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Letitia Elizabeth Landon (L E L)

Poems published in periodicals, primarily in The Literary Gazette - 2

 

 

VERSIONS FROM THE GERMAN

(Fifth Series.) 

 

COUNT EGMONT, a Tragedy — Goethe

 

We need only preface this scene by observing that the heroine, a girl of inferior rank, is beloved by Count Egmont. Brackenberg has been her friend and lover from childhood ; and partly to preserve her secret, but still more from a mistaken kindness, which hopes that affection can be an equivalent for love, Clara encourages his visits. I only attempt (with one exception), to render the scenes in which she appears. Clara's character appears to me full of interest and poetry. You see her first, simple, and ignorant of that world from which she has lived secluded. Her attachment has originated in her imagination. The hero has been her idol before he was her lover. She looks up to him, and her tenderness is almost worship ; but sorrow brings its strength. The imprisonment of Egmont rouses all the latent energies of her mind. She, who, " save to church," had never trod the public streets, rushes to the market-place, and strives with kindling words to excite the people to save their leader. Her efforts are vain ; and those whom life has parted death re-unites. Count Egmont, one of the Protestant leaders in the Netherlands, was imprisoned and executed by the Duke of Alba. The first victim in as noble a cause, crowned by as glorious a triumph, as history records. 

 

Scene I. — (Clara, Mother, Brackenberg;.) 

 

[A little chamber, in a narrow street, 

Where neatness lends a charm to poverty. 

Some signs there are of better days ; and taste, 

Simple, yet graceful, making its delight 

Of natural enjoyment. Scattered round 

Are common flowers; and softened daylight comes 

Through the green branches of the plants that crowd 

The window sill. There, bending o'er her wheel, 

Whose low perpetual murmur fills the room, 

The aged woman marks her daughter's face. 

And in its loveliness recalls her own. 

A youth, too, reads that face, as if his life 

Had written all its history there. To him 

The world, save where it shines, is as a blank 

Which memory, like the melancholy moon. 

Fills with a borrowed light. The youth is pale. 

As if his childhood taxed a mothers care 

With many anxious hours.] 

 

Mother. 

Children, ye are too sad ! Once this dull room 

Was gladdened with your frequent mirth. 

 

Brackenberg. Ah ! once ! 

 

Mother. Come, sing ! and sing together ! 

 

Clara. What shall we sing ? 

 

Brackenberg. What pleases you.

 

Clara. Then I will choose our song. 

Quick, gay, as if our notes were like the steps 

That rush to battle — 'tis a soldier's song. 

 

(She sings, while Brackenberg, accompanying her, holds the yarn which she is winding.) 

 

    Fife and trumpet are sounding

         The battle alarms ; 

    How my wild heart is bounding — 

         My love is in arms. 

 

    His bright lance is gleaming 

         On high in the air ; 

    His banner is streaming — 

         I would I were there ! 

 

    Oh, had I a helmet, 

         A sword, and a shield, 

    I would follow my true love 

         Away to the field ! 

 

    Hark ! hark ! the death rattle 

         Of shot from the gun : 

    Our chief leads the battle 

         He leads— it is won ! 

 

    Would I were the meanest 

         That belted a sword ; 

    Its edge were the keenest 

         That drew for my lord ! 

 

    To pray and sigh for him 

         Is all that I can ; 

    I would strike and die for him, 

         If I were a man ! 

 

(Brackenberg watches her during her song. He soon ceases to accompany her; and, letting the skein fall from his hand, goes to the window. Clara rises, as if to follow him ; but resumes her seat. Brackenberg, at her request, goes to inquire what has caused the unusual attendance of guards upon the regent who is passing.) 

 

Mother. 

Why sent you the good youth away so soon ? 

 

Clara. 

Blame me not, mother ; for I blame myself. 

My spirits are oppressed when he is here— 

I know not how to look, or how to speak ! 

The wrong I do him cuts me to the heart. 

 

Mother. 

Clara, he loves you with a faithful love. 

 

Clara. 

I cannot help it — would we could be friends ! 

How I reproach me the deceit I use; 

He brings so many kindly thoughts to mind 

How many pleasures have we shared together— 

How many thoughts exchanged. Sometimes he takes 

My hand so softly and so timidly, 

With such undoubting confidence of love ! 

How can I feed so fond a faith in vain ? 

I have no hope to give ; and yet I lack 

The courage that would tell him to despair. 

 

Mother. 

Time was, you loved him well enough to wed. 

 

Clara. 

I knew not then the mightiness of love, 

Or how a heart requires a heart again ; 

I wished him well — God knows I wish it still— 

But loved him — never ! never ! 

 

Mother. 

Well, maiden, in your folly you have lost 

A calm, a happy, and a loving home. 

 

Clara. 

Not loving, mother! — love asks more, much more ! 

I try to gather up my thoughts in vain 

I doubt, I fear, it is his absence, mother, 

That spreads its own dismay; were Egmont nigh, 

All would be clear. He is my light — my life 

Existence is without him incomplete — 

How great he is ! Our land on him relies ! 

Why should not I—I who am in his arms 

The happiest creature on God's blessed earth ? 

 

Mother. 

And for the future — ask if the hereafter — 

 

Clara. 

I only ask the present — if he loves me ? 

 

Mother. 

Children and sorrow come together. First 

Are sleepless nights, and cradle watchings — next 

Your age is vexed with maiden fantasies, 

And your girl's lover costeth you more care 

Than ever did your own. It is not well ! 

 

Clara. 

You did not always blame me, mother dear ! 

When first I sought the casement, just to watch 

Our stately hero pass, you came as well ; 

And when his dark eye sought me out with smiles, 

Did you not feel the greeting half your own ? 

 

Mother. 

My foolish fondness for thee was too kind. 

 

Clara. 

When he came often — came here day by day — 

And well we knew his coming was for me — 

Were you not proud and joyful as myself. 

When on our threshold waiting, and for him, 

Was I called back, my mother ? 

 

Mother. 

I never thought it would have gone so far — 

 

Clara. 

And when, at length, wrapped in his cloak, he came, 

Who was it greeted — gladly too — our guest ? 

I leant upon my chair, pale, trembling — still 

As if spell bound : I could not speak to him. 

 

Mother. 

He is so kind — so frank— one cannot choose, 

But give the cheerful welcome which he makes. 

 

Clara. 

Ah, this poor house is heaven, since he came here. 

What princess but would envy in his heart 

The lowly Clara's place ! How fond his love — 

How anxious for me — and how tender of me — 

Love mine — my idol ! Not in his true heart 

Beats one false pulse ! 

 

Mother. 

Does he come here to-day ? 

 

Clara. 

Have you not seen me at the window, mother ? 

The floor creaked, and I reddened at the noise — 

I thought it was a step — and still my eyes, 

Though turned on other things, have watched the door. 

 

Mother. 

You are so eager, you betray yourself. 

The wood-cut which your cousin shewed — how near 

It had betrayed your secret. Egmont's form 

Scarce caught your eye, before you cried, 'Tis he! 

 

Clara. 

'Tis hard to hide a heart so full as mine ! 

It was the fight near Gravelines — and there 

His horse was killed beneath him — and my heart 

Gave all the wretched picture lacked to shew. 

Nay, I must laugh. There Egmont stood, as tall 

As the old tower, or the good English ship 

That rode hard by. I saw the hero stand, 

His helmet off, the wind in his dark hair, 

And his eye bright with triumph. Often now 

I think how I was used to fancy war, 

Familiar from my childhood, with the name — 

The honoured name of Egmont. I was wont 

To image what the hero's self might be : 

How feel I now ? 

 

( Brackenberg returns, says that there has been a tumult in the town, and proposes to go. Clara does not at tempt to detain him — but, withdrawing the hand which he attempts to take, leaves the room with her mother.) 

 

Brackenberg (solus). 

I scarcely meant to go so soon away — 

I felt my heart swell when she said no word 

That might induce my stay. Unhappy one ! 

The perils darkening o'er thy fatherland 

Affect not thee. No general sympathy 

Stirs generous anger in thy laggard veins. 

Spaniard, or countryman — the same to thee— 

I had a nobler spirit as a boy ; 

My very school-task roused its youthful wrath 

At the oppressor's name. But now I hang 

Devotedly upon a maiden's look. 

I cannot leave her ! Can she not love me ? 

The gentle ties gathered by many years, 

Affections garnered since our first small words : 

These cannot be forgotten all — like dreams ! 

Can she have cast me from her thoughts ? Not quite — 

Yet half is worse than nothing. Oh ! no more 

Can I endure this worst of misery — doubt ! 

Can it be true — the whisper which I heard — 

That at this very door a cavalier 

Stands with the night, his cloak around his face; 

Aye enters ? No ! it is a false, base lie ! 

Clara is innocent, as I am wretched ; 

Yet time was when she loved, or seemed to love : 

Can I forget the happiness that pierced 

My heart like sudden pain — yet was so sweet. 

False hope ! that in thy cruelty dost paint 

A perfect joy — a paradise far off. 

And that first kiss — that one — 't was here. 

(Laying his hand on the table.) 

Gentle she always was, and kind, and sweet. 

But there was softness in her eyes that night. 

I never read their light so close before. 

I know not how — but there my lip touched hers. 

My head was dizzy with the wild delight. 

Oh ! would that I had died ! I think of death 

As if he were a friend — severe and cold— 

From whom I shrink — but yet my only friend. 

 

(To be continued.)

The Literary Gazette, 7th February 1835

 

VERSIONS FROM THE GERMAN

(Fifth Series: continued.) 

 

COUNT EGMONT, a Tragedy — Goethe 

 

Scene II. — (Mother, Clara, and afterwards Count Egmont.) 

 

[THE same small chamber; but the fire-light now 

Flings its fantastic shadow on the wall : 

A light less cheerful than the blessed sun. 

And yet more social. Curtains closely drawn, 

And fastened doors, shut out all else beside 

The still small world of our own hope and heart. 

The maiden's garb is simple ; but 'tis worn 

With a sweet anxiousness to please. Her hair— 

How rich its golden tresses are— is knit 

With curious care around her graceful head. 

Her cheek is red ; the rose betrays her heart ; 

Telling how fast it beats. One enters there— 

A warrior by his step — and by his eye— 

And yet the step is light — the eye is soft. 

Still hath that eye a dark and inward power. 

Which, like the shadow of some omen, sits 

And clouds the present with vague prophesy.] 

 

Mother. 

So true a lover have I never known ! 

Young Brackenberg may well deserve a place 

On those old chronicles of constancy 

That are such favourites with you. 

 

(Clara continues to pace the room, singing snatches of an old song.) 

 

    It weeps, saddest weeping, 

         It hopes, and it fears ; 

    Then smiles are keeping 

         A light mid its tears. 

    Now humble, now scornful, 

         Now gladness, now gloom ; 

    Now bright as the morning ; 

         Now dark as the tomb. 

    Now pining all lonely ; 

         Then widely it roves ; 

    Yet happy is only 

         The spirit that loves. 

 

Mother. 

Now, cease this foolish singing. 

 

Clara. 

Pray thee forbid me not, you do not know 

The power that lurked in that simple song: 

‘Twas sung beside my cradle, and recalls 

Thoughts that I love to link with thoughts of love. 

Frank, innocent, glad thoughts. He is a child, 

And useth childish phrase ; our common words, 

The workaday and worldly, are too harsh, 

Too cold a language, for his gentle mouth, 

Which has a music like the lisping child. 

The loving heart delighteth in old songs ; 

They say so many things we wish to say, 

And wake our sympathies, and make us feel 

Less strange ourselves. Others have loved as well, 

And left these tender relics of their love. 

 

Mother. 

You think of nothing else. This will not last. 

Youth and fair Love have their appointed time; 

They pass, and then we care for other things. 

 

Clara (shuddering.) 

Let that day come, and it will come like death, 

Cold, fearful ; but thou liest too near my heart 

To be forgotten : other loves may pass 

The vain, the cautious — not a love like mine. 

 

(Egmont enters, his mantle folded round him. Clara at first stands as if overpowered, and then springs towards him. The Mother makes him welcome, and, after a few words, hurries, to prepare supper.) 

 

Clara. 

What ails my love, that thus with folded arms 

He stands aloof? and yet love, mine, you smile. 

The watching soldier wraps him in his cloak. 

 

Egmont. 

Sweet one, the lover has his ambush too — 

Disguising. 

 

Clara. 

Ah ! what would my lover be ? 

 

Egmont. 

Whate'er you please ! 

 

(Throws off his cloak, appears in a splendid garb, and clasps her in his arms.) 

 

Clara. 

I pray thee, loose me, for I fear to spoil 

Your rich array ! How glorious you are ! 

 

Egmont. 

Are you pleased, sweetest ? Thus you bade me come, 

Garbed as a Spaniard. 

 

Clara. 

I shall pray thee, love, 

To come no more, so gorgeous in array — 

It is a barrier 'twixt thy heart and mine. 

I dare not touch you. Oh, the golden fleece ! 

 

Egmont. 

Yes, sweet, look on it ! 

 

Clara. 

It was an emperor hung it round your neck. 

 

Egmont. 

And with it many a noble privilege. 

The master of the order, and its knights 

Alone, may sit in judgment upon him 

Who wears its stately badge upon his breast. 

 

Clara. 

Ah, you might challenge the whole world to judge 

Your glorious life. How rich this velvet is. 

I know not where to fix my eager eyes. 

 

Egmont. 

Look till you tire of looking, dearest child. 

 

Clara. 

I love this golden fleece. Some day I'll ask 

Its ancient history of you. It is given — 

The high reward of honourable toil. 

You wear it as your proud rank's proudest sign. 

I liken it, my Egmont, to your love, 

Which wear I, as a badge, upon my heart— 

And yet — 

 

Egmont. 

What yet, my sweetest ? 

 

Clara. 

Noble achievement won this noble pledge. 

But I have nothing done to gain your heart, 

How have I merited this happiness— 

I never laboured for your love ?

 

Egmont. 

Therefore the worthier of it. Love is not 

A bird of prey, to pay the hunter's toil — 

He is best won by those who seek him not. 

What have I done ? What can I do for you ? 

 

Clara. 

I saw you riding in the regent's train. 

 

Egmont. 

Did you, my child ? I looked, but saw you not. 

 

Clara. 

I shun to meet your eye before a crowd— 

I am a very coward. 

 

Egmont. 

Not so ; it is not fear ; but a sweet shame 

That sends the rose so frequent to your cheek. 

 

Clara. (Kneels at his feet, and looks up into his face.) 

Let me gaze on thee ! Let me read those eyes ! 

And aye, within them comfort, joy, and hope. 

The history of my life is written there. 

Oh ! tell me — are you mine — my very own — 

Mine — Egmont — the great Egmont — on whose smile 

So much depends — on whom the city trusts — 

He who hath given to so many life. 

 

Egmont. 

No, I am not he. 

 

Clara. 

How mean you ? 

 

Egmont. 

Listen, sweet ! 

The Egmont of yon city — he is proud, 

And cold, and stern, and sorrowful. He keeps 

His counsel to himself. He wears a brow 

That is a smiling shadow to his heart : 

Perplexed with seeming mirth, that shroudeth care. 

Exalted by a giddy populace, 

That know not what they laud, or what they seek. 

Moving 'mid those who understand him not ; 

Whom he has naught in common with : and worn 

By furious guarding 'gainst familiar friends 

Who seem, yet are not. Watched, suspected, feared ; 

Wearied with labour, which hath neither end 

Nor yet reward ; but only distant hope. 

Such is the Egmont of the field and state. 

But thine beloved : he is happy, frank, 

Open, and known to that most dear of hearts — 

Which he knows, too, and trusts it as his own. 

Calm, deeply joyful ; such is Egmont now. 

 

Clara. 

Ah ! let me die upon those blessed words — 

The world has now no joy beyond. 

 

[The above scene certainly suggested to Sir Walter Scott the exquisite one in " Kenilworth," where Leicester comes to visit Amy, garbed as befits his rank. A brief portion will shew the general resemblance. " Meanwhile, the earl affected to resist, when she strove to take his cloak from him. ‘Nay.' she said, ‘ but I will un-mantle you. I must see if you have kept your word to me, and come as the great earl that men call thee; and not heretofore as a private cavalier.' And, with a childish wonder, which her youth and rustic education rendered not only excusable but becoming, she examined and admired from bead to foot, the noble form and princely attire of him who formed the proudest ornament of the court. ‘But this other fair collar, so richly wrought, with some jewel, like a sheep hung by the middle, attached to it, what,' said the young countess, ' does it signify? ' This collar,' said the earl, ' is the badge of the noble order of the Golden Fleece, once appertaining to the House of Burgundy. It hath high privileges, my Amy, belonging to it — this most noble order — for even the King of Spain himself, who hath now succeeded to the honours and demesnes of Burgundy, may not sit in judgment upon a knight of the Golden Fleece, unless by assistance and consent of the great chapter of the order. It belongs properly to Flanders; and Egmont and Orange have pride in seeing it displayed on an English bosom.'"— Kenilworth.] 

 

(To be continued.)

 

The Literary Gazette, 28th February 1835

 

VERSIONS FROM THE GERMAN

(Fifth Series: continued.) 

 

COUNT EGMONT, a Tragedy — Goethe

 

Egmont. 

Evening has darken'd o'er the market-place: 

'Tis shadowy and deserted. Those who pass 

Go hurrying by, with pale and anxious looks, 

That fear to meet each other. She is there, 

The gentle maiden whom Count Egmont loves. 

An hour has changed her more than many years. 

Her wild eyes wander round, and in their gaze 

Flashes the lightning of despair that hopes — 

Hope, agony's brief fever. Her white lip 

Is eloquent, and passionate with fear — 

Fear born of love, forgetful of itself. 

Her cheek is flushed — 'tis with the eagerness 

Of the young warrior — but they heed her not. 

A selfish fear has paralysed the crowd — 

The future is not with them — and they seek 

Precarious safety by its sacrifice. 

 

Clara, Brackenberg, and Citizens. 

 

Brackenberg. 

Return, beloved one ! Wherefore are you here ? 

 

Clara. 

To free him, Brackenberg. A little word 

Will bid his fellow citizens awake 

To strength and action. Strong in every heart, 

Though secret is the wish to set him free. 

What do we hazard but our useless lives, 

That are not worth the keeping, if he perish. 

Come, come, there only wants the gathering voice ! 

 

Brackenberg. 

Unhappy one ! you do not see the power 

That fetters our desire with iron band. 

 

Clara. 

But not unconquerable. See, they come, 

Men, tried and true, his fellow citizens. 

Oh, friends, what now of Egmont ? 

 

1st Citizen. 

Hush ! child, hush ! 

 

Clara 

I will speak softly, till our gathered strength 

Finds in its union voice. Ah, no delay ! 

The tyranny that dared to fetter wears 

A midnight dagger. As the evening shades 

Darken around, my spirit darkens too. 

I dread the night. But let us now disperse, 

Each calling on his friends : let each one seek 

His ancient sword. Here let our meeting be ! 

The market-place will hold our generous crowd 

Our stream will carry all before its tide. 

The enemy will falter, and then yield. 

They have but hired guards to meet our might — 

Soldiers against the people ! they'll not stand. 

Count Egmont, he will marshal our return. 

Free, he will thank us for it — we, who owe 

So vast a debt to him. Ah, he may see — 

He will see morning redden the free sky ! 

 

2nd Citizen. 

What mean you, maiden ? 

 

Clara. 

Hear ye not my words ? 

I speak of Egmont. 

 

1st Citizen. 

Name not his fatal name ! 

 

Clara. Not name that name ! his name ! Why it must come, 

If but from common custom to the lip.

Where is it not inscribed ? Why, I have read 

Each letter of that name amid the stars. 

Neighbours, dear friends, ye dream, ye dream : awake! 

Gaze not on me with sadly wondering eyes, 

I only bid you to your actual wish. 

My voice is but the voice of your own hearts. 

Who will this wretched night lay down his head 

Upon his restless bed, ere he has knelt 

In earnest prayer to heaven for Egmont's sake. 

Now, with God's blessing, ask it of yourselves. 

Mine be your watch word — Egmont ! freedom ! death ! 

 

3d Citizen. 

The evil that would bring upon our heads ! 

 

Clara. 

Stay yet a little while. Fly not the name 

Your shouts so lately bore to yonder heaven. 

But late he came from Ghent ; then stood ye all 

Joyful, and lined the streets through which he rode.

Then did the artisan fling down his work 

That he might gaze ; the sorrowful looked forth, 

And gladdened while they looked, as if his face 

Shed sunshine round. Ye held your children up 

That they might know the hero of your love. 

'Tis our brave Egmont. Ye must look to him 

For better days than those your fathers knew. 

Let not your children ask, where is he now — 

Our great deliverer ? Where the better days 

That built their hope on him ? How will ye say, 

We did betray him, cowards that we were ! 

 

1st Citizen. 

Let her not talk, it only adds to ill. 

 

Brackenberg. 

Pray you, dear Clara, let us now go home. 

 

Clara. 

Am I a child or mad ? You think me such. 

From this dark certainty I cannot come 

Without a hope away. Ah ! let me speak 

And ye will hear. I see you are amazed, 

As yet ye cannot find your better selves. 

Look from the present danger to the past — 

Summon ye next the future from that past — 

Can you then live — live, will you, and Egmont gone ? 

With his breath fails the breath of freedom too ! 

For you, what pressing dangers he has dared ! 

For you, he shed his life-blood in the war ! 

Now doth a jail confine that noble soul, 

Where deeds of murder are familiar things. 

Perhaps he thinks of you — and hopes. He asks 

The help that he was only used to give. 

 

3rd Citizen. 

Come, comrade, come, this is too dangerous talk. 

 

Clara. 

Ah, I have not your arms, nor yet your strength ; 

But I have what you want— in constant heart. 

Would it could beat for all. Let my weak breath 

Kindle the dormant ashes. I will go, 

Like a frail banner flung upon the wind, 

Which leads a noble host to victory, 

So shall my spirit lead — would ye but know 

A gathered people have an awful power. 

 

1st Citizen. 

Nay, lead her hence. 

 

Brackenberg. 

Think, Clara, where you are. 

 

Clara. 

Beneath the glorious heaven which grew more fair 

When he, the glorious one, walked free below. 

Mark yonder windows, that now, closed and dark, 

Are like your own shut hearts. Have ye not seen 

Head above head there raised to gaze on him ? 

On your own thresholds have ye stood with shouts ! 

Ye ! whom I loved, because ye honoured him. 

Is he become a tyrant that ye shrink 

From sharing in his fall ? Ye loved him once. 

Oh, these weak hands ! could ye but grasp a sword, 

And ye fond arms ! that have so often held 

The hero prisoned in their soft restraint, 

Can ye do nothing for him ? 

 

3d Citizen. 

Yonder is Alba's guard : we must away. 

 

Brackenberg. 

Come, Clara, this is madness : let us go. 

 

Clara. 

And will you make no effort ? you too stood 

One of the many in the shouting crowd ; 

I, only, hid my face, or timidly 

Glanced through th' half-opened casement, though my heart 

Beat higher than your own, and far more true. 

 

Brackenberg. 

Patience, sweet Clara, we are left alone. 

Look round — these public streets you used to tread 

Only to church on the calm Sabbath morn ; 

Then was your veil drawn closely round, your eyes 

Sought but the ground, and if I spake you blushed— 

Though but the kindly greeting of a friend — 

An old familiar friend. What can have changed 

The downcast and the timid one ? 

 

Clara. 

Despair ! 

But let us home; home — where is now my home ? 

 

(To be continued.)

 

The Literary Gazette, 7th March 1835

Egmont 2
Egmont 3
Egmont 4

VERSIONS FROM THE GERMAN

(Fifth Series: continued.) 

 

COUNT EGMONT, a Tragedy — Goethe

 

Count Egmont’s Soliloquy In Prison. 

THE chain is on his hand and on his wrist — 

Even the narrow limits of his cell 

He cannot trace. How drearily the light

From the sepulchral lamp falls o'er the walls. 

Which gleam with constant damp. On every stone 

Are graven melancholy characters ; 

Names that are histories. He cannot rest, 

That captive warrior, for his pulses beat 

With an impatient sense of injury ; 

His brow is feverish with unquiet thoughts ; 

And though he folds his arms as if to sleep. 

It will not visit him. 

 

Egmont. 

Old friend and true companion ! soothing Sleep, 

Yes fly, like other friends. How easily 

Did your sweet influence fall on my free head, 

Cool like a lovely crown of myrtle boughs. 

Beloved Sleep ! amid the clash of arms, 

On the rough torrent of unquiet life, 

I rested, breathing lightly as a child, 

Weary and cradled in your mother arms. 

When the storm swept the leaves from off the bough, 

And rushed thro' crashing branches, yet my heart 

Was in its depths untroubled, — and I slept. 

What is it now shakes my tranquillity ? 

It is the axe's clang laid to my roots. 

I shudder as I stand — I feel my fall 

Before it comes. The traitors will prevail ! 

Thundering amid the forest comes the oak 

Down upon earth, while yet its crown is green. 

Yet wherefore now — thou who so oft hast driven, 

Like the soap bubbles on the air dispersed, 

So many heavy cares away — why now 

Can I not do as I have frequent done 

A thousand times — flung off their weight with thee ? 

Since when has death grown fearful ; with whose face, 

As with familiar images of life, 

Thou hast been wont to live ; what ails thee, Sleep ! 

A natural horror sinks my shuddering soul. 

It is not him, not the bold enemy 

That rushes fiercely on the healthful breast. 

For such I have no fear. ’Tis this dull jail 

That makes the hero and the coward one ! 

Oft, amid princes in the senate house, 

Weary of long debate in narrow walls, 

I've felt the air grow heavy, and rushed forth 

And flung me on my horse, with one deep breath, 

Impatient for a far and free career. 

Then went I forth amid the pleasant fields, 

Rich with sweet nature's bounty, fair with flowers, 

Or golden with the early harvest's com : 

The heaven above us shed its blessings round. 

I felt more keenly my humanity, 

And lofty impulses, and generous thoughts, 

Swelled in my bounding veins. To serve man kind 

Was uppermost in the young hunter's thoughts. 

Then was the soldier ready to make good 

His right against a world — his glorious right ! 

When freedom, terrible, swept like a storm 

Through meadow, forest, valley, swelling on ; 

Scorning the petty boundaries wherewith man 

Would fence his portion from a brother's claim. 

Ah, Memory ! thou art a spectre now 

Of the fair happiness I once possessed. 

Fate ! that hast made the past but as a dream, 

False fate ! wilt thou deny me that bold death 

I never feared before the open sun ? 

Hast thou prepared a foretaste of the tomb 

In this my vault-like prison ? I am cold, — 

I draw a difficult breath amid the damp 

Exhaling from these old sepulchral stones. 

I shudder at yon pallet, as it were 

A new made grave laid open at my feet. 

Oh, care! that art death's shadow, leave me now. 

Ah, when hath Egmont been so, all alone 

In this wide world ! come hack, my former self.

Let me remember I have many friends ; 

That I am master of the people's heart. 

Honour, fidelity, and hard-earned love, 

These cannot flit like meteors of the night. 

Fear were, for me, injustice. I am safe 

In the great strength that makes the many one. 

My trust is with my countrymen, whose cause 

Has ever been my own, they will rise up, 

And, with an overwhelming power, save 

Their faithful servant, and their ancient friend. 

Oh ! walls, that press me with your gloomy depths, 

My spirits rise above your dark restraint ! 

Courage is like an angel at my heart ! 

I see the people gathered at my side, 

In swarming thousands ; and she too is there, 

My own beloved one ! Freedom is more fair 

For that it wears her image. I will sleep, 

And dream of Clara and of liberty. 

The fair face painted on the dungeon air, 

By the strong force of hope, distinct and sweet, 

Is a good omen. Love mine, I will rest. 

If my last sleep — it will be full of thee. 

 

The Literary Gazette, 28th March 1835

Sketches from Designs by Mr. Dagley. 

Sketch the Third. 

 

THE CUP OF CIRCE

 

" All have drank of the cup of the enchantress. " 

 

She sat a crowned Queen— the ruby's light 

Gleamed like a red star on the dark midnight 

Amid her curls ; but as they downward fell 

To meet her ivory neck's luxuriant swell, 

Some roses twined around the flowing hair—

Fair roses— yet her neck was far more fair : 

They were in summer perfume, and they gave 

Fresh fragrance forth at each light tress's wave. 

Her cheek was crimson beauty, and her eye 

Flashed light upon its varying brilliancy. 

There was a spell in those dark eyes, and all 

Bent joyfully beneath its radiant thrall : 

Their power was on the heart. One white hand raised 

A sparkling vase, where gold and opals blazed 

Only less glorious than her starry eyes ; 

(How sweet the incensed breathings that arise 

From that enchanted cup !) and she the while 

Held the bright poison with a witching smile. 

All gathered round. I marked a fair child stop 

And kiss the purple bubbles from the top ; 

A white haired man, too, hung upon the brim— 

Oh ! that such pleasure should have charms for him

And by his side a girl, whose blue eyes, bent 

On the seducer, looked too innocent 

For passion's madness; — but love's soul was there — 

And for young Love what will not woman dare ! 

There was a warrior — oh, the chain was sweet 

That bound him prisoner to the Circe's feet : 

He knelt and gazed upon her beauty ; she 

Smiled, and received his wild idolatry ; 

Then sighed that low sweet sigh, whose tender tone 

Is witching, from its echo of our own. 

The Painter's skill has seized a moment where 

Her hand is wreathing mid his raven hair;

And he is bent in worship, as that touch, 

That soft light touch, were ecstasy too much. 

He is just turned from that bewildering face 

To the fair arm that holds the magic vase — 

The purple liquor is just sparkling up — 

The youth has pledged his heart's truth on that cup! 

 

From The Literary Gazette, 10th August, 1822

 

Cup

I am at present unable to trace Mr Dagley's designs.

Cupid Peacock

Medallion Wafers

 

CUPID RIDING A PEACOCK

 

All the colours glistening 

On the rainbow of the spring, 

Mingled with the deeper hue 

Of the grass green emerald too, 

Are upon that bird, whose neck 

Crimson wreaths of roses deck, — 

Mounted by a Boy, whose lip 

Is such as the bee would sip 

For the first rosebud in May. 

    Love, upon a summer day, 

Bade the Graces link a chain 

Of sweet flowers, for a rein 

Round the peacock's glorious wing. 

Forth he rode ; then, like the king 

Of bright colours, smiles, and blooms, 

Sunny darts and golden plumes. 

    Oh this is not that sweet love 

Own companion to the dove ; 

But a wild and wandering thing, 

Varying as the lights that fling 

Radiance o'er his peacock's wing. 

I do weep, that Love should be 

Ever linked with Vanity. 

 

From The Literary Gazette, 25th January 1823

 

 

THE DEAD

 

A SPIRIT doth arise 

From the ashes of the dead, 

Holy as if the skies 

    Thrice sacred influence shed. 

 

There ethereal hopes are born, 

Such as sanctify the earth—— 

The noblest wreath e’er worn, 

    Owes to the grave its birth. 

 

For we think upon the dead ; 

The glorious, and the good: 

And the thought where they have led 

    Stirs the life-blood like a flood; 

 

Where the pure bright moon hath shed 

The light which bids it rise, 

Towards the heaven o’er its head ; 

    Even such our sympathies. 

 

Is it some hero’s grave, 

Who for his country died? 

Then honour to the brave, 

    We would be proud to rest beside.

 

Is it some sage, whose mind 

Is as a beacon light 

To save and guide his kind, 

    Amid their mental night? 

 

Some poet who hath sung 

The griefs o’er which he wept; 

The rose where rain hath clung, 

    That fresh and sweet is kept ? 

 

Some martyr who hath sealed 

With his blood, his faith divine; 

That ever men should yield 

    To their passions, God’s own shrine? 

 

Who can think on men like these? 

Nor feel that in them dwell, 

The highest energies ; 

    And a hope unquenchable : 

 

While the grave an altar seems, 

For the most exalted creed, 

Till resolves that were as dreams, 

    End in honourable deed. 

 

Plant the laurel on the grave, 

There the spirit’s hope hath fed, 

By the good, the great, the brave,— 

    Be honour to the dead. 

 

Fraser's Magazine, 1830

Dead

DEATH AND THE YOUTH

 

" Not yet — the flowers are in my path, 

The sun is in my sky ; 

Not yet — my heart is full of hope 

I cannot bear to die. 

 

Not yet — I never knew till now 

How precious life could be? 

My heart is full of love — oh death

I cannot come with thee 

 

But Love and Hope, enchanted twain, 

Passed in their falsehood by ; 

Death came again, and then he said — 

" I'm ready now to die !"

 

The Literary Gazette, 28th April 1832

Death Youth

THE DEATH OF CAMOENS (THE TWO DEATHS - II.)

 

Pale comes the moonlight thro' the lattice gleaming, 

    Narrow is the lattice, scanty is the ray, 

Yet on its white wings the fragrant dews are streaming — 

    Dews — oh how sweet after August's sultry day ! 

Narrow is the lattice — oh let night's darkness cover 

    Chamber so wretched from any careless eye — 

Over yon pallet whatever shadows hover, 

    They are less dark than the shadow drawing nigh — 

                              Death, it is thy shadow ! 

                              Let the weary one now die ! 

 

Beautiful, how beautiful ! — the heavy eyes now closing 

    Only with the weight of the moonlight's soothing smile — 

Or do they recall another hour's reposing, 

    When the myrtle and the moonlight were comrades the while ? 

Yes; for, while memory languidly is fetching 

    Her treasures from the depths which they have lain among, 

A fragile hand — how thin — how weak — is sadly sketching 

    Figures and fancies that cell's white walls along. 

                             On the lip there is a murmur — 

                             It is the swan's last song. 

 

Dark order of St. Dominick ! thy shelter to the weary 

    Is like thy rule — cold, stern, unpitying in its aid ; 

Cold is general charity, lorn the cell and dreary — 

    Yet there the way-worn wretched one may rest the dying head;

Who would remember him — ah, who does remember — 

    He the ill-fated, yet the young and gifted one ?

Grief and toil have quench'd life's once aspiring ember : 

    High heaven may have pity — but man for man has none ! 

                             Close thine eyes, Camoens ; 

                             Life's task is nearly done. 

 

Feebly his hand upon the wall is tracing 

    One lovely face and one face alone, 

E'en the coming hour — other memories effacing — 

    Leaves that as fresh as when it first was known ; 

Faintly he traces with white and wasted fingers 

    What was once so lovely — what is still so dear : 

Life's latest look, like its earliest one, yet lingers 

    On the large soft eyes that seem to meet him here ; 

                            Love's ethereal vision 

                            Is not of Earth's dim sphere ! 

 

Large, soft, and dark, the eyes, where he has blended 

    So much of the soul, are somewhat like his own ; 

So in their youth the auburn hair descended, 

    Such the sad sweet smile to either red lip known. 

Like were they in beauty, so the heart's light trembled 

    On the flushing cheek and in the kindling eye ; 

Yet more clearly like — the inward world resembled — 

    In its sweet communion — the tender and the high ; 

                            Our cold world is cruel 

                            To rend so sweet a tie. 

 

Thro' a weary world-path known to care and sorrow, 

    Still was her influence o'er his being cast ; 

She was the hope that whispered of to-morrow, 

    She was the memory music of the past — 

She was in his numbers — when those numbers breathing 

    Of his country's glory made it glorious more — 

To its southern language long harmony bequeathing, 

    Haunting every wild wave dashing on its shore. 

                            Ay, the poet's music 

                            Is lovely as of yore.

 

Dream not that the love which haunts the poet's spirit 

    Is the common passion that sweetens daily earth : 

From a world ethereal its nature must inherit 

    All the high imaginings that crowded round its birth ; 

From the pure, pale stars, amid their midnight watches, 

    It asks for inspiration lofty and divine ; 

From the small wild flowers amid the woods it catches 

    Charms, round the careless and the usual path to shine. 

                            Such is the poet's passion — 

                            Such, Camoens, was thine. 

 

Flinging far below him each meaner thought that cumbers 

    Wishes born of wants, he lighted up life's dream 

With the kindling light that warms the poet's numbers — 

    Yet are they sung by the Tajo's sunny stream. 

Still was his country the theme of his inspiring, 

    How her bold vessels first swept the southern seas — 

Still was her praise the meed of his desiring, 

    While telling how her heroes met the fierce and mighty breeze. 

                             The past and its sea triumphs — 

                             His dreams were fill'd with these. 

 

How was he rewarded? — how are such rewarded? 

    Those who thus lavish their inward wealth in vain ? 

Only one doom for the poet is recorded — 

    A present that must buy the future with its pain. 

Long, long away, toss'd on the Indian billow, 

    Dream'd he sweet songs for his lady and his land ; 

Pale and wan he lies on his last neglected pillow — 

    None are near to minister with soft and soothing hand. 

                             There let the poet perish — 

                             So hath perish'd all his band. 

 

Heavily, heavily his large black eyes are closing 

    On the twilight loveliness they are too faint to know ; 

O'er that pale high forehead a shadow is reposing — 

    Peace to the weary heart that languid beats below !

From that sweet lip its old songs are departed ; 

    Take, ye wild winds, what it wont to breathe of yore — 

There he is dying deserted, broken-hearted, 

    Like a broken lute which no music wanders o'er. 

                             Farewell to Cameons ! 

                             The swan will sing no more. 

 

Yet not for this in the spirit's faith I falter, 

    Heavy though the doom be — yet glorious is the meed. 

Let the life be laid upon the fated altar — 

    It is but the sacrifice of an eternal creed. 

Never yet was song breathed in this high believing, 

    But, like a star, it hath floated down time's wave ! 

While what lofty praises and what tender grieving 

    And what noble hopes, come to sanctify and save ! 

                              Even such the glory, 

                              Camoens, by thy grave !

 

The New Monthly Magazine, 1838

See also The Death of Sigurd, The Earl of northumberland.

These two form the sixth series of 'Subjects for Pictures'.

Death Camoens
Death Bayard

DEATH OF THE CHEVALIER BAYARD

 

His plume was the meteor that led the band, 

His steed was the first in the line ; 

Like light his falchion flashed above, 

But blood soon darkened its shine. 

 

He stood alone (for they fled or fell) 

By the wounded warrior's side ; 

" One charge (he cried) for St. Denis and France !”

But the war-cry unanswered died. 

 

He lay him beneath an aged oak, 

The life-blood gushed from his breast ; 

He looked not on that, but gazed where in dust 

Lay his own soiled falcon crest ; 

 

And hastened the Bourbon to see if aught 

Of human help could save. 

And spoke in words of pity and grief, 

As he leant o'er the fallen brave. 

 

But sterner grew the Knight's brow of death— 

“What hast thou in common with me ? 

I die for my God, my Country, my King — 

Pity, Traitor, is for thee." 

 

The Literary Gazette, 22nd October 1825

THE DEATH OF MARGARET AUDELEY 

 

The shadow of the yew-trees has left an open space ; 

The sunshine rests upon it as if it loved the place. 

A growth of early primroses and green grass hides the tomb — 

How can it be the place of death with all the spring in bloom ! 

 

And she who there is sleeping, how ever could she die ! 

So beautiful, so happy, death should have past her by. 

But last week she was singing in the fulness of her mirth — 

Can a place so soon be desolate as is her place of birth ! 

 

She had known one only dwelling, where every thing refers, 

With an agony of fondness, to something that was her's : 

The flowers she sowed are opening their blossoms to the spring ; 

Her favourite bird is singing ; how can they bloom — or sing ! 

 

But though the month be April, there is upon the air 

A shadow and a silence, though the sun and wind be there. 

For darkened are the windows, and lonely are the grounds, 

And sad low steps and voices with unfamiliar sounds. 

 

For Margaret was so joyous, so full of youth's delight, 

You heard her song or laughter long ere she came in sight. 

Now that sweet voice is silent ; it seems not stilled alone, 

But from parents, friends and servants, all life seems also gone. 

 

Her mother has not spoken since the day she saw her last, 

When they closed the cruel coffin, and the pall was o'er it cast. 

And the bold Earl, her father, who has looked so oft on death, 

His eyes are wan with weeping, and he speaks below his breath. 

 

The summons was so sudden, at morning she was bright 

With rosy health and gladness, who was a corpse ere night. 

To her cheek there came no paleness, no shadow to her brow, 

She looked as glad and beautiful as does her picture now. 

 

She laid her head so quietly upon her mother's knee, 

There came no mortal agony when Margaret ceased to be. 

And when they wound around her the white shroud of the dead, 

Her smile was sweet like slumber, and her cold cheek was red. 

 

Oh, such a death is blessed — so happy and so young, 

As yet unpaid the penalty from crime and sorrow wrung. 

For though direct from Heaven the spirit in our clay, 

Too much its earthly fetters do wear the soul away. 

 

Yes, blessed are the youthful, who leave this mortal strand, 

And come before their Maker as when they left his hand ; 

Who bring a life, as pure almost as when it first was given — 

For of such is the kingdom, our Saviour said, of Heaven.

 

La Belle Assemblée, 1832

Death Margaret
Death Sea

THE DEATH OF THE SEA KING

 

                   Dark, how dark the morning 

                       That kindles the sky! 

                   But darker the scorning 

                       Of Earl Harald's eye ; 

                   On his deck he is lying, — 

                       It once was his throne, 

                   Yet there he is dying, 

                       Unheeded and lone. 

There gather'd round nor follower nor foeman, 

But over him bendeth a young and pale woman. 

 

                   He has lived mid the hurtle 

                       Of spears and of snow ; 

                   Yet green droops the myrtle 

                       Where he is laid low : 

                   The vessel is stranded 

                       On some southern isle ; 

                   The foes that are banded 

                       Will wait her awhile : — 

Ay, long is that waiting— for never again 

Will the Sea Raven sweep o'er her own northern main. 

 

                   He was born on the water, 

                        'Mid storm and 'mid strife; 

                   Through tempest and slaughter 

                        Was hurried his life ;

                   Few years has he numbered, 

                        And golden his head, 

                   Yet the north hills are cumbered 

                        With bones of his dead. 

The combat is distant, the whirlwind is past 

From the spot where Earl Harald is breathing his last. 

 

                   'Tis an isle which the ocean 

                        Has kept like a bride, 

                   For the moonlit devotion 

                        Of each gentler tide ; 

                   No eyes hath ere wander'd, 

                        No step been addrest, 

                   Where nature has squander'd 

                        Her fairest and best. 

Yet the wild winds have brought from the Baltic afar 

That vessel of slaughter, that lord of the war. 

 

                   He saw his chiefs stooping, 

                       But not unto him ; 

                   The stately form drooping, 

                       The flashing eye dim. 

                   The wind from the nor'erd 

                       Swept past, fierce and free ; 

                   It hurried them forward, 

                       They knew not the sea ; 

And a foe track'd their footsteps more stern than the tide- 

The plague was among them — they sicken 'd and died. 

 

                   Left last, and left lonely, 

                       Earl Harold remain'd ; 

                   One captive — one only 

                       Life's burden sustain'd ; 

                   She watch'd o'er his sleeping, 

                       Low, sweetly she spoke, 

                   He saw not her weeping, 

                       She smiled when he woke ; 

Tho' stern was his bearing and haughty his tone, 

He had one gentler feeling, and that was her own.

 

                   Fierce the wild winds were blowing 

                       That drove them all night, 

                   Now the hush'd waves are flowing 

                       In music and light : 

                   The storm is forsaking 

                       Its strife with the main, 

                   And the blue sky is breaking 

                       Thro' clouds and thro' rain : 

They can see the fair island whereon they are thrown, 

Where the palms and the spice-groves rise lovely and lone. 

 

                   Her bright hair is flying 

                       Escaped from its fold, 

                   The night-dews are drying 

                       Away from its gold ; 

                   The op'ning flowers quiver 

                       Beneath the soft air ; 

                   She turns with a shiver 

                       From what is so fair. 

Paler, colder the forehead that rests on her knee ! 

For her, in the wide world, what is there to see ! 

 

                   He tries — vain the trying — 

                       To lift up his sword, 

                   As if still defying 

                       The Death, now his lord. 

                   Once to gaze on the ocean, 

                       His lips faintly stir ; 

                   But life's last emotion 

                       Is one look on her. 

Down drops on his bosom her beautiful head, — 

The Earl and the maiden together lie dead!

 

The New Monthly Magazine, 1837

No II in the third series of 'Subjects for Pictures'

Death Sigurd

THE DEATH OF SIGURD, THE EARL OF NORTHUMBERLAND (THE TWO DEATHS - I)

 

The Earl lay on his purple bed, 

Faint and heavy was his head, 

Where the snows of age were shed — 

    Heavy on his pillow. 

Never more when seas are dark 

Will Earl Sigurd guide his bark 

    Thro' the dashing billow. 

Never from that bed of pain 

Will the warrior rise again.

 

Yes, he will arise : — e'en now 

Red he flushes to the brow ; 

Like the light before his prow 

    Is the dark eye's gleaming. 

No : it never shall be said 

Sigurd died within his bed 

    With its curtains streaming— 

Whose sole curtain wont to be 

Banners red with victory. 

 

Lift me up, the sea-king said— 

At the word his sons obey'd, 

And the old man was convey'd 

    Where the sea was sounding, 

At his ancient castle gate, 

Death's dark coming to await, 

    With his knights surrounding. 

Morn was reddening in the sky, 

As the Earl came forth to die. 

 

In a carved oaken chair, 

Carved with carving quaint and rare— 

Faces strange— and garlands fair— 

    Is the chieftain seated,

As when at some festival 

In his high ancestral hall 

    Bards his deeds repeated. 

And there was no loftier song, 

Than what bore his name along. 

 

Round him swept his mantle red, 

Like a chief apparelled, 

With his helmet on his head — 

    With its white plumes flying. 

At his side the sheathed brand, 

And the spear in his right hand — 

    Mid the dead and dying. 

Where the battle raged the worst, 

Ever was that right hand first. 

 

He — the tamer of the wild — 

Who invincible was styled, 

Now is feeble as a child 

    By its mother sleeping ; 

But the mind is unsubdued — 

Fearless is the warrior's mood, 

    While his eyes are keeping 

This last vigil strange and lone, 

That his spirit may be known. 

 

As a ship cuts through the froth 

Shining comes the morning forth, 

From his own ancestral north, 

    While each rosy vapour 

Kindles beautiful and bright, 

With an evanescent light : 

    But the human taper 

Hath an even briefer ray : 

Strange, oh life, is thy decay ! 

 

Haughtily his castle stands 

On a rock amid the sands, 

Where the waves in gather'd bands 

    Day by day are dashing.

Never is the sounding shore 

Still with their eternal roar, 

    And their strife is flashing 

To the noontide's azure light, 

And the stars that watch at night. 

 

Sigurd's look is on the foam 

Where his childhood wont to roam — 

For the sea has been his home 

    From his earliest hours — 

Gathering the echoing shells, 

Where the future tempest dwells, 

    As some gather flowers ; 

Trembling when a rosy boy 

With a fierce and eager joy. 

 

Many things long since forgot 

In a hard and hurried lot 

Now arise — they trouble not 

    Him, the stately hearted : 

But he saw a blue-eyed maid, 

Long since 'mid the long grass laid,

    And true friends departed. 

Tears that stand in that dark eye 

Only may the sea-breeze dry. 

 

Longer do the shadows fall 

Of his castle's armed wall, 

Yet the old man sits, while all 

    Stand behind him weeping : 

But behind they stand, for he 

Would not brook man's tears to see. 

    One fair child is sleeping — 

To his grandsire's feet he crept, 

Weeping silent till he slept. 

 

Heavily beneath his mail 

Seems Earl Sigurd's breath to fail, 

And his pale cheek is more pale,

    And his hand less steady. 

Crimson are the sky and surge, 

Stars are on th' horizon's verge, 

    Night and Death are ready ! 

Down in ocean goes the sun, 

And Earl Sigurd's life is done ! 

 

The New Monthly Magazine, 1838

See also The Death of Camoens.

These two form the sixth series of 'Subjects for Pictures'.

Death-Bed

DEATH-BED OF ALEXANDER THE GREAT

 

On his bed the king was lying — 

    On his purple bed; >>>

"Tell us not that he is dying;" 

    So his soldiers said, 

                         " He is yet too young to die. 

Have ye drugged the cup ye gave him, >>>>

    From the fatal spring ? 

Is it yet too late to save him ? 

    We will see our king ! 

                         Let his faithful ones draw nigh, 

                    The silver-shielded warriors — 

                         The warriors of the world!" 

 

Back they fling the fragrant portals 

    Of the royal tent ; >>>>>

Vainly to the stern immortals 

    Sacrifice and vow were sent. >>>>>> 

                         Cold and pitiless are they ! 

Silent in their starry dwelling, 

    Nothing do they heed 

Of the tale that earth is telling, 

    In her hour of need I 

                         They have turned their face away, 

                     Ye silver-shielded warriors, 

                          Ye warriors of the world ! 

 

In that royal tent is weeping ; 

    Women's tears will flow ; 

There the queens their watch are keeping >>>>>>>

    With a separate woe. 

                           One still wears her diadem — 

One her long fair hair is rending, 

    From its pearls unbound ; >>>>>>>>

Tears from those soft eyes descending, 

    Eyes that seek the ground. 

                           But Roxana looks on them, 

                      The silver-shielded warriors, 

                           The warriors of the world ! 

 

In the east the day was reddening, 

    When the warriors pass'd ; 

In the west the night was deadening, 

    As they looked their last ; 

                            As they looked their last on him — 

He, their comrade — their commander — 

    He, the earth's adored — 

He, the godlike Alexander ! 

    Who can wield his sword ? 

                           As they went their eyes were dim, 

                      The silver-shielded warriors, 

                           The warriors of the world ! 

 

Slowly passed the sad procession 

    By the purple bed ; 

Every soldier in succession 

    Thro' that tent was led. 

                           All beheld their monarch's face — 

Pale and beautiful— reclining, 

    There the conqueror lay, 

From his radiant eyes the shining 

    Had not passed away. 

                           There he watched them from his place- 

                       His silver-shielded warriors, 

                           His warriors of the world ! 

 

Still he was a king in seeming, 

    For he wore his crown ; 

And his sunny hair was streaming 

    His white forehead down. 

                           Glorious was that failing head ! 

Still his golden baldric bound him, 

    Where his sword was hung : 

Bright his arms were scattered round him, 

    And his glance still clung 

                           To the warriors by his bed — 

                       The silver-shielded warriors, 

                           The warriors of the world ! 

 

Pale and motionless he rested, 

    Like a statue white and cold, 

With his royal state invested ; 

    For the purple and the gold 

                            In his latest hour he wore. 

But the eye and breath are failing, 

    And the mighty Soul has fled ! >>>>>>>>>

Lift ye up the loud bewailing, 

    For a wide world mourns the Dead ; 

                            And they have a Chief no more — 

                        The silver-shielded warriors, 

                            The warriors of the world ! 

 

The New Monthly Magazine, 1835

>>>" While Alexander was on his death-bed, the soldiers," says Arrian, “ became eager to see him ; some to see him once more alive, others because it was reported that he was already dead, and a suspicion had arisen that his death was concealed by the chief officers of the guards, but the majority from sorrow and anxiety for their king ; they, therefore, forced their way into his chamber, and the whole army passed in procession by the bed where he lay pale and speechless." 

>>>> Plutarch mentions that one of the popular reports was, that Alexander's death was occasioned by poison administered by Iollas, his cup-bearer. This poison, the water of a mountain-spring, was of so corrossive (sic) a nature as to destroy every substance but the mule's hoof in which it was brought. 

>>>>> Phylarchus gives a splendid account of Alexander's magnificence. His tent contained a hundred couches, and was supported by eight columns of solid gold. Overhead was stretched cloth of gold, wrought with various devices, and expanded so as to cover the whole ceiling. Within, in a semicircle, stood five hundred Persians, bearing lances adorned with pomegranates; their dress was purple and orange. Next to these were drawn up a thousand archers, partly clothed in flame-coloured, and partly in scarlet dresses. Many of these wore azure-coloured scarfs. In front of these were arranged five hundred Macedonian Argyraspides, soldiers, so called from their silver shields. In the middle was the golden throne, on which Alexander sat and gave audience. The tent on the outside was encircled by elephants drawn up in order, and by a thousand Macedonians in their native dress. Beyond these were the Persian guard often thousand men, and the five hundred courtiers allowed to wear purple robes. 

>>>>>> Alexander's death was preceded by many omens, which sacrifice vainly strove to avert.

>>>>>>> After the conqueror's death, Roxana allured her gentler rival into her power, and poisoned her. She was the beautiful daughter of a barbarian chief, made captive by Alexander, who was so struck with her charms, that he immediately married her. Statira was the child of Darius, and inherited the evil fortunes of her ill-fated race. 

>>>>>>>> Pearls were favourite ornaments with the Persian ladies, who often wore them wreathed in their hair.

>>>>>>>>> The death of Alexander plunged all his vast empire into anarchy and slaughter. He was the soul that animated the mighty force that afterwards wasted its energies in petty warfare. The popular saying attributed to him might well be true, " That the survivors would celebrate his obsequies with bloody funeral games.”

THE DEPARTED

 

Set thy spur to thy steed, thy sail to the wind, 

You may leave the far vale and the mountain behind; 

Like the storm o'er the south in thy flight thou may'st be; 

But where may'st thou fly from the memory of me ? 

 

The struggle, the pleasure, the toil, and the strife, 

May fill up thy days with the hurry of life ; 

But night cometh lonely o'er land and o'er sea, 

And in silence and shadow I still am with thee. 

 

With no rose on my cheek, with no rose in my hair, 

But cold as the love whose remembrance I bear, 

Breathing vows that are broken, and hopes that are fled, 

A voice breaks thy slumber — the voice of the dead. 

 

Let thy loveliest slave lull thy sleep with her strain— 

Ay, drain the red wine-cup,— it all is in vain: 

From the haunt of thy midnight I will not depart, 

For thy guilt is my power — my home is thy heart.

 

The Literary Gazette, 8th May 1830

No.4 in a series of five Songs

Departed 1
Different Thoughts

DIFFERENT THOUGHTS

Suggested by a Picture by G. S. Newton, No. 16, in the British Gallery, and representing a Girl looking at her Lover's Miniature. 

 

Which is the truest reading of thy look ? 

 

Just one look before I sleep, 

Just one parting glance, to keep 

On my heart and on my brain 

Every line and feature plain, 

In sweet hopes that they may be 

Present in those dreams to me, 

Which the gentle night-hour brings 

Ever on her starry wings. 

I have heard the deep tolled chime 

Of the moonlight vesper time — 

Scarcely seems one hour-glass run, 

Since beneath the setting sun 

Hill and vale were red, and I 

And OLAVE looked upon the sky, 

And said, or ere the grapes, which now 

Shone green gems in the sunset glow, 

Might darken, that we two should be 

Linked in gentlest unity; 

And the soft twilight came on  

Ere our pleasant words were done ; 

Stars were glancing overhead  

When our last ' Good night !' was said : 

Since, I've sat and watched this brow 

(Not so beautiful as thou,

Yet thy shadow) in the light 

Of the fair moon. Now, Good night !

By the dawn-blush I must wake, 

OLAVE, if but for thy sake : 

We have flowers to plant and cull, — 

Our home must be beautiful ; 

Waking, I must dream no more, 

Night has lovelier dreams in store. 

Picture dear, farewell to thee, 

Be thine image left with me ! 

 

 

Yes, every lineament of thine 

    Full well the painter's skill hath given ; 

That forehead the proud spirit's shrine, 

    The lightning of that eye's dark heaven. 

 

Yes, here at least thou art the same 

    As once thou wert in years departed, 

When truth and love shone o'er thy name, 

    Or ere I knew thee cold, false hearted ! 

 

How many a dark and bitter thought 

    These pictured features now awaken ! 

There is no balm by memory brought. 

    To hopes betrayed, to hearts forsaken. 

 

Those whose life's Summer-path has been 

    A fairy round of light and pleasure, 

May well recall each vanished scene — 

    To them remembrance is a treasure ; 

 

But those whose year has only known 

    The clouds, the coldness of December, 

Why should they pause on moments gone ? 

    ’Tis searing wounds when they remember. 

 

Drear was the hour of youth to me, 

    My hopes were stars that fell when lightest ; 

But one sweet dream still clung to Thee, 

    My first, my best, my last, my brightest ! 

 

Would I could live that time again, 

    When life was but a void without thee ! 

To me 'twere worth an age of pain 

    To feel once more I did not doubt thee. 

 

But, like this picture-frame, thy heart 

    Is but a gilded toy, concealing 

A darker and a meaner part, 

    Bright coloured, but cold and unfeeling ! 

 

Farewell to love for ever past, 

    Farewell to the dear hopes that leave me ! 

I'd almost, could that bid them last, 

    Wish that thou couldst again deceive me ! 

 

 

 

I must turn from this idol : I am kneeling 

With vows and homage only made for heaven ; 

I must turn from this idol. I have been 

Like to a child who plays with poisoned arrows, 

And then is wounded by them. I have yielded, 

Foolishly, fondly yielded, to the love 

Which is a curse and sickness to me now. 

I am as one who sleeps beneath the power 

Of some wild dream; hopes, fears, and burning throbs 

Of strange delight, dizzy anxieties, 

And looks and words dwelt upon overmuch, 

Fill up my feverish circle of existence. 

My spirit wanders wildly : all in vain ! 

I would bring order to my troubled thoughts ; 

Like autumn leaves scattered by driving gales, 

They wander round. Once my heart's sleep was calm

As a young bird's beneath its parent wing ; 

That quiet is no more ! for Love hath breathed 

Upon my heart, and with him came a train 

Of visionary things : — impatient hope, 

Sickening of its own vanity ; and more 

Than all, concealment preys upon me ; life 

But animate with emotion, which must yet 

Be hidden fire. Oh, I must, I must 

Turn from this idol ! Our love is forbidden — 

You are above me, and in loving you — 

Oh God ! I dare not think to what that leads : 

I dare not think on all I have been told 

Of all man's cruelty to woman — how 

He will soothe, flatter, vow, till he has won, 

And then repay her confidence with ruin,

Leaving her trusting heart a desolate place, 

Herself an outcast with an unwept grave, 

Perhaps unhallowed too — her last lone refuge. 

I've more than loved, — oh I have worshipped you ; 

I have thought, spoken, dreamt of you alone, 

And deep has been my misery ! my cheek 

Has burnt even to pain when you were named ; 

I have sat hours thinking o'er your last words, 

Have sought my couch for solitude, not sleep, 

And wept, I only know how bitterly. 

I have no joy in pleasure : all I took 

A pride in, once, has lost its interest now ; 

The days I see you not, to me are blanks, 

And yet I shrink from meeting you ! I have 

Insulted heaven with prayers (prayers not to love you,) 

And then have trembled lest they should be heard. 

I must forget all this : the veins that throb 

In agony will surely learn from time 

A calm and quiet pulse ; yet I will own, 

Though woman's weakness is in the confession, 

I never could have nerved my soul to this, 

But that I know you wavering and weak, 

Passionate, but unsteady ; born to win 

Hearts, but not keep them. Tell me not you love 

Intensely, wholly, well, as I have done. 

But oh, farewell, farewell ! I give thy portrait 

To the red flames, — it is a sacrifice 

On which I swear forgetfulness ! 

 

The Literary Gazette, 22nd March 1823

Part of 'Poetical Catalogue of Pictures'

THE DISTANT GRAVE

 

They tell me that his grave is made 

    Where the stately palm tree bendeth, 

A summer temple, upon whose shade 

    The purple eve descendeth. 

 

They say the mighty ocean swells 

    Beside where he is sleeping, 

That moaning winds and murmuring shells 

    Seem like perpetual weeping. 

 

'Tis his fitting tomb the sea-girt strand, 

    His fitting dirge the billow — 

But I wish he were laid in his native land, 

    By yon meek and lowly willow. 

 

His father's grave is beneath yon tree, 

    His mother's grave is beside it — 

There's space at the feet for him and me, 

    My brother ! we shall not divide it. 

 

I would I could kneel above by thy grave, 

    And pray for the much-loved sleeper ! 

But my thoughts go over the far wild wave, 

    And my lonely grief grows deeper. 

 

You fear'd for her whose cheek was pale, 

    Which your last kiss left yet paler — 

The life your fondness deem'd so frail, 

    Your own has been yet frailer. 

 

I would you slept mid familiar things, 

    Which your childhood wont to cherish, 

Where the church its holy shadow flings 

    And your native wild-flowers perish. 

 

The more I think of the dreary sea, 

    The more we feel divided, 

Thy tomb had been like a friend to me, 

    Where my sorrow had been confided. 

 

But my God is recalling the life he gave, 

    My love with my grief is dying, 

But the spirit — the heavens know no grave, 

    And my heart is on those relying. 

 

The New Monthly Magazine, 1830

Distant

DRAMATIC SCENE

 

Ianthe — Guido — Manfred. 

 

Ianthe. I can but weep your welcome, oh my own 

Dear warrior ! 

Guido. Look upon yon pale lone star, — 

Did I not say, when like a smile it came, 

My sweet Ianthe, on the heart-wrung tears 

Of the last time we met here, that its light 

Was hope's fair message, and that we should meet 

As we are meeting now ? 

lanthe.                               How I have watched 

That silent star, and soothed me with the thought 

That you were watching too ! The day pass'd by, 

Languid and listless ; but when evening came, 

It was as a new spirit rose within me, 

Or I but lived when worshipping that star. 

Guido. I cannot tell thee, love, how long I thought 

My wearying absence in the strangers' land, 

Without one thing to which thy love was linked 

By old remembrance, — not one object gave 

The image of thy beauty: here, each tree, 

Each flower, recalls thee in associate sweetness. 

This rose-tree is a favourite, the next 

Was planted by your hand ; your fairy feet 

Have left their slight impress on yonder turf; 

All round, the odour of your presence breathes ; 

Although the violet be gone, yet still 

Its perfume lingers on the air, — and dear, 

Soothing, these recollections are to love,

But. the heart feels so desolate, when all 

That memory fondly treasures is afar — 

Oh this is absence ! 

lanthe.                        Nay, nay, I must claim 

My own full share of sorrow. Do you think 

That it was nothing to look round and see 

Every thing changed, yet still the very same, 

Then feel the change was in my heart ? to live 

'Mid doubts, anxieties, and feverish hopes, 

And such soul sickening fears ? I heard the fleet 

Had left Dalmatia ; and that very day 

How dark the tempest gathered o'er the sky — 

The wind came like a giant in its strength, 

The forest pines were bowed down to the ground, 

The oak, which had for ages stood, where sleep 

My ancestors— the sign our banners rear — 

Was blasted by the lightning, and all said 

Some doomed ill was hanging o'er our race. 

I only thought of thee : all day I sat 

And watched the crashing trees, the flooded plains ; 

The night came on — the storm was at its worst — 

The thunder shook the earth, — and then the flash 

Glared like an angry demon, and more deep 

And black became the moonless heaven; fierce gales 

Went shrieking by,— in every gust I heard 

The cry of drowning wretches, the last scream 

Heard 'mid the closing waters. 

Guido.                                        Why, thou'rt pale ! 

I must not let remembered fears thus blanch 

Thy cheek, mine own lANTHE ; we will talk 

Of nothing but sweet fancies, pleasant hopes. 

Oh mark how placidly the moonlight falls 

Over that jasmine palace, where the rose 

Sits like a queen, with her pearl crown of dew ; 

Its moss and violet seat was made for love. 

Come sit thee in the shade, and let me tell 

Of a fair spot, which has been in my dreams 

Ever since I have seen it. 

lanthe.                                       Nay, Guido, now 

Prepare thee for reproach : what, think and dream 

Of any thing but me ? I am a miser 

Of all thy thoughts and words, and looks and feelings — 

Oh, I am jealous of a leaf, a flower, 

A song, a star, if much thought on by thee ! 

Guido. But that sweet spot was sacred, love, to thee, 

Thou wert the deity of its green beauty : 

Its solitude was given to fond dreams 

A lover's dreams of thee. It was a dell 

Just midway up a wood-girt mountain ; oaks, 

Beeches, and darkling chesnuts, and old pines, 

Amid whose leaves the wind was musical. 

Guarded it round ; save in one open place, 

A rocky point, from whence the eye might rove 

O'er cornfields in their yellow wealth, o'er plains 

Where wandered a fair river, olive groves, 

The sun tipt minarets, some cottages, 

Heaths wandering off in barrenness, yet sweet 

With bee-sought wild flowers, just a shadowy glance 

Of a far city with tall battlements ; 

And to the east was spread the glorious sea, 

Bounded and canopied by the blue sky : — 

There is no entrance but by a rough path 

Thro' the black forest, narrow and scarce known ; 

When suddenly the gloomy trees give way, 

And azure gleamings come through the soft boughs 

Of white-flowered myrtles and the pink acacia, 

And the glade is illumined suddenly 

By blushes from ten thousand crimson roses, 

Nature's own beautiful and fragrant lamps ; 

And there is turf beneath, soft scented turf, 

Mingled with thyme and violets. My IANTHE, 

What a sweet home we might find there ! 

Ianthe.                                          Dear Guido, 

I should be happy as the lark at morning. 

I do love the fresh air, the pleasant buds, 

The song of the glad birds, the forest trees ; 

The lights the music of the carnival, 

With its gay maskers, with its courtly feasts, 

Its spices from the east, its Indian gold, 

Are nothing worth the pageantry of summer ! 

There are no pearls like lilies. 

Guido.                                          Ah, my life. 

Flowers are all the jewels I can give thee ; 

I have no castle, in whose stately halls 

Vassals or kinsmen wait to welcome thee. 

Ianthe. Oh, Love asks nothing but the heart. 

     Enter Count MANFRED unperceived; 

My daughter ! ah, and listening to some lover ! 

Guido. My history is slight : I am the child 

Of sorrow and of shame. I can recall 

Only a humble home, and but one parent — 

My solitary mother, and she watched me, 

And wore herself to sickness for my sake. 

She was so very pale, this little hand 

Wears not more perfect ivory than her cheek ; 

The veins ran colourless as those in marble ; 

Yet I have heard my nurse say, in her youth 

The first rose summer offers to the sun 

Had not a fresher luxury of health. 

There was a languor in her large dark eyes. 

Born of long suffering ; yet at times a smile 

Lighted them when she looked on me. Your voice, 

And 'twas your voice that made me love you first, 

Has the same tone as hers had — soft and low, — 

So very musical, that were the sense 

Inaudible, the ear would yet have dwelt 

Only upon the sounds. 

Ianthe.                           Oh, how I should 

Have loved your mother ! 

Guido.                                The first grief I felt 

Was when her voice grew feeble, and her cheek 

Burnt with a feverish hectic, and her hand, 

Though fire, trembled in mine as if with cold. 

Then first I heard of wrongs, of love betrayed, 

(How can love be forgotten !) of the vows 

That win, then break a woman's heart ! She wept 

In telling of the weakness which had given 

Her fair fame and her happiness away 

To one who could desert her. Then she left 

(Her sole companion her old nurse) — the halls 

Of her proud father. In the peasant's dress, 

And peasant's home, none knew the high-born Blanche : 

Manfred (aside.) Blanche d’Arzaline. the flattered and the lovely, 

Wretched !— while I —

Guido. She died. I never knew my father's name ; 

I should have lothed the kindness which could leave 

My mother desolate. And now, sweet IANTHE ! 

You know me without fortune, without name, 

Are you mine still ? 

Ianthe.                      GUIDO, I swear to thee 

By the blue heaven, the moon, the flowers, the skies, 

By thy dear self, by love, I will be thine, 

Most tenderly, most truly ! 

Guido.                                   Then tomorrow, 

When our own star looks on the pale twilight, 

I'll meet thee here. 

Count Manfred (discovering himself.) 

No, no, she cannot be your bride, — her hand 

Is promised. I will give you riches — land — 

You shall be to me as a son ; but swear 

You will renounce her ! 

Guido.                             I would die for her, — 

For you, her father, — any thing but leave her ! 

Manfred. This is but vain romance. A soldier's sword, 

The music of the trumpet, soon will drive 

Love from your heart. We'll meet again to-morrow, 

And I will be your friend. IANTHE, come. 

Ianthe. GUIDO! Oh my dear father! 

Guido. You cannot leave me ! By the many vows 

Your lips have uttered and your eyes continued, 

By all my love, by all the misery 

That would live in your falsehood, oh be true ! 

Manfred. My curse is on your love ! —

Guido. Oh, my IANTHE, I live but in you, 

And I will win thee, through each obstacle 

By tyranny or fortune raised, my own. 

My best heart's treasure ! [Snatches her hand. 

Manfred.           Wild fool ! she is your sister ! 

 

The Literary Gazette, 19th April 1823

Dramatic 1
Dramatic 2

DRAMATIC SCENES — I

 

The very life of love is confidence. 

 

      Agnes. Oh, never, never ! 

I am vowed to the grave : — I have loved once, 

And woman's heart cannot again expand 

Like flowers that close at eve, but to each sense 

Unfold their charms. 

      Julian (disguised.) Oh, thou wilt break thy vow : 

Thou art too young, too beautiful, to nurse 

Memory's pale phantoms! Hope will suit thee better. 

Trust me, fair girl, hope is the sun of spring. 

      Agnes. I do hope — hope most fondly, fervidly, 

One last and only hope, that I shall die ! 

For there are starry homes, where faithful hearts 

Shall mingle in their glory and their love. 

I have oft roamed in the blue summer night, 

And wept with joy to look upon the stars ; 

And as they shed their light upon me, felt 

My Julian watched over his earthly love: 

His voice has seemed to float upon the winds, 

Summoning me to the immortal sky, — 

And I have sought my pillow, and been happy 

In the sweet dreams that visited my sleep. 

      Julian. These are sick fancies : — love has power to make

This earth as fair a paradise as ever 

Was fashioned yet in slumber. I have brought 

From afar treasures that a king would own. 

That simple lute shall be new strung with gold, 

And gems shall glisten on it ; delicate pearls, 

Like those that ruby lip conceals, shall braid 

Those raven tresses ; and the diamond, 

Pure, bright as thou art, all shall grace my queen; 

      Agnes. Thy offerings are but offerings to the tomb ;

A fruitless pomp, an empty vanity. 

Why do I listen, — I can never feel 

As I have felt before ; yet still a spell 

Is in thy voice that soothes : it has a tone 

Like music long remembered — like a sound 

Mine ear has treasured up most faithfully. 

      Julian (aside.) How true love's memory is ! — 

                (to her.) The hunter turns not 

Despairing from the chase because the deer 

Flies from his pursuit : every obstacle 

Becomes a pleasure. I will win thee yet, 

If truest love can win; I'll watch each step 

As the young mother watches her first child : 

Your feet shall tread o'er roses, from whose stems 

The thorns are cleared away ; the air around 

Shall be so sweet, that every breath you draw 

Will be enjoyment ; all your waking hours 

Shall glide away like music ; you shall sleep 

To the soft lulling of the harp, your pillow 

Upon a heart whose every beat is yours. — 

This is your native village : is it dear ? 

       Agnes. Oh, very, very dear ! I know no more , 

Of the wide world than what we now can see, 

Bounded by the blue sky ; my heart has yet 

Some things to cling to here : I do not feel 

Quite desolate amid the many ties 

Affection here has sanctified. Look where 

The silent city of the dead arises, 

Its sole inhabitants the cypresses, 

Bending their weeping leaves to the black yews, 

And one huge cedar rearing gloomily 

His giant height, the monarch of the shades; 

The venerable church stands in the midst — 

The solemn temple, where the dead and living 

Together meet ; you cannot see the tombs, 

So close the trees spread their green canopy ; 

But there my mother by my father's side 

Sleeps sweetly — oh, most sweetly — for they died 

Each in the other's arms ! They never knew 

That agony of soul which prays for death 

But yet lives on. Oh, that my JULIAN’S grave 

Had been by theirs, our ashes would have mixed ! 

But now— 

      Julian. I will not let thee dwell upon thy grief. 

Look to yon vine-clad hill : the setting sun 

Streams in full glory on the radiant leaves 

And topaz clusters, — the rill, that at noon-day 

Is bright and colourless like crystal, now 

Flows red with crimson light ; just by that group 

Of those old chesnuts will I build a bower — 

A magic bower, my fairy, for thy home. 

      Agnes. Oh, no — oh, no — not there! My JULIAN said 

If ever he returned to claim his bride, 

Our nest of love and happiness should be 

Beneath that shade. 

      Julian (aside.) Ah why suspect her truth 

But one proof more, and I will lay aside 

Disguise and pray forgiveness for my doubts, — 

How sweet will be my pardon ! — (to her.) I am come

From India, and I doubt if 'tis the grave 

That holds your JULIAN from your arms.

      Agnes. Oh, say 

That he but lives, and I will worship you ! 

      Julian. If he but lives ! And have you then no fears ? 

In absence lovers vows are fragile things, 

In India there are rich and lovely brides ; — 

He may not have your own fond constancy, 

      Agnes. I'll tell you what our love has been, and then

Ask you if I should doubt it: — Julian and I 

Grew up together, and our love was hallowed 

By our fond parents' blessing. I do count 

Not on a lover's passionate vow at parting, 

But on the gathered ties of many years: 

Each tender and each honourable feeling 

Will guard his heart. Oh, jealousy is but 

A shadow cast from vanity, which lain 

Would take the shape of love to hide its own 

Selfish deformity ! 

      Julian. Your confidence 

Is most misplaced, for I was present when 

Your Julian wedded. 

      Agnes. Gracious heaven, he lives ! — 

I never will be yours, then why traduce 

The innocent — the absent. I confide 

Securely in his faith. 

      Julian. I would have spared 

This pang, but I must vindicate my truth ; 

He has sent back by me your farewell gifts — 

Know you this silken curl— this emerald ring ? 

      Agnes. It is my ring ! The braid of hair I gave ! — 

All else but this, oh God ! I could have borne. 

      Julian (discovering himself.) 

Oh, my own Agnes, pardon me '. — look up, 

It is thy JULIAN calls! He has not swerved 

Even in thought from thee — thou hast still been 

His hope, his solace. Lie not thus, my Love, 

Motionless on my bosom ; but one look — 

One word — to say you can forgive 

A moment's doubt ! 

      Agnes. JULIAN, I can die happy. 

      Julian. How pale she is ! My life— my soul — revive! 

Why did I try a faith I should have known 

Spotless as the white dove. I cannot feel 

The beating of her heart. I'll kiss the colour 

Back to her cheek. Oh, God ! her lip is ice — 

There is no breath upon it ! — 

AGNES, thy JULIAN is thy murderer ! 

 

The Literary Gazette, 26th October 1822

Dramatic 3

DRAMATIC SCENES — II 

 

      Leonardi. 'Tis finished now : look on my picture. Love ! 

      Alvine. Oh, that sweet ring of graceful figures ! one

Flings her white arms on high, and gaily strikes 

Her golden cymbals — I can almost deem 

I hear their beatings; one with glancing feet 

Follows her music, while her crimson cheek 

Is flushed with exercise, till the red grape 

'Mid the dark tresses of a sister nymph 

Is scarcely brighter ; there another stands, 

A darker spirit yet, with joyous brow, 

And holding a rich goblet ; oh, that child ! 

With eyes as blue as spring-days, and those curls 

Throwing their auburn shadow o'er a brow 

So arch, so playful — have you bodied forth 

Young Cupid in your colours ? 

      Leonardi. No — oh no, 

I could not paint Love as a careless boy, — 

That passionate Divinity, whose life 

Is of such deep and intense feeling ! 

No, I am too true, too earnest, and too happy, 

To ever image by a changeful child 

That which is so unchangeable. But mark 

How sweet, how pale, the light that I have thrown 

Over the picture : it is just the time 

When Dian's dewy kiss lights up the dreams 

That make Endymion's sleep so beautiful. 

Look on the calm blue sky, so set with stars : 

Is it not like some we can both recall ? 

Those azure shadows of a summer night, 

That veiled the cautious lutanist who waked 

Thy slumbers with his song. How more than fair, 

How like a spirit of that starry hour, 

I used to think you, as your timid hand 

Unbarr'd the casement and you leant to hear, 

Your long hair floating loose amid the vines 

Around your lattice ; and how very sweet 

Your voice, scarce audible, with the soft fear 

That mingled in its low and tender tones ! 

      Alvine. Nay, now I will not listen to the tales 

Our memory is so rich in. I have much 

For question here. Who is this glorious shape, 

That, placed on a bright chariot in the midst, 

Stands radiant in his youth and loveliness ? 

Around his sunny locks there is a wreath 

Of the green vine leaves, and his ivory brow 

Shines out like marble, when a golden ray 

Of summer light is on it, and his step 

Scarce seems to touch his pard-drawn car, but floats 

Buoyant upon the air ; — and who is she 

On whom his ardent gaze is turned ? So pale, — 

Her dark hair gathered round her like a shroud, 

Yet far more lovely than the sparkling nymphs 

Dancing around that chariot. Yet how sweet, 

Though dimmed with tears, those deep blue eyes, that smile

Half turned and half averted timidly 

From the youth's lightning glance. Oh tell me now 

One of those legends that I love so well : 

Has not this picture some old history ? 

      Leonardi. 'Tis one of those bright fictions that have made 

The name of Greece only another word 

For love and poetry ; with a green earth— 

Groves of the graceful myrtle — summer skies, 

Whose stars are mirror'd in ten thousand streams— 

Winds that move but in perfume and in music, 

And, more than all, the gift of woman's beauty. 

What marvel that the earth, the sky, the sea, 

Were filled with all those fine imaginings 

That love creates, and that the lyre preserves !

      Alvine. But for the history of that pale girl 

Who stands so desolate on the sea shore ?

      Leonardi. She was the daughter of a Cretan king — 

A tyrant. Hidden in the dark recess 

Of a wide labyrinth, a monster dwelt, 

And every year was human tribute paid 

By the Athenians. They had bowed in war, 

And every Spring the flowers of all the city, 

Young maids in their first beauty — stately youths, 

Were sacrificed to the fierce King ! They died 

In the unfathomable den of want, 

Or served the Minotaur for food. At length 

There came a royal Youth, who vowed to slay 

The monster or to perish ! — Look, ALVINE, 

That statue is young Theseus. 

      Alvine. Glorious ! 

How like a god he stands, one haughty hand 

Raised in defiance ! I have often looked 

Upon the marble, wondering it could give 

Such truth to life and majesty. 

      Leonardi. You will not marvel Ariadne loved. 

She gave the secret clue that led him safe 

Through all the labyrinth, and she fled with him. 

      Alvine. Ah, now I know your tale : he proved untrue. 

This ever has been woman's fate, — to love, 

To know one summer day of happiness, 

And then to be most wretched ! 

      Leonardi. She was left 

By her so heartless lover while she slept, 

She woke from pleasant dreams — she dreamt of him —

Love's power is felt in slumber— woke, and found 

Herself deserted on the lonely shore ! 

The bark of the false Theseus was a speck 

Scarce seen upon the waters, less and less, 

Like hope diminishing, till wholly past. 

I will not say, for you can fancy well, 

Her desolate feelings as she roamed the beach, 

Hurled from the highest heaven of happy love ! 

But evening crimsoned the blue sea— a sound 

Of music and of mirth came on the wind, 

And radiant shapes and laughing nymphs danced by. 

And he, the Theban God, looked on the maid, 

And looked and loved, and was beloved again. 

This is the moment that the picture gives: 

He has just flung her starry crown on high, 

And bade it there a long memorial shine 

How a god loved a mortal. He is springing 

From out his golden car— another bound — 

Bacchus is by his Ariadne's side ! 

      Alvine, She loved again ! Oh cold inconstancy. 

This is not woman's love ; her love should be 

A feeling pure and holy as the flame 

The vestal virgin kindles, fresh as flowers 

The spring has but just coloured, innocent 

As the young dove, and changeless as the faith 

The martyr seals in blood. 'Tis beautiful 

This picture, but it wakes no sympathy, 

      Leonardi. Next time, Alvine, my pencil shall but give

Existence to the memory of love's truth. 

      Alvine. Do you recall a tale you told me once, 

Of the forsaken Nymph that Paris left 

For new love and ambition ; at his death 

He bade them bear him to Enone's arms. 

She never had forgotten him : her heart, 

Which beat so faithfully, became his pillow ; 

She closed his eyes, and pardoned him and died ! 

      Leonardi. Love, yes I'll paint their meeting : the wan youth, 

Dying, but yet so happy in forgiveness ; 

The sweet Enone, with her gentle tears, 

Filled with meek tenderness, her pensive brow 

Arching so gracefully, with deep blue eyes 

Half hidden by the shadowy lash — a look 

So patient, yet so fraught with tenderest feeling, 

Like to an idol placed upon the shrine 

Of faith, for all to worship. She shall be, 

Saving thine own inimitable smile, In all like thee, ALVINE! 

 

The Literary Gazette, 2nd November 1822

A DREAM

 

I was wand'ring in my sleep — 

O what treasures thou dost keep 

In thy wild imaginings, 

Spirit of the folded wings ! — 

      Methought I was in a grove 

Sacred to and home of Love ; 

In it there were thousand flowers, 

Changing with the changing hours ; 

Fountains dancing in the shade 

To music by their murmuring made ; 

While around acacia trees 

Trifled with the sun and breeze. 

      Wandering step and wandering sight 

Were at first enough delight ; 

I gazed upon the azure sky, 

Where the clouds went floating by, 

Some tinged with the serpentine 

Of the rainbow's opal line — 

Others laden with the dew 

Which illumines Morning's hue. 

Then I mark'd a temple rise, 

Made of marble, such as lies 

In the vein of virgin snow 

Round the Parian mountain's brow, 

White as it were snow had grown, 

By some magic, into stone. 

All were to that shrine addrest, 

And I enter'd with the rest ; 

All asked boons — what could I do, 

But like them ask something too ? 

Down I knelt before the shrine, 

Where was placed the Boy divine, 

And I pray'd that I might prove 

That deep happiness of love 

Which will find all that can bless 

In its own dear faithfulness. 

As the God smiled on my prayer, 

Melts the temple into air. 

      I waken'd : — said my heart to me, 

How like to reality ! 

Thus, alas ! our hopes take flight, 

Like the visions of the night ! 

 

The Literary Gazette, 18th February 1826

Dream 1
Dream 2

THE DREAM

 

Farewell ! and yet how may I teach 

    My heart to say Farewell to thee? 

My first young love, the light, the hope, 

    The breath, the soul of life to me!

 

I had last night a strange wild dream, 

    The very emblem of my love, — 

I saw a stately eagle's wing 

    Become the refuge for a dove. 

 

And for a while most tenderly 

    The eagle cherished his guest ; 

And never had the dove a home 

    Of happiness like that fond breast. 

 

It was a sight for Love to see 

    That haughty and that gentle bird, 

Caressing and carest, so soft 

    The mingling murmurs from them heard. 

 

But troubled grew the eagle's crest, 

    And stern and careless his dark eye, 

And so, regardless of the dove, 

    I marvelled that she did not fly: 

 

Then sudden spread his mighty plumes, 

    And flung the helpless dove away; 

There on the ground, with broken wing, 

    And soiled and bleeding breast, she lay. 

 

Poor silly bird! if thou hadst flown 

    Before, this fate had not been thine. 

I wakened, and I thought how soon 

    Such fall, such falsehood, might be mine.

 

The Literary Gazette, 17th January 1824

 

 

Dream 3

THE DREAM IN THE TEMPLE OF SERAPIS

 

" During Alexander the Great's illness, Peithou, Attalus, Demophon, Peucestas, Cleomenes, Minedas, and Seleucus, slept in the Temple of Serapis, and asked the god if it would be desirable and better for Alexander to be conveyed to the temple, and to supplicate the god, and be healed by him. The answer forbade his removal, declaring that it would be better for him to remain where he was. The companions reported this answer, and Alexander not long after expired, as if, under all circumstances, that were the better fate .”— Royal Diary. 

 

The heavy night is falling, 

    A dark and silent night, 

And aloud the storm is calling 

    From the mountains' wooded height, 

                There is weeping in the pines. 

But a voice of louder sorrow 

    Arises from the plain, 

For the nations fear the morrow, 

    And ask for aid in vain, 

                From the old ancestral shrines 

                In the still and stately temple — 

                The temple of the god. 

 

The kingly chiefs are seven 

    Who seek that ancient shrine, 

To ask of night and heaven 

    An answer and a sign ; 

                Pale as shadows pass they by. 

They are warriors, yet they falter, 

    As with feet unshod 

They approach thy mighty altar, 

    O Assyrian god! 

                Will the secret of the sky 

                Fill the stately temple — 

                The temple of the god?

 

Conquerors they enter, 

    In the conqueror's name ; 

The altar in the centre, 

    Burnt with undying flame — 

                Day and night that flame is fed. 

Lamps from many a marble column 

    In the distance burn, 

And the light is sad and solemn 

    As a funeral urn. 

                For the presence of the dead 

                Haunts the mystic temple — 

                The temple of the god. 

 

Seven warriors were their number, 

    Seven future kings ; 

Down they laid them to their slumber 

    Mid the silvery rings 

                Of the fragrant smoke that swept 

From the golden vases streaming, 

    With their spice and oil, 

And the rich frankincense steaming, 

    Half a summer's spoil. 

                 Lull'd by such perfume they slept 

                 In the silent temple — 

                 The temple of the god. 

 

Lay they in that sleep enchanted, 

    On the marble floor ; 

Many things their slumber haunted, 

    Things that were no more. 

                'Twas the phantasm of life : 

Fierce and rugged bands were crowding 

    Round their youthful king; 

Shaggy hides their wild forms shrouding, 

    While the echoes ring 

                With the shouts that herald strife ; 

                Such now wake the quiet temple — 

                The temple of the god.

 

Next, a southern noon is sleeping 

    On embattled lines ; 

There the purple robe is sweeping, 

    There the red gold shines. 

                That young chief his own has won — 

He who, when his warriors tasked him, 

    With his heart's free scope, 

What was left himself, they ask'd him, 

    And he answer'd, " Hope." 

                What he said, that hath he done ; 

                And his glory fills the temple — 

                The temple of the god. 

 

Victory is like sunshine o'er him, 

    Wealth is at his side, 

Crowns are in the dust before him, 

    Earth hath bow'd her pride 

                At the whisper of his breath. 

But that laurell'd one is dying 

    On a fever'd bed : 

" Leave him where he now is lying, 

    There the king is best," it said ; 

                Such the oracle of death, 

                In that fated temple — 

                The temple of the god. 

 

Such the moral of his story, 

    Such was heaven's reply ; 

Amid wealth, and power, and glory, 

    It is best to die ! 

                Unto all that answer came. 

From the highest to the lowest 

    Life draws deep a wasted breath : 

Fate ! thy best boon thou bestowest 

    When thou givest death. 

                Each that oracle may claim, 

                The words of that dark temple — 

                The temple of the god. 

 

The New Monthly Magazine, 1836

 

THE DYING CHILD

Translated from the German. 

 

" Oh mother, what brings music here ? 

    Now listen to the song — 

So soft, so sweet, so beautiful— 

    The night-winds bear along !" 

 

" My child, I only hear the wind, 

    As with a mournful sound 

It wanders mid the old oak trees, 

    And strews their leaves around.'' 

 

And dimmer grew his heavy eyes, 

    His face more deadly fair. 

And down dropped from his infant hand 

    His book of infant prayer. 

 

" I know it now, my mother dear, 

    That song for me is given ; 

It is the angels’ choral hymn   

    That welcomes me to heaven." 

 

The Literary Gazette, 28th April, 1832

 

Dying 2
Dying 3

THE DYING SPANIARD’S CHARGE 

 

From the Mountain’s overlooking Granada, 

 

My gasping breath, I feel thee fail : 

    My gallant boy, draw near — 

Brush off the dew that dims thy mail ; 

    For shame, it is a tear ! 

 

Here, take my sword ; as yet the brand 

    Has never miss'd its blow : 

God prosper it in thy young hand 

    Against the Moslem foe ! 

 

Lift up my head — my parting gaze 

    On yonder vale would be ; 

Facing the red sun's fading rays, 

    I speak my last to thee. 

 

Look thou upon the plain below, 

    With field and vineyard spread ; 

And glory, like the morning's glow, 

    Around yon city's head. 

 

A thousand shrubs in blossom wreathe 

    Round fountains bright and clear ; — 

I almost fancy I can breathe 

    Their gushing fragrance here. 

 

Then mark the rock on which we lie, 

    The eagle's rough domain ; 

Its barren earth, its sullen sky, — 

    Then look below again. 

 

That valley is thy heritage ! 

    Could Eden be more fair ? — 

Although an exile in my age, 

    I spent my boyhood there. 

 

Ours was the shame, and ours the loss ; 

    Carnage and conquest spread : 

The Crescent triumphed o'er the Cross,— 

    Well may thy cheek grow red.

 

Still have a few in warfare stood 

    Around the mountain brow ; — 

I have not spared my strength and blood— 

    And I am dying now ! 

 

But other, better days are thine :— 

    My hopes are proud and high, 

And clearly does the future shine 

    Before death's closing eye. 

 

I see the gallant red Cross wave, 

    I see the Moslems yield ; 

I hear the war-cry of the brave— 

    Haste, boy, and join the field ! 

 

Here make my grave ; and haunting here, 

    My spirit will remain, 

Till, vanquished by the Christian spear, 

    The Moors have fled from Spain. 

 

The Literary Gazette, 28th June 1828 

Earth's

VERSIONS FROM THE GERMAN

 

THE EARTH'S DIVISION 

 

The fair earth, it shall be for all, 

     Divide it at your need ! 

So, in his high Olympian hall, 

     The starry Jove decreed. 

 

Each hurried at the mighty word— 

     The merchant swept the main, 

The peasant drove the lowing herd 

     And sowed the golden grain. 

 

The hunter took the glad green wood, 

     The soldier drew his sword ; 

" I am," quoth he, " by title good, 

     A universal lord." 

 

The miser's wealth was little known, 

     He hid it from the light ; 

The king said, " Take ye all their own, 

     And pay me for the right." 

 

When, lo ! the poet came at last, 

     Pale watcher of the air ; 

The spoil was shared — the lots were cast, 

     His, only, was not there. 

 

He flung him at the feet of Jove, 

     And cried, " What wrong is done 

To him whom thou wert wont to love, 

     Thy true and favourite son ! " 

 

" Blame thou not me," the God replied, 

     " Some land of dreams too long, 

When earth was given to divide, 

     Has kept thee and thy song." 

 

" I watched thy spirit's mighty law, 

     Control the ocean's flow ; 

I gazed, forgetting in mine awe 

     All that was mine below." 

 

" Ah ! " said the god, "beneath my throne 

     Is given earth and sea ; 

But the high heaven is still mine own, 

     And there I welcome thee !" 

 

The Literary Gazette, 10th January 1835

EGERIA'S GROTTO

 

A silver Fountain with a changeful shade 

Of interwoven leaves and blossoms made ; 

The leaves that turn'd the light to emerald green, 

While colour'd buds like rainbows shone between : 

And on the southern bank, as if beset 

With ocean pearls, grew the white violet ;

Above there stood a graceful orange-tree, 

Where Spring and Summer dwelt in amity, 

And shared the boughs between them, — one with flowers 

Its silver offering to the sunshine hours ; 

The other with its fruit, like Indian gold, 

Or those bright apples the last lover roll'd 

In Atalanta's path and won the day — 

Alas ! how often gold has led astray ! 

The shadow of old chestnut trees was round — 

They were the guardians of the hallow'd ground ; 

The hunter in his chase had past it by, 

So closely was it screen'd from curious eye. 

    On the bank opposite to that, where strew'd 

Sigh'd the pale violets' sweet multitude, 

There was a little Grotto, and like stars 

The roof was set with crystal and with spars 

Trembling in light; — it needed much their aid, 

For at the entrance the dark branches play'd 

Of a lone cypress, and the summer-day 

Was changed to twilight as it made its way. 

It is Egeria's Grotto. Her bright hair 

Has left its odour on the fragrant air ; 

The echo of her step is lingering still 

In the low music of the lute-toned rill ; 

And here the flowers are beautiful and young 

As when beneath her ivory feet they sprung. 

    Ay, this made Love delicious as a dream, 

Save that it was too constant but to seem — 

No time to tire, gone almost soon as seen ; 

Known but by happiness, that it had been — 

A shade, but such a shade as rainbows cast 

Upon the clouds, in its first beauty past — 

A mystery, such mystery as the breath 

Lurking in summer sweetness on a wreath, 

Which we would but enjoy, but not explore, 

Too blest in the pleased sense to desire more . 

And thus if Love would last, thus must it be — 

A wish, a vision, and a fantasie.

 

The New Monthly Magazine, 1826

Egeria
Elise

ELISE

 

O let me love her ! she has past 

     Into my inmost heart— 

A dweller on the hallowed ground 

     Of its least worldly part;

Where feelings and where memories dwell 

Like hidden music in the shell. 

 

She was so like the forms that float ; 

     On twilight's hour to me,

Making of cloud-born shapes and thoughts 

     A dear reality : 

As much a thing of light and air 

As ever poet's visions were. 

 

I left smoke, vanities, and cares, 

     Just far enough behind, 

To dream of fairies 'neath the moon,

     Of voices on the wind ; 

And every fantasy of mine 

Was truth in that sweet face of thine. 

 

Her cheek was very very pale, 

     Yet it was still more fair ; 

Lost were one half its loveliness, 

     Had the red rose been there : 

But now that sad and touching grace 

Made her's seem like an angel's face. 

 

The spring, with all its breath and bloom, 

     Hath not so dear a flower, 

As the white lily's languid head 

     Drooping beneath the shower ; 

And health hath ever waken'd less 

Of deep and anxious tenderness. 

 

And O thy destiny was love

     Written in those soft eyes; 

A creature to be met with smiles, 

     And to be watch'd with sighs ; 

A sweet and fragile blossom, made 

To be within the bosom laid. 

 

And there are some beneath whose touch 

     The coldest hearts expand,

As erst the rocks gave forth their tears

     Beneath the prophet's hand; 

And colder than that rock must be 

The heart that melted not for thee. 

 

Thy voice — thy poet-lover's song 

     Has not a softer tone ; 

Thy dark eyes — only stars at night 

     Such holy light have known ; 

And thy smile is thy heart's sweet sign, 

So gentle and so feminine. 

 

I feel, in gazing on thy face

     As I had known thee long;

Thy looks are like notes that recall

     Some old remembered song.

By all that touches and endears,

Lady, I must have loved thee years.

 

FOR TEUTHA; 

Literary Gazette, 29th September 1827

THE EMPIRE OF WOMAN — Schiller

 

Her might is gentleness — she winneth sway 

By a soft word, and by a softer look ; 

Where she, the gentle-loving one, hath failed, 

The proud or stern might never yet succeed. 

Strength, power, and majesty, belong to man ; 

They make the glory native to his life ; 

But sweetness is a woman's attribute — 

By that she has reigned, and by that will reign. 

There have been some who, with a mightier mind, 

Have won dominion — but they never won 

The dearer empire of the beautiful :— 

Sweet sovereigns in their natural loveliness. 

 

Literary Gazette, 25th January 1835

Empire
Epigram

EPIGRAM OF A MISER

 

His heart is like a maggot-eaten nut: 

There's nothing in it ; but 'tis closely shut. 

 

Literary Gazette, 1st October 1831

Euthanasia

EUTHANASIA

 

Death came like a friend to restore thee 

To those who had died before thee:

     Father, mother, 

     Sister, brother—

There were none of these to mourn o’er thee. 

 

But now that Death has found thee, 

Thy kindred and friends are round thee ; 

     In their rest they are laid 

     In the dark yew shade, 

And cold sleep like their own has bound thee. 

 

Thou wert a lonely flower, 

Sprung on a ruined tower, 

     Which, with head declined, 

     Awaits the first wind 

To end its summer hour. 

 

Thou wert fair as a poet's dreaming, 

With thy black hair wildly streaming; 

     But the hectic sign 

     Of thy health's decline 

Was not long for this world's seeming. 

 

All felt that thy doom was spoken— 

Thy brow was its own pale token ; 

     Thy cheek's changing dye, 

     And thy drooping eye— 

These told thy young heart was broken, 

 

Strangers who watched thy weeping, 

Sought to win thee from fruitless keeping 

     Thy thoughts of pain; 

     Their care was in vain 

For thy heart in the grave was sleeping. 

 

They found no joy could move thee, 

And coldly they ceased to love thee ; 

     Thou alone wert left 

     Of all hope bereft, 

Save the one in the heaven above thee. 

 

Now the sweet wild flowers are dying, 

And the wind o'er thy grave is sighing ; 

     Not for thy sad sake 

     Should we wish to break 

The deep sleep upon thee lying. 

 

Literary Gazette, 18th August 1827

EXPERIENCE

 

     My very heart is filled with tears ! I seem

As I were struggling under some dark dream, 

Which roughly bore me down life's troubled stream. 

 

     The past weighs heavily upon my soul, 

A tyrant mastering me with stern control ; 

The present has no rest — the future has no goal.

 

     For what can be again but what has been ? 

Soon the young leaf forgets its early green, 

And shadows with our sunshine intervene. 

 

     Quenched is the spirit's morning wing of fire ; 

We calculate where once we could aspire, 

And the high hope sets in some low desire. 

 

     Experience has rude lessons, and we grow 

Like what we have been taught too late to know, 

And yet we hate ourselves for being so. 

 

     Our early friends, where are they? — rather, where 

The fond belief that actual friends there were, — 

Not cold and false as all must find they are ? 

 

     We love — may have been loved — but ah ! how faint 

The love that withers of its earthly taint, 

To what our first sweet visions used to paint ! 

 

     How have we been deceived, forgotten, flung 

Back on our trusting selves — the heart's core wrung 

By some fond faith to which we weakly clung. 

 

     Alas ! our kindest feelings are the root 

Of all experience's most bitter fruit ; 

They waste the life whose charm they constitute. 

 

     At length they harden, and we feel no more 

All that was felt so bitterly before, 

But with the softness is the sweetness o'er. 

 

     Of things we once enjoyed how few remain ! 

Youth's flowers are flung behind us, and in vain 

We would stoop down to gather them again. 

 

     Why do we think of this ? — bind the red wreath — 

Float down time's water to the viol's breath, 

Wot not what those cold billows hide beneath.

 

     We cannot do this : — from the sparkling brink 

Drops the glad rose, and the bright waters shrink : 

While in the midst of mirth we pause to think ; — 

 

     And if we think — we sadden : — thought and grief 

Are vowed companions ; while we turn the leaf, 

It darkens — for the brilliant is the brief. 

 

     Ah ! then, farewell ye lovely things that brought 

Your own Elysium hither ! — overwrought 

The spirit wearies with the weight of thought. 

 

     Our better nature pineth — let it be ! 

Thou human soul — earth is no home for thee ; 

Thy starry rest is in eternity !

 

New Monthly Magazine, 1836

Experience

FADED FLOWERS

 

Lingers yet a perfum'd breath 

Even mid these flowers' death ? 

Once on these dry leaves was red, 

Like that o'er the ruby shed; 

Yellow, like the serpentine 

Of the rainbow's softest line ; 

Blue, like that of April's sky ; 

Purple, like the Tyrian dye; 

Not one hue is left, of all 

That lighted up this coronal ! 

Were it not for the perfume, 

Haunting, like a ghost, their tomb. 

Who would dream that they had been 

Fairies of a summer scene! 

Passing thus with time away, 

The sweet gifts of youth decay ; 

Fleet their blooms, thus one by one, 

Till their very form is gone ; 

Memory left but to declare 

How beautiful and sweet they were! 

In the first blue noon of Spring, 

Who can think on withering? 

Sear'd leaf and scentless dower 

Seem'd but made for Autumn's hour; 

Yet how much of blight and doom 

Mingles with May's breath and bloom! 

And the faded blossoms fall 

As November ruled them all. 

Youth and spring are both alike ; 

Flowers rise and pleasures strike — 

These, to fade, and those to be 

Nothing in reality — 

Till the heart is like a bed, 

But, with yellow leaves o'erspread ; 

With the faintest odour left, 

As to make them more bereft ; 

By recalling what they were, 

And yet being what they are ! 

 

Literary Gazette, 25th December 1824

Faded

THE FALCON-MESSENGER

 

The warrior loosed the silken string 

That was around his falcon's wing. 

" Go forth, till thou that thing shalt see 

More than my life-blood dear to me." 

The bird went forth — the red gold shone — 

The white steed neighed — the bird swept on ; 

He paused above a tower — and then 

Sought out his warrior lord again. 

" I saw a lady and a child — 

The infant in its slumber smiled ; 

Methinks the mother would have wept, 

But 'twas such soothing watch she kept." 

His look grew soft, his voice sank low : 

" My own brave bird, well dost thou know 

What thou in thy wild flight couldst see, 

More dear than life-blood dear to me." 

 

The Literary Gazette, 12th May 1827

Falcon

POETIC SKETCHES. Fourth Series. SKETCH III.— 

 

THE FALSE ONE

 

And what must woman suffer, thus betrayed ?

Her heart's most warm and precious feelings made 

But things wherewith to wound; that heart so weak. 

So soft, laid open to the vulture's beak, 

Its sweet revealings given up to scorn 

It burns to bear, and yet that must be borne: 

And, sorer still, that bitterest emotion, 

To know, the shrine which had our soul's devotion 

Is that of a false deity; to look 

Upon the eyes we worshipped, and brook 

Their cold reply. Yet these art all for her. 

The rude world's outcast and love's wanderer. 

Alas ! that love, which is so sweet a thing, 

Should ever cause guilt, grief and suffering; 

That the lorn heart should ever have to brood 

O'er wrongs and ruin in its solitude; 

And, worst of all, that ever love should be 

Forgetful of its own dear memory ! 

 

Ride on, ride with thy bridal company. 

Ride on thy coal-black steed, thou false one ! ride. 

How gallant is thy bearing, and how proud 

Wave the white glancings of thy plume ! 

Ride on, And at a thousand shout thy name, heed not 

If one shall deeply curse it. When thy heart 

Beats with the presence of thy fair young bride, 

Remember not the one which thou hast left, 

A jewel tarnished in its light, to break ; 

And when her blush looks beautiful, forget 

The blush you kissed, when on your bosom by 

The now forsaken Maid of Arragon ! 

And when before the nobles of the land, 

Beneath the proud cathedral's fretted aisle, 

You plight your marriage vows, think not of those 

You breathed in the lone citron grove, the stars 

Witnesses of the contract. Fare thee well !—

On rode the Bridegroom, to the breath of flutes 

And the salute of trumpets. Suddenly 

A gush of perfume and a sound of song 

Rose slow and sweet, — they ushered in the Bride. 

On came the Ladye, with her bright hair wreathed 

Around with Indian pearls ; a silver veil 

Played o'er her jewelled waist. And they were wed,

That dark-eyed Cavalier, and that sweet dame. 

And as the gay procession left the church. 

Gathered a multitude around, and wished 

All happiness to their Hero and his Bride; 

And to the flourish of glad instruments, 

A chorus of rich voices made reply. 

Yet ever and anon a single song, 

A low and melancholy song, was heard, 

The very echo of a broken heart, 

Like the swan dying in soft music. None 

Of all the train could tell whence came that voice; 

But each one felt its influence, as it waked 

In each some sad forgotten memory ; 

But more than all, it seemed to call dark thought 

Upon the Bridegroom's forehead, and his lip 

Grew pale with some deep feeling. But it ceased, 

And each felt as a weight had left his heart, 

When died those tones of sorrow into silence; 

But all remarked how strange a gloom had fallen 

Over the Count. Yet on they rode, and reached 

His palace, bright like day with perfumed lamps : 

The stately banquet was spread gorgeously, 

And in the glory of the festal hall, 

And in the gladness of its melody, 

All soon forgot the melancholy song. - - -

Next day there was a sound of pity heard 

In the proud streets of Seville : at the foot 

Of Count Hernando's statue— (that one raised 

To honour him, when, first and last in battle, 

He singly stood against the Moors, and turned 

The fortune of the fight)— as if in prayer, 

A Maiden knelt ; her long hair hid her face, 

And its black curls were drenched with the thick dew.

She had been all night there, for some recalled 

Seeing a pale girl kneeling there when first 

Upon the statue fell the cold moonlight. 

There was a wreath of laurel hung above, 

Fresh, green ; below it, like an offering, 

A cypress braid, with one pale withered rose 

Bound by a broken chain of gold. They touched the hands,

When the pale maiden answered not their words; 

They were like marble, heavy, white and chill; 

They parted from the face the thick dark hair, 

And looked upon a corpse ! 

 

The Literary Gazette, 29th November 1823

False One
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