
Like some diviner atmosphere
Than ours, where heavy vapours rise
From the vile earth, to dim the skies ;
Meet herald of that promised day,
When soul shall burst the bond of clay,
And, purified from earth-stains come.
Radiant to its eternal home.
On roll'd the star, nor paused to shed
Its glory o'er the mountain's head,
Whereon the morning's sunshine fell,
Where eve's last crimson loved to dwell ;
The gilded roof, the stately fane.
The garden, nor the corn-hid plain,
The camp, where red watch-fires were keeping
Guard o'er a thousand soldiers sleeping.
But temple, palace, city past,
That star paused in the sky at last.
It paused where, roused from slumbers mild,
Lay 'mid the kine a newborn child.
Are there no clarions upon earth
To toll mankind their monarch's birth ?
Are there no banners to unfold,
Heavy with purple and with gold ?
Are there no flowers to strew the ground,
Nor arches with the palm-branch bound ?
Nor fires to kindle on the hill !
No ! man is mute—the world is still
Ill would all earthly pomp agree
With this hour's mild solemnity ;
The tidings which that infant brings,
Are not for conquerors nor for kings :
Nor for the sceptre, nor the brand,
For crowned head, nor red right hand.
But to the contrite and the meek,
The sinful, sorrowful, and weak:
Or those who, with a hope sublime,
Are waiting for the Lord's good time.
Only for those the angels sing,
" All glory to our newborn King,
And peace and good-will unto men,
Hosanna to our God ! Amen."
From The Easter Gift

THE NEGLECTED ONE
AND there is silence in that lonely hall,
Save where the waters of the fountain fall,
And the wind's distant murmuring, which takes
Sweet messages from every bud it wakes.
'Tis more than midnight; all the lamps are gone,
Their fragrant oils exhausted,—all but one,
A little silver lamp beside a scroll,
Where a young maiden leant, and pour'd her soul,
In those last words, the bitter and the brief.
How can they say confiding is relief?
Light are the woes that to the eyelids spring,
Subdued and soften'd by the tears they bring;
But there are some too long, too well conceal'd,
Too deeply felt,—that are but once reveal'd:
Like the withdrawing of the mortal dart,
And then the life-blood follows from the heart;
Sorrow, before unspoken by a sigh,
But which, once spoken, only hath to die.—
Young, very young, the lady was, who now
Bow'd on her slender hand her weary brow:
Not beautiful, save when the eager thought
In the soft eyes a sudden beauty wrought:
Not beautiful, save when the cheek's warm blush
Grew eloquent with momentary flush
Of feeling, that made beauty, not to last,
And scarcely caught, so quickly is it past.
—Alas! she knew it well; too early thrown
Mid a cold world, the unloved and the lone,
With no near kindred ties on whom could dwell
Love that so sought to be beloved as well.
Too sensitive for flattery, and too kind
To bear the loneliness by fate assign'd,
Her life had been a struggle: long she strove
To fix on things inanimate her love;
On pity, kindness, music, gentle lore,
All that romance could yield of fairy store.
In vain! she loved:—she loved, and from that hour
Gone were the quiet loves of bird or flower;
The unread book dropp'd listless on her knee,
The untouch'd lute hung on the bending tree,
Whose unwreathed boughs no more a pleasant shade
For the lone dreamings of her twilight made.
—Well might she love him: every eye was turn'd
On that young knight, and bright cheeks brighter burn'd,
Save one, that grew the paler for his sake:
Alas! for her, whose heart but beat to break;
Who knew too well, not hers the lip or eye
For which the youthful lover swears to die.
How deep, how merciless, the love represt,
That robs the silent midnight of its rest;
That sees in gather'd crowds but one alone;
That hears in mingled footsteps only one;
That turns the poet's page, to only find
Some mournful image for itself design'd;
That seeks in music, but the plaining tone
Which secret sorrow whispers is its own!
Alas for the young heart, when love is there,
Its comrade and its confidant, despair!
How often leant in some unnoticed spot,
Her very being by the throng forgot,
Shrunk back to shun the glad lamp's mocking ray,
Pass'd many a dark and weary hour away,
Watching the young, the beautiful, the bright,
Seeming more lovely in that lovely light;
And as each fair face glided through the dance,
Stealing at some near mirror one swift glance,
Then, starting at the contrast, seek her room,
To weep, at least, in solitude and gloom!
And he, her stately idol, he, with eye
Dark as the eagle's in a summer sky,
And darker curls, amid whose raven shade
The very wild wind amorously delay'd,
With that bright smile, which makes all others dim,
So proud, so sweet,—what part had she in him?
And yet she loved him: who may say, be still,
To the fond heart that beats not at our will?
'Twas too much wretchedness:—the convent cell,
There might the maiden with her misery dwell.
And that, to-morrow was her chosen doom:
There might her hopes, her feelings, find a tomb.
Her feelings!—no: pray, struggle, weep, condemn,—
Her feelings,—there was but one grave for them.
'Twas her last night, and she had look'd her last,
And she must live henceforward in the past.
She linger'd in the hall,—he had been there;
Her pale lips grew yet paler with the prayer
That only ask'd his happiness. She took
A blank leaf from an old emblazon'd book,
Which told love's chronicles; a faint hope stole,—
A sweet light o'er the darkness of her soul—
Might she not leave remembrance, like the wreath,
Whose dying flowers their scents on twilight breathe;
Just one faint tone of music, low and clear,
Coming when other songs have left the ear?
Might she not tell him how she loved, and pray
A mournful memory for some distant day?
She took the scroll:—what! bare perhaps to scorn
The timid sorrow she so long had borne!
Silent as death, she hid her face, for shame
In rushing crimson to her forehead came;
Through the small fingers fell the bitter rain,
And tremblingly she closed the leaves again.
—The hall is lit with rose, that morning hour,
Whose lights are colour'd by each opening flower;
A sweet bird by the casement sat and sang
A song so glad, that like a laugh it rang,
While its wings shook the jessamine, till the bloom
Floated like incense round that joyous room.
—They found the maiden: still her face was bow'd,
As with some shame that might not be avow'd:
They raised the long hair which her face conceal'd,—
And she is dead,—her secret unreveal'd.
From The Venetian Bracelet
A NEREID FLOATING ON A SHELL
THY dwelling is the coral cave,
Thy element the blue sea wave,
Thy music the wild billows dashing,
Thy light the diamond's crystal flashing:
I'd leave this earth to dwell with thee,
Bright-haired daughter of the sea!
It was an hour of lone starlight
When first my eye caught thy sweet sight:
Thy white feet press'd a silver shell,
Love's own enchanted coracle;
Thy fair arms waved like the white foam
The seas dash from their billowy home;
And far behind, thy golden hair,
A bright sail, floated on the air;
And on thy lips there was a song,
As music wafted thee along.
They say, sweet daughter of the sea,
Thy look and song are treachery;
Thy smile is but the honied bait
To lure thy lover to his fate.
I know not, and I care still less;
It is enough of happiness
To be deceived. Oh, never yet
Could love doubt--no, one doubt would set
His fettered pinions free from all
His false but most delicious thrall.
Love cannot live and doubt; and I,
Vowed slave to my bright deity,
Have but one prayer: Come joy, come ill,
If you deceive, deceive me still;
Better the heart in faith should die
Than break beneath love's perjury.
From The Vow of The Peacock
Original in The London Literary Gazette, 1st March 1823, as part of Medallion Wafers
NEW YEAR'S EVE
THERE is no change upon the air,
No record in the sky;
No pall-like storm comes forth to shrowd
The year about to die.
A few light clouds are on the heaven,
A few far stars are bright;
And the pale moon shines as she shines
On many a common night.
Ah, not in heaven, but upon earth,
Are signs of change exprest;
The closing year has left its mark
On human brow and breast.
How much goes with it to the grave
Of life's most precious things!
Methinks each year dies on a pyre,
Like the Assyrian kings.
Affections, friendships, confidence,—
There's not a year hath died
But all these treasures of the heart
Lie with it side by side.
The wheels of time work heavily;
We marvel day by day
To see how from the chain of life
The gilding wears away.
Sad the mere change of fortune's chance,
And sad the friend unkind;
But what has sadness like the change
That in ourselves we find?
I've wept my castle in the dust,
Wept o'er an alter'd brow;
'Tis far worse murmuring o'er those tears,
"Would I could weep them now!"
Oh, for mine early confidence,
Which like that graceful tree
Bent cordial, as if each approach
Could but in kindness be!
Then was the time the fairy Hope
My future fortune told,
Or Youth, the alchemist, that turn'd
Whate'er he touch'd to gold.
But Hope's sweet words can never be
What they have been of yore:
I am grown wiser, and believe
In fairy tales no more.
And Youth has spent his wealth, and bought
The knowledge he would fain
Change for forgetfulness, and live
His dreaming life again.
I'm weary, weary: day-dreams, years,
I've seen alike depart,
And sullen Care and Discontent
Hang brooding o'er my heart.
Another year, another year,—
Alas! and must it be
That Time's most dark and weary wheel
Must turn again for me.
In vain I seek from out the past
Some cherish'd wreck to save;
Affection, feeling, hope, are dead,—
My heart is its own grave!
From The Venetian Bracelet
A NIGHT IN MAY
A night not sacred to Spring's opening leaves.
But one of crowded festival.
LIGHT and glad through the rooms the gay music is waking,
Where the young and the lovely are gather'd to-night;
And the soft cloudless lamps, with their lustre, are making
A midnight hour only than morning less bright.
There are vases,—the flowers within them are breathing
Sighs almost as sweet as the lips that are near;
Light feet are glancing, white arms are wreathing,—
O temple of pleasure! thou surely art here.
I gazed on the scene; 'twas the dream of a minute;
But it seem'd to me even as fairy land fair:
'Twas the cup's bright inside; and on glancing within it,
What but the dregs and the darkness were there?
—False wave of the desert, thou art less beguiling
Than false beauty over the lighted hall shed:
What but the smiles that have practised their smiling,
Or honey words measured, and reckon'd as said?
Oh, heart of mine! turn from the revellers before thee;
What part hast thou in them, or have they in thee?
What was the feeling that too soon came o'er thee?—
Weariness ever that feeling must be.
Praise—flattery—opiates the meanest, yet sweetest,
Are ye the fame that my spirit hath dream'd?
Lute, when in such scenes, if homage thou meetest,
Say, if like glory such vanity seem'd?
O for some island far off in the ocean,
Where never a footstep has press'd but mine own;
With one hope, one feeling, one utter devotion
To my gift of song, once more, the lovely, the lone!
My heart is too much in the things which profane it;
The cold, and the worldly, why am I like them?
Vanity! with my lute chords I must chain it,
Nor thus let it sully the minstrel's best gem.
It rises before me, that island, where blooming,
The flowers in their thousands are comrades for me;
And where if one perish, so sweet its entombing,
The welcome it seems of fresh leaves to the tree.
I'll wander among them when morning is weeping
Her earliest tears, if such pearls can be tears;
When the birds and the roses together are sleeping,
Till the mist of the daybreak, like hope fulfill'd, clears.
Grove of dark cypress, when noontide is flinging
Its radiance of light, thou shalt then be my shrine;
I'll listen the song which the wild dove is singing,
And catch from its sweetness a lesson for mine.
And when the red sunset at even is dying,
I'll watch the last blush as it fades on the wave;
While the wind, through the shells in its low music sighing,
Will seem like the anthem peal'd over its grave.
And when the bright stars which I worship are beaming,
And writing in beauty and fate on the sky,
Then, mine own lute, be the hour for thy dreaming,
And the night-flowers will open and echo thy sigh.
Alas! but my dream has like sleep's visions vanish'd;
The hall and the crowd are before me again:
Sternly my sweet thoughts like fairies are banish'd;
Nay, the Faith which believed in them now seems but vain.
I left the gay circle:—if I found it dreary,
Were all others there, then, the thoughtless and glad?
Methinks that fair cheek in its paleness look'd weary,
Methinks that dark eye in its drooping was sad.
—I went to my chamber,—I sought to be lonely,—
I leant by the casement to catch the sweet air;
The thick tears fell blinding; and am I then only
Sad, weary, although without actual care?
The heart hath its mystery, and who may reveal it;
Or who ever read in the depths of their own?—
How much, we never may speak of, yet feel it,
But, even in feeling it, know it unknown!
Sky of wild beauty, in those distant ages
Of which time hath left scarce a wreck or a name,
Say were thy secrets laid bare to the sages,
Who held that the stars were life's annals of flame?
Spirit, that ruleth man's life to its ending,
Chance, Fortune, Fate, answer my summoning now;
The storm o'er the face of the night is descending,—
Fair moon, the dark clouds hide thy silvery brow.
Let these bring thy answer, and tell me if sadness
For ever man's penance and portion must be;
Doth the morning come forth from a birthplace of gladness?
Is there peace, is there rest, in thine empire or thee?
Spirit of fate, from yon troubled west leaning,
As its meteor-piled rack were thy home and thy shrine,
Grief is our knowledge, 'twill teach me thy meaning,
Although thou but speak'st it in silence and sign.
I mark'd a soft arch sweep its way over heaven;
It spann'd as it ruled the fierce storm which it bound;
The moonshine, the shower, to its influence seem'd given,
And the black clouds grew bright in the beautiful round.
I look'd out again, but few hues were remaining
On the side nearest earth; while I gazed, they were past:
As a steed for a time with his curb proudly straining,
Then freed in its strength, came the tempest at last.
And this was the sign of thy answer, dark spirit!
Alas! and such ever our pathway appears;
Tempest and change still our earth must inherit,—
Its glory a shade, and its loveliness tears.
From The Venetian Bracelet
NYMPH AND ZEPHYR: A STATUARY GROUP,
BY WESTMACOTT
AND the summer sun shone in the sky,
And the rose's whole life was in its sigh,
When her eyelids were kiss'd by a morning beam,
And the Nymph rose up from her moonlit dream;
For she had watch'd the midnight hour
Till her head had bow'd like a sleeping flower;
But now she had waken'd, and light and dew
Gave her morning freshness and morning hue,--
Up she sprang, and away she fled
O'er the lithe grass stem and the blossom's head,
From the lillies' bells she dash'd not the spray,
For her feet were as light and as white as they.
Sudden upon her arm there shone
A gem with the hues of an Indian stone,
And she knew the insect bird whose wing
Is sacred to PSYCHE and to spring;
But scarce had her touch its captive prest
Ere another prisoner was on her breast,
And the Zephyr sought his prize again,--
"No," said the Nymph, thy search is vain:
And her golden hair from its braided yoke
Burst like the banner of hope as she spoke,
"And instead, fair boy, thou shalt moralize
Over the pleasure that from thee flies;
Then it is pleasure,--for we possess
But in the search, not in the success."
From The Troubadour

THE OAK
. . . It is the last survivor of a race
Strong in their forest-pride when I was young.
I can remember, when for miles around,
In place of those smooth meadows and corn-fields,
There stood ten thousand tall and stately trees,
Such as had braved the winds of March, the bolt
Sent by the summer lightning, and the snow
Heaping for weeks their boughs. Even in the depth
Of hot July the glades were cool; the grass,
Yellow and patched elsewhere, grew long and fresh,
Shading wild strawberries and violets,
Or the lark's nest; and overhead, the dove
Had her lone dwelling, paying for her home
With melancholy songs; and scarce a beech
Was there without a honeysuckle linked.
Around, with its red tendrils and pink flowers;
Or girdled by a brier rose, whose buds
Yield fragrant harvest for the honey-bee.
There dwelt the last red deer, those antler'd kings. . . .
But this is as a dream,--the plough has pass'd
Where the stag bounded, and the day has looked
On the green twilight of the forest-trees.
This Oak has no companion! . . . .
From The Improvisatrice
AN OLD MAN OVER THE BODY OF HIS SON
I AM too proud by far to weep,
Though earth had nought so dear
As was the Soldier Youth to me
Now sleeping on that bier.
It were a stain upon his fame
Would do his laurel crown a shame,
To shed one single tear.
It was a blessed lot to die
In battle, and for liberty!
He was my first, my only child,
And when my race was run,
I was so proud to send him forth
To do as I had done.
It was his last, his only field:
They brought him back upon his shield,
But victory was won.
I cannot weep when I recall
Thy land has cause to bless thy fall.
When others tell their children all
The fame that warriors win,
I must sit silent, and but think
On what my child had been.
It is a father's joy to see
The young eyes glow exultingly
When warlike tales begin;
And yet I know no living one
I would change for my sleeping Son.
From The Vow of The Peacock
Original in The London Literary Gazette, 1st March 1823, as part of Medallion Wafers
THE OMEN
"Oh! how we miss the young and bright,
With her feet of wind, her eyes of light,
Her fragrant hair, like the sunny sea
On the perfumed shores of Araby,
Her gay step, light as the snow-white deer,
And her voice of song! oh! we miss her here.
There is something sad in the lighted hall;
Without her can there be festival?
There is something drear in the meteor dance,
When we do not catch her laughing glance.
But pledge we her health." Each one took up,
In that ancient hall, the red wine-cup:
Each started back from the turbid wine —
What could have dimm'd its purple shine ?
Each turn'd for his neighbour's look to express
The augury himself dared not to guess.
Swept the vaulted roof along,
A sound like the echo of distant song,
When the words are lost, but you know they tell
Of sorrow's coming, and hope's farewell.
Such sad music could only bear
Tale and tidings of long despair.
Pass'd the sound from the ancient hall;
You heard in the distance its 'plaining fall,
Till it died away on the chill night-wind:
But it left its fear and its sadness behind;
And each one went to his pillow that night
To hear fearful sound, and see nameless sight;
Not such dreams as visit the bower
Of the gay at the close of the festal hour.
But next morning rose: ‘T was a cheerful time;
For the sunshine seem'd like the summer prime,
While the bright laurel leaves round the casements spread,
And the holly with berries of shining red,
The heaven of blue, and the earth of green,
Seem'd not as if the winter had been.
Welcomed they in the Christmas morn,
With the sound of the carol, the voice of the horn.
There was white snow lay on the distant hill,
The murmuring river was cold and still;
But their songs were so glad that they miss'd not its tune,
And the hearth-fire was bright as an August noon.
As if youth came back with the joyous strain,
The aged lord welcomed in the train
Of guest and vassal; for glad seem'd he
To make and to share their festivity.
Though he may not see his Edith's brow,
Though far away be his fair child now,
Over the sea, and over the strand,
In the sunny vales of Italian land,
He may reckon now the days to spring,
When her native birds and she will take wing,
Blithe and beautiful, glad to come
With the earliest flowers to their own dear home.
Pass a short space of dark cold days,
Of drear nights told by the pine-wood's blaze,
And the snow showers will melt into genial rain,
And the sunshine and she be back again.
And when she returns with her sweet guitar,
The song and the tale she has learn'd afar,
And caught the sweet sound to which once he clung,
The southern words of her mother's tongue,
With her soft cheek touch'd with a rosier dye,
And a clearer light in her deep dark eye,
He will not mourn that the winter hour
Has pass'd unfelt by his gentle flower.
It is Christmas-day—'tis her natal morn,
Away be all thoughts of sorrowing borne:
There is no prayer a vassal can frame
Will fail to-day, if breathed in her name;
Henceforth that guest is a bosom friend,
Whose wish a blessing for her may send.
Her picture hung in that hall, where to-day
Gather'd the guests in their festal array.
‘T was a fragile shape, and a fairy face,
A cheek where the wild rose had sweet birthplace;
But all too delicate was the red,
Such rainbow hues are the soonest fled:
The sweet mouth seem'd parted with fragrant air,
A kiss and a smile were companions there:
Never was wild fawn's eye more bright,
Like the star that heralds the morning's light;
Though that trembling pensiveness it wore
Which bodes of a lustre too soon to be o'er.
But to mark these signs long gazing took;
Seem'd it at first but that your look
Dwelt on a face all glad and fair,
Mid its thousand curls of sunny hair.
They raised the cup to pledge her name;
Again that strange sad music came,
But a single strain,—loud at its close
A cry from the outer crowd arose.
All rush'd to gaze; and, winding through
The length of the castle avenue,
There was a hearse with its plumes of snow,
And its night-black horses moved heavy and slow,
One moment,—they came to the festal hall,
And bore in the coffin and velvet pall.
A name was whisper'd; the young, the fair,
Their Edith was laid in her last sleep there.
It was her latest prayer to lie
In the churchyard beneath her native sky;
She had ask'd and pined for her early home,
She had come at last,—but how had she come!
Oh! that aged lord, how bore he this grief,
This rending off of his last green leaf?
He wasted away as the child that dies
For love of its absent mother's eyes;
Ere the spring flowers o'er her grave were weeping,
The father beside his child was sleeping.
From The Golden Violet
ON A STAR (or THINK OF ME)
BEAUTIFUL Star that art wandering through
The midnight ocean's waves of blue!
I have watched since thy first pale ray
Rose on the farewell of Summer's day,--
From thy first sweet shine on the twilight hour,
To thy present blaze of beauty and power!
Would I could read my destiny,
Lovely and glorious Star, in thee!
Yet why should I wish?--I know too well
What thy tablet of light would tell!
What, oh! what could I read there,
But the depths of Love's despair,--
Blighted feelings, like leaves that fall
The first from April's coronal,--
Hopes like meteors that shine and depart--
An early grave, and a broken heart!
From The Improvisatrice
ONE DAY
-------------
And this the change from Morning to Midnight
-------------
The sunshine of the morning
Is abroad upon the sky,
And glorious as that red sunshine
The crimson banners fly;
The snow-white plumes are dancing,
Flash casques and helms of gold:
'Tis the gathering of earth's chivalry,
Her proud, her young, her bold.
The fiery steeds are foaming,
Sweeps by the trumpet blast,
I hear a long and pealing shout,
The soldier bands are past.
The sunshine of the morning
Is abroad upon the sea,
And mistress of the wave and wind
Yon vessel seems to be.
Like the pine-tree of the forest
Her tall mast heaven-ward springs,
Her white sails bear her onwards
Like the eagle's rushing wings.
That deck is nobly laden,
For gallant hearts are there;
What danger is they would not face,
The deed they would not dare?
The sunshine of the morning
Is abroad upon the hills,
With the singing of the green-wood leaves,
And of a thousand rills.
There springs the youthful hunter
With his winged spear and bow,
He hath the falcon's flashing eye,
The fleet foot of the roe.
He goes with a light carol,
And his own heart is as light;
On, on he bounds from rock to rock,
Rejoicing in his might.
The sunshine of the morning
Is abroad upon yon fane,
There, mid his country's monuments,
Dreams the young bard his strain.
Stand there on marble pedestal
The great of olden time;
Marvel ye minstrel's brow is flush'd
With thoughts and hopes sublime ?
The moonshine of the midnight
Is abroad upon the plain;
Where gather'd morning's glorious ranks,
There welter now the slain.
Thousands are sunk there dying,
Pillow'd upon the dead;
The banner lies by the white plume,
But both alike are red.
The moonshine of the midnight
Is abroad upon the seas,
The waves have risen in their might
To battle with the breeze.
That ship has been the victim;
Stranded on yon bleak coast,
She has lost her mast, her winged sails,
And her deck its warlike boast.
O'er her bravest sweep the waters,
And a pale and ghastly band
Cling to the black rock's side, or pace
Like ghosts the sullen strand.
The moonshine of the midnight
Is abroad upon the hills;
No hunter's step is ringing there,
No horn the echo fills.
He is laid on a snow pillow,
Which his red heart-blood has dyed;
One false step, and the jagged rock
Enter'd the hunter's side.
The moonshine of the midnight
Is shining o'er the fane;
Where the bard awoke the morning song
He'll never wake again.
Go thou to yon lone cavern,
Where the lonely ocean sweeps,
There, silent as its darkness,
A maniac vigil keeps.
'Tis the bard; his curse is on him,
His fine mind is o'erthrown,
Contempt hath jarr'd its tuneful chords,
Neglect destroy'd its tone.
These are but few from many
Of life's chequer'd scenes; yet these
Are but as all,—pride, power, hope,
Then weakness, grief, disease.
Oh, glory of the morning!
Oh, ye gifted, young, and brave!
What end have ye, but midnight;
What find ye but the grave ?
From The Golden Violet
THE ORIENTAL NOSEGAY
BY PICKERSGILL
THROUGH the light curtains came the perfumed air,
And flung them back and show'd a garden, where
The eye could just catch glimpses of those trees
Which send sweet messages upon the breeze
To lull a maiden's sleep, and fan her cheek,
When inward thoughts in outward blushes speak.
Bequeath's a silken couch, just fit to be
A snowy shrine for some fair deity;
And there a beauty rests, lovely as those
Enchanted visions haunting the repose
Of the young poet, when his eyelids shut
To dream that love they have but dream'd as yet;--
But dream'd! Alas, that love should ever be
A happiness but made for phantasie!
And flowers are by her side, and her dark eye
Seems as it read in them her destiny.
She knew whose hand had gather'd them, she knew
Whose sigh and touch were on their scent and hue.
Beautiful language! Love's peculiar, own,
But only to the spring and summer known.
Ah! little marvel in such clime and age
As that of our too earth-bound pilgrimage,
That we should daily hear that love is fled,
And hope grown pale, and lighted feelings dead.
Not for the cold, the careless to impart,
By such sweet signs, the silence of the heart:
But surely in the countries where the sun
Lights loveliness in all he shines upon,--
Where love is as a mystery and a dream,
One single flower upon life's troubled stream;
There, there, perchance, may the young bosom thrill,
Feeling and fancy linger with love still.
She look'd upon the blossoms, and a smile,
A twilight one, lit up her lip the while.
Surely her love is blest, no leaves are there
That aught of lover's misery declare.
True, 'mid them is that pale and pining flower,
Whose dim blue colour speaks an absent hour;
Yet it is nothing but that tender sorrow
Of those who part to-day to meet to-morrow:
For there are hope and constancy beside,
And are not these to happiness allied;
And yet upon that maiden's cheek is caught
A summer evening's shade of pensive thought,
As if these large soft eyes knew all their fate,
How the heart would its destiny create,--
At once too tender, and too passionate;--
Too made for happiness to be happy here,
An angel fetter'd to an earthly sphere.—
And those dark eyes, so large, so soft, so bright,
So clear as if their very tears were light;
They tell that destiny, art thou not one
To whom love will be like the summer sun
That feeds the diamond in the secret mine,
Then calls it from its solitude to shine,
And piece by piece be broken. Watch the bloom,
And mark its fading to an early tomb,
And read in the decay upon it stealing
Of thy own wasted hope and wither'd feeling,--
Ay, fitting messengers for love! as fair,
As quickly past as his own visions are;--
Fling, fling the flowers away!
From The Troubadour

'The Oriental Love Letter' in The Royal Academy, 1824. Probably the painting refered to here
THE PAINTER
I know not which is the most fatal gift,
Genius or Love, for both alike are ruled
By stars of bright aspect and evil influence.
HE was a lonely and neglected child!
His cheek was colourless, save when the flush
Of strong emotion mastered its still whiteness;
His dark eyes seemed all heaviness and gloom,
So rarely were they raised. His mother's love
Was for her other children: they were fair,
And had health's morning hues and sunny looks.
She had not seen him, when he watched the sun
Setting at eve, like an idolater,
Until his cheek grew crimson in the light
Of the all-radiant heaven, and his eyes
Were passionately eloquent, all filled
With earth's most glorious feelings. And his father,
A warrior and a hunter, one whose grasp
Was ever on the bridle or the brand,
Had no pride in a boy whose joy it was
To sit for hours by a fountain side
Listening its low and melancholy song.
Or wander through the gardens silently,
As if with leaves and flowers alone he held
Aught of companionship. In his first years
They sent him to a convent, for they said
Its solitude would suit with Guido's mood.
And there he dwelt, while treasuring those rich thoughts
That are the food on which young genius lives.
He rose to watch the sunlight over Rome
Break from its purple shadows, making glad
Even that desolate city, whose dim towers,
Ruins, and palaces, seem as they looked
Back on departed time. Then in the gloom
Of his own convent's silent burying ground,
Where, o'er the quiet dead, the cypresses mourned,
He pass'd the noon, dreaming those dear day-dreams,
Not so much hopes as fancies. Then at eve,
When through the painted windows the red sun
Rainbowed the marble floor with radiant hues,
Where spread the ancient church's stately arch,
He stayed, till the deep music of the hymn,
Chanted to the rich organ's rolling notes,
Bade farewell to the day. Then to his cell
He went, and through the casement's iron bars
The moon looked on him, tenderly as Love,
Lighting his slumber. On the church's wall
There hung one lovely portrait, and for hours
Would Guido, in the fulness of his heart,
Kneel, watching till he wept. The subject was
A dying Magdalene. Her long black hair
Spread round her like a shroud, one pale thin hand
Pillowed a cheek as thin and pale, and scarce
The blue light of the eyes was visible
For the death dampness on the darkened lids;--
As one more effort to look on the cross,
Which seemed just falling from the fainting arm,
And they would close for ever. In that look
There was a painter's immortality,
And Guido felt it deeply, for a gift
Like his whose work that was, was given him,--
A gift of beauty and of power,--and soon
He lived but in the exquisite creations
His pencil called to life. But as his thoughts
Took wider range, he languished to behold
More of a world he thought must be so fair,
So filled with glorious shapes. It chanced that he
Whose hand had traced that pale sad loveliness,
Came to the convent; with rejoicing wonder
He marked how like an unknown mine, whose gold
Gathers in silence, had young Guido's mind
Increased in lonely richness; every day
New veins of splendid thought sprang into life.
And Guido left his convent cell with one
Who, like a geni, bore him into scenes
Of marvel and enchantment. And then first
Did Guido feel how very precious praise
Is to young genius, like sunlight on flowers,
Ripening them into fruit. And time pass'd on;--
The lonely and neglected child became
One whom all Rome was proud of, and he dwelt
There in the sunshine of his spreading fame.
There was a melancholy beauty shed
Over his pictures, as the element
In which his genius lived was sorrow. Love
He made most lovely, but yet ever sad;
Passionate partings, such as wring the heart
Till tears are life-blood; meetings, when the cheek
Has lost all hope of health in the long parting;
The grave, with one mourning in solitude:
These made his fame, and were his excellence,--
The painter of deep tears. He had just gained
The summer of his glory and of his days,
When his remembering art was called to give
A longer memory to one whose life
Was but a thread. Her history may be told
In one word--love. And what has love e'er been
But misery to woman? Still she wished—
It was a dying fancy which betrayed
How much, though known how false its god had been,
Her soul clung to its old idolatry,--
To send her pictured semblance to the false one.
She hoped--how love will hope!--it might recall
The young and lovely girl his cruelty
Had worn to this dim shadow; it might wake
Those thousand fond and kind remembrances
Which he had utterly abandoned, while
The true heart he had treasured next his own
A little time, had never ceased to beat
For only him, until it broke. She leant
Beside a casement when first Guido looked
Upon her wasted beauty. 'T was the brow,
The Grecian outline in its perfect grace,
That he had learnt to worship in his youth,
By gazing on that Magdalene, whose face
Was yet a treasure in his memory;
But sunken were the temples,--they had lost
Their ivory roundness, yet still clear as day
The veins shone through them, shaded by the braids,
Just simply parted back, of the dark hair,
Where grief's white traces mocked at youth. A flush,
As shame, deep shame, had once burnt on her cheek,
Then lingered there for ever, looked like health
Offering hope, vain hope, to the pale lip;
Like the rich crimson of the evening sky,
Brightest when night is coming. Guido took
Just one slight sketch; next morning she was dead!
Yet still he painted on, until his heart
Grew to the picture,--it became his world,--
He lived but in its beauty, made his art
Sacred to it alone. No more he gave
To the glad canvass green and summer dreams
Of the Italian valleys; traced no more
The dark eyes of its lovely daughters, looked
And caught the spirit of fine poetry
From glorious statues: these were pass'd away.
Shade after shade, line after line, each day
Gave life to the sweet likeness. Guido dwelt
In intense worship on his own creation,
Till his cheek caught the hectic tinge he drew,
And his thin hand grew tremulous. One night—
The portrait was just finished, save a touch,
A touch to give the dark light of the eyes--
He painted till the lamps grew dim, his hand
Scarce conscious what it wrought; at length his lids
Closed in a heavy slumber, and he dream'd
That a fair creature came and kissed his brow,
And bade him follow her: he knew the look,
And rose. Awakening, he found himself
Kneeling before the portrait:--'twas so fair
He deemed it lived, and press'd his burning lips
To the sweet mouth; his soul pass'd in that kiss,--
Young Guido died beside his masterpiece!
From The Vow of The Peacock
Original in The London Literary Gazette, 15th November 1823 POETIC SKETCHES. Fourth Series. SKETCH I.
THE PAINTER'S LOVE
YOUR skies are blue, your sun is bright;
But sky nor sun has that sweet light
Which gleamed upon the summer sky
Of my own lovely ITALY!
'Tis long since I have breathed the air,
Which, filled with odours, floated there,--
Sometimes in sleep a gale sweeps by,
Rich with the rose and myrtle's sigh;--
'Tis long since I have seen the vine
With Autumn's topaz clusters shine;
And watched the laden branches bending,
And heard the vintage songs ascending;
'Tis very long since I have seen
The ivy's death-wreath, cold and green,
Hung round the old and broken stone
Raised by the hands now dead and gone!
I do remember one lone spot,
By most unnoticed or forgot--
Would that I too recalled it not!
It was a little temple, gray,
With half its pillars worn away,
No roof left, but one cypress-tree
Flinging its branches mournfully.
In ancient days this was a shrine
For goddess or for nymph divine;
And sometimes I have dreamed I heard
A step soft as a lover's word,
And caught a perfume on the air,
And saw a shadow gliding fair,
Dim, sad as if it came to sigh
O'er thoughts, and things, and time passed by!
On one side of the temple stood
A deep and solitary wood,
Where chesnuts reared their giant length,
And mocked the fallen columns' strength;
It was the lone wood-pigeon's home,
And flocks of them would ofttimes come,
And, lighting on the temple, pour
A cooing dirge to days no more!
And by its side there was a lake
With only snow-white swans to break,
With ebon feet and silver wing,
The quiet waters' glittering.
And when sometimes, as eve closed in,
I waked my lonely mandolin,
The gentle birds came gliding near,
As if they loved that song to hear.
'Tis past, 'tis past, my happiness
Was all too pure and passionless!
I waked from calm and pleasant dreams
To watch the morning's earliest gleams,
Wandering with light feet 'mid the dew,
Till my cheek caught its rosy hue;
And when uprose the bright-eyed moon,
I sorrowed, day was done so soon;
Save that I loved the sweet starlight,
The soft, the happy sleep of night!
Time has changed since, and I have wept
The day away; and when I slept,
My sleeping eyes ceased not their tears;
And jealousies, griefs, hopes, and fears
Even in slumber held their reign,
And gnawed my heart, and racked my brain!
Oh much,--most withering 'tis to feel
The hours like guilty creatures steal,
To wish the weary day was past,
And yet to have no hope at last!
All's in that curse, aught else above
That fell on me--betrayed love!
There was a stranger sought our land,
A youth, who with a painter's hand
Traced our sweet valleys and our vines,
The moonlight on the ruined shrines,
And now and then the brow of pearl
And black eyes of the peasant girl:
We met and loved--ah, even now
My pulse throbs to recall that vow!
Our first kiss sealed, we stood beneath
The cypress-tree's funereal wreath,
That temple's roof. But what thought I
Of aught like evil augury!
I only felt his burning sighs,
I only looked within his eyes,
I saw no dooming star above,
There is such happiness in love!
I left, with him, my native shore,
Not as a bride who passes o'er
Her father's threshold with his blessing,
With flowers strewn and friends caressing,
Kind words, and purest hopes to cheer
The bashfulness of maiden fear;
But I--I fled as culprits fly,
By night, watched only by one eye
Whose look was all the world to me,
And it met mine so tenderly,
I thought not of the days to come,
I thought not of my own sweet home,
Nor of mine aged father's sorrow,--
Wild love takes no thought for to-morrow.
I left my home, and I was left
A stranger in his land, bereft
Of even hope; there was not one
Familiar face to look upon.--
Their speech was strange. This penalty
Was meet; but surely not from thee,
False love--'twas not for thee to break
The heart but sullied for thy sake!--
I could have wished once more to see
Thy green hills, loveliest ITALY!
I could have wished yet to have hung
Upon the music of thy tongue;
I could have wished thy flowers to bloom—
Thy cypress planted by my tomb!
This wish is vain, my grave must be
Far distant from my own country!
I must rest here--Oh lay me then
By the white church in yonder glen;
Amid the darkening elms, it seems,
Thus silvered over by the beams
Of the pale moon, a very shrine
For wounded hearts--it shall be mine!
There is one corner, green and lone,
A dark yew over it has thrown
Long, night-like boughs; 'tis thickly set
With primrose and with violet.
Their bloom's now past; but in the spring
They will be sweet and glistening.
There is a bird, too, of your clime,
That sings there in the winter time;
My funeral hymn his song will be,
Which there are none to chant, save he.
And let there be memorial none,
No name upon the cold white stone:
The only heart where I would be
Remembered, is now dead to me!
I would not even have him weep
O'er his Italian love's last sleep.
Oh, tears are a most worthless token,
When hearts they would have soothed are broken.
From The Improvisatrice
THE PHOENIX AND THE DOVE
[The Hint taken from the French of Millevoix.]
MY wings are bright with the rainbow's dyes,
My birth is amid perfume ;
My death-song is music's sweetest sighs ;
The sun himself lights my tomb.
My flight is traced in the clouds above ;
The grave teems with life for me ;
I stand alone—Alone ! cried the dove—
Oh, I then can but pity thee !
From The Fate of Adelaide
POETICAL PORTRAITS
No. II
AH! little do those features wear
The shade of grief, the soil of care;
The hair is parted o'er a brow
Open and white as mountain snow,
And thence descends in many a ring,
With sun and summer glistening.
Yet something on that brow has wrought
A moment's cast of passing thought;
Musing of gentle dreams, like those
Which tint the slumbers of the rose:
Not love,—love is not yet with thee,—
But just a glimpse what love may be:
A memory of some last night's sigh,
When flitting blush and drooping eye
Answer'd some youthful cavalier,
Whose words sank pleasant on thine ear,
To stir, but not to fill the heart;—
Dreaming of such, fair girl, thou art.—
Thou blessed season of our spring,
When hopes are angels on the wing;
Bound upwards to their heavenly shore,
Alas! to visit earth no more.
Then step and laugh alike are light,
When, like a summer morning bright,
Our spirits in their mirth are such,
As turn to gold whate'er they touch.
The past! 'tis nothing,—childhood's day
Has roll'd too recently away,
For youth to shed those mournful tears
That fill the eye in older years,
When Care looks back on that bright leaf
Of ready smiles and short-lived grief.
The future!—'tis the promised land,
To which Hope points with prophet hand,
Telling us fairy tales of flowers
That only change for fruit—and ours.
Though false, though fleeting, and though vain,
Thou blessed time I say again.—
Glad being, with thy downcast eyes,
And visionary look that lies
Beneath their shadow, thou shalt share
A world, where all my treasures are—
My lute's sweet empire, fill'd with all
That will obey my spirit's call;
A world lit up by fancy's sun!
Ah! little like our actual one.
POETICAL PORTRAITS
No. I
O NO, sweet lady, not to thee
That set and chilling tone,
By which the feelings on themselves
So utterly are thrown:
For mine has sprung upon my lips,
Impatient to express
The haunting charm of thy sweet voice
And gentlest loveliness.
A very fairy queen thou art,
Whose only spells are on the heart.
The garden it has many a flower,
But only one for thee—
The early graced of Grecian song,
The fragrant myrtle tree;
For it doth speak of happy love,
The delicate, the true.
If its pearl buds are fair like thee,
They seem as fragile too;
Likeness, not omens, for love's power
Will watch his own most precious flower.
Thou art not of that wilder race
Upon the mountain side,
Able alike the summer sun
And winter blast to bide;
But thou art of that gentler growth,
Which asks some loving eye,
To keep it in sweet guardianship,
Or it must droop and die;
Requiring equal love and care,
Even more delicate than fair.
I cannot paint to thee the charm
Which thou hast wrought on me;
Thy laugh, so like the wild bird's song
In the first bloom-touch'd tree.
You spoke of lovely Italy,
And of its thousand flowers;
Your lips had caught the music breath
Amid its summer bow'rs.
And can it be a form like thine
Has braved the stormy Appennine?
I'm standing now with one white rose
Where silver waters glide:
I've flung that white rose on the stream,—
How light it breasts the tide!
The clear waves seem as if they love
So beautiful a thing;
And fondly to the scented leaves
The laughing sunbeams cling.
A summer voyage—fairy freight;—
And such, sweet lady, be thy fate!
POETICAL PORTRAITS
No. III
His hand is on the snowy sail,
His step is on the prow,
And back the cold night-winds have flung
The dark curls from his brow;
That brow to which his native heaven
A something of itself has given.
But all too mix'd with earthly stain,
The nameless shadowy care,
Which tells, that though Heaven gave it birth,
Its home has not been there;
And here, the earth and heaven seem blent
In one discordant element.
It wears our nature's nobler part;
That spirit which doth spurn
The weary bondage of our world,
And show what man can earn;
Where, led by honourable pride,
Hero and sage are deified;—
Those high imaginings which make
The glory which they hope;
Fine-wrought aspirings, lofty aims,
Which have in youth such scope;
Like tides which, haunted by the moon,
Rise but, alas! to fall too soon.
Vain are these dreams, and vain these hopes;
And yet 'tis these give birth
To each high purpose, generous deed,
That sanctifies our earth.
He who hath highest aim in view,
Must dream at first what he will do.
Upon that youthful brow are traced
High impulses like these;
But all too purposeless, like gales
That wander o'er the seas;
Not winds that bear the vessel on,
Fix'd to one point, and only one.
And meaner workings have deform'd
His natural noble mind;
Those wretched aims which waste the ore
For happier use design'd.
And petty wishes, idle praise,
Destroy the hopes of better days.
And hath no earlier vision taught
A more exalted creed?
Alas! that such a mind should waste
Its powers away, to feed
That wretched vanity which clings
To life's debasing, paltry things.
The worthlessness of common praise,
The dry rot of the mind,
By which its temple secretly
But fast is undermined.
Alas! the praise given to the ear
Ne'er was nor e'er can be sincere—
And does but waste away the mind
On which it preys:—in vain
Would they in whom its poison lurks
A worthier state attain.
Indifference proud, immortal aim,
Had, aye, the demigods of fame.
The dew of night falls cold around,
Yet can it not allay
The fever burning on thy cheek,
That eats thy life away;
For thou dost know thy birthright sold
For even less than his of old.
Thou know'st what thou hast power to be,
Thou know'st, too, what thou art;
And heavily does discontent
Sit rankling at thy heart;
And thou dost mask thy grief the while
With scornful sneer, and bitter smile.
But yet thou art too indolent
From such weak bonds to free
Thy better self, and urge thy strength
To be what thou might'st be;
Thou dost repent the past, and blame,
And yet thy future is the same.
Ay, leave thy rudder to the wave,
Thy sail upon the wind,
Leave them to chance, and they will be
Fit likeness of thy mind:
Unguided sail, unmaster'd prow,
Are only emblems;—What art thou?
POETICAL PORTRAITS
No. IV
HIS brow is pale with high and passionate thoughts,
That come from heaven like lightning, and consume,
E'en while they brighten; youth has lost its hopes:
Those sweet and wandering birds, that make its spring
So happy with their music,—these are gone:
All scared by one, a vulture, that doth feed
Upon the life-blood of the throbbing heart—
The hope of immortality!—that hope,
Whose altar is the grave, whose sacrifice
Is life—bright, beautiful, and breathing life.
He stands amid the revellers with a joy,
A scarcely conscious joy, in their delight;
In it he has no part,—he stands alone;
But the deep music haunts his dreaming ear,—
But the fair forms flit o'er his dreaming eye,—
And exquisite illusions fill his soul
With loveliness to pour in future song.
He leant beside a casement, and the moon
Shed her own stillness o'er the hectic cheek
Whereon the fever of the mind had fed;
His eyes have turn'd towards th' eternal stars,
Drinking the light into their shadowy depths,
Almost as glorious and as spiritual.
The night-wind touch'd his forehead, with it ran
A faint slight shudder through his wasted frame,—
Alas! how little can bring down our thoughts
From their most lofty communings with heaven,
To poor mortality!—that passing chill
Recall'd those bitter feelings that attend
Career half follow'd, and the goal unwon:
He thought upon his few and unknown years,
How much his power, how little it had done;
And then again the pale lip was compress'd
With high resolve, the dark eye flash'd with hope
To snatch a laurel from the grasp of death,
For the green memory of an early grave.
POETICAL PORTRAITS
No. V
THY beauty! not a fault is there;
No queen of Grecian line
E'er braided more luxuriant hair
O'er forehead more divine.
The light of midnight's starry heaven
Is in those radiant eyes;
The rose's crimson life has given
That cheek its morning dyes.
Thy voice is sweet, as if it took
Its music from thy face;
And word and mien, and step and look,
Are perfect in their grace.
And yet I love thee not: thy brow
Is but the sculptor's mould:
It wants a shade, it wants a glow,—
It is less fair than cold.
Where are thy blushes, where thy tears?
Thy cheek has but one rose:
No eloquence of hopes and fears
Disturbs its bright repose.
Thy large dark eyes grow not more dark
With tears that swell unshed:
Alas! thy heart is as the ark
That floated o'er the dead.
Hope, feeling, fancy, fear, and love
Are in one ruin hurl'd;
Fate's dreary waters roll above
Thy young and other world.
And thou hast lived o'er scenes like these,
The terrible, the past,
Where hearts must either break or freeze,—
And thine has done the last.
Thou movest amid the heartless throng
With school'd and alter'd brow:
Thy face has worn its mask so long,
It is its likeness now.
Where is the colour that once flush'd
With every eager word?
Where the sweet joyous laugh, that gush'd
Like spring songs from the bird?
Where are the tears a word once brought
The heart's sweet social rain?
Where are the smiles that only sought
To see themselves again?
I knew thee in thine earlier hours,
A very summer queen
For some young poet's dream:—those flow'rs
Are just what thou hast been,—
Wild flow'rs, all touch'd with rainbow hues,
Born in a morning sky,
Lighted with sunshine, fill'd with dews,
Made for a smile and sigh.
But now I look upon thy face,
A very pictured show,
Betraying not the slightest trace
Of what may work below.
Farewell, affection!—selfish, changed,
Thine it no more may be;
From love thou hast thyself estranged,—
It could not dwell with thee.
POETICAL PORTRAITS
No. VI
The light is kindling in his eye,
The colour on his cheek;
And thoughts, the passionate, the deep,
Their charmed silence break;
Yet not to pour themselves in song,
But in those burning words
That come when some chance touch has waked
The spirit's secret chords.
How eloquent, how beautiful
Like morning in the north
Melting away the dreary ice,
His noble mind came forth!
He stood the centre of the ring,
Awakening in each breast
Feelings and thoughts, forgotten, though
Their noblest and their best.
'Twas but a moment while they own'd
The youthful poet's sway;
A beacon light upon the hill,
To warn and die away.
Again his downcast eye was dim,
Again his cheek was pale;
Again around his beating heart
Closed its accustom'd veil.
A moment's pause, a moment's praise,
Sufficed to change the scene;
And careless word and careless laugh
Arose where mind had been.
So flings the lamp upon the wind
Its bright and dying flame:—
I thought, alas, the waste of life,
The vanity of fame!
From The Venetian Bracelet
PORTRAIT
I Gaz'd admiringly upon his face ;
The etherial fire, that kindles from the heart
Of inspiration, lighted up his brow.
There was a wild expression in his eye,
A brilliancy, a deep impassion'd glance,
Which look'd as it had gaz'd on glorious dreams,
And strange and beautiful imaginings,
Until it had reflected back their splendour,
As it communion held with the young storm,
Rolling its gather'd darkness o'er the sky ;
And watch'd the golden palace, which the sun
Uprears at eve, of crimson clouds, and all
The earth's magnificence, until his soul
Grew raptured with the wonders it beheld,
And fill'd his eyes with an unearthly light—
A radiance too intense, but that the veil
Of the dark lash, softened its glowing ray.
It was a glance, that dwells upon the thought,
And bids us look for some excelling being
Fraught with rare gifts of the immortal mind.
From The Fate of Adelaide