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The Troubadour (continued)

 

Canto III (continued)

 

 

MOORISH MAIDEN'S TALE

 

    ALBEIT on my brow and breast

    Is Moorish turban, Moorish vest;

    Albeit too of Moorish line,

    Yet Christian blood and faith are mine.

    Even from earliest infancy

    I have been taught to bend the knee

    Before the sweet Madonna's face,

    To pray from her a Saviour's grace!

    My mother's youthful heart was given

    To one an infidel to heaven;

    Alas! that ever earthly love

    Could turn her hope from that above;

    Yet surely 'tis for tears, not blame,

    To be upon that mother's name.

 

        Well can I deem my father all

    That holds a woman's heart in thrall,—

    In truth his was as proud a form

    As ever stemm'd a battle storm,

    As ever moved first in the hall

    Of crowds and courtly festival.

    Upon each temple the black hair

    Was mix'd with grey, as early care

    Had been to him like age,—his eye,

    And lip, and brow, were dark and high;

    And yet there was a look that seem'd

    As if at other times he dream'd

    Of gentle thoughts he strove to press

    Back to their unsunn'd loneliness.

    Your first gaze cower'd beneath his glance,

    Keen like the flashing of a lance,

    As forced a homage to allow

    To that tall form, that stately brow;

    But the next dwelt upon the trace

    That time may bring, but not efface,

    Of cares that wasted life's best years,

    Of griefs seared more than sooth'd by tears,

    And homage changed to a sad feeling

    For a proud heart its grief concealing.

    If such his brow, when griefs that wear,

    And hopes that waste, were written there,

    What must it have been, at the hour

    When in my mother's moonlit bower,

    If any step moved, 'twas to take

    The life he ventured for her sake?

    He urged his love; to such a suit

    Could woman's eye or heart be mute?

    She fled with him,—it matters not,

    To dwell at length upon their lot.

    But that my mother's frequent sighs

    Swell'd at the thoughts of former ties,

    First loved, then fear'd she loved too well,

    Then fear'd to love an Infidel;

    A struggle all, she had the will

    But scarce the strength to love him still:--

    But for this weakness of the heart

    Which could not from its love depart,

    Rebell'd, but quickly clung again,

    Which broke and then renew'd its chain,

    Without the power to love, and be

    Repaid by love's fidelity:—

    Without this contest of the mind,

    Though yet its early fetters bind,

    Which still pants to be unconfined,

    They had been happy.

 

                                          'Twas when first

    My spirit from its childhood burst,

    That to our roof a maiden came,

    My mother's sister, and the same

    In form, in face, in smiles, in tears,

    In step, in voice, in all but years,

    Save that there was upon her brow

    A calm my mother's wanted now;

    And that ELVIRA'S loveliness

    Seem'd scarce of earth, so passionless,

    So pale, all that the heart could paint

    Of the pure beauty of a saint.

    Yes, I have seen ELVIRA kneel,

    And seen the rays of evening steal,

    Lighting the blue depths of her eye

    With so much of divinity

    As if her every thought was raised

    To the bright heaven on which she gazed!

    Then often I have deem'd her form

    Rather with light than with life warm.

 

        My father's darken'd brow was glad,

    My mother's burthen'd heart less sad

    With her, for she was not of those

    Who all the heart's affections close

    In a drear hour of grief or wrath,—

    Her path was as an angel's path,

    Known only by the flowers which spring

    Beneath the influence of its wing;

    And that her high and holy mood

    Was such as suited solitude.

    Still she had gentle words and smiles,

    And all that sweetness which beguiles,

    Like sunshine on an April day,

    The heaviness of gloom away.

    It was as the souls weal were sure

    When prayer rose from lips so pure.

 

        She left us;—the same evening came

    Tidings of woe, and death, and shame.

    Her guard had been attack'd by one

    Whose love it had been her's to shun.

    Fierce was the struggle, and her flight

    Meanwhile had gain'd a neighbouring height,

    Which dark above the river stood,

    And look'd upon the rushing flood;

    'Twas compass'd round, she was bereft

    Of the vague hope that flight had left.

    One moment, and they saw her kneel,

    And then, as Heaven heard her appeal,

    She flung her downwards from the rock:

    Her heart was nerved by death to mock

    What that heart never might endure,

    The slavery of a godless Moor.

 

        And madness in its burning pain

    Seized on my mother's heart and brain:

    She died that night, and the next day

    Beheld my father far away.

    But wherefore should I dwell on all

    Of sorrow memory can recall,

    Enough to know that I must roam

    An orphan to a stranger home.—

    My father's death in battle field

    Forced me a father's rights to yield

    To his stern brother; how my heart

    Was forced with one by one to part

    Of its best hopes, till life became

    Existence only in its name;

    Left but a single wish,--to share

    The cold home where my parents were.

 

        At last I heard, I may not say

    How my soul brighten'd into day,

    ELVIRA lived; a miracle

    Had surely saved her as she fell!

    A fisherman who saw her float,

    Bore her in silence to his boat.

    She lived! how often had I said

    To mine own heart she is not dead;

    And she remember'd me, and when

    They bade us never meet again,

    She sent to me an Ethiop slave,

    The same who guides us o'er the wave,

    Whom she had led to that pure faith

    Which sains and saves in life and death,

    And plann'd escape.

 

                                       It was one morn

    I saw our conquering standards borne,

    And gazed upon a Christian knight

    Wounded and prisoner from the fight;

    I made a vow that he should be

    Redeem'd from his captivity.

    Sir knight, the Virgin heard my vow,—

    Yon light,—we are in safety now!

 

                         ————

 

    THE arch was past, the crimson gleam

Of morning fell upon the stream,

And flash'd upon the dazzled eye

The day-break of a summer sky;

And they are sailing amid ranks

Of cypress on the river banks:

They land where water-lilies spread

Seem almost too fair for the tread;

And knelt they down upon the shore,

The heart's deep gratitude to pour.

 

    Led by their dark guide on they press

Through many a green and lone recess:

The morning air, the bright sunshine,

To RAYMOND were like the red wine,—

Each leaf, each flower seem'd to be

With his own joy in sympathy,

So fresh, so glad; but the fair Moor,

From peril and pursuit secure,

Though hidden by her close-drawn veil,

Yet seem'd more tremulous, more pale;

The hour of dread and danger past,

Fear's timid thoughts came thronging fast;

Her cold hand trembled in his own,

Her strength seem'd with its trial gone,

And downcast eye, and faltering word,

But dimly seen, but faintly heard,

Seem'd scarcely her's that just had been

His dauntless guide through the wild scene.

 

    At length a stately avenue

Of ancient chesnuts met their view,

And they could see the time-worn walls

Of her they sought, ELVIRA'S halls.

A small path led a nearer way

Through flower-beds in their spring array.

They reach'd the steps, and stood below

A high and marble portico;

They enter'd, and saw kneeling there

A creature even more than fair.

On each white temple the dusk braid

Of parted hair made twilight shade,

That brow whose blue veins shone to show

It was more beautiful than snow.

Her large dark eyes were almost hid

By the nightfall of the fringed lid;

And tears which fill'd their orbs with light,

Like summer showers blent soft with bright.

Her cheek was saintly pale, as nought

Were there to flush with earthly thought;

As the heart which in youth had given

Its feelings and its hopes to Heaven,

Knew no emotions that could spread

A maiden's cheek with sudden red,--

Made for an atmosphere above,

Too much to bend to mortal love.

 

    And RAYMOND watch'd as if his eye

Were on a young divinity,—

As her bright presence made him feel

Awe that could only gaze and kneel:

And LEILA paused, as if afraid

To break upon the recluse maid,

As if her heart took its rebuke

From that cold, calm, and placid look.

 

    "ELVIRA !"—though the name was said

Low as she fear'd to wake the dead,

Yet it was heard, and, all revealing,

Of her most treasured mortal feeling,

Fondly the Moorish maid was prest

To her she sought, ELVIRA'S breast.

"I pray'd for thee, my hope, my fear,

My LEILA ! and now thou art near.

Nay, weep not, welcome as thou art

To my faith, friends, and home and heart!"

 

    And RAYMOND almost deem'd that earth

To such had never given birth

As the fair creatures, who, like light,

Floated upon his dazzled sight:—

One with her bright and burning cheek,

All passion, tremulous and weak,

A woman in her woman's sphere

Of joy and grief, of hope and fear.

The other, whose mild tenderness

Seem'd as less made to share than bless;

One to whom human joy was such

That her heart fear'd to trust too much,

While her wan brow seem'd as it meant

To soften rapture to content;—

To whom all earth's delight was food

For high and holy gratitude.

 

    Gazed RAYMOND till his burning brain

Grew dizzy with excess of pain;

For unheal'd wounds his strength had worn,

And all the toil his flight had borne;

His lip, and cheek, and brow were flame;

And when ELVIRA'S welcome came,

It fell on a regardless ear,

As bow'd beside a column near,

He leant insensible to all

Of good or ill that could befall.

 

CANTO IV

 

IT was a wild and untrain'd bower,

Enough to screen from April shower,

Or shelter from June's hotter hour,

Tapestried with starry jessamines,

The summer's gold and silver mines;

With a moss seat, and its turf set

With crowds of the white violet.

And close beside a fountain play'd,

Dim, cool, from its encircling shade;

And lemon trees grew round, as pale

As never yet to them the gale

Had brought a message from the sun

To say their summer task was done.

It was a very solitude

For love in its despairing mood,

With just enough of breath and bloom,

With just enough of calm and gloom,

To suit a heart where love has wrought

His wasting work, with saddest thought;

Where all its sickly fantasies

May call up suiting images:

With flowers like hopes that spring and fade

As only for a mockery made,

And shadows of the boughs that fall

Like sorrow drooping over all.

 

    And LEILA , loveliest! can it be

Such destiny is made for thee?

Yes, it is written on thy brow

The all thy lip may not avow,—

All that in woman's heart can dwell,

Save by a blush unutterable.

Alas! that ever RAYMOND came

To light thy cheek and heart to flame,—

A hidden fire, but not the less

Consuming in its dark recess.

 

    She had leant by his couch of pain,

When throbbing pulse and bursting vein

Fierce spoke the fever, when fate near

Rode on the tainted atmosphere;

And though that parch'd lip spoke alone

Of other love, in fondest tone,

And though the maiden knew that death

Might be upon his lightest breath,

Yet never by her lover's side

More fondly watch'd affianced bride,—

With pain or fear more anxious strove,

Than LEILA watch'd another's love.

 

    But he was safe!—that very day

Farewell, it had been her's to say;

And he was gone to his own land,

To seek another maiden's hand.

 

    Who that had look'd on her that morn,

Could dream of all her heart had borne;

Her cheek was red, but who could know

'Twas flushing with the strife below;—

Her eye was bright, but who could tell

It shone with tears she strove to quell;—

Her voice was gay, her step was light;

And, beaming, beautiful, and bright,

It was as if life could confer

Nothing but happiness on her.

Ah! who could think that all so fair

Was semblance, and but misery there.

 

    'Tis strange with how much power and pride

The softness is of love allied;

How much of power to force the breast

To be in outward show at rest,—

How much of pride that never eye

May look upon its agony!

Ah! little will the lip reveal

Of all the burning heart can feel.

But this was past, and she was now

With clasped hands prest to her brow,

And head bow'd down upon her knee,

And heart-pulse throbbing audibly,

And tears that gush'd like autumn rain,

The more for that they gush'd in vain.

Oh! why should woman ever love,

Trusting to one false star above;

And fling her little chance away

Of sunshine for its treacherous ray.

 

    At first ELVIRA had not sought

To break upon her lonely thought.

But it was now the vesper time,

And she return'd not at the chime

Of holy bells,—she knew the hour:—

At last they search'd her favourite bower;

Beside the fount they found the maid

On head bow'd down, as if she pray'd;

Her long black hair fell like a veil,

Making her pale brow yet more pale.

'Twas strange to look upon her face,

Then turn and see its shadowy trace

Within the fountain; one like stone,

So cold, so colourless, so lone,—

A statue nymph, placed there to show

How far the sculptor's art could go.

The other, and that too the shade,

In light and crimson warmth array'd;

For the red glow of day declining,

Was now upon the fountain shining,

And the shape in its mirror bright

Of sparkling waves caught warmth and light.

ELVIRA spoke not, though so near,

Her words lay mute in their own fear:

At last she whisper'd LEILA'S name,—

No answer from the maiden came.

She took one cold hand in her own,

Started, and it dropp'd lifeless down!

She gazed upon the fixed eye,

And read in it mortality.

 

    And lingers yet that maiden's tale

A legend of the lemon vale:

They say that never from that hour

Has flourish'd there a single flower,—

The jasmine droop'd, the violets died,

Nothing grew by that fountain side,

Save the pale pining lemon trees,

And the dark weeping cypresses.—

And now when to the twilight star

The lover wakes his lone guitar,

Or maiden bids a song impart

All that is veil'd in her own heart,

The wild and mournful tale they tell

Of her who loved, alas! too well.—

 

    And where was RAYMOND , where was he?

Borne homeward o'er the rapid sea,

While sunny days and favouring gales

Brought welcome speed to the white sails,—

With bended knee, and upraised hand,

He stood upon his native land,

With all that happiness can be

When resting on futurity.

On, on he went, and o'er the plain

He rode an armed knight again;

He urged his steed with hand and heel,

It bounded concious of the steel,

And never yet to RAYMOND'S eye

Spread such an earth, shone such a sky,

Blew such sweet breezes o'er his brow,

As those his native land had now.

 

    He thought upon young EVA'S name,

And felt that she was still the same;

He thought on AMIRALD , his child

Had surely his dark cares beguiled;

He thought upon the welcome sweet

It would be his so soon to meet:

And never had the star of hope

Shone on a lovelier horoscope.

 

    And evening shades were on the hour

When RAYMOND rode beneath the tower

Remember'd well, for ADELINE

Had there been his heart's summer queen.

Could this be it?—he knew the heath

Which, lake-like, spread its walls beneath,—

He saw the dark old chesnut wood

Which had for ages by it stood;

And but for these the place had been

As one that he had never seen.

The walls were rent, the gates were gone,

No red light from the watch tower shone.

He enter'd, and the hall was bare,

It show'd the spoiler had been there;

Even upon the very hearth

The green grass found a place of birth.

Oh, vanity! that the stone wall

May sooner than a blossom fall;

The tower in its strength may be

Laid low before the willow tree.

There stood the wood, subject to all

The autumn wind, the winter fall,—

There stood the castle which the rain

And wind had buffetted in vain,—

But one in ruins stood beside

The other green in its spring pride.

 

    And RAYMOND paced the lonely hall

As if he feared his own footfall.

It is the very worst, the gloom

Of a deserted banquet-room,

To see the spider's web outvie

The torn and faded tapestry,—

To shudder at the cold damp air,

Then think how once were burning there

The incense vase with odour glowing,

The silver lamp its softness throwing

O'er cheeks as beautiful and bright

As roses bathed in summer light,—

How through the portals sweeping came

Proud cavalier and high-born dame,

With gems like stars 'mid raven curls,

And snow-white plumes and wreathed pearls—

Gold cups, whose lighted flames made dim

The sparkling stones around the brim;—

Soft voices answering to the lute,

The swelling harp, the sigh-waked flute,—

The glancing lightness of the dance,—

Then, starting sudden from thy trance,

Gaze round the lonely place and see

Its silence and obscurity:

Then commune with thine heart, and say

These are the foot-prints of decay,—

And I, even thus shall pass away.

 

    And RAYMOND turn'd him to depart,

With darken'd brow and heavy heart.

Can outrage or can time remove

The sting, the scar of slighted love?

He could not look upon the scene

And not remember ADELINE,

Fair queen of gone festivity,—

Oh, where was it, and where was she!

 

    At distance short a village lay,

And thither RAYMOND took his way,

And in its hostel shelter found,

While the dark night was closing round.

It was a cheerful scene, the hearth

Was bright with wood-fire and with mirth,

And in the midst a harper bent

O'er his companion instrument:

'Twas an old man, his hair was grey,—

For winter tracks in snow its way,—

But yet his dark, keen eye was bright,

With somewhat of its youthful light;

Like one whose path of life had made

Its course through mingled sheen and shade,

But one whose buoyant spirit still

Pass'd lightly on through good or ill,—

One reckless if borne o'er the sea

In storm or in tranquillity;

The same to him, as if content

Were his peculiar element.

'Tis strange how the heart can create

Or colour from itself its fate;

We make ourselves our own distress,

We are ourselves our happiness.

 

    And many a song and many a lay,

Had pass'd the cheerful hour away,

When one pray'd that he would relate,

His tale of the proud ladye's fate,—

The lady ADELINE ;—the name

Like lightning upon RAYMOND came!

And swept the harper o'er his chords

As that he paused for minstrel words,

Or stay'd till silence should prevail,

When thus the old man told the tale.

 

Canto 4

THE PROUD LADYE

 

OH , what could the ladye's beauty match,

    An it were not the ladye's pride;

An hundred knights from far and near

    Woo'd at that ladye's side.

 

The rose of the summer slept on her cheek,

    Its lily upon her breast,

And her eye shone forth like the glorious star

    That rises the first in the west.

 

There were some that woo'd for her land and gold,

    And some for her noble name,

And more that woo'd for her loveliness;

    But her answer was still the same.

 

"There is a steep and lofty wall,

    Where my warders trembling stand,

He who at speed shall ride round its height,

    For him shall be my hand."

 

Many turn'd away from the deed,

    The hope of their wooing o'er;

But many a young knight mounted the steed

    He never mounted more.

 

At last there came a youthful knight,

    From a strange and far countrie,

The steed that he rode was white as the foam

    Upon a stormy sea.

 

And she who had scorn'd the name of love,

    Now bow'd before its might,

And the ladye grew meek as if disdain

    Were not made for that stranger knight.

 

She sought at first to steal his soul

    By dance, song, and festival;

At length on bended knee she pray'd

    He would not ride the wall.

 

But gaily the young knight laugh'd at her fears,

    And flung him on his steed,—

There was not a saint in the calendar

    That she pray'd not to in her need.

 

She dared not raise her eyes to see

    If heaven had granted her prayer,

Till she heard a light step bound to her side,—

    The gallant knight stood there!

 

And took the ladye ADELINE

    From her hair a jewell'd band,

But the knight repell'd the offer'd gift,

    And turn'd from the offer'd hand.

 

And deemest thou that I dared this deed,

    Ladye, for love of thee;

The honour that guides the soldier's lance

    Is mistress enough for me.

 

Enough for me to ride the ring,

    The victor's crown to wear;

But not in honour of the eyes

    Of any ladye there.

 

I had a brother whom I lost

    Through thy proud crueltie,

And far more was to me his love,

    Than woman's love can be.

 

I came to triumph o'er the pride

    Through which that brother fell,

I laugh to scorn thy love and thee,

    And now, proud dame, farewell!

 

And from that hour the ladye pined,

    For love was in her heart,

And on her slumber there came dreams

    She could not bid depart.

 

Her eye lost all its starry light,

    Her cheek grew wan and pale,

Till she hid her faded loveliness

    Beneath the sacred veil.

 

And she cut off her long dark hair,

    And bade the world farewell,

And she now dwells a veiled nun

    In Saint Marie's cell.

 

                     ————    

 

Proud Ladye

This ballad is also taken, with some slight change, from a legend in Russell's Germany. 

 

AND what were RAYMOND'S dreams that night?

The morning's gift of crimson light

Waked not his sleep, for his pale cheek

Did not of aught like slumber speak;

Though not upon a morn like this

Should RAYMOND turn to aught but bliss.

To-day, when EVA will be prest,

Ere evening, to his throbbing breast,—

To-day, when all his own will be

That cheer'd his long captivity.

Care to the wind of heaven was flung

As the young knight to stirrup sprung.

 

    He reach'd the castle; save one, all

Rush'd to his welcome in the hall.

He gazed, but there no EVA came,

Scarce his low voice named EVA'S name!

 

    "Our EVA , she is far away

Amid the young, the fair, the gay.

At Thoulouse, now the bright resort

Of beauty and the Minstrel Court;

For this time it is hers to set

The victor's brow with violet.

Her father,—but you're worn and pale,—

Come, the wine cup will aid my tale."

The greeting of the elder knight,

The cheerful board, the vintage bright,

Not all could chase from RAYMOND'S soul,

The cloud that o'er its gladness stole;

And soon, pretending toil, he sought

A solitude for lonely thought.—

'Tis strange how much of vanity

Almost unconciously will be

With our best feelings mix'd, and now

But that, what shadows RAYMOND'S brow.

 

    He had deem'd a declining flower,

Pining in solitary bower,

He should find EVA, sad and lone,—

He sought the cage, the bird had flown,

With burnish'd plume, and careless wing,

A follower of the sunny Spring.

He pictured her the first of all

In masque, and dance, and festival,—

With cheek at its own praises burning,

And eyes but on adorers turning,

The lady of the tournament,

For whose bright sake the lance was sent;

While minstrels borrow'd from her name

The beauty which they paid by fame:

Beloved! not even his hot brain

Dared whisper,—loving too again.

 

    But the next morn, and RAYMOND bent

His steps to that fair Parliament,

While pride and hasty anger strove

Against his memory and his love.

But leave we him awhile to rave

Against the faith which, like the wave,

By every grain of sand can be

Moved from its own tranquillity,

Till settled he that woman's mind

Was but a leaf before the wind,—

Left to remain, retreat, advance,

Without a destiny but chance.—

 

    And where is EVA? on her cheek

Is there aught that of love may speak?

Amid the music and perfume

That, mingling, fill yon stately room

A maiden sits, around her chair

Stand others who, with graceful care,

Bind Indian jewels in her hair.

'Tis EVA! on one side a stand

Of dark wood from the Ethiop's land

Is cover'd with all gems that deck

A maiden's arm, or maiden's neck:

The diamond with its veins of light,

The sapphire like a summer night,

The ruby rich as it had won

A red gift from the setting sun,

And white pearls, such as might have been

A bridal offering for a queen.

On the side opposite were thrown,

Rainbow-like mix'd, a sparkling zone,

A snow-white veil, a purple vest

Embroider'd with a golden crest.

Before, the silver mirror's trace

Is the sweet shadow of her face,

Placed as appealing to her eyes

For the truth of the flatteries,

With which her gay attendants seek

To drive all sadness from her cheek.—

She heard them not; she reck'd not how

They wreath'd the bright hair o'er her brow,

Whate'er its sunny grace might be

There was an eye that would not see.

They told of words of royal praise,

They told of minstrel's moonlight lays,

Of youthful knights who swore to die

For her least smile, her lightest sigh.

But he was gone, her young, her brave,

Her heart was with him in the grave.

 

    Thoulouse, now the bright resort

    Of beauty and the minstrel court.

    For this time it is hers to set

    The victor's brow with violet.

 

I have here given to an early age what in reality belongs to a later one; the Golden Violet was a prize given rather for the revival than the encouragement of the Troubadours. The following is Sismondi's account.

"A few versifiers of little note, had assumed, at Thoulouse, the name of Troubadours, and were accustomed to assemble together, in the gardens of the Augustine Monks, where they read their compositions to one another. In 1323, these persons resolved to form themselves into a species of academy del Gai Sabir , and they gave it the title of La Sobrigaza Companhia dels septs Trobudors de Tolosa. This "most gay society" was eagerly joined by the Capitouls, or venerable magistrates of Thoulouse, who wished, by some public festival, to reanimate the spirit of poetry. A circular letter was addressed to all the cities of Languedoc, to give notice that, on the first of May, 1324, a Golden Violet would be decreed, as a prize, to the author of the best poem in the Provencal language."--Sismondi on the Literature of the Troubadours.

But there is a more romantic though less true account of the origin of the Golden Violet; the foundress of this picturesque ceremony was said to have been Clemence Isaure; but Sismondi seems to doubt even her existence.

"If the celebrated Clemence Isaure, whose eulogy was pronounced every year in the assembly of the Floral Games, and whose statue, crowned with flowers, ornamented their festivals, be not merely an imaginary being, she appears to have been the soul of these little meetings before either the magistrates had noticed them, or the public were invited to attend them. But neither the circulars of the Sobrigaza Companhia , nor the registers of the magistrates, make any mention of her; and notwithstanding all the zeal with which, at a subsequent period, the glory of founding the Floral Games has been attributed to her, her existence is still problematical."--Sismondi.

 

    Wearied, for ill the heart may bear

Light words in which it has no share,

She turn'd to a pale maid, who, mute,

Dreaming of song leant o'er her lute;

And at her sign, that maiden's words

Came echo-like to its sweet chords,—

It was a low and silver tone,

And very sad, like sorrow's own;

She sang of love as it will be,

And has been in reality,—

Of fond hearts broken and betray'd,

Of roses opening but to fade,

Of wither'd hope, and wasted bloom,

Of the young warrior's early tomb;

And the while her dark mournful eye

Held with her words deep sympathy.

 

    And EVA listen'd;—music's power

Is little felt in sunlit hour;

But hear its voice when hopes depart,

Like swallows, flying from the heart

On which the summer's late decline

Has set a sadness and a sign;

When friends whose commune once we sought

For every bosom wish and thought,

Have given in our hour of need

Such a support as gives the reed,—

When we have seen the green grass grow

Over what once was life below;

How deeply will the spirit feel

The lute, the song's sweet-voiced appeal;

And how the heart drink in their sighs

As echoes they from Paradise.

 

    'Tis done: the last bright gem is set

In EVA'S sparkling coronet;

A soil on her rich veil appears,—

Unsuiting here—and is it tears!

 

    Her father met her, he was proud

To lead his daughter through the crowd,

And see the many eyes that gazed,

Then mark the blush their gazing raised;

And for his sake, she forced away

The clouds that on her forehead lay,

The sob rose in her throat, 'twas all,

The tears swam, but they dared not fall;

And the pale lip put on a smile,

Alas it was too sad for guile!

 

    A beautiful and festal day

Shone summer bright o'er the array,

And purple banners work'd in gold,

And azure pennons spread their fold,

O'er the rich awnings which were round

The galleries that hemm'd in the ground,

The green and open space, where met

The Minstrels of the Violet;

And two or three old stately trees

Soften'd the sun, skreen'd from the breeze.

And there came many a lovely dame,

With cheek of rose, and eye of flame;

And many a radiant arm was raised,

Whose rubies in the sunshine blazed;

And many a white veil swept the air

Only than what they hid less fair;

And placed at his own beauty's feet

Found many a youthful knight his seat,

And flung his jewell'd cap aside,

And wore his scarf with gayer pride,

And whisper'd soft and gallant things,

And bade the bards' imaginings

Whenever love awoke the tone,

With their sweet passion plead his own.

 

    Beneath an azure canopy,

Blue as the sweep of April's sky,

Upon a snowy couch reclined

Like a white cloud before the wind,

Leant EVA:--there was many a tent

More royal, more magnificent,

With purple, gold, and crimson swelling,

But none so like a fairy dwelling:

One curtain bore her father's crest,

But summer flowers confined the rest;

And, at her feet, the ground was strew'd

With the June's rainbow multitude:

Beside her knelt a page, who bore

A vase with jewels sparkling o'er,

And in that shining vase was set

The prize,—THE GOLDEN VIOLET .

 

    Alas for her whom ev'ry eye

Worshipp'd like a divinity!

Alas for her whose ear was fill'd

With flatteries like sweet woods distill'd!

Alas for EVA! bloom and beam,

Music and mirth, came like a dream,

In which she mingled not,—apart

From all in heaviness of heart.

There were soft tales pour'd in her ear,

She look'd on many a cavalier,

Wander'd her eye round the glad scene,

It was as if they had not been;—

To ear, eye, heart, there only came

Her RAYMOND'S image, RAYMOND'S name!

 

    There is a flower, a snow-white flower,

Fragile as if a morning shower

Would end its being, and the earth

Forget to what it gave a birth;

And it looks innocent and pale,

Slight as the least force could avail

To pluck it from its bed, and yet

Its root in depth and strength is set.

The July sun, the autumn rain,

Beat on its slender stalk in vain;—

Around it spreads, despite of care,

Till the whole garden is its share;

And other plants must fade and fall

Beneath its deep and deadly thrall.

This is love's emblem; it is nurst

In all unconciousness at first,

Too slight, too fair, to wake distrust;

No sign how that an after hour

Will rue and weep its fatal power.

'Twas thus with EVA; she had dream'd

Of love as his first likeness seem'd,

A sweet thought o'er which she might brood,

The treasure of her solitude;

But tidings of young RAYMOND'S fate

Waken'd her from her dream too late,

Even her timid love could be

The ruling star of destiny.

And when a calmer mood prevail'd

O'er that whose joy her father hail'd,

Too well he saw how day by day

Some other emblem of decay

Came on her lip, and o'er her brow,

Which only she would disallow;

The cheek the lightest word could flush

Not with health's rose, but the heart's gush

Of feverish anxiousness; he caught

At the least hope, and vainly sought

By change, by pleasure, to dispel

Her sorrow from its secret cell.

In vain;—what can reanimate

A heart too early desolate?

It had been his, it could not save,

But it could follow to his grave.

 

    The trumpets peal'd their latest round,

Stole from the flutes a softer sound,

Swell'd the harp to each master's hand,

As onward came the minstrel band!

And many a bright cheek grew more bright,

And many a dark eye flash'd with light,

As bent the minstrel o'er his lute,

And urged the lover's plaining suit,

Or swept a louder chord, and gave

Some glorious history of the brave.

 

    At last from 'mid the crowd one came,

Unknown himself, unknown his name,

Both knight and bard,—the stranger wore

The garb of a young Troubadour;

His dark green mantle loosely flung,

Conceal'd the form o'er which it hung;

And his cap, with its shadowy plume,

Hid his face by its raven gloom.

Little did EVA'S careless eye

Dream that it wander'd RAYMOND by,

Though his first tone thrill'd every vein,

It only made her turn again,

Forget the scene, the song, and dwell

But on what memory felt too well.

 

THE SONG OF THE TROUBADOUR

 

    IN some valley low and lone,

    Where I was the only one

    Of the human dwellers there,

    Would I dream away my care:

    I'd forget how in the world

    Snakes lay amid roses curl'd,

    I'd forget my once distress

    For young Love's insidiousness.

    False foes, and yet falser friends,

    Seeming but for their own ends;

    Pleasures known but by their wings,

    Yet remember'd by their stings;

    Gold's decrease, and health's decay,

    I will fly like these away,

    To some lovely solitude,

    Where the nightingale's young brood

    Lives amid the shrine of leaves,

    Which the wild rose round them weaves,

    And my dwelling shall be made

    Underneath the beech-tree's shade.

    Twining ivy for the walls

    Over which the jasmine falls,

    Like a tapestry work'd with gold

    And pearls around each emerald fold:

    And my couches shall be set

    With the purple violet,

    And the white ones too, inside

    Each a blush to suit a bride.

    That flower which of all that live,

    Lovers, should be those who give,

    Primroses, for each appears

    Pale and wet with many tears.

    Alas tears and pallid check

    All too often love bespeak!

    There the gilderose should fling

    Silver treasures to the spring,

    And the bright laburnum's tresess [tresses]

    Seeking the young wind's caresses;

    In the midst an azure lake,

    Where no oar e'er dips to break

    The clear bed of its blue rest,

    Where the halcyon builds her nest;

    And amid the sedges green,

    And the water-flag's thick screen,

    The solitary swan resides;

    And the bright kingfisher hides,

    With its colours rich like those

    Which the bird of India shows.—

    Once I thought that I would seek

    Some fair creature, young and meek,

    Whose most gentle smile would bless

    My too utter loneliness;

    But I then remember'd all

    I had suffer'd from Love's thrall,

    And I thought I 'd not again

    Enter in the lion's den;

    But, with my wrung heart now free,

    So I thought I still will be.

    Love is like a kingly dome,

    Yet too often sorrow's home;

    Sometimes smiles, but oftener tears,

    Jealousies, and hopes, and fears,

    A sweet liquor sparkling up,

    But drank from a poison'd cup.

    Would you guard your heart from care

    Love must never enter there.

    I will dwell with summer flowers,

    Fit friends for the summer hours,

    My companions honey-bees,

    And birds, and buds, and leaves, and trees,

    And the dew of the twilight,

    And the thousand stars of night:

    I will cherish that sweet gift,

    The least earthly one now left

    Of the gems of Paradise,

    Poesy's delicious sighs.

    Ill may that soft spirit bear

    Crowds' or cities' healthless air;

    Was not her sweet breathing meant

    To echo the low murmur sent

    By the flowers, and by the rill,

    When all save the wind is still?

    As if to tell of those fair things

    High thoughts, pure imaginings,

    That recall how bright, how fair,

    In our other state we were.

    And at last, when I have spent

    A calm life in mild content,

    May my spirit pass away

    As the early leaves decay:

    Spring shakes her gay coronal,

    One sweet breath, and then they fall.

    Only let the red-breast bring

    Moss to strew me with, and sing

    One low mournful dirge to tell

    I have bid the world farewell.

 

                      ————

 

Song Troubadour

    AND praise rang forth, the prize is won,

Young minstrel, thou hast equal none!

They led him to the lady's seat,

And knelt he down at EVA'S feet;

She bent his victor brow to deck,

And, fainting, sunk upon his neck!

The cap and plume aside were thrown,

'Twas as the grave restored its own,

And sent its victim forth to share

Light, life, and hope, and sun, and air.

 

    That day the feast spread gay and bright

In honour of the youthful knight,

And it was EVA'S fairy hand

Met RAYMOND'S in the saraband,

And it was EVA'S ear that heard

Many a low and love-tuned word.—

And life seem'd as a sunny stream,

And hope awaked as from a dream;

But what has minstrel left to tell

When love has not an obstacle?

My lute is hush'd, and mute its chords,

The heart and happiness have no words!

 

                           ———

 

    MY tale is told, the glad sunshine

Fell over its commencing line,—

It was a morn in June, the sun

Was blessing all it shone upon,

The sky was clear as not a cloud

Were ever on its face allow'd;

The hill whereon I stood was made

A pleasant place of summer shade

By the green elms which seem'd as meant

To make the noon a shadowy tent.

I had been bent half sleep, half wake,

Dreaming those rainbow dreams that take

The spirit prisoner in their chain,

Too beautiful to be quite vain,—

Enough if they can soothe or cheer

One moment's pain or sorrow here.

And I was happy; hope and fame

Together on my visions came,

For memory had just dipp'd her wings

In honey dews, and sunlit springs,—

My brow burnt with its early wreath,

My soul had drank its first sweet breath

Of praise, and yet my cheek was flushing,

My heart with the full torrent gushing

Of feelings whose delighted mood

Was mingling joy and gratitude.

Scarce possible it seem'd to be

That such praise could be meant for me.—

Enured to coldness and neglect,

My spirit chill'd, my breathing check'd,

All that can crowd and crush the mind,

Friends even more than fate unkind,

And fortunes stamp'd with the pale sign

That marks and makes autumn's decline.

How could I stand in the sunshine,

And marvel not that it was mine?

One word, if ever happiness

In its most passionate excess

Offer'd its wine to human lip,

It has been mine that cup to sip.

I may not say with what deep dread

The words of my first song were said,

I may not say how much delight

Has been upon my minstrel flight.—

'Tis vain, and yet my heart would say

Somewhat to those who made my way

A path of light, with power to kill,

To check, to crush, but not the will.

Thanks for the gentleness that lent

My young lute such encouragement,

When scorn had turn'd my heart to stone,

Oh, their's be thanks and benison!

 

    Back to the summer hill again,

When first I thought upon this strain,

And music rose upon the air,

I look'd below, and, gather'd there,

Rode soldiers with their breast-plates glancing,

Helmets and snow-white feathers dancing,

And trumpets at whose martial sound

Prouder the war horse trod the ground,

And waved their flag with many a name

Of battles and each battle fame.

And as I mark'd the gallant line

Pass through the green lane's serpentine,

And as I saw the boughs give way

Before the crimson pennons' play;

To other days my fancy went,

Call'd up the stirring tournament,

The dark-eyed maiden who for years

Kept the vows seal'd by parting tears,

While he who own'd her plighted hand

Was fighting in the Holy Land.

The youthful knight with his gay crest,

His ladye's scarf upon a breast

Whose truth was kept, come life, come death,—

Alas! has modern love such faith?

I thought how in the moon-lit hour

The minstrel hymn'd his maiden's bower,

His helm and sword changed for the lute

And one sweet song to urge his suit.

Floated around me moated hall,

And donjon keep, and frowning wall;

I saw the marshall'd hosts advance,

I gazed on banner, brand, and lance;

The murmur of a low song came

Bearing one only worshipp'd name;

And my next song, I said, should be

A tale of gone-by chivalry.

 

    My task is done, the tale is told,

The lute drops from my wearied hold;

Spreads no green earth, no summer sky

To raise fresh visions for my eye,

The hour is dark, the winter rain

Beats cold and harsh against the pane,

Where, spendthrift like, the branches twine,

Worn, knotted, of a leafless vine;

And the wind howls in gusts around,

As omens were in each drear sound,—

Omens that bear upon their breath

Tidings of sorrow, pain, and death.

Thus should it be,—I could not bear

The breath of flowers, the sunny air

Upon that ending page should be

Which ONE will never, never see.

Yet who will love it like that one,

Who cherish as he would have done,

My father! albeit but in vain

This clasping of a broken chain,

And albeit of all vainest things

That haunt with sad imaginings,

None has the sting of memory;

Yet still my spirit turns to thee,

Despite of long and lone regret,

Rejoicing it cannot forget.

I would not lose the lightest thought

With one remembrance of thine fraught,—

And my heart said no name, but thine

Should be on this last page of mine.

 

    My father, though no more, thine ear

Censure or praise of mine can hear,

It soothes me to embalm thy name

With all my hope, my pride, my fame,

Treasures of Fancy's fairy hall,—

Thy name most precious far of all.

 

    My page is wet with bitter tears,—

I cannot but think of those years

When happiness and I would wait

On summer evenings by the gate,

And keep o'er the green fields our watch

The first sound of thy step to catch,

Then run for the first kiss, and word,—

An unkind one I never heard.

But these are pleasant memories,

And later years have none like these:

They came with griefs, and pains, and cares,

All that the heart breaks while it bears;

Desolate as I feel alone

I should not weep that thou art gone.

Alas! the tears that still will fall

Are selfish in their fond recall;—

If ever tears could win from Heaven

A loved one, and yet be forgiven,

Mine surely might; I may not tell

The agony of my farewell!

A single tear I had not shed,—

'Twas the first time I mourn'd the dead:—

It was my heaviest loss, my worst,—

My father!—and was thine the first!

 

    Farewell! in my heart is a spot

Where other griefs and cares come not,

Hallow'd by love, by memory kept,

And deeply honour'd, deeply wept.

My own dead father, time may bring

Chance, change, upon his rainbow-wing,

But never will thy name depart

The household god of thy child's heart,

Until thy orphan girl may share

The grave where her best feelings are.

Never, dear father, love can be,

Like the dear love I had for thee!

 

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