Letitia Elizabeth Landon (L E L)
Poems published in periodicals, primarily in The Literary Gazette - 1
THE ABSENT
There is no music on the strings
Of her neglected lute ;
Her white hand wakes no more its chords —
Her bird-like voice is mute.
She wreathes no flowers for her vase,
No roses for her hair —
She loiters in her favourite grove,
But her heart is not there.
The dancers gather in the hall—
She is amid the band,
With vacant smile and wandering glance
For those who claim her hand.
Her eyes fill with unbidden tears,
Her cheek is pale with care—
Lonely amid the festival,
For her heart is not there.
She broods above her own dear thoughts,
As o'er her nest the dove ;
Memory and hope own but one dream—
Her first young dream of love.
She hears a gallant trumpet sound,
A banner sweeps the air—
She sees a knight lead on the charge,—
And oh, her heart is there !
The Literary Gazette, 8th May 1830
[LINES BY L. E. L.]
Alas, alas! I cannot choose but love him.
I have a dream upon my heart,
I cannot bid it quite depart,
Although I know that dream is one
That I should like a serpent shun ;
I know too well what Love will be,
To trust such guest to bide with me.
I have seen hearts well nigh to break,
I have looked on the faded cheek ;
Many a sigh have I seen swelling
On lips where the red rose was dwelling ;
All this sorrow mine will be,
If I let Love dwell with me.
The laugh, the lightest one of all
Amid the gayest festival,
I have known altered for the tear,
Whose falling does not sooth, but sear;
Knowing this, it cannot be
That I will risk Love with me.
I have known the sweetest sleep
Changed to vigils that but weep ;
I have known the careless eye
Hide the depth of agony :
This is what I feel will be
Mine when Love has breathed on me.
I have seen the broken heart
In its hopelessness depart ;
Seen Life's brightest hopes but crave
Of their stars an early grave :
What sin on my soul can be,
That Love's spell is set on me ?
Yet I feel that all in vain
Would I struggle with the chain
That upon my heart is set ;
I may pine, but not forget ;
Can it Love, and must it be,
One more victim found in me.
Yet that voice is in mine ear ;
Would that it were not so clear ;
Still, that look is as a spell.
With a power I may not quell.
Love, if thou my doom must be,
Find a mortal shaft for me.
All my heart can stoop to bear,
All Love's pain, and all Love’s care,
To find that its own energies
Cannot to themselves suffice,
To feel another one can be
Doom and destiny to me.
Yet I love, and O ! how well
Lip or look may never tell :
Never might my spirit brook
Others on its depths to look ;
Oh, I would give worlds to be
Free, even as I once was free.
This is taken from The Atheneum
First appears in the Literary Gazette, 26th February 1825
ALEXANDER ON THE BANKS OF THE HYPHASIS.
Lonely by the moonlit waters
Does the conqueror stand,
Yet unredden'd by the slaughters
Of his mighty band.
Yet his laurel wants a leaf.
There he stands, sad, silent, lonely ;
For his hope is vain :
He has reached that river only
To return again.
Mournful bends the matchless chief;
He — the earth's unrivalled one —
He must leave his task undone.
Far behind the camp lies sleeping —
Gods ! how can they sleep,
Pale fear o'er their slumbers creeping,
With a world to weep ?
With a victory to win.
There they lie in craven slumber,
By their murmurs won —
Must their earthly weakness cumber
Jove's immortal son?
From the ardent fire within,
Is there no impelling ray
To excite their onward way ?
No ! beside that moonlit river
Stands the soldier-king,
While he hears the night-wind shiver
With a weary wing —
With a weary sound to him ;
By the numerous shadows broken
On the river's brim —
From the mirror'd stars a token
That his star is dim —
Changed and sullen they appear.
To a great and fix'd despair
All things fate and omen are.
Far away the plains are spreading
Various, dark and vast —
Where a thousand tombs are shading
Memories from the past —
He must leave them still unknown.
All the world's ancestral learning —
Secrets strange and old —
Early wisdom's dark discerning,
Must remain untold.
Mighty is the hope o'erthrown —
Mighty was the enterprise
Which upon that moment dies.
With the moonlight on them sleeping
Stands each stately palm,
Like to ancient warriors keeping
Vigil stern and calm
O'er a prostrate world below.
Sudden from beneath their shadow
Forth a serpent springs,
O'er the sands, as o'er a meadow,
Winding in dark rings.
Stately doth it glide, and slow
Like an omen in a dream,
Does that giant serpent seem.
Silvery rose those far sands shining,
Where that shade was cast —
While the king with stern repining
Watched the serpent past.
Sadly did the conqueror say —
"Would my steps were like my spirit,
I would track thy path !
What those distant sands inherit,
What this new world hath,
Should grow bright around my way.
Ah ! not mine, yon glorious sphere—
My world's boundary is here !"
Pale he stood, the moonlight gleaming
In his golden hair —
Somewhat of a spirit's seeming,
Glorious and fair,
Is upon that radiant brow.
Like the stars that kindle heaven
In the sacred night,
To those blue clear eyes were given
An unearthly light,
Though the large tears fill them now ;
For the Macedonian wept
As his midnight watch he kept.
In those mighty tears' o'erflowing,
Found the full heart scope
For the bitter overthrowing
Of its noblest hope ;
So will many weep again.
Our aspirings have arisen
In another world ;
Life is but the spirit's prison,
Where its wings are furl'd,
Stretching to their flight in vain, —
Seeking that eternal home
Which is in a world to come.
Like earth's proudest conqueror, turning
From his proudest field,
Is the human soul still yearning
For what it must yield,
Of dreams unfulfill'd and powers ;
Like the great yet guided ocean
Is our mortal mind,
Stirr'd by many a high emotion,
But subdued, confined ; —
Such are shadows of the hours,
Glorious in the far-off gloom,
But whose altar is the tomb !
[There is something singularly fine in Alexander's appeal to his army, when the Indian world lay before them, but more present to their fears than to their hopes. "For my own part," said the ardent conqueror, " I recognise no limits to the labours of a high-spirited man but the failure of adequate objects." Never was more noble motto for all human achievement ; and it was from a lofty purpose that the Macedonians turned back on the banks of the Hyphasis. But it is the same with all mortal enterprise : nothing is, in this world, carried out to its complete fulfilment. Our mortality predominates in a world only meant to be a passage to another.]
From The New Monthly Magazine 1837 Part 2
Also in Literary Remains
THE ALMOND TREE.
FLEETING and falling,
Where is the bloom
Of yon fair almond tree ?
It is sunk to its tomb.
Its tomb, wheresoever
The wind may have borne
The leaves and the blossoms,
Its roughness has torn.
Some there are floating
On yon fountain's breast, —
Some line the moss
Of the nightingale's nest, —
Some are just strewn
O'er the green grass below,
And there they lie stainless.
As winter's first snow.
Yesterday, on the boughs
They hung scented and fair ;
To-day, they are scattered
The breeze best knows where.
To-morrow, those leaves
Will be scentless and dead,
For the kind to lament
And the careless to tread.
And is it not thus
With each hope of the heart ?
With all its best feelings
Thus will they depart.
They'll go forth to the world
On the wings of the air.
Rejoicing and hoping,
But what will be there.
False lights to deceive,
False friends to delude,
Till the heart, in its sorrow,
Left only to brood ;—
Over-feeling crushed, chilled.
Sweet hopes ever flown ;
Like that tree, when its green leaves
And blossoms are gone.
The Literary Gazette, 25th June 1825
ANECDOTE OF SOBIESKI.
Sketches of those fine points in History,
That rivet heart and eye.
THE white plume was upon his head,
The spur upon his heel.
The trumpets rang upon his ear,
With a note the dead might feel.
Before him lay a gallant host,
His own, his banner'd line,
Where from a thousand silver shields,
Flush'd back the morning shine.
He sat upon his raven steed,
As a tall ship curbs the deep ;
One instant yet he reined his horse —
He heard his lady weep.
"And weepest thou Lady mine ?" he said,
"Thou art a soldier's bride ;
Dearer should be his fame than aught
In the wide world beside."
"Away," she cried, "these are not tears
That fall for thee or me ;
I weep our infant boy too young
To fight, and follow thee."
The Literary Gazette, 15th October 1825
This poem was published as 'The Soldier's Bride' in the Forget Me Not for 1844
ANTINOUS.
The thick curls cluster round thy graceful head,
And over thy pale forehead, where the mind
Her visible temple hath; upon thy lip
Is throned a rich yet melancholy smile —
So sad, it seems prophetic of the doom
That hangs on thy young life ; and thine eye wears
An inward look, where outward things but pass
Unnoticed — thou dost hold communion with
Thoughts dark and terrible. A blight hangs o'er
The spring flowers of thy morn, the seeds of death
Are sown within thy bosom, and there is
Upon thee consciousness of fate.
The light that lingers on thy face is as a star—
The last remaining one — a shadowy beam
Of those which have been. Ardent hopes were thine,
And dreams of victories and high renown,
Ere health departed ; and on thy wan lip
And hope-forsaken cheek a spirit burns,
Which will not wholly pass till in the grave.
I looked upon thee, young ANTINOUS! thou
Wert like the lovely presence of a dream,
Such shapes as come, when o'er the sleeper's brain
The memory floats of some wild maddening tale,
And he has slept, his inmost spirit filled
With sorrow's beautiful imaginings.
How often have I gazed on thee, and felt
An interest almost like to life in thee !
Thine influence is upon the heart ! around
Are many glorious forms — kings, heroes, gods,
Bright queens and nymphs radiant in loveliness —
Yet the eye turns to thee ; for thou hast power
To awaken such sweet sympathies. We think
Of youth and beauty, gathered like the rose
On the first blushing of its purple morn ;
We look on those with wonder and delight —
We look on thee, and weep !
The Literary Gazette, 15th May 1824
ARIADNE WATCHING THE SEA AFTER THE DEPARTURE OF THESEUS
Lonely — lonely on the shore —
Where the mighty waters roar,
Would that she could pass them o'er !
Doth the maiden stand.
Those small ivory feet are bare,
Rosy as the small shells are,
They are, than the feet, less fair
On that sea-beat strand !
Wherefore doth the girl complain ?
Wind and wave will hear in vain.
Dark as is the raven's breast
Wand'ring wild in its unrest —
Like a human thought in quest
Of a future hour.
Do her raven tresses flow
Over neck and arm below,
White as is the silent snow,
Or the early flower !
Coming ere the summer sun
Colours what it shines upon.
Vainly does the west wind seek
To recall upon her cheek
How the red rose used to break
In her native isle —
Breaking with a lovely flush ;
But her cheek has lost its blush
And her lip its smile :
Once how fair they used to spring
For the young Athenian King !
Desolate — how desolate —
Does the Cretan lady wait
On the beach forlorn, who late
In a palace dwelt.
They will not— the coming waves—
Watch her pleasure like the slaves
Who before her knelt ;
And the least sign was command
From her slight but royal hand.
Lovely was the native bower
Where she dwelt a guarded flower,
In her other happier hour,
Ere love grew to pain.
Mid these grey rocks may she roam,
For the maiden hath no home —
None will have again.
Never more her eyes will meet
Welcome from her native Crete.
Little did that Princess fear,
When a thousand swords were near,
Where no other was her peer,
That an hour was nigh,
When her hands would stretch in vain
Helpless to the unpitying main,
To the unpitying sky —
Earth below and heaven above
Witness to the wrongs of Love.
On the white and sounding surge,
In the dark horizon's verge,
Does a vessel seem to urge
Fast her onward way.
And the swelling canvass spread,
Glitters in the early red
Of the coming day ;
'Tis as if that vessel bore
All the sunshine from the shore.
Hath the young King left her side —
She but yesterday his bride —
Who for his sake cross'd the tide,
Gave him love and life ?
He hath left her far behind
To the warring wave and wind.
But what is their strife,
To the war within the heart,
Which beholdeth him depart ?
She hath perill'd life and fame
Upon an all desperate game ;
What availeth now her claim
On the false and fled ?
Not him only hath she lost —
All the spirit treasured most
Has its lustre shed.
Let the false one cross the main,
If she could believe again.
After hours may yet restore
To the cheek the rose it wore,
And, as it has smiled before,
So the lip will smile.
Let them be however bright,
Never will they wear the light
Of their native isle.
Trusting, happy were they then —
Such they cannot be again.
Strange the heart's emotions are,
How from out of its despair
Will it summon strength to bear
Desperate wrong and woe !
But such strength is as the light
Seen upon the grave by night —
There is death below :
And the very gleam that flashes
Kindles from the heart's sweet ashes.
Maiden ! gazing o'er the sea,
Wistfully, how wistfully ! —
Thine such weary doom must be —
Thine the weary heart.
Woe for confidence misplaced,
For affections run to waste,
And for hopes that part —
Leaving us their farewell word,
One for ever jarring chord.
There the Cretan maiden stands,
Wringing her despairing hands,
Lonely on the lonely sands —
'Tis a woman's lot :
Only let her heart be won,
And her summer hour is done —
Soon she is forgot ;
Sad she strays by life's bleak shore,
Loving, but beloved no more !
The New Monthly Magazine, 1838 - No. II in the fifth series of "Subjects for Pictures" taken from Laman Blanchard's "Life and Literary Remains"
ARIOSTO TO HIS MISTRESS
[Ariosto is supposed to have written his celebrated Poem at the command of some unknown beauty. On his inkstand was a Cupid with the finger on his lips]
" He who told
Of fair Olympia, loved and left of old.’'
I send thee, my beloved one,
Another song of mine ;
Methinks the sweetest I have won
To offer at thy shrine.
I pray thee borrow tears from sleep
For young Olympia's woe ;
As angels pause in heaven to weep
O'er grief they cannot know.
Weep for the fate which is to thee
But like a troubled dream ;
Thou knowest not how hearts can be
Wrecked on life's faithless stream.
Ah ! some are born to love and pine,
And some to love and reign ;
Brightest — imperial rule is thine
Within love's wide domain.
Thou art a queen in thy command,
Whose sway is smiles and sighs :
The languid wave of that white hand
The sceptre's state supplies.
I see thee now in that fair room
Where thou wilt read this scroll :
The faint lamp scarcely breaks the gloom
Which wraps the haunted whole,
A lovely indistinctness flings
Its charm around the place,
As if the shadow of love's wings
Had left their fairy trace.
And ever and anon the wind
Flings back the fragrant shade,
That jessamine and myrtle twined
Have round the casement made.
When light and perfume comrades meet
Their flitting entrance win,
Fair — sweet — but still more fair and sweet
Whene'er they enter in.
For smiling in her silvery noon
Looks down night's conscious queen —
But silence — oh, thou trusted moon,
On all that thou hast seen.
To-night it matters not — to-night
Thou'lt only see alone,
A lady in whose eyes the light
Is lovely as thine own.
Is it not— dearest ? thou canst tell
How very fair thou art :
That face — ah, thou must know it well,
Whose mirror is my heart.
What hours — what moonlit hours have pass'd
Thy fairy feet beside;
While the long lash its shadow cast
O'er eyes it could not hide.
When your cheek's native paleness wore
The rose's transient hue ;
And thy red lip — but hush, no more,
I must not picture you !
Be still our love — a thing unknown,
It is a flower too rare
To be in common daylight shown,
To meet the sun and air.
I keep thee with all holier thought,
The dreaming and the deep ;
That not from earth but heaven are brought,
O'er which we watch and weep.
My hopes, my music and my tears
Whatever in my line,
Soothes, softens — elevates, endears,
Are thine and only thine !
Take then my song, and claim thy part,
Where thou hast lent thy grace —
It caught its music from thy heart,
Its beauty from thy face.
The New Monthly Magazine, 1836
THE ARTIST'S STUDIO
- - - Methinks
Beauty should be around the beautiful.
And these fine Arts live in an atmosphere
Of light surrounded by thrice delicate shapes
Of grace and love.
The light came dim, but beautiful, through blinds
Of the linked jessamine, which wooed the vine
With its white kisses ; and a fragrant air,
Bearing low music from the wind-touched harp,
Came floating through the room. By glimpses seen,
As o'er the lattices the moonlight played
And lighted up its waters, shone the lake,
With its white swans, like spirits, gliding on
Its isles of floating lilies ; and its banks,
Where swept the graceful willows, and the turf,
Silver'd with dew and star-light, spread beneath,
Dotted with clumps of gloomy cypresses,
Mixed with the fairer blossomed orange trees.
And far beyond, like shadowy thunder-clouds,
Rose high but distant hills ; and over all
A soft and blue Italian sky, — the blue
That painters and that poets love, — the blue
The lover worships in the maiden's eyes,
Whose beauty is their power and spell. And, like
Sweet incense to sweet shrines, dew-scented flowers
Filled up the casements ; roses, on whose leaves
The summer had just breathed ; the buds of pearl
That are the myrtle's dower ; carnation stems,
Rich in their perfumed blushes — all were here,
Looking and breathing June. The marble floor
Had not one spot, save two or three rich stains
Cast from the pictured roof, on which is told
The history of Aurora and her love, The earthly
Youth she wooed, and wooed in vain,
Oh, love is very constant ! 'tis most cold,
Untrue, and heartless raillery, to say
That love's life is not longer than those flowers
Whose sunrise beauty is by noontide past ;
That it should ever change, is but the curse
Shadowing our every earthly happiness,
And for one record of its fickleness
Are thousand memories of its deep truth,
Its entire faith, its self-devotedness.—
On one side of the roof a golden blaze,
Curtained by crimson clouds, told that the Sun,
Heralded by her star, had met his bride,
The sweet young Morning ; and around, a ring
Of radiant shapes were gathered : in the midst
Was one, a very dream of loveliness,
Her hair streamed on the wind, a shower of gold
Hung from a crown of stars, and four white steeds
Were harnessed by spring blossoms to the car
Whereon she stood. Her eye was on a youth,
Graceful as young Endymion when the moon
Shed her pale smile upon his marble brow
And thick and raven curls : he stood beneath
A green beech tree, two hounds were by his side,
Impatient of his idleness, while he
Leant on his useless spear, watching the sleep
Of his young Bride. He had just heard his name
Murmured, in tones low as a bird's first song,
From her half opened lips, which like spring flowers
Drank the fresh air, then sighed it forth again
With added fragrance. There was shade around
The laurel, and the darker bay, the oak,
All sacred as the crowns of fame : the first
Bound round the Poet's tuneful lyre ; the next
Around the Warrior's helm, mixed with the pine
And with the waving poplar. In the midst,
As in a favourite haunt, were flowers entwined ;
And there the sleeper lay : one pearl white hand —
The violets rose to kiss its azure veins,
Coloured with their own purity, — beneath
One cheek was as a pillow, and that one
Was flushed with crimson, while the other wore
A tint less warm, but not less beautiful —
Two shades of blushing on the self-same rose ;
And through the tremulous shadow of the leaves
Came two or three bright kisses from the sun,
Wandering in light o'er her white brow ; a shower
Of rose leaves lay amid the raven curls
Of her long hair and on her neck. That morn
Around her slender waist and graceful head
She had bound new-blown buds. But all fair things
Are very fragile, and each scattered bloom
Had fallen from the loosened braid: even those
Prisoners in the soft hand, which lay like snow
Upon the grass, had half escaped ; and there
She slept amid the roses she had gathered.
And round the walls were Pictures : some calm scenes
Of Earth's green loveliness, and some whose hues
Were caught from faces in whose smile our life
Is one of Paradise ; and Statues, whose white grace
Is as a dream of poetry. But, hung
Apart from all the rest, as if too dear
For aught but solitude, was one, — it was
The portrait of a lovely Girl : the lips
Were such as Summer kisses, when he first
Touches the pure and rosy mouth of Spring ;
A languid smile lay on them, as just curled
By some soft thought, which spoke too in her eyes,
Dark and bewildering, whose light is like that
Of an Italian midnight, when the clouds
Send forth their summer lightning, but yet filled
With woman's tenderness. Those lips, those eyes,
Had been voluptuous, melting as they were,
But for the pale cheek, o'er which e’en a blush
Had scarcely passed, it looked so innocent ;
And the white brow, with its dark parted hair
Shading its purity ; and the clear temples,
Whose blue veins were half hidden by the braids
Of the thick tresses, which, unfastened, fell
Over the veiled bosom. The white dress
Just left the slender throat exposed, as fair
As graceful as the cygnet's. Neither gems
Nor gold marred youth's sweet simpleness ; but one
Slight flower lay on her neck, — a green rosebud,
Tinged with faint promise of its future bloom ;
And near it the young Painter leant his head,
Bowed as in bitter thought upon his hand ;
Over his cheek there was a burning red —
Half passionate emotion, half disease —
And the damp lay on his white brow, and hung
On his thick curls of auburn hair ; his eyes,
Blue as his native sky when it shines forth
Amid the pauses of an April shower,
Seem'd as they drank the Moon's light, with such bright
And such wild glance they turned towards her ray.
He was a stranger in fair Italy :
He sought her kingdom, for it was a home
For genius and for beauty ; it had been
His land of promise through the sunny dreams
Of his impassioned boyhood ; he had come
With a rich store of burning thoughts, of hopes
Like sunrise, vivid fancies, feelings wild,
High energies, all that young talent has ;
And he had nourished them amid those shades
Hallowed by memories of old, and still
Kept sacred by their own green pleasantness, —
Amid the glorious works of glorious men :
Pictures alive with light, and stately domes
Built for eternity,— music like hope,
So very sweet, — and poetry, whose songs
Are Love's own words, until he dreamed that fame
Was a reality that he might win.
He dream'd but to awake with withered heart
And wasted health, and hopes like fallen stars,
Crushed and stained with the earth to which they fell.
Oh Genius! fling aside thy starry crown,
Close up thy rainbow wings, and on thy head
Lay dust and ashes — for, this cold drear world
Is but thy prison-house. Alas for him
Who has thy dangerous gifts, for they are like
The fatal ones that evil spirits give, —
Bright and bewildering, leading unto death.
Oh, not amid the chill and earthly cares
That waste our life, may those fine feelings live
That are the Painter's or the Poet's light.
Amid the many graves which in the shade
Of Rome's dark cypresses are graved with names
Of foreign sound to Italy's sweet tongue,
Was one, — an English name was on the stone, —
There that young Painter slept :— around the sod
Were planted flowers and one or two green shrubs.
’Twas said that they were placed in fondness there
By an Italian Girl, whom he had loved! —
The Literary Gazette, 26th July 1823
ATALANTA, represented as a Huntress with her bow.
A Huntress with her silver bow,
And radiant curls upon the snow
Of a young brow, whose open look
Was fair and pure as the clear brook
On which the moonlight plays ; 'tis she,
Companion of the forest tree,
Of Scyrus, she whose foot of wind
Left stag and arrow far behind,
Whose heart, like air or sunshine free,
Recked but to scorn what love might be.
" My soul is far too proud for love ;
I would be like yon lark above,
With will and power to wing my way,
With none to watch and none to stay ;
And Love's chain would be sad to me
As were a cage, free bird, to thee.
Ill would it suit a heart like mine
To live upon another's look ;
Ill could I bear the doubts, the griefs,
The all that anxious love must brook.
Thou bright winged god ! I mock thy chain,
Thy arrow points to me in vain."
But maiden vows are like the rose,
Bending with every breeze that blows ;
Or like the sparkles on the stream,
Changing with every changing gleam ;
Or like the colours on her cheek,
Or like the words her lips will speak,
Each firm resolve will melt away
Like ice before a sunny ray.
Soon that young Huntress of the grove
Bartered her liberty for love,
And sighed and smiled beneath the thrall
Of him whose rule is over all.
The Literary Gazette, 25th January 1823
THE AWAKENING OF ENDYMION
Lone upon a mountain, the pine-trees wailing round him,
Lone upon a mountain the Grecian youth is laid ;
Sleep, mystic sleep, for many a year has bound him,
Yet his beauty, like a statue's pale and fair, is undecay'd.
When will he awaken ?
When will he awaken ? a loud voice hath been crying
Night after night, and the cry has been in vain ;
Winds, woods, and waves, found echoes for replying,
But the tones of the beloved one were never heard again.
When will he awaken ?
Ask'd the midnight's silver queen.
Never mortal eye has looked upon his sleeping;
Parents, kindred, comrades, have mourned for him as dead ;
By day the gathered clouds have had him in their keeping,
And at night the solemn shadows round his rest are shed.
When will he awaken ? -
Long has been the cry of faithful Love's imploring,
Long has Hope been watching with soft eyes fixed above ;
When will the Fates, the life of life restoring,
Own themselves vanquished by much-enduring love ?
When will he awaken ?
Asks the midnight's weary queen.
Beautiful the sleep that she has watch'd untiring,
Lighted up with visions from yonder radiant sky,
Full of an immortal's glorious inspiring,
Softened by the woman's meek and loving sigh,
When will he awaken?
He has been dreaming of old heroic stories,
The poet's passionate world has entered in his soul ;
He has grown conscious of life's ancestral glories,
When sages and when kings first uphold the mind's control.
When will he awaken ?
Ask'd midnight's stately queen.
Lo ! the appointed midnight ! the present hour is fated ;
It is Endymion's planet that rises on the air ;
How long, how tenderly his goddess love has waited,
Waited with a love too mighty for despair.
Soon he will awaken !
Soft amid the pines is a sound as if of singing,
Tones that seem the lute's from the breathing flowers depart;
Not a wind that wanders o'er Mount Latmos, but is bringing
Music that is murmur'd from nature's inmost heart.
Soon he will awaken,
To his and midnight's queen !
Lovely is the green earth — she knows the hour is holy ;
Starry are the heavens, lit with eternal joy ;
Light like their own is dawning sweet and slowly
O'er the fair and sculptured forehead of that yet dreaming boy.
Soon he will awaken !
Red as the red rose towards the morning turning,
Warms the youth's lip to the watcher's near his own,
While the dark eyes open, bright, intense, and burning
With a life more glorious than ere they closed was known.
Yes, he has awakened
For the midnight's happy queen !
What is this old history but a lesson given,
How true love still conquers by the deep strength of truth,
How all the impulses, whose native home is heaven.
Sanctify the visions of hope, faith, and youth.
'Tis for such they waken !
When every worldly thought is utterly forsaken,
Comes the starry midnight, felt by life's gifted few;
Then will the spirit from its earthly sleep awaken
To a being more intense, more spiritual and true.
So doth the soul awaken,
Like that youth to night's fair queen !
The New Monthly Magazine, 1837
Taken from Laman Blanchard's Life and Literary Remains.
(No I in the third series of 'Subjects for Pictures')
BALLAD
“O do not forth to night, my child,
O go not forth to night ;
The rain beats down, the wind is wild,
And, not a star has light.”
"The rain it will but wash my plume,
The wind but wave it dry;
And for such quest as mine, mirk gloom
Is welcome in the sky.
And little will the warder know
What step is gliding near ;
One only eye will watch below,
One only ear will hear.
A hundred men keep watch and ward,
But what is that to me ?
And when hath ever love been barred
From where he wills to be ?
Go, mother, with thy maiden band,
And make the chamber bright ;
The loveliest lady in the land
Will be thy guest to-night."
He flung him on his raven steed —
He spurr'd it o'er the plain ;
The bird, the arrow, have such speed:—
His mother called in vain.
" His sword is sharp, his steed is fleet, —
St. Marie, be his guide ;
And I'll go make a welcome meet
For his young stranger-bride."
And soon the waxen tapers threw
Their fragrance on the air,
And flowers of every morning hue
Yielded their sweet lives there.
Around the walls an eastern loom
Had hung its purple fold —
A hundred lamps lit up the room,
And every lamp was gold.
A horn is heard, the drawbridge falls —
" Oh, welcome ! 'tis my son !"
A cry of joy rung through the halls—
" And his fair bride is won."
But that fair face is very pale,
Too pale to suit a bride :
Ah, blood is on her silvery veil —
That blood flows from her side.
Upon the silken couch he laid
The maiden's drooping head ;
The flowers, before the bride to fade,
Were scattered o'er the dead.
He, knelt by her the livelong night,
And only once spoke he —
" Oh, when the shaft was on its flight,
Why did it not pierce me ?”
He built a chapel where she slept,
For prayer and holy strain :
One midnight by the grave he wept,
He never saw again.
Without a name, without a crest,
He sought the Holy Land :
St. Marie, give his soul good rest
He died there sword in hand.
From The Literary Gazette, 22nd September 1827
BALLAD
Over the land, and over the sea,
Youth of my heart! will I follow thee.
See, I have doff 'd my silken train,
My lace 'kerchief, and golden chain ;
For cap and plume I've chang'd my veil,
And my pearl-wreath'd braid of the lily pale ;
And for satin slippers, a buskin tied,
Made of the red deer's stiffen'd hide ;
And my heavy length of yellow hair,—
Look on the river— 'tis floating there.
Last night, I stood in my father's hall,
With broider'd robe, and Indian shawl :
Lovers caught each breath of my sigh,
And vassals watch'd the turn of mine eye ;
A sandal-wood lute was in my hand,
And my step was the first in the saraband.
Tonight I stand in the hunter's dress,
Belying my weak loneliness.
Instead of music, and dance, and song,
And serviteurs, and a courtly throng,
Is the quiet shade of the greenwood tree ;
And for many false hearts, a true one in thee.
And I am happy. Oh ! love should live
But for the sweet life itself can give.
Where are gems like the lily, wet
With tears it has kiss'd from the violet ?
Where is the lamp in a ladv's bower,
Like the first pale star of the twilight hour ?
What hand ever waked from the lute a tone
Like the nightingale's voice, when she sings alone?
Not to the dark city, not to the false court,
Will health, and truth, and love, resort :
Their dwelling is made with the leaf and the flower,
Amid summer sunshine and April shower;
They live by the brook and the forest tree,
In a wild sweet home, such as ours will be.
Friendship's Offering, 1825
Reviewed in The Literary Gazette, 6th November 1824
Note: should be with gift book poems
THE BANQUET OF ASPASIA AND PERICLES
Waken 'd by the small white fingers,
Which its chords obey,
On the air the music lingers
Of a low and languid lay
From a soft Ionian lyre ; —
Purple curtains hang the walls,
And the dying daylight falls
O'er the marble pedestals
Of the pillars that aspire,
In honour of Aspasia,
The bright Athenian bride.
There are statues white and solemn,
Olden gods are they ;
And the wreath'd Corinthian column
Guardeth their array.
Lovely that acanthus wreath,
Drooping round the graceful girth :
All the fairest things of earth,
Art's creations have their birth —
Still from love and death.
They are gather'd for Aspasia,
The bright Athenian bride.
There are gold and silver vases
Where carved victories shine ;
While within the sunlight blazes
Of the fragrant Teian wine,
Or the sunny Cyprian isle.
From the garlands on each brow
Take they early roses now ;
And each rose-leaf bears a vow,
As they pledge the radiant smile
Of the beautiful Aspasia,
The bright Athenian bride.
With the spoils of nations splendid
Is that stately feast ;
By her youthful slaves attended —
Beauties from the East,
With their large black dewy eyes.
Though their dark hair sweeps the ground,
Every heavy tress is wound
With the white sea-pearl around ;
For no queen in Persia vies
With the proud Aspasia,
The bright Athenian bride.
One hath caught mine eye — the fairest ;
'Tis a Theban girl :
Though a downcast look thou wearest,
And nor flower nor pearl
Winds thy auburn hair among :
With a white, unsandall'd foot,
Leaning languid on thy lute,
Weareth thy soft lip, though mute,
Smiles yet sadder than thy song.
Can grief come nigh Aspasia,
The bright Athenian bride ?
On an ivory couch reclining
Doth the bride appear ;
In her eyes the light is shining,
For her chief is near ; —
And her smile grows bright to gaze
On the stately Pericles,
Lord of the Athenian seas,
And of Greece's destinies.
Glorious, in those ancient days,
Was the lover of Aspasia,
The bright Athenian bride.
Round her small head, perfume breathing
Was a myrtle stem,
Fitter for her bright hair's wreathing
Than or gold or gem ;
For the myrtle breathes of love.
O'er her cheek so purely white,
From her dark eyes came such light
As is, on a summer night,
With the moon above.
Fair as moonlight was Aspasia,
The bright Athenian bride.
These fair visions have departed,
Like a poet's dream,
Leaving us pale and faint-hearted
By life's common stream,
Whence all lovelier light hath fled.
Not so : they have left behind
Memory to the kindling mind,
With bright fantasies combined.
Still the poet's dream is fed
By the beauty of Aspasia,
The bright Athenian bride.
The New Monthly Magazine, 1836. No. II in the first series of 'Subjects for Pictures'. Taken from Laman Blanchard's 'Life and Literary Remains'.
BELLS
How sweet on the breeze of the evening swells
The vesper call of those soothing bells,
Borne softly and dying in echoes away,
Like a requiem sung to the parting day.
Wandered from roses the air is like balm,
The wave like the sleep of an infant is calm ;
No oars are now plying in flashes to wake
The blue repose of the tranquil lake ;
And so slight are the sighs of the slumbering gale,
Scarce have they power to waft my slack sail ;
Fair hour, when the blush of the evening light,
Like a beauty is veiled by the shadow of night.
When the heart-heat is soft as the sun's farewell beams,
When the spirit is melting in tenderest dreams ;
A wanderer, dear England, from thee and from thine,
Yet the hearths I have left are my bosom's best shrine ;
And dear are those bells, for most precious to me,
Whatever can wake a remembrance of thee ;
They bring back the memory of long absent times,
Young hopes and young joys are revived in those chimes.
To me they are sweet as the meadows in June,
As the song which the nightingale pours to the moon.
Like the voice of a friend on my spirit they come,
Whose greeting is love, and whose tale is of home.
How blithely they're wont to ring in the new year,
The gayest of sounds amid Christmas time cheer.
How light was the welcome they gave the young May,
When sunshine and flowers decked her festival day.
How soft at the shade of the twilight that bell,
Rolled faintly away o'er my favourite dell ;
When his woodbine was fresh, and the tremulous shade
Of the aspen leaf over my path beneath played ;
When his day of toil over, the hind turned away
From the perfumed fields of the newly-mown hay;
When no sound was heard, save the woodlark's wild song,
And the peal of those bells borne in echoes along ;
They were dear to me then, but now they are brought
More home to my heart, for their music is fraught
With all that to memory is hallowed and dear,
With all those fond thoughts that but speak in a tear.
Voiceless and holy— that simple chime is,
As a spell on the heart at a moment like this ;
Yes, sweet are those bells, for most precious to me,
Whatever reminds me loved England of thee!
The Literary Gazette, 22nd September 1821
VERSIONS FROM THE GERMAN
(First Series)
THE BELOVED ALWAYS NEAR - GOETHE
I see thee when the sunshine lies golden on the sea—
When the pale moon trembles in the brook, I think, love mine, of thee ;
I see thee when the clouds of dust obscure the weary way,
And when the shadows of the night the traveller dismay.
When through the cool and tangled grass singeth the lonely rill,
I go into the thicket green, where all beside is still ;
Thy face is painted on the air — I fancy thou art near !
The sun sinks down, the stars shine forth would thou wert really here !
The Literary Gazette, 3rd January 1835
THE BIRD
Take that singing bird away !
It has too glad a lay
For an ear so lorn as mine ;
And its wings are all too light,
And its feathers are too bright,
To rest in a bosom like mine.
But bring that bird again
When Winter has changed its strain :
Its pining will be sweet to me
When soil and stain are on its breast,
And its pinions droop for rest,—
Oh, then bring that bird to me.
Together, poor bird, we'll pine
Over Beauty's and Hope's decline;
Yet I'll envy in pitying thee ;
Never may the months restore
The sweet Spring they brought before
To me, — but they will to thee !
The Literary Gazette, 8th November 1823
BIRTHDAY IN SPRING
The sights and the sounds of loveliness
Are abroad upon the earth ;
And flower looks smiling on flower, as each
Had a share in the other's mirth.
A thousand songs from a thousand boughs
The glad birds' pleasure declare ;
The rills are laughing in crystal light—
For the presence of Spring is there.
Like a purple cloud that has left the west,
Is yon bank with its violet crowd—
With the green leaves drooped o’er each scented urn,
Like Love o'er its secret bowed.
And this was the time when I was born—
The time of the song and flower :
Why had not such sweet influence charm
On the star of my natal hour ?
That first spring has been the only one
The year of my life has known ;
And that, with a short and blighted reign,
Soon abandon'd its sunny throne.
As the birds, the flowers, and the showers of spring,
Are the heart's hopes, joys, and tears :
But my birds were caged, my hopes so checked,
That their nature turned to fears.
One after one, my flowers declined,
Till there was left my Spring,
Over the bitter waters of life
Not one green leaf to fling.
My showers grew storms — the fount of tears
In my desert heart grew dry ;
And left me a sneer, or masking smile,
And a cold and careless eye.
Years bring their spring— the green leaf comes
Again with the early shower ;—
And though flowers close and birds are mute—
More sweet is their waking hour.
But never again for the human heart
A second green spring can be :
Oh why was I mocked with a birth in spring
Which never was spring to me !
The Literary Gazette, 3rd March 1827
THE BLACK HUNT OF LITZOU - Versions from trom the German
What is the light from yon deep wood flashing —
What the sound on the wild wind borne ?
What the dark ranks that are onwards dashing
To the voice of the pealing horn ?
Who are they that thundering go ? —
It is the Black Hunt of the bold Litzou !
Who are those wooded heights ascending,
Just sprung from their brief repose,
While the shout and the musket's crash is blending
With the shriek of dying foes ?
Well do the French those rifles know —
It is the Black Hunt of the bold Litzou !
Where the Rhine's flowing, and the vine's growing,
They spring in their arms from the shore;
Like the lightning they cleave the dark stream's flowing,
For the enemy flies before !
Ask what dark swimmers heedless go ?
It is the Black Hunt of the bold Litzou !
What is the strife that wakens yon valley ?
There are swords that strike in their country's name, —
Around the spark of freedom they rally,
And the spark hath arisen a goodly flame !
Who are they that strike the blow ?
It is the Black Hunt of the bold Litzou !
Who are they in their life-blood lying ?
'Tis the last sunrise they'll see :
It matters not — the French are flying,
And their father-land is free !
Who are the brave ones now laid low ?
It was the Black Hunt of the bold Litzou !
The glorious hunt of the foe is over —
Calm be the rest of the honoured brave !
Weep ye not for the friend or the lover —
Ours is the day which but dawned on their grave.
Ask ye what true hearts sleep below ?
It was the Black Hunt of the brave Litzou !
The Literary Gazette, 3rd January 1835
BROKEN VOWS
And this is all I have left now,
Silence and solitude and tears;
The memory of a broken vow,
My blighted hopes, my wasted years.
There hangs your lute ; the wandering wind
Will hence its only master be ;
But never may its numbers find
More wandering master than in thee.
My falcon it has slipped its band —
Afar your faithless gift has flown ;
The bird which fed from my own hand,
Alas, its stay is like your own !
You swore to me yon starry ranks
Should sooner leave their homes above ;
Yon river change its native banks,
Than you forget your early love.
Each starry world its station keeps
In night's blue empire as before;
The same our native river sweeps—
In vain — for I am loved no more.
I will go weep, till rose and blue
Alike from cheek and eye depart,
A faded flower,— and then adieu.
My own false hopes and thy false heart.
The Literary Gazette, 18th August 1827
THE CADETS
An Indian Sketch
The banners are flashing, hurrah, hurrah!
The sabres are clashing, hurrah, hurrah!
For the star wept-on grave
Of the conquering brave,
Who would not rush to the field? Hurrah !
On to the battle, hurrah, hurrah !
The war thunder's rattle, hurrah, hurrah!
'Tis the music most dear
To the warrior's ear,
For it calls to the combat, hurrah !
The death song is singing, hurrah, hurrah !
The death shots are ringing, hurrah, hurrah!
By the musket's red peal,
By the light of our steel,
We will stand to our colours or die, hurrah !
(New words to the Air " The Campballs are coming.')
The ship rode o'er the waters gallantly,
Her pennons waving, hope and enterprise
Filling her white sails with their eager breath.
The shore lay dim behind. That Iong last look
Given at parting to our own dear land—
Our land of infancy, and home, and love —
Strained every eyeball now ; and as the coast
Diminished to one dim and distant line,
How very tenderly each bosom clung
To all its old affections! Friends and home,
How dear they are when we are parting from them !
And " farewell" came, in all its many tones
Of hope, and sorrow, and anxiety,
Freshly upon the ear, as never felt
Deeply and truly till in that last glance! —
On, on the vessel went. The waves grew red
Beneath the crimson of the setting sun ;
Then rolled in silver light, when the pale moon
Claimed her so gentle empire o'er the sky,
Like the deep flush of anger calmed by meek
Enduring patience. How most beautiful
This radiant meeting of the sky and sea !
Above, the stars, like spirits in their pride
Wandering in music round their lovely queen,
Too glorious for idolatry. Beneath,
The ocean, like a mighty mirror, spread
In its immensity of emerald beauty.
Then all around so calm, so passionless,
The silence, and the stillness, and the light
Unbroken by a shadow, — how the heart
Must feel its finer impulses alive
At such an hour as this !—Upon the deck
Of that tall ship, the only thing whose image
Was stamped in darkness on the moon-lit waves,
Two Youths were leaning : one with the fair hair
And blue eyes, with that falcon glance which mark'd
The graceful Saxon, when with his good sword
He sought a home and heritage ; the other,
Like a young Roman, with his raven curls
And dark and flashing eyes. Like two spring pines
The youthful Soldiers stood there, side by side
They stood, and talked of all those buoyant dreams
Which colour life but once — those morning lights
That shine so cloudlessly and pass so torn !
Hope's waters yet were fresh with them; the cares,
The earthly cares, that stain each nobler aim,
And withering sorrows, falsehood, discontent,
Had not as yet profaned thy sweetest fountain,
Delicious Hope ! And there they leant, and spoke
Of battle, glorious battle, till each ear
Rang with the trumpet's music, and each eye
Flashed at the thought of its first field. —
Then gentler feelings gushed upon their heart.
Fireside remembrances and kind affections :
They dwelt on the last evening they had past
Within their sweet home-circle, and recalled
How each one prest more closely than their wont
Around the hearth, all conscious that tomorrow
A vacant place would be in that sweet ring ;
How each affectionate lip had prophesied
Fortune and fame ; and how in glistening eyes
Hope had looked up but in the midst of tears
And then, at if each felt there was a tie
Of stronger unity in these recallings,
Each the more kindly grasped the other's hand,
And said again— they'd live or die together. - - -
- - Years have pass'd by ; those youths are in their summer ;
Each cheek is darkened by an Indian sky :
Some of hope's hues have faded like their colour,
Their island colour, but enow remain
To make life's landscape still most promising.
Disease, the brand, the ball, alike have spared them,
Still they have fought together. Many times
Have English friends been proud to hear their name.
It is an Indian night : a starless sky
Flooded with moonlight— dark and giant palms
Fling their long shadows o'er the azure river—
The air is heavy with perfume— the dew,
Like love's power over woman, calling forth
The soul of sweetness, on the sumbal lies,
Till every scarlet berry yields its incense ;
The pale mangolla, with its flowers of light,
The carmalata, crimson as a blush,
All, all yield their sweet offerings to the moon :—
But war is in these groves, and the white tents,
Where dwell the children of the sword,
Are pitched amid the yellow jessamines.
Steps dashed into the ground, the earth torn up
And sulphurous ; patches of a blood-red hue,
And worst of all, the gashed and ghastly slain,
And the far sounds of tigers, who can scent
Their prey, yet scared by the red watch-fire’s gleam,
Howl in the distant jungles. They are here,
These brother Soldiers : each, wrapt in his cloak,
Sat by the river : they were talking o'er
Combats where each had been the other’s shield,
Marches whose weariness had been beguiled
By interchange of hopes; yet 'mid the pride
With which they waited for to-morrow’s battle.
Mingled a shade of deeper tenderness,
And each one charged the other with kind words,
Greetings of long remembrance, to old friends,
If only one should fall. Hark, hark ! a rush
Of hurrying feet is heard amid the woods,—
A ringing peal of musketry, red lights
Flashing like meteors, clanging swords and shouts,
Deep groans, are on the wind— the enemy
Has rushed down from the mountains ! Up they spring,
Those friends, and each is at his post. Dark night,
Oh terrible is thy shadow on the battle !
Blows dealt alike on friend and foe, the dead ,
And dying trampled on— oh, day alone
Should look upon the soldier's deeds ! At length
The sun rose over his palm and diamond land :
His first light shone on blood— the morning's tears
Fell over parching lips and weary brows,
And quenched the death-thirst of full many a wretch
Already blackening in last agony.
But they are safe, those war-stars of the field,
The English warriors : one desperate rush,
And all gives way before them, See ! they turn
Their recreant enemies : the dark-eyed youth,
Waving the colours, gallantly springs forth ;
But death is on his course ! that graceful arm
Is smitten in its strength. He fell, but stretched
With his last grasp the banner to his friend,
Who caught the flag, rushed forward as revenge
Were now his only hope. Why fall those colours ?
Their gallant bearer never flagged before :
But fate hath marked him, too : they fell together !
The Literary Gazette, 1st February 1823
CALYPSO WATCHING THE OCEAN
Years, years have pass'd away,
Since to yonder fated bay
Did the Hero come.
Years, years, have pass'd the while
Since he left the lovely isle
For his Grecian home.
He is with the dead — but She
Weepeth on eternally
In the lone and lovely island
Mid the far off southern seas.
Downwards floateth her bright hair,
Fair — how exquisitely fair !
But it is unbound.
Never since that parting hour
Golden band or rosy flower
In it has been wound ?
There it droopeth sadly bright,
In the morning's sunny light,
On the lone and lovely island
In the far off southern seas.
Like a marble statue placed,
Looking o'er the watery waste,
With its white fixed gaze ;
There the Goddess sits, her eye
Raised to the unpitying sky ;
So uncounted days
Has she asked of yonder main,
Him it will not bring again
To the lone and lovely island
In the far off southern seas.
To that stately brow is given,
Loveliness that sprung from heaven —
Is, like heaven, bright :
Never there may time prevail,
But her perfect face is pale ;
And a troubled light
Tells of one who may not die,
Vex'd with immortality
In the lone and lovely island
Mid the far off southern seas.
Desolate beside that strand,
Bow'd upon her cold, white hand,
Is her radiant head ;
Silently she sitteth there,
While her large eyes on the air
Traced the much-loved dead :
Eyes that know not tears nor sleep,
Would she not be glad to weep,
In the lone and lovely island
Mid the far off southern seas.
Far behind the fragrant pile,
Sends its odours through the isle ;
And the winds that stir
In the poplars are imbued
With the cedar's precious wood,
With incense and with myrrh,
Till the azure waves beneath
Bear away the scented breath
Of the lone and lovely island
In the far off southern seas.
But no more does that perfume
Hang around the purple loom
Where Calypso wove
Threads of gold with curious skill,
Singing at her own sweet will
Ancient songs of love ;
Weary on the sea-wash'd shore,
She will sing those songs no more
In the lone and lovely island
Mid the far off southern seas.
From the large green leaves escape
Clusters of the blooming grape ;
Round the shining throne
Still the silver fountains play,
Singing on through night and day,
But they sing alone :
Lovely in their early death,
No one binds a violet wreath,
In the lone and lovely island
Mid the far off southern seas.
Love and Fate — oh, fearful pair !
Terrible in strength ye are ;
Until ye had been,
Happy as a summer night,
Conscious of its own sweet light,
Was that Island-queen.
Would she could forget to grieve,
Or that she could die and leave
The lone and lovely island
Mid the far off southern seas.
She is but the type of all,
Mortal or celestial,
Who allow the heart,
In its passion and its power,
On some dark and fated hour,
To assert its part.
Fate attends the steps of Love, —
Both brought misery from above
To the lone and lovely island
Mid the far off southern seas.
New Monthly Magazine, 1836
(no.I in the second series of 'Subjects for Pictures')
THE CARRIER-PIGEON RETURNED
Sunset has flung its glory o'er the floods,
That wind amid Ionia's myrtle woods, —
Sunset that dies a conqueror in his splendour ;
But the warm crimson ray
Has almost sunk away
Beneath a purple twilight faint and tender.
Soft are the hues around the marble fanes,
Whose marble shines amid the wooded plains, —
Fanes where a false but lovely creed was kneeling, -
A creed that held divine
All that was but a sign,
The outward to the inward world appealing.
Earth was a child, and child-like, in those hours,
Full of fresh feelings, and scarce conscious powers,
Around its own impatient beauty flinging ;
These young believings were
Types of the true and fair, —
The holy faith that Time was calmly bringing.
Still to those woods, with ruins fill'd, belong
The ancient immortality of song, —
Names and old words whose music is undying,—
Yet do they haunt the heart
With its divinest part,
The past that to the present is replying.
The purple ocean far beneath her feet,
The wild thyme on the fragrant hill her seat,
As in the days of old there leans a Maiden,—
Many have watch 'd before
The breaking waves ashore, —
Faint with uncounted moments sorrow-laden.
With cold and trembling hand
She has undone the band
Around the carrier-pigeon just alighted,—
And instant dies away
The transitory ray
From the dark eye it had one instant lighted.
The sickness of a hope too long deferred
Sinks on her heart, — it is no longer stirred
By the quick presence of the sweet emotion,—
Sweet even unto pain,
With which she sees again
Her bird come sweeping o'er the purple ocean.
Woe for the watcher,— still it doth not bring
A letter nestled fragrant 'neath its wing;
There is no answer to her fond inquiring, —
Again, and yet again,
No letter o'er the main
Quiets the anxious spirit's fond desiring.
Down the ungather'd darkness of her hair
Floats, like a pall that covers her despair, —
What woman's care hath she in her adorning?
The noontide's sultry hours
Have wither'd the white flowers,
Binding its dark lengths in the early morning.
All day her seat hath been beside the shore
Watching for him who will return no more ;
He thinks not of her or her weary weeping.
Absence, it is thy lot
To be too soon forgot,
Or to leave memory but to one sad keeping.
Oh, folly of a loving heart that clings
With desperate faith, to which each moment brings
Quick and faint gleams an instant's thought must smother;
And yet finds mocking scope
For some unreal hope,
Which would appear despair to any other !
She knows the hopelessness of what she seeks,
And yet, as soon as rosy morning breaks,
Doth she unloose her pigeon's silken fetter ;
But thro' the twilight air
No more its pinions bear
What once so oft they brought — the false one's letter.
The harvest of the summer-rose is spread,
But lip and cheek with her have lost their red ;
Theirs is the paleness of the soul's consuming —
Fretfully day by day
In sorrow worn away ;
Youth, joy, and bloom have no more sure entombing.
It is a common story, which the air
Has had around the weary world to bear,
That of the trusting spirit's vain accusing ;
Yet once how firm and fond
Seemed the eternal bond
That now a few brief parted days are loosing.
Close to her heart the weary pigeon lies,
Gazing upon her with its earnest eyes,
Which seem to ask — Why are we thus neglected ?
It is the still despair
Of passion forced to bear
Its deep and tender offering rejected.
Poor girl ! her soul is heavy with the past ;
Around the shades of night are falling fast ;
Heavier still the shadow passing o'er her.
The maiden will no more
Watch on the sea-beat shore —
The darkness of the grave is now before her.
The New Monthly Magazine, 1837.
No.I in the fourth series of 'Subjects for Pictures'
CHANGE
We say that people and that things are changed;
Alas ! it is ourselves that change : the heart
Makes all around the mirror of itself.
WHERE are the flowers, the beautiful flowers,
That haunted your homes and your hearts in the spring ?
Where is the sunshine of earlier hours ?
Where is the music the birds used to bring ?
Where are the flowers ? — why, thousands are springing,
And many fair strangers are sweet on the air;
And the birds to the sunshine their welcome are singing—
Look round on our valley, and then question "Where?"
Alas, my heart's darkness ! I own it is summer,
Though little 'tis like what it once used to be:
I have no welcome to give the new-comer ;
Strangely the summer seems altered to me.
'Tis my spirits are wasted — my hopes that are weary ;
These made the gladness and beauty of yore :
To the worn and the withered even sunshine is dreary,
And the year has its spring, though our own is no more.
The Literary Gazette, 9th May 1829
CHANGES
Leaves grow green to fall,
Flowers grow fair to fade,
Fruits grow ripe to rot —
All but for passing made.
So our hopes decline,
So joys pass away,
So do feelings turn
To darkness and decay.
Yet some leaves never change,
Some scenes outlive their bloom,
Some fruits delight for years,
Mid all this death and doom.
So are there some sweet hopes
That linger to the last —
Affections that will smile
Even when all else is past.
Only to patient search
Blessings like these are given—
When the heart has turn'd from earth,
And sought for them in heaven.
The Literary Gazette, 14th October 1826
THE CHARMED FOUNTAIN
O'er the stream a willow tree
Leant, as if foredoom'd to be
Sign of sorrow, meant to wave
O'er some love-lorn maiden's grave.
Yet bowed branch, and pallid leaf,
Here are not the sign of grief.
Underneath, the bank is set
With the azure violet,
Each one bending like a bride,
Sweet and secret sigh to hide.
In a chestnut tree's green rest
Has the nightingale a nest,
Whence his richest tones come sweeping,
Like a lute's delicious weeping,
What time the pale moon discloses
His seraglio of wild roses,
While the falling dewdrops gem
Each sultana's diadem.
But 'tis not for its fair flowers,
Though they breathe of June's first hours,
Not for its blue violet wreath,
For its gale's Arabian breath,
For its sunshine, for its shade,
Not for the sweet music made
By the song its tenants sing,
Would you seek that grove-hid spring.
But a curious sprite, whose dwelling
Is in the rich numbers swelling
From the bosom of some shell
Treasured in an ocean cell;
Or in the rich breathing sent
On the sunny element,
From the rose, as to complain
Of the April's sudden rain ;
Or in the red lights that streak
Maiden's lip or burning cheek : —
Some such sprite has laid a spell
On the waters of this well.
Lover, if thy heart has known
One pure faith, and one alone,
Part the boughs aside, nor fear
That thy step should enter here ;
For the fond and for the true
Spreads the fount its mirror blue.
But if thy false heart has changed,
Or thy fickle eye has ranged,
Take thy falsehood hence and flee,
It will yield no wave for thee.
The New Monthly Magazine, 1825
CHRISTMAS
Irregular Lines.
Now out upon you, Christmas !
Is this the merry time
When the red hearth blazed, the harper sung,
And the bells rung their glorious chime ?
You are called merry Christmas —
Like many that I know,
You are living on a character
Acquired long ago.
The dim lamps glimmer o'er the streets ;
Through the dun and murky air
You may not see the moon or stars,
For the fog is heavy there;
As if all high and lovely things
Were blotted from the sight,
And Earth had nothing but herself
Left to her own drear light.
A gloomy crowd goes hurrying by ;
And in the lamplight's glare,
Many a heavy step is seen,
And many a face of care.
I saw an aged woman turn
To her wretched home again —
All day she had asked charity,
And all day asked in vain.
The fog was on the cutting wind,
The frost was on the flood ;
And yet how many past that night
With neither fire nor food !
There came on the air a smother’d groan,
And a low and stifled cry.
And there struggled a child, a young fair child,
In its mortal agony.
" Now for its price," the murderer said ;
" On earth we must live as we can ;
And this is not a crime, but a sacrifice
In the cause of science and man."
Is this the curse that is laid on the earth ?
And must it ever be so,
That there can be nothing of human good
But must from some evil flow ?
On, on, and the dreary city's smoke
And the fog are left behind,
And the leafless boughs of the large old trees
Are stirred by the moaning wind ;
And all is calm, like the happy dream
Which we have of an English home
A lowly roof where cheerful toil
And healthy slumbers come.
Is there a foreign foe in the land,
That the midnight sky grows red —
That by homestead, and barn, and rick, and stack,
Yon cruel blaze is fed ?
There were months of labour, of rain, and sun,
Ere the harvest followed the plough —
Ere the stack was reared, and the barn was filled,
Which the fire is destroying now.
And the dark incendiary goes through the night
With a fierce and wicked joy ;
The wealth and the food which he may not share,
He will at least destroy.
The wind, the wind, it comes from the sea,
With a wailing sound it passed ;
'Tis soft and mild for a winter's wind,
And yet there is death on the blast.
From the south to the north hath the Cholera come,
He came like a despot king;
He hath swept the earth with a conqueror's step,
And the air with a spirit's wing.
We shut him out with a girdle of ships,
And a guarded quarantine ;
What ho ! now which of your watchers slept ?
The Cholera's past your line !
There's a curse on the blessed sun and air,
What will ye do for breath ?
For breath, which was once but a word for life,
Is now but a word for death.
Wo for affection ! when love must look
On each face it loves with dread
Kindred and friends — when a few brief hours
And the dearest may be the dead !
The months pass on, and the circle spreads ;
And the time Is drawing nigh,
When each street may have a darkened house,
Or a coffin passing by.
Our lot is cast upon evil days,
In the world's winter-time;
The earth is old, and worn with years
Of want, of wo, and of crime.
Then out on the folly of ancient times—
The folly which wished you mirth :
Look round on the anguish, look round on the vice,
Then dare to be glad upon earth !
The Literary Gazette, 14th January 1832
CHRISTMAS CAROL
" Ivy, holly, and mistletoe,
Give me a penny before I go."
" Christmas comes but once a year.”
The rose, it is the love of June,
The violet that of spring ;
Out on the faithless and fading flowers
That take the south wind's wing !
Such craven blooms I hold in scorn—
The holly's the wreath for a Christmas morn.
Its berries are red as a maiden's lip,
Its leaves are of changeless green ;
And any thing changeless now, I wis,
Is somewhat rare to be seen.
The holly, which fall and frost has borne,
The holly's the wreath for a Christmas morn.
Its edges are set in keen array,
They are fairy weapons bared ;
And in an unlucky world like ours
’Tis as well to be prepared.
Like the crest of a warrior worn,
The holly's the wreath for a Christmas morn.
It was so with England's olden race, —
But, alas ! in this our day
We think so much of the present time,
That we cast the past away.
Let us do as they did ere we were born, —
The holly's the wreath for a Christmas morn.
The holly, it is no green-house plant,
But grows in the common air ;
In the peasant's lattice, the castle hall,
Its green leaves alike are there.
If its lesson in mind be borne.
The holly's the wreath for a Christmas morn.
The Literary Gazette, 1st January 1831
CI-DEVANT !
I cannot, if I would, call back again
The early feelings of my love for thee ,
I love thee ever, but it is in vain
To dream Love can be what it was to me.
Some of its flowers have fallen from the chain,
And showed that iron under them could be—
And it has entered in my soul : no more
Can that soul revel in its dreams of yore.
O no, my heart can never be
Again in lighted hopes the same —
The love that lingers there for thee
Has more of ashes than of flame.
Still deem not but that I am yet
As much as ever all thine own ;
Though now the seal of love be set
On a heart chilled almost to stone.
And can you marvel ? only look
On all that heart has had to bear —
On all that it has yet to brook,
And wonder then at its despair.
Oh, Love is destiny, and mine
Has long been struggled with in vain —
Victim or votary, at thy shrine
There I am vow'd — there must remain.
My first— my last— my only love.
O blame me not for that I dwell
On all that I have had to prove
Of Love's despair, of Hope's farewell.
I think upon mine early dreams,
When Youth, Hope, Joy, together sprung ;
The gushing forth of mountain-streams,
On which no shadow had been flung.
When Love seemed only meant to make
A sunshine on life's silver seas —
Alas, that we should ever wake,
And wake to weep o'er dreams like these !
I loved, and Love was like to me
The spirit of a faery tale,
When we have but to wish, and be
Whatever wild wish may prevail.
I deemed that Love had power to part
The chains and blossoms of life's thrall,
Make an Elysium of the heart,
And shed its influence over all.
I linked it with all lovely things,
Beautiful pictures, tones of song,
All those pure, high imaginings
That but in thought to earth belong.
And all that was unreal became
Reality when blent with thee —
It was but colouring that flame,
More than a lava flood to me.
I was not happy — Love forbade
Peace by its feverish restlessness ;
But this was sweet, and then I had
Hope, which relies on happiness.
I need not say how, one by one,
Love's flowers have dropp'd from off Love's chain ;
Enough to say that they are gone,
And that they cannot bloom again.
I know not what the pangs may be
That hearts betray'd or slighted prove —
I speak but of the misery
That waits on fond and mutual love.
The torture of an absent hour,
When doubts mock Reason's faint control : —
'Tis fearful thinking of the power
Another holds upon our soul !
To think another has in thrall
All of life's best and dearest part —
Our hopes, affections, trusted all
To that frail bark — the human heart.
To yield thus to another's reign ; —
To live but in another's breath —
To double all life's powers of pain —
To die twice in another's death ;
While these things present to me seem,
And what can now the past restore,
Love as I may, yet I can dream
Of happiness in Love no more.
The New monthly Magazine, 1826
THE COMING OF SPRING—Schiller
In a valley sweet with singing
From the hill and from the wood,
Where the green moss rills were springing,
A wondrous maiden stood.
The first lark seemed to carry
Her coming through the air ;
Not long she wont to tarry,
Though she wandered none knew where.
A rosy light fell o'er her,
Too beautiful to last ;
All hearts rejoiced before her,
And gladdened as she past.
She brought strange fruit and flowers,
Within her sunny hand.
That knew the shine and showers
Of some more glorious land.
The winter ice was broken,
The waters flashed with gold ;
She brought to each a token,
The young man and the old.
Each seemed a welcome comer,
Her gifts made all rejoice ;
But two, the nearest summer,
These had the fairest choice.
Now I, of all that gather
In the zodiac's golden zone,
Love a month whose sullen weather
Has no love but my own.
Though its fierce wild winds are sweeping
The last leaf from the thorn ;
Though the rose in earth he sleeping,
Yet then my love was born.
The Literary Gazette, 10th January 1835
(Versions from the German)
THE COMPANIONS
WITH thy step in the stirrup, one cup of bright wine,
We'll drink the success of thy sabre and mine :
When as boys we took down the bright arms from the wall,
And rushed, in mock combat, around the old hall,
We longed in true warfare the weapons to wield : —
Now the foe is before us, and yonder the field.
We'll onward together, thy steed beside mine,
Our blow be as one when we rush on the line ;
Should one fall, one only, the other will try
A step for his vengeance, another to die —
On the neck of the fallen yield up his last breath,
And the vow of their boyhood be cancelled by death.
But rather this evening as victors we'll ride
O'er the field of our conquest, the place of our pride,
With our names on each lip, but named only as one —
’Tis the glory of either what each may have done.
Now on for the harvest that darkens yon plain,
We come back in honour, or come not again.
The Literary Gazette, 8th May 1830
CONCLUSION
All, all forgotten ! Oh, false Love !
I had not deemed that this could be,
That heart and lute, so truly thine,
Could both be broken, and by thee.
I did not dream, when I have loved
To dwell on Sorrow's saddest tone,
That its reality would soon
Be but the echo of mine own.
Farewell ! I give thee back each vow,
Vows are but vain when love is dead ;
What boot the trammels, when the bird
They should have kept so safe, is fled ?
But go ! be happy and be free,
My heart is far too warm for thine ;
Go ! and 'mid Pleasure's lights and smiles,
Heed not what tears and clouds are mine.
But I, — oh, how can I forget
What has been more than life to me !
Oh wherefore, wherefore was I taught
So much of passion's misery!
Thy name is breathed on every song —
How can I bid those songs depart ?
The thoughts I've treasur'd up of thee
Are more than life-blood to my heart.
But I may yet learn to forget;
I am too proud for passion's chain ;
I yet may learn to wake my lute —
But never at Love's call again.
I will be proud for you to hear
Of glory brightening on my name ;
Oh vain, oh worse than vanity !
Love, love is all a woman's fame.
Then deepest silence to the chords
Which only wakened for thy sake ;
When love has left both heart and harp,
Ah what can either do but break ! —
The Literary Gazette, 1st March 1823
This is the conclusion to the series 'Medallion Wafers'
CONSTANCY
——— Can the heart change
When it hath made unto itself a home
And place of worship, sanctified by all
Those gentle ties that are as chains of gold —
Affection of long years, and faith, like wine,
Made bright and pure by keeping ?— Is not this
The Paradise of Love ? — — —
Aye, let us look on all around,
And see how all have changed.
This jasmine, with its amber shower,
How its green stems have ranged!
This mountain-ash, whose flower-fill'd boughs
Spread like a cloud at noon —
Whose shade is as a haunted place
For the sweet airs of June :
'Twas but a little shrub when first
I wreathed amid thy hair
Its berries, like the coral crown
That the sea-maidens wear.
One of my earliest gifts of love
Were apples from yon tree ;
And then the red fruit of its boughs
Might well be offered thee.
Now it stands, a deserted thing,
All desolate and bare ;
The grey moss with'ring round the boughs,
And not a leaf is there.
A road winds where there once was seen
A steep and green ascent ;
And not a willow's left, of those
That o'er the rill once bent.
Aye, look, there are the foot-prints mark'd
Of change on every side ;
How much has altered since the bells
First hail'd thee as my bride.
And in this dream of chance and change,
We, too, have had our part —
In years, in face, in thought, have chang'd,
In all, except the heart.
But there at least there is no change ;
There Love is burning still ;
As constant as the sun at noon
On yonder southern hill.
The Literary Gazette, 20th November 1824
CONSTANCY
From: Six Songs of Love, Constancy, Romance, Inconstancy, Truth, and Marriage.
Oh ! say not love was never made
For heart so light as mine ;
Must love then seek the cypress shade,
Rear but a gloomy shrine.
Oh ! say not, that for me more meet
The revelry of youth ;
Or that my wild heart cannot beat
With deep devoted truth.
Tho' mirth may many changes ring,
'Tis but an outward show,
Even upon the fond dove's wing
Will varying colours glow.
Light smiles upon my lip may gleam
And sparkle o'er my brow,
'Tis but the glisten of the stream
That hides the gold below.
'Tis love that gilds the mirthful hour,
That lights the smile for me,
Those smiles would instant lose their power,
Did they not glance on thee !
The Literary Gazette, 10th November 1821
CONSTANCY, A SONG
Forget thee— or forget
What my heart hath so dearly known ?
Deemest thou that wholly from earth
All truth and faith are flown?
Oh ! write your love on the sand ,
And the wave will wash it away ;
Or, place your trust in the flower
The next summer sun will decay !
But take an emerald ring,
And thereon grave your name ;
Thro' the lapse and change of years
It still will be the same.
And such my heart — if you fear
That aught like change will be shown ;
’Tis I that shall weep for the change,
For the falsehood must be thine own.
The Literary Gazette, 10th August 1824
THE CONTRAST
- - - - - - And this is love:
Can you then say that love is happiness ?
There were two Portraits : one was of a Girl
Just blushing into woman ; it was not
A face of perfect beauty, but it had
A most bewildering smile, — there was a glance
Of such arch playfulness and innocence,
That as you looked, a pleasant feeling came
Over the heart, as when you hear a sound
Of cheerful music. Rich and glossy curls
Were bound with roses, and her sparkling eyes
Gleamed like Thalia's, when some quick device
Of mirth is in her laugh. Her light step seemed
Bounding upon the air with all the life,
The buoyant life of one untouched by sorrow. - - -
- - - There was another, drawn in after years:
The face was young still ; but its happy look
Was gone, the cheek had lost its colour, and
The lip its smile, — the light that once had played
Like sunshine in those eyes, was quenched and dim,
For tears had wasted it : her long dark hair
Floated upon her forehead in loose waves
Unbraided, and upon her pale thin hand
Her head was bent, as if in pain, — no trace
Was left of that sweet gaiety which once
Seemed as grief could not darken it, as care
Would pass and leave behind no memory. - - -
There was one whom she loved undoubtingly,
As youth will ever love, — he sought her smile,
And said most gentle things, although he knew
Another had his vows. — Oh ! there are some
Can trifle, in cold vanity, with all
The warm soul's precious throbs, to whom it is
A triumph that a fond devoted heart
Is breaking for them, — who can bear to call
Young flowers into beauty, and then crush them !
Affections trampled on, and hopes destroyed,
Tears wrung from very bitterness, and sighs
That waste the breath of life, — these all were her's
Whose image is before me. She had given
Life's hope to a most fragile bark, to love !
’Twas wrecked — wrecked by love's treachery : she knew,
Yet spoke not of his falsehood ; but the charm
That bound her to existence was dispelled —
Her days were numbered ;— She is sleeping now.
The Literary Gazette, 11th May 1822
THE CONVICT
" These are words that we should read like warnings,
Meekly, as fearing, if we had been tried,
We might have done the same, and thankfully
That such temptation fell not to our lot :
The human heart is evil in itself,
And, like a child, requires restraint and care ;
Restraint to keep from wrong, and care to soothe
Its wilder beatings into peace and love."
The light of two or three pale stars
Is dimly shining through the bars
Of my lone cell, and the cool air
Seems as it loath'd to enter there.
Now are those wan and gloomy hours,
When Night and Day, like struggling powers,
Make the sky cheerless with their strife,
Then most resembling human life :
It suits with me ! — ill could I brook
Upon a cloudless heaven to look ;
The calm blue air, the clear sunshine,
Were mockery to gaze like mine ;
To watch the sun look bright on me,
Although the last that I shall see.
— Ah ! even while I speak, the light
Is breaking beautiful through night.
’Tis all the same ! the earth, the sky,
Nothing with me has sympathy !
— The clouds are breaking fast away —
Oh ! why art thou so lovely, Day ?
Oh ! for a morn of clouds and rain,
To shroud and soothe my last of pain.
No — faster the glad sunbeams break —
They will not sorrow for my sake !
— It has been — it will be my fate —
I've lived — I shall die desolate !
— Oh ! take your rosary away,
For what are prayers of mine to pray ?
For pardon ? — if the burning tears
That fed upon my earlier years —
If blasted hopes and ruin'd name,
And all the venom Love lends Shame —
The violent death, and rabble eye,
To look upon its agony ;
If these are not enough to win
A pardon for Earth's deadliest sin,
Words will not, cannot! — never dare
Tell me it may be won by prayer !
The coward prayer, the coward tear,
Not from remorse wrung, but from fear!
—Here still — then, yield my last relief —
My woman's solace — hear my grief.
Come nearer — thou a judge shalt be
Between my misery and me !
" I grew up a neglected child :
The meanest floweret of the wild
Has far more culture and more care
From summer sun and summer air.
— My mother, she was laid to rest
Within the green earth's quiet breast ;
My father had another bride,
And other children grew beside
The orphan one — his love could be
So much for them — 'twas nought for me.
I never mingled in their mirth,
I saw their smiles, but shared them not ;
And in the circle round the hearth
My very being seem'd forgot.
They call'd me sullen, said my heart
In natural fondness had no part ;
For that I sate apart from all,
With cold cheek turn'd to the dark wall.
I hid my face — I could not bear
It should be seen, while tears were there.
" I had a haunt, 'twas by the shade
Wherein my mother's grave was made :
It was a church-yard, small and lone,
Without a monumental stone ;
But flowers were planted by each grave,
Sweet, like the thoughts they seem'd to save
From Time's forgetfulness — but one,
One only, mid the sods had none —
Grown with tall weeds, as if the wind
Were the sole mourner it could find,
And in its careless course had brought
Whatever seeds its wild wings caught.
And marvel you I had no pride
To make that tomb like those beside ?
— Methought if there my hand should bring
The sunny treasures of the spring,
It would reproach my father's eye,
That long had pass'd it careless by.
" My melancholy childhood gone,
Youth, with its dreamy time, came on ;
Affections long repress'd and chill'd,
Days with their own vain fancies fill'd,
Which haunt the heart — what soil was here
For Love's wild growth of hope and fear ?
— It matters not my early tale,
My heart was won, my will was frail ;
I knew I was not Evelyn's bride, —
But what to me the world beside ?
One only voice was in my ear,
I only sought to meet one eye —
And if to me they ever changed,
I knew that I could only die !
" Terrible city! — London, thou
Who liftest like a queen thy brow ;
Stern, cold, and proud the night when first
Thy mighty world upon me burst ;
Houses, yet none of them my home ;
Faces, of which I knew not one ;
I felt more than I ever felt —
A stranger — utterly alone ;
My very heart within me died,
And close I crouch'd to Evelyn's side ;
His soothing words were soft and low,
Such as Love's lip alone can know.
He loved me — ay, loved is the word !
So lightly said, so vainly heard —
But I — the light of heaven was dim
To eyes that only look'd on him ;
I listen'd — 'twas to hear his voice ;
I spoke — it was to win his ear ;
I watch'd — it was to meet his eye ;
I only lived when he was near ;
His absence seem'd a void as deep,
As dark as is a dreamless sleep.
And was I happy? — no ; still dread
Hung like the sword above my head ;
My thoughts to other hopes would roam —
I knew his home was not my home ;
I knew his name was not my name,
And I felt insecure through shame.
" Still less it recks how, day by day,
I saw the life of love decay ;
The absent look, the careless word,
The anger by a trifle stirr'd,
And found that Evelyn's brow could be
Harsh, though that brow was bent on me.
— Brief be my tale, as was his love —
He, who had call'd on heaven above
To witness every vow he spoke —
May it record the vow he broke !
He loved another — calm and cold,
He wrote farewell ! — and sent me gold.
He came not — perhaps he could not bear
To view what he had wrought — despair !
" I thought that I would see his face —
Secret I sought his dwelling-place,
A villa, where the river strays —
I had been there in happier days :
There was one room, whose windows led
To where the turf its carpet spread,
And shrubs and flowers a labyrinth wrought
Of bud and leaf— that room I sought :
’Twas late — I scarce could find my path
By the dim ray the starlight hath :
A lamp was burning in the room,
So faint it scarcely lit the gloom ;
Yet lovely seem'd the light — it fell
Upon the face I loved so well.
He'd flung him on a couch to sleep —
Ah ! how unequal seem'd our share,
For I was left to watch and weep,
And he lay calmly slumbering there.
How beautiful ! — the open brow
Like morning, or like mountain snow;
I leant mine, pale and cold, beside,
And felt as if I could have died
To save that sleeper from one pang —
Ay, though the arch-fiend's summons rang.
A murmur from his closed lip came ;
I listen'd — it was not my name :
Around his neck a ribbon clung,
Close to his heart a picture hung :
I saw the face — it was not mine ;
I saw, too, a small dagger shine,
A curious toy — you know the rest."
— Her forehead with her hand she press'd,
As if to still the burning pain
That throbb'd in every beating vein.
He took the cross, that holy man,
And kind and gentle words began ;
She fiercely raised to his her eye,
As if such soothing to defy.
" I tell thee, father, 'tis in vain,
His life, mine own is not so dear,
Yet would I do that deed again,
And be again a prisoner here,
Rather than know that he could be
Loving and loved, yet not by me.
Begun in guilt and closed in gloom,
Our love's fit altar is the tomb ! "
She died as few can dare to die,
With soul unquail'd and tearless eye :
None soothed the culprit as she pass'd,
With look grown kind, because the last,
Or with affection's desperate tone —
She died, unpitied and alone !
And never told that priest her tale,
But lip grew cold and cheek grew pale.
The guilt of blood on one so young,
Such haughty brow, such daring tongue,
And such wild love ; and some would weep,
Some bear the image to their sleep,
And start from feverish dream to see
The moonlight close their phantasie,
And eager count their beads, and pray
To keep such evil from their way ;
Then while the warning in them wrought,
Finding it food for serious thought,
And marking how wild passions lead
To wasted life and fearful deed,
Pray, ere they sank to sleep again,
Such tale might not be told in vain.
The New Monthly Magazine, 1831